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c1f93e4105aeeaf1c9247b38cb7b7f5cffb31d0aI asked ChatGPT to write a satirical Swedish song about the “sosseriet” (a mocking term that the right wing often uses to undermine democracy), with a twist revealing that what we really want to stop is “nasseriet” (a reference to...
I asked ChatGPT to write a satirical Swedish song about the “sosseriet” (a mocking term that the right wing often uses to undermine democracy), with a twist revealing that what we really want to stop is “nasseriet” (a reference to Nazism). However, since current AI engines still struggle with vocals and instruments, I ended up having to rewrite and sample everything beyond recognition, resulting in a completely new track.
So, the original idea was to base this on the Sweden Democrats’ own party platform, with ChatGPT highlighting the darker aspects, using their own words. The goal was to transform it into a satirical track in Udio’s music AI, set to a 4/4 beat. It was supposed to be done in the style of Svensk dansband—a genre famous for its catchy melodies and heartfelt lyrics, like the legendary Lasse Stefanz, Arvingarna, Vikingarna, Thorleifs etc. But, alas, Udio hasn’t quite mastered Swedish dance bands (at least in the way I wanted it). Let’s just say Lasse Stefanz wouldn’t be too thrilled with the final result!
The lyrics are presented at the bottom of the page.
Table of Contents Toggle Tools for building this trackLyrics Tools for building this track
Recording, beat matching, melody, track reorganizationMe.Beat and tonality: 135 BPM (Originally approximately 142.30), Bb.Playtime: Extended to 3:26 (Originally 2:11, udio-130, model v1.5)
LyricsChatGPT.
VocalsUdio.
ResamplingAudimee.
DAWReason Studio 13.
Lyrics
[VERSE]Vem är det som står och pekar?Säger att andra ska försvinna, men de döljer sitt eget fel.Bakom rader av gamla tal,Hör jag ett ekande skrik av rasismens skal.Vi tar oss fram, vi dansar runt,Men lögnerna växer, en saknad grund.
[PRE-DROP]Skrika högt om sosseriet,Men vad är det ni egentligen vill?
[CHORUS] (WAS: DROP)Stoppa nasseriet, vi ser vad ni gör!Klädda som folket, men ni sprider er sörj!Ingen plats för hat, inget rum för lögner,Vi ser vad ni döljer, vad ni riktigt föder!
[VERSE]Ser du vem som står där bak?I deras tystnad finns ett gammalt svagt smak.De pratar om folket, men vad vill de ge?Bara gamla minnen från en tid vi vill se le.De skriker om ordning, men skapar kaos,I deras värld är alla fiender, inget paus.
[PRE-DROP]Skrika högt om sosseriet,Men vad är det ni egentligen vill?
[CHORUS] (WAS: DROP)Stoppa nasseriet, vi ser vad ni gör!Klädda som folket, men ni sprider er sörj!Ingen plats för hat, inget rum för lögner,Vi ser vad ni döljer, vad ni riktigt föder!
[OUTRO] (Mini, WAS: CHORUS)Stoppa nasseriet, vi har fått nog!Ingen plats för lögner eller deras snog.Vi dansar på i våra folkdräktskläder,Men inte en tanke på vad de leder.
20ce0e5e51dbbae260d9f3f05fb7c02825740318
c1f93e4105aeeaf1c9247b38cb7b7f5cffb31d0a
TITLE: I AI-boosted a track and ended up with whole new content DESCRIPTION: I asked ChatGPT to write a satirical Swedish song about the “sosseriet” (a mocking term that the right wing often uses to undermine democracy), with a twist revealing that what we really want to stop is “nasseriet” (a reference to... CONTENT: I asked ChatGPT to write a satirical Swedish song about the “sosseriet” (a mocking term that the right wing often uses to undermine democracy), with a twist revealing that what we really want to stop is “nasseriet” (a reference to Nazism). However, since current AI engines still struggle with vocals and instruments, I ended up having to rewrite and sample everything beyond recognition, resulting in a completely new track. So, the original idea was to base this on the Sweden Democrats’ own party platform, with ChatGPT highlighting the darker aspects, using their own words. The goal was to transform it into a satirical track in Udio's music AI, set to a 4/4 beat. It was supposed to be done in the style of Svensk dansband-a genre famous for its catchy melodies and heartfelt lyrics, like the legendary Lasse Stefanz, Arvingarna, Vikingarna, Thorleifs etc. But, alas, Udio hasn't quite mastered Swedish dance bands (at least in the way I wanted it). Let's just say Lasse Stefanz wouldn't be too thrilled with the final result! The lyrics are presented at the bottom of the page. Table of Contents Toggle Tools for building this trackLyrics Tools for building this track Recording, beat matching, melody, track reorganizationMe.Beat and tonality: 135 BPM (Originally approximately 142.30), Bb.Playtime: Extended to 3:26 (Originally 2:11, udio-130, model v1.5) LyricsChatGPT. VocalsUdio. ResamplingAudimee. DAWReason Studio 13. Lyrics [VERSE]Vem är det som står och pekar?Säger att andra ska försvinna, men de döljer sitt eget fel.Bakom rader av gamla tal,Hör jag ett ekande skrik av rasismens skal.Vi tar oss fram, vi dansar runt,Men lögnerna växer, en saknad grund. [PRE-DROP]Skrika högt om sosseriet,Men vad är det ni egentligen vill? [CHORUS] (WAS: DROP)Stoppa nasseriet, vi ser vad ni gör!Klädda som folket, men ni sprider er sörj!Ingen plats för hat, inget rum för lögner,Vi ser vad ni döljer, vad ni riktigt föder! [VERSE]Ser du vem som står där bak?I deras tystnad finns ett gammalt svagt smak.De pratar om folket, men vad vill de ge?Bara gamla minnen från en tid vi vill se le.De skriker om ordning, men skapar kaos,I deras värld är alla fiender, inget paus. [PRE-DROP]Skrika högt om sosseriet,Men vad är det ni egentligen vill? [CHORUS] (WAS: DROP)Stoppa nasseriet, vi ser vad ni gör!Klädda som folket, men ni sprider er sörj!Ingen plats för hat, inget rum för lögner,Vi ser vad ni döljer, vad ni riktigt föder! [OUTRO] (Mini, WAS: CHORUS)Stoppa nasseriet, vi har fått nog!Ingen plats för lögner eller deras snog.Vi dansar på i våra folkdräktskläder,Men inte en tanke på vad de leder.
TITLE: I AI-boosted a track and ended up with whole new content DESCRIPTION: I asked ChatGPT to write a satirical Swedish song about the “sosseriet” (a mocking term that the right wing often uses to undermine democracy), with a twist revealing that what we really want to stop is “nasseriet” (a reference to... CONTENT: I asked ChatGPT to write a satirical Swedish song about the “sosseriet” (a mocking term that the right wing often uses to undermine democracy), with a twist revealing that what we really want to stop is “nasseriet” (a reference to Nazism). However, since current AI engines still struggle with vocals and instruments, I ended up having to rewrite and sample everything beyond recognition, resulting in a completely new track. So, the original idea was to base this on the Sweden Democrats’ own party platform, with ChatGPT highlighting the darker aspects, using their own words. The goal was to transform it into a satirical track in Udio’s music AI, set to a 4/4 beat. It was supposed to be done in the style of Svensk dansband—a genre famous for its catchy melodies and heartfelt lyrics, like the legendary Lasse Stefanz, Arvingarna, Vikingarna, Thorleifs etc. But, alas, Udio hasn’t quite mastered Swedish dance bands (at least in the way I wanted it). Let’s just say Lasse Stefanz wouldn’t be too thrilled with the final result! The lyrics are presented at the bottom of the page. Table of Contents Toggle Tools for building this trackLyrics Tools for building this track Recording, beat matching, melody, track reorganizationMe.Beat and tonality: 135 BPM (Originally approximately 142.30), Bb.Playtime: Extended to 3:26 (Originally 2:11, udio-130, model v1.5) LyricsChatGPT. VocalsUdio. ResamplingAudimee. DAWReason Studio 13. Lyrics [VERSE]Vem är det som står och pekar?Säger att andra ska försvinna, men de döljer sitt eget fel.Bakom rader av gamla tal,Hör jag ett ekande skrik av rasismens skal.Vi tar oss fram, vi dansar runt,Men lögnerna växer, en saknad grund. [PRE-DROP]Skrika högt om sosseriet,Men vad är det ni egentligen vill? [CHORUS] (WAS: DROP)Stoppa nasseriet, vi ser vad ni gör!Klädda som folket, men ni sprider er sörj!Ingen plats för hat, inget rum för lögner,Vi ser vad ni döljer, vad ni riktigt föder! [VERSE]Ser du vem som står där bak?I deras tystnad finns ett gammalt svagt smak.De pratar om folket, men vad vill de ge?Bara gamla minnen från en tid vi vill se le.De skriker om ordning, men skapar kaos,I deras värld är alla fiender, inget paus. [PRE-DROP]Skrika högt om sosseriet,Men vad är det ni egentligen vill? [CHORUS] (WAS: DROP)Stoppa nasseriet, vi ser vad ni gör!Klädda som folket, men ni sprider er sörj!Ingen plats för hat, inget rum för lögner,Vi ser vad ni döljer, vad ni riktigt föder! [OUTRO] (Mini, WAS: CHORUS)Stoppa nasseriet, vi har fått nog!Ingen plats för lögner eller deras snog.Vi dansar på i våra folkdräktskläder,Men inte en tanke på vad de leder.
c1f93e4105aeeaf1c9247b38cb7b7f5cffb31d0a
20ce0e5e51dbbae260d9f3f05fb7c02825740318
20ce0e5e51dbbae260d9f3f05fb7c02825740318I asked ChatGPT to write a satirical Swedish song about the “sosseriet” (a mocking term that the right wing often uses to undermine democracy), with a twist revealing that what we really want to stop is “nasseriet” (a reference to...
I asked ChatGPT to write a satirical Swedish song about the “sosseriet” (a mocking term that the right wing often uses to undermine democracy), with a twist revealing that what we really want to stop is “nasseriet” (a reference to Nazism). However, since current AI engines still struggle with vocals and instruments, I ended up having to rewrite and sample everything beyond recognition, resulting in a completely new track.
So, the original idea was to base this on the Sweden Democrats’ own party platform, with ChatGPT highlighting the darker aspects, using their own words. The goal was to transform it into a satirical track in Udio's music AI, set to a 4/4 beat. It was supposed to be done in the style of Svensk dansband-a genre famous for its catchy melodies and heartfelt lyrics, like the legendary Lasse Stefanz, Arvingarna, Vikingarna, Thorleifs etc. But, alas, Udio hasn't quite mastered Swedish dance bands (at least in the way I wanted it). Let's just say Lasse Stefanz wouldn't be too thrilled with the final result!
The lyrics are presented at the bottom of the page.
Table of Contents Toggle Tools for building this trackLyrics Tools for building this track
Recording, beat matching, melody, track reorganizationMe.Beat and tonality: 135 BPM (Originally approximately 142.30), Bb.Playtime: Extended to 3:26 (Originally 2:11, udio-130, model v1.5)
LyricsChatGPT.
VocalsUdio.
ResamplingAudimee.
DAWReason Studio 13.
Lyrics
[VERSE]Vem är det som står och pekar?Säger att andra ska försvinna, men de döljer sitt eget fel.Bakom rader av gamla tal,Hör jag ett ekande skrik av rasismens skal.Vi tar oss fram, vi dansar runt,Men lögnerna växer, en saknad grund.
[PRE-DROP]Skrika högt om sosseriet,Men vad är det ni egentligen vill?
[CHORUS] (WAS: DROP)Stoppa nasseriet, vi ser vad ni gör!Klädda som folket, men ni sprider er sörj!Ingen plats för hat, inget rum för lögner,Vi ser vad ni döljer, vad ni riktigt föder!
[VERSE]Ser du vem som står där bak?I deras tystnad finns ett gammalt svagt smak.De pratar om folket, men vad vill de ge?Bara gamla minnen från en tid vi vill se le.De skriker om ordning, men skapar kaos,I deras värld är alla fiender, inget paus.
[PRE-DROP]Skrika högt om sosseriet,Men vad är det ni egentligen vill?
[CHORUS] (WAS: DROP)Stoppa nasseriet, vi ser vad ni gör!Klädda som folket, men ni sprider er sörj!Ingen plats för hat, inget rum för lögner,Vi ser vad ni döljer, vad ni riktigt föder!
[OUTRO] (Mini, WAS: CHORUS)Stoppa nasseriet, vi har fått nog!Ingen plats för lögner eller deras snog.Vi dansar på i våra folkdräktskläder,Men inte en tanke på vad de leder.
20ce0e5e51dbbae260d9f3f05fb7c02825740318
c1f93e4105aeeaf1c9247b38cb7b7f5cffb31d0a
TITLE: I AI-boosted a track and ended up with whole new content DESCRIPTION: I asked ChatGPT to write a satirical Swedish song about the “sosseriet” (a mocking term that the right wing often uses to undermine democracy), with a twist revealing that what we really want to stop is “nasseriet” (a reference to... CONTENT: I asked ChatGPT to write a satirical Swedish song about the “sosseriet” (a mocking term that the right wing often uses to undermine democracy), with a twist revealing that what we really want to stop is “nasseriet” (a reference to Nazism). However, since current AI engines still struggle with vocals and instruments, I ended up having to rewrite and sample everything beyond recognition, resulting in a completely new track. So, the original idea was to base this on the Sweden Democrats’ own party platform, with ChatGPT highlighting the darker aspects, using their own words. The goal was to transform it into a satirical track in Udio's music AI, set to a 4/4 beat. It was supposed to be done in the style of Svensk dansband-a genre famous for its catchy melodies and heartfelt lyrics, like the legendary Lasse Stefanz, Arvingarna, Vikingarna, Thorleifs etc. But, alas, Udio hasn't quite mastered Swedish dance bands (at least in the way I wanted it). Let's just say Lasse Stefanz wouldn't be too thrilled with the final result! The lyrics are presented at the bottom of the page. Table of Contents Toggle Tools for building this trackLyrics Tools for building this track Recording, beat matching, melody, track reorganizationMe.Beat and tonality: 135 BPM (Originally approximately 142.30), Bb.Playtime: Extended to 3:26 (Originally 2:11, udio-130, model v1.5) LyricsChatGPT. VocalsUdio. ResamplingAudimee. DAWReason Studio 13. Lyrics [VERSE]Vem är det som står och pekar?Säger att andra ska försvinna, men de döljer sitt eget fel.Bakom rader av gamla tal,Hör jag ett ekande skrik av rasismens skal.Vi tar oss fram, vi dansar runt,Men lögnerna växer, en saknad grund. [PRE-DROP]Skrika högt om sosseriet,Men vad är det ni egentligen vill? [CHORUS] (WAS: DROP)Stoppa nasseriet, vi ser vad ni gör!Klädda som folket, men ni sprider er sörj!Ingen plats för hat, inget rum för lögner,Vi ser vad ni döljer, vad ni riktigt föder! [VERSE]Ser du vem som står där bak?I deras tystnad finns ett gammalt svagt smak.De pratar om folket, men vad vill de ge?Bara gamla minnen från en tid vi vill se le.De skriker om ordning, men skapar kaos,I deras värld är alla fiender, inget paus. [PRE-DROP]Skrika högt om sosseriet,Men vad är det ni egentligen vill? [CHORUS] (WAS: DROP)Stoppa nasseriet, vi ser vad ni gör!Klädda som folket, men ni sprider er sörj!Ingen plats för hat, inget rum för lögner,Vi ser vad ni döljer, vad ni riktigt föder! [OUTRO] (Mini, WAS: CHORUS)Stoppa nasseriet, vi har fått nog!Ingen plats för lögner eller deras snog.Vi dansar på i våra folkdräktskläder,Men inte en tanke på vad de leder.
TITLE: I AI-boosted a track and ended up with whole new content DESCRIPTION: I asked ChatGPT to write a satirical Swedish song about the “sosseriet” (a mocking term that the right wing often uses to undermine democracy), with a twist revealing that what we really want to stop is “nasseriet” (a reference to... CONTENT: I asked ChatGPT to write a satirical Swedish song about the “sosseriet” (a mocking term that the right wing often uses to undermine democracy), with a twist revealing that what we really want to stop is “nasseriet” (a reference to Nazism). However, since current AI engines still struggle with vocals and instruments, I ended up having to rewrite and sample everything beyond recognition, resulting in a completely new track. So, the original idea was to base this on the Sweden Democrats’ own party platform, with ChatGPT highlighting the darker aspects, using their own words. The goal was to transform it into a satirical track in Udio’s music AI, set to a 4/4 beat. It was supposed to be done in the style of Svensk dansband—a genre famous for its catchy melodies and heartfelt lyrics, like the legendary Lasse Stefanz, Arvingarna, Vikingarna, Thorleifs etc. But, alas, Udio hasn’t quite mastered Swedish dance bands (at least in the way I wanted it). Let’s just say Lasse Stefanz wouldn’t be too thrilled with the final result! The lyrics are presented at the bottom of the page. Table of Contents Toggle Tools for building this trackLyrics Tools for building this track Recording, beat matching, melody, track reorganizationMe.Beat and tonality: 135 BPM (Originally approximately 142.30), Bb.Playtime: Extended to 3:26 (Originally 2:11, udio-130, model v1.5) LyricsChatGPT. VocalsUdio. ResamplingAudimee. DAWReason Studio 13. Lyrics [VERSE]Vem är det som står och pekar?Säger att andra ska försvinna, men de döljer sitt eget fel.Bakom rader av gamla tal,Hör jag ett ekande skrik av rasismens skal.Vi tar oss fram, vi dansar runt,Men lögnerna växer, en saknad grund. [PRE-DROP]Skrika högt om sosseriet,Men vad är det ni egentligen vill? [CHORUS] (WAS: DROP)Stoppa nasseriet, vi ser vad ni gör!Klädda som folket, men ni sprider er sörj!Ingen plats för hat, inget rum för lögner,Vi ser vad ni döljer, vad ni riktigt föder! [VERSE]Ser du vem som står där bak?I deras tystnad finns ett gammalt svagt smak.De pratar om folket, men vad vill de ge?Bara gamla minnen från en tid vi vill se le.De skriker om ordning, men skapar kaos,I deras värld är alla fiender, inget paus. [PRE-DROP]Skrika högt om sosseriet,Men vad är det ni egentligen vill? [CHORUS] (WAS: DROP)Stoppa nasseriet, vi ser vad ni gör!Klädda som folket, men ni sprider er sörj!Ingen plats för hat, inget rum för lögner,Vi ser vad ni döljer, vad ni riktigt föder! [OUTRO] (Mini, WAS: CHORUS)Stoppa nasseriet, vi har fått nog!Ingen plats för lögner eller deras snog.Vi dansar på i våra folkdräktskläder,Men inte en tanke på vad de leder.
c1f93e4105aeeaf1c9247b38cb7b7f5cffb31d0a
20ce0e5e51dbbae260d9f3f05fb7c02825740318
e62111320f069a94dae9da89e6b8bf2130f61fccNo! This title is not misleading you. It doesn’t reflect the kind of “good” hate Nazis always talk about. No, this story is all about how confused teenagers could possibly navigate life. They could do it if they were just...
No! This title is not misleading you. It doesn’t reflect the kind of “good” hate Nazis always talk about. No, this story is all about how confused teenagers could possibly navigate life. They could do it if they were just a tiny bit more, let’s say, creatively rebellious in their behavior. In such cases, hate will transform into music. Let me tell you a story about weird personal development.
Vanquish is the new title of a track I created as a young and frustrated kid in my early 20s, fed up with various “competing aspects” of life (girls), that sometimes were becoming too much to handle. Prior to this, I had been working on a series of songs over different periods. They are collectively referred to as “Hata Frank” (“Hating Frank”). These tracks were recently released on SoundCloud for historical reasons under the name Frankly Hating, though I’m now considering renaming the series Frankly Speaking to make it a bit more subtle. I no longer live with that same feeling of hate anyway. These tracks were produced at a very amateur level in FastTracker 2. They are perhaps best left in the archives, but I’ve collected them as part of documenting my creative history.
Frankly Hating Part 1Frankly Hating Part 2Frankly Hating Part 3Frankly Hating Part 4
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The original Frankly Hating/Speaking series was inspired by a personal “demon” from my youth. A younger man frequently visited my mother. He often made me feel like he was invading my space. Although his intentions weren’t bad, it felt intrusive as a teenager. As I documented in my blog, four versions of the track were released, representing this period of frustration.
Later, in the late 1990s, I encountered a new nemesis on the IRC channel #kärlek – _hugin. Hugin, around 25-26 years old, chatted with every girl he could, often crying on the phone to gain sympathy. At the time, I had just started dating someone and found his behavior frustrating. Instead of confronting him directly, I channeled my frustration into music: “The Raven”. To be honest, it was pretty shitty.
The Raven (Overdist Edit, 2001) [Experimental Frankly Hating Ep. 5]
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A new track morphed into Vigvatten, Silverpil & Påle (“Holy Water, Silver Arrow & Stake”) in the early 2000s, becoming a more rave-driven track, not similar to the old versions at all, and entirely created with Propellerhead Rebirth.
Vigvatten silverpil & påle (1999)Vigvatten, Silverpil & Påle (Vanquish, Original Non Vocal Track)
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Frustration can do amazing things to you, can’t it?
The Raven became the final project in the original series, as the bird theme grew tiresome and creatively exhausting. Vigvatten, Silverpil & Påle recently transformed into Vanquish during this year (2024), as the Swedish title likely wouldn’t work well on platforms like SoundCloud or Spotify (even though there are Swedish listeners, of course).
Around the time after 1999, Through Your Neck took shape due to a “final contact with hugin,” who I believed had given up all attempts to get anywhere in life. Through Your Neck became the new track that diverged from the demonizing theme of the unlucky raven (olyckskorp) as a bird. Multiple remix attempts were made with Through Your Neck and the tones were much more calm than the prior edits.
In 2009, Whiplash was released. The title change was motivated by concerns that the original could be seen as too controversial for those involved. The original included lyrics such as “the bullet you shoot something-something goes right/straight through your neck,” with the central image of a silver bullet instead of an arrow, as the whole theme was initially based on mythology and supernatural beings. While Whiplash no longer dealt with gunshot wounds directly, it maintained subtle references to the neck stuff, serving as a weird “easter egg.”
Whiplash - Through Your Neck Freakshow Remix
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In recent years, a remix (almost titled Dear Joey) was created, though it remained unfinished. The remix is long and ends abruptly, carrying the message that the unlucky raven (olyckskorp) is left behind, for another partner. The next project likely won’t focus on ravens at all but will explore a new direction. Only time will tell what that direction will be.
47466e704db0973228fbd5d4126242657f761ce0
e62111320f069a94dae9da89e6b8bf2130f61fcc
TITLE:
Frankly Hating: A Journey Through Youthful Frustration
DESCRIPTION:
No! This title is not misleading you. It doesn’t reflect the kind of “good” hate Nazis always talk about. No, this story is all about how confused teenagers could possibly navigate life. They could do it if they were just...
CONTENT:
No! This title is not misleading you. It doesn’t reflect the kind of “good” hate Nazis always talk about. No, this story is all about how confused teenagers could possibly navigate life. They could do it if they were just a tiny bit more, let's say, creatively rebellious in their behavior. In such cases, hate will transform into music. Let me tell you a story about weird personal development.
Vanquish is the new title of a track I created as a young and frustrated kid in my early 20s, fed up with various “competing aspects” of life (girls), that sometimes were becoming too much to handle. Prior to this, I had been working on a series of songs over different periods. They are collectively referred to as “Hata Frank” (“Hating Frank”). These tracks were recently released on SoundCloud for historical reasons under the name Frankly Hating, though I’m now considering renaming the series Frankly Speaking to make it a bit more subtle. I no longer live with that same feeling of hate anyway. These tracks were produced at a very amateur level in FastTracker 2. They are perhaps best left in the archives, but I’ve collected them as part of documenting my creative history.
Frankly Hating Part 1Frankly Hating Part 2Frankly Hating Part 3Frankly Hating Part 4
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The original Frankly Hating/Speaking series was inspired by a personal “demon” from my youth. A younger man frequently visited my mother. He often made me feel like he was invading my space. Although his intentions weren’t bad, it felt intrusive as a teenager. As I documented in my blog, four versions of the track were released, representing this period of frustration.
Later, in the late 1990s, I encountered a new nemesis on the IRC channel #kärlek – _hugin. Hugin, around 25-26 years old, chatted with every girl he could, often crying on the phone to gain sympathy. At the time, I had just started dating someone and found his behavior frustrating. Instead of confronting him directly, I channeled my frustration into music: “The Raven”. To be honest, it was pretty shitty.
The Raven (Overdist Edit, 2001) [Experimental Frankly Hating Ep. 5]
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A new track morphed into Vigvatten, Silverpil & Påle (“Holy Water, Silver Arrow & Stake”) in the early 2000s, becoming a more rave-driven track, not similar to the old versions at all, and entirely created with Propellerhead Rebirth.
Vigvatten silverpil & påle (1999)Vigvatten, Silverpil & Påle (Vanquish, Original Non Vocal Track)
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Frustration can do amazing things to you, can’t it?
The Raven became the final project in the original series, as the bird theme grew tiresome and creatively exhausting. Vigvatten, Silverpil & Påle recently transformed into Vanquish during this year (2024), as the Swedish title likely wouldn’t work well on platforms like SoundCloud or Spotify (even though there are Swedish listeners, of course).
Around the time after 1999, Through Your Neck took shape due to a “final contact with hugin,” who I believed had given up all attempts to get anywhere in life. Through Your Neck became the new track that diverged from the demonizing theme of the unlucky raven (olyckskorp) as a bird. Multiple remix attempts were made with Through Your Neck and the tones were much more calm than the prior edits.
In 2009, Whiplash was released. The title change was motivated by concerns that the original could be seen as too controversial for those involved. The original included lyrics such as “the bullet you shoot something-something goes right/straight through your neck,” with the central image of a silver bullet instead of an arrow, as the whole theme was initially based on mythology and supernatural beings. While Whiplash no longer dealt with gunshot wounds directly, it maintained subtle references to the neck stuff, serving as a weird “easter egg.”
Whiplash - Through Your Neck Freakshow Remix
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In recent years, a remix (almost titled Dear Joey) was created, though it remained unfinished. The remix is long and ends abruptly, carrying the message that the unlucky raven (olyckskorp) is left behind, for another partner. The next project likely won't focus on ravens at all but will explore a new direction. Only time will tell what that direction will be.
TITLE:
Frankly Hating: A Journey Through Youthful Frustration
DESCRIPTION:
No! This title is not misleading you. It doesn’t reflect the kind of “good” hate Nazis always talk about. No, this story is all about how confused teenagers could possibly navigate life. They could do it if they were just...
CONTENT:
No! This title is not misleading you. It doesn’t reflect the kind of “good” hate Nazis always talk about. No, this story is all about how confused teenagers could possibly navigate life. They could do it if they were just a tiny bit more, let’s say, creatively rebellious in their behavior. In such cases, hate will transform into music. Let me tell you a story about weird personal development.
Vanquish is the new title of a track I created as a young and frustrated kid in my early 20s, fed up with various “competing aspects” of life (girls), that sometimes were becoming too much to handle. Prior to this, I had been working on a series of songs over different periods. They are collectively referred to as “Hata Frank” (“Hating Frank”). These tracks were recently released on SoundCloud for historical reasons under the name Frankly Hating, though I’m now considering renaming the series Frankly Speaking to make it a bit more subtle. I no longer live with that same feeling of hate anyway. These tracks were produced at a very amateur level in FastTracker 2. They are perhaps best left in the archives, but I’ve collected them as part of documenting my creative history.
Frankly Hating Part 1Frankly Hating Part 2Frankly Hating Part 3Frankly Hating Part 4
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The original Frankly Hating/Speaking series was inspired by a personal “demon” from my youth. A younger man frequently visited my mother. He often made me feel like he was invading my space. Although his intentions weren’t bad, it felt intrusive as a teenager. As I documented in my blog, four versions of the track were released, representing this period of frustration.
Later, in the late 1990s, I encountered a new nemesis on the IRC channel #kärlek – _hugin. Hugin, around 25-26 years old, chatted with every girl he could, often crying on the phone to gain sympathy. At the time, I had just started dating someone and found his behavior frustrating. Instead of confronting him directly, I channeled my frustration into music: “The Raven”. To be honest, it was pretty shitty.
The Raven (Overdist Edit, 2001) [Experimental Frankly Hating Ep. 5]
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A new track morphed into Vigvatten, Silverpil & Påle (“Holy Water, Silver Arrow & Stake”) in the early 2000s, becoming a more rave-driven track, not similar to the old versions at all, and entirely created with Propellerhead Rebirth.
Vigvatten silverpil & påle (1999)Vigvatten, Silverpil & Påle (Vanquish, Original Non Vocal Track)
{"type":"audio","tracklist":true,"tracknumbers":true,"images":true,"artists":true,"tracks":[{"src":"https://static.tornevalls.se/2022/12/6.-Thomas-Tornevall-TMM-Vigvatten-silverpil-pale-1999-128-kbps.mp3","type":"audio/mpeg","title":"Vigvatten silverpil & p\u00e5le (1999)","caption":"","description":"\u201dVigvatten silverpil & p\u00e5le (1999)\u201d fr\u00e5n Bad reputation saga - Haters Collection (2001) av Thomas Tornevall (TMM). Sl\u00e4ppt: 1999. Sp\u00e5r 6. Genre: Other.","meta":{"artist":"Thomas Tornevall (TMM)","album":"Bad reputation saga - Haters Collection (2001)","genre":"Other","year":"1999","length_formatted":"2:53"},"image":{"src":"https://www.tornevalls.se/wp-includes/images/media/audio.svg","width":48,"height":64},"thumb":{"src":"https://www.tornevalls.se/wp-includes/images/media/audio.svg","width":48,"height":64}},{"src":"https://static.tornevalls.se/2024/10/Thomas-Tornevall-TMM-DJ-TT-Vigvatten-Silverpil-Pale-Vanquish.mp3","type":"audio/mpeg","title":"Vigvatten, Silverpil & P\u00e5le (Vanquish, Original Non Vocal Track)","caption":"","description":"\"Vigvatten, Silverpil & P\u00e5le (Vanquish)\" from Vigvatten, Silverpil & P\u00e5le by Thomas Tornevall / TMM / DJ TT. Released: 1999.","meta":{"artist":"Thomas Tornevall / TMM / DJ TT","album":"Vigvatten, Silverpil & P\u00e5le","year":"1999","length_formatted":"2:51"},"image":{"src":"https://www.tornevalls.se/wp-includes/images/media/audio.svg","width":48,"height":64},"thumb":{"src":"https://www.tornevalls.se/wp-includes/images/media/audio.svg","width":48,"height":64}}]}
Frustration can do amazing things to you, can’t it?
The Raven became the final project in the original series, as the bird theme grew tiresome and creatively exhausting. Vigvatten, Silverpil & Påle recently transformed into Vanquish during this year (2024), as the Swedish title likely wouldn’t work well on platforms like SoundCloud or Spotify (even though there are Swedish listeners, of course).
Around the time after 1999, Through Your Neck took shape due to a “final contact with hugin,” who I believed had given up all attempts to get anywhere in life. Through Your Neck became the new track that diverged from the demonizing theme of the unlucky raven (olyckskorp) as a bird. Multiple remix attempts were made with Through Your Neck and the tones were much more calm than the prior edits.
In 2009, Whiplash was released. The title change was motivated by concerns that the original could be seen as too controversial for those involved. The original included lyrics such as “the bullet you shoot something-something goes right/straight through your neck,” with the central image of a silver bullet instead of an arrow, as the whole theme was initially based on mythology and supernatural beings. While Whiplash no longer dealt with gunshot wounds directly, it maintained subtle references to the neck stuff, serving as a weird “easter egg.”
Whiplash - Through Your Neck Freakshow Remix
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In recent years, a remix (almost titled Dear Joey) was created, though it remained unfinished. The remix is long and ends abruptly, carrying the message that the unlucky raven (olyckskorp) is left behind, for another partner. The next project likely won’t focus on ravens at all but will explore a new direction. Only time will tell what that direction will be.
e62111320f069a94dae9da89e6b8bf2130f61fcc
47466e704db0973228fbd5d4126242657f761ce0
47466e704db0973228fbd5d4126242657f761ce0No! This title is not misleading you. It doesn’t reflect the kind of “good” hate Nazis always talk about. No, this story is all about how confused teenagers could possibly navigate life. They could do it if they were just...
No! This title is not misleading you. It doesn’t reflect the kind of “good” hate Nazis always talk about. No, this story is all about how confused teenagers could possibly navigate life. They could do it if they were just a tiny bit more, let's say, creatively rebellious in their behavior. In such cases, hate will transform into music. Let me tell you a story about weird personal development.
Vanquish is the new title of a track I created as a young and frustrated kid in my early 20s, fed up with various “competing aspects” of life (girls), that sometimes were becoming too much to handle. Prior to this, I had been working on a series of songs over different periods. They are collectively referred to as “Hata Frank” (“Hating Frank”). These tracks were recently released on SoundCloud for historical reasons under the name Frankly Hating, though I’m now considering renaming the series Frankly Speaking to make it a bit more subtle. I no longer live with that same feeling of hate anyway. These tracks were produced at a very amateur level in FastTracker 2. They are perhaps best left in the archives, but I’ve collected them as part of documenting my creative history.
Frankly Hating Part 1Frankly Hating Part 2Frankly Hating Part 3Frankly Hating Part 4
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The original Frankly Hating/Speaking series was inspired by a personal “demon” from my youth. A younger man frequently visited my mother. He often made me feel like he was invading my space. Although his intentions weren’t bad, it felt intrusive as a teenager. As I documented in my blog, four versions of the track were released, representing this period of frustration.
Later, in the late 1990s, I encountered a new nemesis on the IRC channel #kärlek – _hugin. Hugin, around 25-26 years old, chatted with every girl he could, often crying on the phone to gain sympathy. At the time, I had just started dating someone and found his behavior frustrating. Instead of confronting him directly, I channeled my frustration into music: “The Raven”. To be honest, it was pretty shitty.
The Raven (Overdist Edit, 2001) [Experimental Frankly Hating Ep. 5]
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A new track morphed into Vigvatten, Silverpil & Påle (“Holy Water, Silver Arrow & Stake”) in the early 2000s, becoming a more rave-driven track, not similar to the old versions at all, and entirely created with Propellerhead Rebirth.
Vigvatten silverpil & påle (1999)Vigvatten, Silverpil & Påle (Vanquish, Original Non Vocal Track)
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Frustration can do amazing things to you, can’t it?
The Raven became the final project in the original series, as the bird theme grew tiresome and creatively exhausting. Vigvatten, Silverpil & Påle recently transformed into Vanquish during this year (2024), as the Swedish title likely wouldn’t work well on platforms like SoundCloud or Spotify (even though there are Swedish listeners, of course).
Around the time after 1999, Through Your Neck took shape due to a “final contact with hugin,” who I believed had given up all attempts to get anywhere in life. Through Your Neck became the new track that diverged from the demonizing theme of the unlucky raven (olyckskorp) as a bird. Multiple remix attempts were made with Through Your Neck and the tones were much more calm than the prior edits.
In 2009, Whiplash was released. The title change was motivated by concerns that the original could be seen as too controversial for those involved. The original included lyrics such as “the bullet you shoot something-something goes right/straight through your neck,” with the central image of a silver bullet instead of an arrow, as the whole theme was initially based on mythology and supernatural beings. While Whiplash no longer dealt with gunshot wounds directly, it maintained subtle references to the neck stuff, serving as a weird “easter egg.”
Whiplash - Through Your Neck Freakshow Remix
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In recent years, a remix (almost titled Dear Joey) was created, though it remained unfinished. The remix is long and ends abruptly, carrying the message that the unlucky raven (olyckskorp) is left behind, for another partner. The next project likely won't focus on ravens at all but will explore a new direction. Only time will tell what that direction will be.
47466e704db0973228fbd5d4126242657f761ce0
e62111320f069a94dae9da89e6b8bf2130f61fcc
TITLE:
Frankly Hating: A Journey Through Youthful Frustration
DESCRIPTION:
No! This title is not misleading you. It doesn’t reflect the kind of “good” hate Nazis always talk about. No, this story is all about how confused teenagers could possibly navigate life. They could do it if they were just...
CONTENT:
No! This title is not misleading you. It doesn’t reflect the kind of “good” hate Nazis always talk about. No, this story is all about how confused teenagers could possibly navigate life. They could do it if they were just a tiny bit more, let's say, creatively rebellious in their behavior. In such cases, hate will transform into music. Let me tell you a story about weird personal development.
Vanquish is the new title of a track I created as a young and frustrated kid in my early 20s, fed up with various “competing aspects” of life (girls), that sometimes were becoming too much to handle. Prior to this, I had been working on a series of songs over different periods. They are collectively referred to as “Hata Frank” (“Hating Frank”). These tracks were recently released on SoundCloud for historical reasons under the name Frankly Hating, though I’m now considering renaming the series Frankly Speaking to make it a bit more subtle. I no longer live with that same feeling of hate anyway. These tracks were produced at a very amateur level in FastTracker 2. They are perhaps best left in the archives, but I’ve collected them as part of documenting my creative history.
Frankly Hating Part 1Frankly Hating Part 2Frankly Hating Part 3Frankly Hating Part 4
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The original Frankly Hating/Speaking series was inspired by a personal “demon” from my youth. A younger man frequently visited my mother. He often made me feel like he was invading my space. Although his intentions weren’t bad, it felt intrusive as a teenager. As I documented in my blog, four versions of the track were released, representing this period of frustration.
Later, in the late 1990s, I encountered a new nemesis on the IRC channel #kärlek – _hugin. Hugin, around 25-26 years old, chatted with every girl he could, often crying on the phone to gain sympathy. At the time, I had just started dating someone and found his behavior frustrating. Instead of confronting him directly, I channeled my frustration into music: “The Raven”. To be honest, it was pretty shitty.
The Raven (Overdist Edit, 2001) [Experimental Frankly Hating Ep. 5]
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A new track morphed into Vigvatten, Silverpil & Påle (“Holy Water, Silver Arrow & Stake”) in the early 2000s, becoming a more rave-driven track, not similar to the old versions at all, and entirely created with Propellerhead Rebirth.
Vigvatten silverpil & påle (1999)Vigvatten, Silverpil & Påle (Vanquish, Original Non Vocal Track)
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Frustration can do amazing things to you, can’t it?
The Raven became the final project in the original series, as the bird theme grew tiresome and creatively exhausting. Vigvatten, Silverpil & Påle recently transformed into Vanquish during this year (2024), as the Swedish title likely wouldn’t work well on platforms like SoundCloud or Spotify (even though there are Swedish listeners, of course).
Around the time after 1999, Through Your Neck took shape due to a “final contact with hugin,” who I believed had given up all attempts to get anywhere in life. Through Your Neck became the new track that diverged from the demonizing theme of the unlucky raven (olyckskorp) as a bird. Multiple remix attempts were made with Through Your Neck and the tones were much more calm than the prior edits.
In 2009, Whiplash was released. The title change was motivated by concerns that the original could be seen as too controversial for those involved. The original included lyrics such as “the bullet you shoot something-something goes right/straight through your neck,” with the central image of a silver bullet instead of an arrow, as the whole theme was initially based on mythology and supernatural beings. While Whiplash no longer dealt with gunshot wounds directly, it maintained subtle references to the neck stuff, serving as a weird “easter egg.”
Whiplash - Through Your Neck Freakshow Remix
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In recent years, a remix (almost titled Dear Joey) was created, though it remained unfinished. The remix is long and ends abruptly, carrying the message that the unlucky raven (olyckskorp) is left behind, for another partner. The next project likely won't focus on ravens at all but will explore a new direction. Only time will tell what that direction will be.
TITLE:
Frankly Hating: A Journey Through Youthful Frustration
DESCRIPTION:
No! This title is not misleading you. It doesn’t reflect the kind of “good” hate Nazis always talk about. No, this story is all about how confused teenagers could possibly navigate life. They could do it if they were just...
CONTENT:
No! This title is not misleading you. It doesn’t reflect the kind of “good” hate Nazis always talk about. No, this story is all about how confused teenagers could possibly navigate life. They could do it if they were just a tiny bit more, let’s say, creatively rebellious in their behavior. In such cases, hate will transform into music. Let me tell you a story about weird personal development.
Vanquish is the new title of a track I created as a young and frustrated kid in my early 20s, fed up with various “competing aspects” of life (girls), that sometimes were becoming too much to handle. Prior to this, I had been working on a series of songs over different periods. They are collectively referred to as “Hata Frank” (“Hating Frank”). These tracks were recently released on SoundCloud for historical reasons under the name Frankly Hating, though I’m now considering renaming the series Frankly Speaking to make it a bit more subtle. I no longer live with that same feeling of hate anyway. These tracks were produced at a very amateur level in FastTracker 2. They are perhaps best left in the archives, but I’ve collected them as part of documenting my creative history.
Frankly Hating Part 1Frankly Hating Part 2Frankly Hating Part 3Frankly Hating Part 4
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The original Frankly Hating/Speaking series was inspired by a personal “demon” from my youth. A younger man frequently visited my mother. He often made me feel like he was invading my space. Although his intentions weren’t bad, it felt intrusive as a teenager. As I documented in my blog, four versions of the track were released, representing this period of frustration.
Later, in the late 1990s, I encountered a new nemesis on the IRC channel #kärlek – _hugin. Hugin, around 25-26 years old, chatted with every girl he could, often crying on the phone to gain sympathy. At the time, I had just started dating someone and found his behavior frustrating. Instead of confronting him directly, I channeled my frustration into music: “The Raven”. To be honest, it was pretty shitty.
The Raven (Overdist Edit, 2001) [Experimental Frankly Hating Ep. 5]
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A new track morphed into Vigvatten, Silverpil & Påle (“Holy Water, Silver Arrow & Stake”) in the early 2000s, becoming a more rave-driven track, not similar to the old versions at all, and entirely created with Propellerhead Rebirth.
Vigvatten silverpil & påle (1999)Vigvatten, Silverpil & Påle (Vanquish, Original Non Vocal Track)
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Frustration can do amazing things to you, can’t it?
The Raven became the final project in the original series, as the bird theme grew tiresome and creatively exhausting. Vigvatten, Silverpil & Påle recently transformed into Vanquish during this year (2024), as the Swedish title likely wouldn’t work well on platforms like SoundCloud or Spotify (even though there are Swedish listeners, of course).
Around the time after 1999, Through Your Neck took shape due to a “final contact with hugin,” who I believed had given up all attempts to get anywhere in life. Through Your Neck became the new track that diverged from the demonizing theme of the unlucky raven (olyckskorp) as a bird. Multiple remix attempts were made with Through Your Neck and the tones were much more calm than the prior edits.
In 2009, Whiplash was released. The title change was motivated by concerns that the original could be seen as too controversial for those involved. The original included lyrics such as “the bullet you shoot something-something goes right/straight through your neck,” with the central image of a silver bullet instead of an arrow, as the whole theme was initially based on mythology and supernatural beings. While Whiplash no longer dealt with gunshot wounds directly, it maintained subtle references to the neck stuff, serving as a weird “easter egg.”
Whiplash - Through Your Neck Freakshow Remix
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In recent years, a remix (almost titled Dear Joey) was created, though it remained unfinished. The remix is long and ends abruptly, carrying the message that the unlucky raven (olyckskorp) is left behind, for another partner. The next project likely won’t focus on ravens at all but will explore a new direction. Only time will tell what that direction will be.
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1cff4ff0e2ac447354f5df9f7d8f75e9c7f8f20aThe remix track “Leave me alone” was nearly released. It was blocked by a licensing issue so since then I’ve become more determined to revisit older works for remixing. There is plenty of unpublished music at home, along with MINT...
The remix track “Leave me alone” was nearly released. It was blocked by a licensing issue so since then I’ve become more determined to revisit older works for remixing. There is plenty of unpublished music at home, along with MINT material that needs better handling.
This is the remix itself. It is a non profit hobby edition of a known track. This track was created several years ago by Ijaz Ali Nike.
Aside from this, I’ve also begun exploring new projects again, both through own remixes and brand new content. I’ll continue making third-party remixes as usual. And when I do, I’ll be more careful with how the licensing is handled. Currently, there isn’t enough financial capacity to license music for platforms like Spotify. If a licensing issue arises, the music won’t be distributed, which limits growth. However, it’s important to remember this is a hobby for me, not a full-time pursuit.
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TITLE: Remix and Revive: Focusing on Originals Over Licensing DESCRIPTION: The remix track “Leave me alone” was nearly released. It was blocked by a licensing issue so since then I’ve become more determined to revisit older works for remixing. There is plenty of unpublished music at home, along with MINT... CONTENT: The remix track “Leave me alone” was nearly released. It was blocked by a licensing issue so since then I’ve become more determined to revisit older works for remixing. There is plenty of unpublished music at home, along with MINT material that needs better handling. This is the remix itself. It is a non profit hobby edition of a known track. This track was created several years ago by Ijaz Ali Nike. Aside from this, I’ve also begun exploring new projects again, both through own remixes and brand new content. I'll continue making third-party remixes as usual. And when I do, I'll be more careful with how the licensing is handled. Currently, there isn’t enough financial capacity to license music for platforms like Spotify. If a licensing issue arises, the music won’t be distributed, which limits growth. However, it’s important to remember this is a hobby for me, not a full-time pursuit.
TITLE: Remix and Revive: Focusing on Originals Over Licensing DESCRIPTION: The remix track “Leave me alone” was nearly released. It was blocked by a licensing issue so since then I’ve become more determined to revisit older works for remixing. There is plenty of unpublished music at home, along with MINT... CONTENT: The remix track “Leave me alone” was nearly released. It was blocked by a licensing issue so since then I’ve become more determined to revisit older works for remixing. There is plenty of unpublished music at home, along with MINT material that needs better handling. This is the remix itself. It is a non profit hobby edition of a known track. This track was created several years ago by Ijaz Ali Nike. Aside from this, I’ve also begun exploring new projects again, both through own remixes and brand new content. I’ll continue making third-party remixes as usual. And when I do, I’ll be more careful with how the licensing is handled. Currently, there isn’t enough financial capacity to license music for platforms like Spotify. If a licensing issue arises, the music won’t be distributed, which limits growth. However, it’s important to remember this is a hobby for me, not a full-time pursuit.
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fd2c1864354c94fcc44b3d7241841edbe55cf575The remix track “Leave me alone” was nearly released. It was blocked by a licensing issue so since then I’ve become more determined to revisit older works for remixing. There is plenty of unpublished music at home, along with MINT...
The remix track “Leave me alone” was nearly released. It was blocked by a licensing issue so since then I’ve become more determined to revisit older works for remixing. There is plenty of unpublished music at home, along with MINT material that needs better handling.
This is the remix itself. It is a non profit hobby edition of a known track. This track was created several years ago by Ijaz Ali Nike.
Aside from this, I’ve also begun exploring new projects again, both through own remixes and brand new content. I'll continue making third-party remixes as usual. And when I do, I'll be more careful with how the licensing is handled. Currently, there isn’t enough financial capacity to license music for platforms like Spotify. If a licensing issue arises, the music won’t be distributed, which limits growth. However, it’s important to remember this is a hobby for me, not a full-time pursuit.
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TITLE: Remix and Revive: Focusing on Originals Over Licensing DESCRIPTION: The remix track “Leave me alone” was nearly released. It was blocked by a licensing issue so since then I’ve become more determined to revisit older works for remixing. There is plenty of unpublished music at home, along with MINT... CONTENT: The remix track “Leave me alone” was nearly released. It was blocked by a licensing issue so since then I’ve become more determined to revisit older works for remixing. There is plenty of unpublished music at home, along with MINT material that needs better handling. This is the remix itself. It is a non profit hobby edition of a known track. This track was created several years ago by Ijaz Ali Nike. Aside from this, I’ve also begun exploring new projects again, both through own remixes and brand new content. I'll continue making third-party remixes as usual. And when I do, I'll be more careful with how the licensing is handled. Currently, there isn’t enough financial capacity to license music for platforms like Spotify. If a licensing issue arises, the music won’t be distributed, which limits growth. However, it’s important to remember this is a hobby for me, not a full-time pursuit.
TITLE: Remix and Revive: Focusing on Originals Over Licensing DESCRIPTION: The remix track “Leave me alone” was nearly released. It was blocked by a licensing issue so since then I’ve become more determined to revisit older works for remixing. There is plenty of unpublished music at home, along with MINT... CONTENT: The remix track “Leave me alone” was nearly released. It was blocked by a licensing issue so since then I’ve become more determined to revisit older works for remixing. There is plenty of unpublished music at home, along with MINT material that needs better handling. This is the remix itself. It is a non profit hobby edition of a known track. This track was created several years ago by Ijaz Ali Nike. Aside from this, I’ve also begun exploring new projects again, both through own remixes and brand new content. I’ll continue making third-party remixes as usual. And when I do, I’ll be more careful with how the licensing is handled. Currently, there isn’t enough financial capacity to license music for platforms like Spotify. If a licensing issue arises, the music won’t be distributed, which limits growth. However, it’s important to remember this is a hobby for me, not a full-time pursuit.
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f665bd8139b79c28e28702fa33e8782028c569cfA revisit to the remix of Pete and Bas’ track “Get Low”, which I apparently never uploaded anywhere other than SoundCloud when it was first released. In this remix, I added “The Donk”, which I felt was missing from what...
A revisit to the remix of Pete and Bas’ track “Get Low”, which I apparently never uploaded anywhere other than SoundCloud when it was first released. In this remix, I added “The Donk”, which I felt was missing from what was otherwise, as usual, a brilliant piece by the duo (with the title itself referencing Blackout Crew’s classic track “Put a Donk on It”). Honestly, the track didn’t need much modification, since it was already great, but for me, it was also about “training myself” on Reason Studio.
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TITLE: Getting low with Pete and Bas DESCRIPTION: A revisit to the remix of Pete and Bas’ track “Get Low”, which I apparently never uploaded anywhere other than SoundCloud when it was first released. In this remix, I added “The Donk”, which I felt was missing from what... CONTENT: A revisit to the remix of Pete and Bas’ track “Get Low”, which I apparently never uploaded anywhere other than SoundCloud when it was first released. In this remix, I added “The Donk”, which I felt was missing from what was otherwise, as usual, a brilliant piece by the duo (with the title itself referencing Blackout Crew’s classic track “Put a Donk on It”). Honestly, the track didn't need much modification, since it was already great, but for me, it was also about “training myself” on Reason Studio.
TITLE: Getting low with Pete and Bas DESCRIPTION: A revisit to the remix of Pete and Bas’ track “Get Low”, which I apparently never uploaded anywhere other than SoundCloud when it was first released. In this remix, I added “The Donk”, which I felt was missing from what... CONTENT: A revisit to the remix of Pete and Bas’ track “Get Low”, which I apparently never uploaded anywhere other than SoundCloud when it was first released. In this remix, I added “The Donk”, which I felt was missing from what was otherwise, as usual, a brilliant piece by the duo (with the title itself referencing Blackout Crew’s classic track “Put a Donk on It”). Honestly, the track didn’t need much modification, since it was already great, but for me, it was also about “training myself” on Reason Studio.
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8103a4882ae88249c637b068829c46cc6afb4051
8103a4882ae88249c637b068829c46cc6afb4051A revisit to the remix of Pete and Bas’ track “Get Low”, which I apparently never uploaded anywhere other than SoundCloud when it was first released. In this remix, I added “The Donk”, which I felt was missing from what...
A revisit to the remix of Pete and Bas’ track “Get Low”, which I apparently never uploaded anywhere other than SoundCloud when it was first released. In this remix, I added “The Donk”, which I felt was missing from what was otherwise, as usual, a brilliant piece by the duo (with the title itself referencing Blackout Crew’s classic track “Put a Donk on It”). Honestly, the track didn't need much modification, since it was already great, but for me, it was also about “training myself” on Reason Studio.
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TITLE: Getting low with Pete and Bas DESCRIPTION: A revisit to the remix of Pete and Bas’ track “Get Low”, which I apparently never uploaded anywhere other than SoundCloud when it was first released. In this remix, I added “The Donk”, which I felt was missing from what... CONTENT: A revisit to the remix of Pete and Bas’ track “Get Low”, which I apparently never uploaded anywhere other than SoundCloud when it was first released. In this remix, I added “The Donk”, which I felt was missing from what was otherwise, as usual, a brilliant piece by the duo (with the title itself referencing Blackout Crew’s classic track “Put a Donk on It”). Honestly, the track didn't need much modification, since it was already great, but for me, it was also about “training myself” on Reason Studio.
TITLE: Getting low with Pete and Bas DESCRIPTION: A revisit to the remix of Pete and Bas’ track “Get Low”, which I apparently never uploaded anywhere other than SoundCloud when it was first released. In this remix, I added “The Donk”, which I felt was missing from what... CONTENT: A revisit to the remix of Pete and Bas’ track “Get Low”, which I apparently never uploaded anywhere other than SoundCloud when it was first released. In this remix, I added “The Donk”, which I felt was missing from what was otherwise, as usual, a brilliant piece by the duo (with the title itself referencing Blackout Crew’s classic track “Put a Donk on It”). Honestly, the track didn’t need much modification, since it was already great, but for me, it was also about “training myself” on Reason Studio.
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8bf66670bc5cc63ba630fbd97e4b634c61ce264a“Hawk tuah”. No! They say… This is Drum & Bass. It’s slightly adjusted from my usual style, with the intention of rethinking and exploring new ideas. I’ve been experimenting with Xfer Records Serum. I also used better-configured reese basses. I’ve...
“Hawk tuah”. No! They say…
This is Drum & Bass. It’s slightly adjusted from my usual style, with the intention of rethinking and exploring new ideas. I’ve been experimenting with Xfer Records Serum. I also used better-configured reese basses. I’ve managed to shift the direction of how things sound. It’s about time, as I’ve been stuck in old patterns for a while.
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TITLE: In Finland they don’t say… DESCRIPTION: “Hawk tuah”. No! They say… This is Drum & Bass. It's slightly adjusted from my usual style, with the intention of rethinking and exploring new ideas. I've been experimenting with Xfer Records Serum. I also used better-configured reese basses. I've... CONTENT: “Hawk tuah”. No! They say… This is Drum & Bass. It's slightly adjusted from my usual style, with the intention of rethinking and exploring new ideas. I've been experimenting with Xfer Records Serum. I also used better-configured reese basses. I've managed to shift the direction of how things sound. It's about time, as I've been stuck in old patterns for a while.
TITLE: In Finland they don’t say… DESCRIPTION: “Hawk tuah”. No! They say… This is Drum & Bass. It’s slightly adjusted from my usual style, with the intention of rethinking and exploring new ideas. I’ve been experimenting with Xfer Records Serum. I also used better-configured reese basses. I’ve... CONTENT: “Hawk tuah”. No! They say… This is Drum & Bass. It’s slightly adjusted from my usual style, with the intention of rethinking and exploring new ideas. I’ve been experimenting with Xfer Records Serum. I also used better-configured reese basses. I’ve managed to shift the direction of how things sound. It’s about time, as I’ve been stuck in old patterns for a while.
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d7e68271676d9b7756712e4430c13cd3e3a48b83“Hawk tuah”. No! They say… This is Drum & Bass. It's slightly adjusted from my usual style, with the intention of rethinking and exploring new ideas. I've been experimenting with Xfer Records Serum. I also used better-configured reese basses. I've...
“Hawk tuah”. No! They say…
This is Drum & Bass. It's slightly adjusted from my usual style, with the intention of rethinking and exploring new ideas. I've been experimenting with Xfer Records Serum. I also used better-configured reese basses. I've managed to shift the direction of how things sound. It's about time, as I've been stuck in old patterns for a while.
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TITLE: In Finland they don’t say… DESCRIPTION: “Hawk tuah”. No! They say… This is Drum & Bass. It's slightly adjusted from my usual style, with the intention of rethinking and exploring new ideas. I've been experimenting with Xfer Records Serum. I also used better-configured reese basses. I've... CONTENT: “Hawk tuah”. No! They say… This is Drum & Bass. It's slightly adjusted from my usual style, with the intention of rethinking and exploring new ideas. I've been experimenting with Xfer Records Serum. I also used better-configured reese basses. I've managed to shift the direction of how things sound. It's about time, as I've been stuck in old patterns for a while.
TITLE: In Finland they don’t say… DESCRIPTION: “Hawk tuah”. No! They say… This is Drum & Bass. It’s slightly adjusted from my usual style, with the intention of rethinking and exploring new ideas. I’ve been experimenting with Xfer Records Serum. I also used better-configured reese basses. I’ve... CONTENT: “Hawk tuah”. No! They say… This is Drum & Bass. It’s slightly adjusted from my usual style, with the intention of rethinking and exploring new ideas. I’ve been experimenting with Xfer Records Serum. I also used better-configured reese basses. I’ve managed to shift the direction of how things sound. It’s about time, as I’ve been stuck in old patterns for a while.
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