Log in to subscribe to heads-up notifications for this feed or its category via email, Slack, or Discord.
Ask the AI anything about content, patterns, and edits for Tornevalls Blog. The AI will receive full version history including all edited articles. Open question history.
1704d655a1873da6542a63da1c52c239773b53d4Spotify has recently admitted to removing over 75 million spammy, AI-generated tracks in the past year. This information is being circulated by both legitimate and half-dis-informative sources – but most explanations are vague. Many people panic, thinking their own shitty...
Spotify has recently admitted to removing over 75 million spammy, AI-generated tracks in the past year. This information is being circulated by both legitimate and half-dis-informative sources – but most explanations are vague. Many people panic, thinking their own shitty produced tracks are under threat. Unfortunately – they are not.
In reality, the purge is aimed at large-scale spam and fraud, not personal experiments or low-quality indie crap. So – this isn’t your cousin’s lo-fi EP got unfairly nuked – it’s a bonfire of junk uploads designed to siphon royalties and pollute recommendations. Here’s what actually changed, why it happened, and what it means if you’re a genuine artist.
Table of Contents Toggle First things first – what got axedThe actual policy bundle – three moving partsWhy do this now? Follow the money!No – this isn’t a blanket ban on AIContext that matters – the 1,000-stream ruleWho actually gets caught – and whyHow to stay well clear – a practical checklistWhat changes for listeners and legit artistsEdge cases worth knowing First things first – what got axed
The bulk of the removed catalogue fits one or more of these patterns:
Mass-generated songs from text-to-music tools pushed out in the thousands per account.
Ultra-short snippets engineered to beat the 30-second royalty trigger.
Duplicates, SEO-bait titles, retitled clones, and playlist-stuffing noise.
Impersonations and deepfake vocals – slapping a famous artist’s name and voice on a track you didn’t license.
Uploads funnelling botted plays to farm pennies at scale.
Translation – obvious grift. The target is the industrial spam layer, not ordinary DIY releases.
The actual policy bundle – three moving parts
Impersonation enforcement got teeth – vocal deepfakes, fake artist profiles, and hijacked metadata are being penalised harder. Distributors are on the hook and repeat offenders get shut out.
A music spam filter – suspicious uploads can be down-ranked or stopped from surfacing in recommendations and search. It looks for mass-upload patterns, duplicates, and other fraud signals – so junk won’t ride the algorithm.
AI disclosure in credits – Spotify is aligning with an industry standard so creators and distributors can clearly flag AI involvement. The point isn’t to ban AI – it’s to label it so rights and royalties don’t get muddied.
Why do this now? Follow the money!
Streaming pays out when a track is played for long enough. Spam rings exploited that with armies of micro-tracks and bots. Left unchecked, this dilutes the royalty pool and drowns listeners in landfill audio. Spotify’s purge is less about taste policing and more about stopping systematic revenue skimming and restoring minimal trust in recommendations.
No – this isn’t a blanket ban on AI
AI itself isn’t the villain. Plenty of legitimate artists use AI as an instrument – arrangement ideas, stems, sound design – and will continue to do so. The line is fraud and deception: voice-cloning a star without consent, fake attributions, botted plays, or churning out 500 near-identical tracks just to clip the meter. That’s what’s being targeted.
Context that matters – the 1,000-stream rule
Since 2024, a track typically needs about 1,000 streams in 12 months to qualify for recorded-royalty payouts. That rule predates this purge and was introduced to stop micropennies from noise farms gobbling administrative overhead. Together with the spam filter, it raises the floor – fewer junk payouts, more money pooling to tracks people actually play.
If you’re a normal indie artist releasing real music – this isn’t aimed at you. If anything, it reduces clutter you compete with.
Who actually gets caught – and why
Accounts dumping hundreds of near-identical cues per week.
Uploads with mismatched metadata, fake artist names, or keyword-stuffed titles.
Deepfake vocals of living artists without licensing.
Content linked to play-inflation schemes – bots, clickfarms, suspicious listener patterns.
How to stay well clear – a practical checklist
Release at a sane cadence – quality over flood. If you’re shipping 300 tracks a month, expect scrutiny.
Keep metadata clean and honest – correct artist name, no celebrity bait, no fake features.
Don’t use unlicensed voices or likenesses – if you’re using a model trained on a specific singer, get explicit rights.
Be transparent about AI involvement – if tools helped generate stems or vocals, disclose it in credits when your distributor supports it.
Avoid ultra-short filler – make actual songs, not 31-second widgets. If you do functional audio, follow platform length rules.
Never, ever buy plays – promotion services that guarantee streams are landmines. One campaign can flag your entire catalogue.
Use reputable distributors – they’re now gatekeepers with their own fraud checks. Cheap, no-name aggregators often equal risk.
What changes for listeners and legit artists
Cleaner recommendations – the spam filter should stop clones from cluttering search and radio.
Fairer pool dynamics – less leakage to junk means slightly better economics for tracks that cross the eligibility threshold.
Faster takedowns – impersonations and profile hijacks should be resolved with fewer back-and-forth tickets.
Edge cases worth knowing
If you collaborate with AI vocal tools, document your rights – model license, training disclosures, and any consent from human vocalists.
If you release instrumental libraries or ambience, expect stricter categorisation and length rules – follow your distributor’s guidance.
If an old track gets flagged by mistake – appeal through your distributor with session files, stems, and release history. Paper trails help.
This was a purge of spam, not a crusade against bedroom producers. If you’re writing your own tracks, not gaming the system, and not impersonating anyone – you are not the target. Keep releasing music – and let the garbage trucks do their job.
1704d655a1873da6542a63da1c52c239773b53d4
d04ea6072895e6b0943aea69ecb645467d307e33
TITLE: Spotify’s 75-Million Purge – what actually happened, who it hits, and how real artists stay clear DESCRIPTION: Spotify has recently admitted to removing over 75 million spammy, AI-generated tracks in the past year. This information is being circulated by both legitimate and half-dis-informative sources – but most explanations are vague. Many people panic, thinking their own shitty... CONTENT: Spotify has recently admitted to removing over 75 million spammy, AI-generated tracks in the past year. This information is being circulated by both legitimate and half-dis-informative sources – but most explanations are vague. Many people panic, thinking their own shitty produced tracks are under threat. Unfortunately – they are not. In reality, the purge is aimed at large-scale spam and fraud, not personal experiments or low-quality indie crap. So – this isn’t your cousin’s lo-fi EP got unfairly nuked – it’s a bonfire of junk uploads designed to siphon royalties and pollute recommendations. Here’s what actually changed, why it happened, and what it means if you’re a genuine artist. Table of Contents Toggle First things first – what got axedThe actual policy bundle – three moving partsWhy do this now? Follow the money!No – this isn’t a blanket ban on AIContext that matters – the 1,000-stream ruleWho actually gets caught – and whyHow to stay well clear – a practical checklistWhat changes for listeners and legit artistsEdge cases worth knowing First things first – what got axed The bulk of the removed catalogue fits one or more of these patterns: Mass-generated songs from text-to-music tools pushed out in the thousands per account. Ultra-short snippets engineered to beat the 30-second royalty trigger. Duplicates, SEO-bait titles, retitled clones, and playlist-stuffing noise. Impersonations and deepfake vocals – slapping a famous artist’s name and voice on a track you didn’t license. Uploads funnelling botted plays to farm pennies at scale. Translation – obvious grift. The target is the industrial spam layer, not ordinary DIY releases. The actual policy bundle – three moving parts Impersonation enforcement got teeth – vocal deepfakes, fake artist profiles, and hijacked metadata are being penalised harder. Distributors are on the hook and repeat offenders get shut out. A music spam filter – suspicious uploads can be down-ranked or stopped from surfacing in recommendations and search. It looks for mass-upload patterns, duplicates, and other fraud signals – so junk won’t ride the algorithm. AI disclosure in credits – Spotify is aligning with an industry standard so creators and distributors can clearly flag AI involvement. The point isn’t to ban AI – it’s to label it so rights and royalties don’t get muddied. Why do this now? Follow the money! Streaming pays out when a track is played for long enough. Spam rings exploited that with armies of micro-tracks and bots. Left unchecked, this dilutes the royalty pool and drowns listeners in landfill audio. Spotify’s purge is less about taste policing and more about stopping systematic revenue skimming and restoring minimal trust in recommendations. No – this isn’t a blanket ban on AI AI itself isn’t the villain. Plenty of legitimate artists use AI as an instrument – arrangement ideas, stems, sound design – and will continue to do so. The line is fraud and deception: voice-cloning a star without consent, fake attributions, botted plays, or churning out 500 near-identical tracks just to clip the meter. That’s what’s being targeted. Context that matters – the 1,000-stream rule Since 2024, a track typically needs about 1,000 streams in 12 months to qualify for recorded-royalty payouts. That rule predates this purge and was introduced to stop micropennies from noise farms gobbling administrative overhead. Together with the spam filter, it raises the floor – fewer junk payouts, more money pooling to tracks people actually play. If you’re a normal indie artist releasing real music – this isn’t aimed at you. If anything, it reduces clutter you compete with. Who actually gets caught – and why Accounts dumping hundreds of near-identical cues per week. Uploads with mismatched metadata, fake artist names, or keyword-stuffed titles. Deepfake vocals of living artists without licensing. Content linked to play-inflation schemes – bots, clickfarms, suspicious listener patterns. How to stay well clear – a practical checklist Release at a sane cadence – quality over flood. If you’re shipping 300 tracks a month, expect scrutiny. Keep metadata clean and honest – correct artist name, no celebrity bait, no fake features. Don’t use unlicensed voices or likenesses – if you’re using a model trained on a specific singer, get explicit rights. Be transparent about AI involvement – if tools helped generate stems or vocals, disclose it in credits when your distributor supports it. Avoid ultra-short filler – make actual songs, not 31-second widgets. If you do functional audio, follow platform length rules. Never, ever buy plays – promotion services that guarantee streams are landmines. One campaign can flag your entire catalogue. Use reputable distributors – they’re now gatekeepers with their own fraud checks. Cheap, no-name aggregators often equal risk. What changes for listeners and legit artists Cleaner recommendations – the spam filter should stop clones from cluttering search and radio. Fairer pool dynamics – less leakage to junk means slightly better economics for tracks that cross the eligibility threshold. Faster takedowns – impersonations and profile hijacks should be resolved with fewer back-and-forth tickets. Edge cases worth knowing If you collaborate with AI vocal tools, document your rights – model license, training disclosures, and any consent from human vocalists. If you release instrumental libraries or ambience, expect stricter categorisation and length rules – follow your distributor’s guidance. If an old track gets flagged by mistake – appeal through your distributor with session files, stems, and release history. Paper trails help. This was a purge of spam, not a crusade against bedroom producers. If you’re writing your own tracks, not gaming the system, and not impersonating anyone – you are not the target. Keep releasing music – and let the garbage trucks do their job.
TITLE: Spotify’s 75-Million Purge – what actually happened, who it hits, and how real artists stay clear DESCRIPTION: Spotify has recently admitted to removing over 75 million spammy, AI-generated tracks in the past year. This information is being circulated by both legitimate and half-dis-informative sources – but most explanations are vague. Many people panic, thinking their own shitty... CONTENT: Spotify has recently admitted to removing over 75 million spammy, AI-generated tracks in the past year. This information is being circulated by both legitimate and half-dis-informative sources – but most explanations are vague. Many people panic, thinking their own shitty produced tracks are under threat. Unfortunately – they are not. In reality, the purge is aimed at large-scale spam and fraud, not personal experiments or low-quality indie crap. So – this isn’t your cousin’s lo-fi EP got unfairly nuked – it’s a bonfire of junk uploads designed to siphon royalties and pollute recommendations. Here’s what actually changed, why it happened, and what it means if you’re a genuine artist. Table of Contents Toggle First things first – what got axedThe actual policy bundle – three moving partsWhy do this now? Follow the money!No – this isn’t a blanket ban on AIContext that matters – the 1,000-stream ruleWho actually gets caught – and whyHow to stay well clear – a practical checklistWhat changes for listeners and legit artistsEdge cases worth knowing First things first – what got axed The bulk of the removed catalogue fits one or more of these patterns: Mass-generated songs from text-to-music tools pushed out in the thousands per account. Ultra-short snippets engineered to beat the 30-second royalty trigger. Duplicates, SEO-bait titles, retitled clones, and playlist-stuffing noise. Impersonations and deepfake vocals – slapping a famous artist’s name and voice on a track you didn’t license. Uploads funnelling botted plays to farm pennies at scale. Translation – obvious grift. The target is the industrial spam layer, not ordinary DIY releases. The actual policy bundle – three moving parts Impersonation enforcement got teeth – vocal deepfakes, fake artist profiles, and hijacked metadata are being penalised harder. Distributors are on the hook and repeat offenders get shut out. A music spam filter – suspicious uploads can be down-ranked or stopped from surfacing in recommendations and search. It looks for mass-upload patterns, duplicates, and other fraud signals – so junk won’t ride the algorithm. AI disclosure in credits – Spotify is aligning with an industry standard so creators and distributors can clearly flag AI involvement. The point isn’t to ban AI – it’s to label it so rights and royalties don’t get muddied. Why do this now? Follow the money! Streaming pays out when a track is played for long enough. Spam rings exploited that with armies of micro-tracks and bots. Left unchecked, this dilutes the royalty pool and drowns listeners in landfill audio. Spotify’s purge is less about taste policing and more about stopping systematic revenue skimming and restoring minimal trust in recommendations. No – this isn’t a blanket ban on AI AI itself isn’t the villain. Plenty of legitimate artists use AI as an instrument – arrangement ideas, stems, sound design – and will continue to do so. The line is fraud and deception: voice-cloning a star without consent, fake attributions, botted plays, or churning out 500 near-identical tracks just to clip the meter. That’s what’s being targeted. Context that matters – the 1,000-stream rule Since 2024, a track typically needs about 1,000 streams in 12 months to qualify for recorded-royalty payouts. That rule predates this purge and was introduced to stop micropennies from noise farms gobbling administrative overhead. Together with the spam filter, it raises the floor – fewer junk payouts, more money pooling to tracks people actually play. If you’re a normal indie artist releasing real music – this isn’t aimed at you. If anything, it reduces clutter you compete with. Who actually gets caught – and why Accounts dumping hundreds of near-identical cues per week. Uploads with mismatched metadata, fake artist names, or keyword-stuffed titles. Deepfake vocals of living artists without licensing. Content linked to play-inflation schemes – bots, clickfarms, suspicious listener patterns. How to stay well clear – a practical checklist Release at a sane cadence – quality over flood. If you’re shipping 300 tracks a month, expect scrutiny. Keep metadata clean and honest – correct artist name, no celebrity bait, no fake features. Don’t use unlicensed voices or likenesses – if you’re using a model trained on a specific singer, get explicit rights. Be transparent about AI involvement – if tools helped generate stems or vocals, disclose it in credits when your distributor supports it. Avoid ultra-short filler – make actual songs, not 31-second widgets. If you do functional audio, follow platform length rules. Never, ever buy plays – promotion services that guarantee streams are landmines. One campaign can flag your entire catalogue. Use reputable distributors – they’re now gatekeepers with their own fraud checks. Cheap, no-name aggregators often equal risk. What changes for listeners and legit artists Cleaner recommendations – the spam filter should stop clones from cluttering search and radio. Fairer pool dynamics – less leakage to junk means slightly better economics for tracks that cross the eligibility threshold. Faster takedowns – impersonations and profile hijacks should be resolved with fewer back-and-forth tickets. Edge cases worth knowing If you collaborate with AI vocal tools, document your rights – model license, training disclosures, and any consent from human vocalists. If you release instrumental libraries or ambience, expect stricter categorisation and length rules – follow your distributor’s guidance. If an old track gets flagged by mistake – appeal through your distributor with session files, stems, and release history. Paper trails help. This was a purge of spam, not a crusade against bedroom producers. If you’re writing your own tracks, not gaming the system, and not impersonating anyone – you are not the target. Keep releasing music – and let the garbage trucks do their job.
d04ea6072895e6b0943aea69ecb645467d307e33
1704d655a1873da6542a63da1c52c239773b53d4
eb54dd9ea23b7b61b42e019dfa52ae8309fbe93eNo! Unfortunately, we didn’t have the honor of being at the Tug of War World Championship this year either – otherwise, I probably would have been the photographer there too… or not. After all, it’s a worldwide competition, and it...
No! Unfortunately, we didn’t have the honor of being at the Tug of War World Championship this year either – otherwise, I probably would have been the photographer there too… or not. After all, it’s a worldwide competition, and it doesn’t really work the same way as it does here at home. At national competitions in Sweden, it usually works out to get permission to go onto the field, especially when the referees are Swedish and the crowd is smaller. But at a World Championship? No, most likely not.
But well, one has to travel abroad too. This year the World Championship was held in Nottingham, England, but we could still follow the competitions from home through friends who were there. Jessica’s daughter, however, unfortunately didn’t compete this year. But that’s okay anyway. At the same time, Tug of War Memorie – a very good friend of mine – was there and shared photos from the competition. In particular, a video he posted on Facebook caught my attention even more: the Swiss cheering squad! They brought large cowbells with them, which they rang from the stands, and that made me super eager to finally follow through on something I had always planned: to release a Tug of War 2025. It was finished on Sunday, the same weekend as the World Championship, and has now been released on a range of streaming services, including Spotify, YouTube Music and Apple Music!
This time, it’s not the usual Drum & Bass – instead, it has been “houseified” with a light touch of Latin Tech House. We present “Tug of War – Houseifyer 2025 (Feat. Switzerland Tug of War Cheering Squad)” – with a little “Easter egg” from the earlier releases!
Here is a preview of what awaits. You can listen to the track directly from SoundCloud below!
The Original Inspiring Video
4524a78ed76a2631cd268d7a4df5ae7001fd3221
eb54dd9ea23b7b61b42e019dfa52ae8309fbe93e
TITLE: Tug of War 2025 – Featuring World Championship 2025 in Nottingham DESCRIPTION: No! Unfortunately, we didn't have the honor of being at the Tug of War World Championship this year either – otherwise, I probably would have been the photographer there too... or not. After all, it's a worldwide competition, and it... CONTENT: No! Unfortunately, we didn't have the honor of being at the Tug of War World Championship this year either – otherwise, I probably would have been the photographer there too... or not. After all, it's a worldwide competition, and it doesn't really work the same way as it does here at home. At national competitions in Sweden, it usually works out to get permission to go onto the field, especially when the referees are Swedish and the crowd is smaller. But at a World Championship? No, most likely not. But well, one has to travel abroad too. This year the World Championship was held in Nottingham, England, but we could still follow the competitions from home through friends who were there. Jessica's daughter, however, unfortunately didn't compete this year. But that's okay anyway. At the same time, Tug of War Memorie – a very good friend of mine – was there and shared photos from the competition. In particular, a video he posted on Facebook caught my attention even more: the Swiss cheering squad! They brought large cowbells with them, which they rang from the stands, and that made me super eager to finally follow through on something I had always planned: to release a Tug of War 2025. It was finished on Sunday, the same weekend as the World Championship, and has now been released on a range of streaming services, including Spotify, YouTube Music and Apple Music! This time, it's not the usual Drum & Bass – instead, it has been “houseified” with a light touch of Latin Tech House. We present “Tug of War – Houseifyer 2025 (Feat. Switzerland Tug of War Cheering Squad)” – with a little “Easter egg” from the earlier releases! Here is a preview of what awaits. You can listen to the track directly from SoundCloud below! The Original Inspiring Video
TITLE: Tug of War 2025 – Featuring World Championship 2025 in Nottingham DESCRIPTION: No! Unfortunately, we didn’t have the honor of being at the Tug of War World Championship this year either – otherwise, I probably would have been the photographer there too… or not. After all, it’s a worldwide competition, and it... CONTENT: No! Unfortunately, we didn’t have the honor of being at the Tug of War World Championship this year either – otherwise, I probably would have been the photographer there too… or not. After all, it’s a worldwide competition, and it doesn’t really work the same way as it does here at home. At national competitions in Sweden, it usually works out to get permission to go onto the field, especially when the referees are Swedish and the crowd is smaller. But at a World Championship? No, most likely not. But well, one has to travel abroad too. This year the World Championship was held in Nottingham, England, but we could still follow the competitions from home through friends who were there. Jessica’s daughter, however, unfortunately didn’t compete this year. But that’s okay anyway. At the same time, Tug of War Memorie – a very good friend of mine – was there and shared photos from the competition. In particular, a video he posted on Facebook caught my attention even more: the Swiss cheering squad! They brought large cowbells with them, which they rang from the stands, and that made me super eager to finally follow through on something I had always planned: to release a Tug of War 2025. It was finished on Sunday, the same weekend as the World Championship, and has now been released on a range of streaming services, including Spotify, YouTube Music and Apple Music! This time, it’s not the usual Drum & Bass – instead, it has been “houseified” with a light touch of Latin Tech House. We present “Tug of War – Houseifyer 2025 (Feat. Switzerland Tug of War Cheering Squad)” – with a little “Easter egg” from the earlier releases! Here is a preview of what awaits. You can listen to the track directly from SoundCloud below! The Original Inspiring Video
eb54dd9ea23b7b61b42e019dfa52ae8309fbe93e
4524a78ed76a2631cd268d7a4df5ae7001fd3221
4524a78ed76a2631cd268d7a4df5ae7001fd3221No! Unfortunately, we didn't have the honor of being at the Tug of War World Championship this year either – otherwise, I probably would have been the photographer there too... or not. After all, it's a worldwide competition, and it...
No! Unfortunately, we didn't have the honor of being at the Tug of War World Championship this year either – otherwise, I probably would have been the photographer there too... or not. After all, it's a worldwide competition, and it doesn't really work the same way as it does here at home. At national competitions in Sweden, it usually works out to get permission to go onto the field, especially when the referees are Swedish and the crowd is smaller. But at a World Championship? No, most likely not.
But well, one has to travel abroad too. This year the World Championship was held in Nottingham, England, but we could still follow the competitions from home through friends who were there. Jessica's daughter, however, unfortunately didn't compete this year. But that's okay anyway. At the same time, Tug of War Memorie – a very good friend of mine – was there and shared photos from the competition. In particular, a video he posted on Facebook caught my attention even more: the Swiss cheering squad! They brought large cowbells with them, which they rang from the stands, and that made me super eager to finally follow through on something I had always planned: to release a Tug of War 2025. It was finished on Sunday, the same weekend as the World Championship, and has now been released on a range of streaming services, including Spotify, YouTube Music and Apple Music!
This time, it's not the usual Drum & Bass – instead, it has been “houseified” with a light touch of Latin Tech House. We present “Tug of War – Houseifyer 2025 (Feat. Switzerland Tug of War Cheering Squad)” – with a little “Easter egg” from the earlier releases!
Here is a preview of what awaits. You can listen to the track directly from SoundCloud below!
The Original Inspiring Video
4524a78ed76a2631cd268d7a4df5ae7001fd3221
eb54dd9ea23b7b61b42e019dfa52ae8309fbe93e
TITLE: Tug of War 2025 – Featuring World Championship 2025 in Nottingham DESCRIPTION: No! Unfortunately, we didn't have the honor of being at the Tug of War World Championship this year either – otherwise, I probably would have been the photographer there too... or not. After all, it's a worldwide competition, and it... CONTENT: No! Unfortunately, we didn't have the honor of being at the Tug of War World Championship this year either – otherwise, I probably would have been the photographer there too... or not. After all, it's a worldwide competition, and it doesn't really work the same way as it does here at home. At national competitions in Sweden, it usually works out to get permission to go onto the field, especially when the referees are Swedish and the crowd is smaller. But at a World Championship? No, most likely not. But well, one has to travel abroad too. This year the World Championship was held in Nottingham, England, but we could still follow the competitions from home through friends who were there. Jessica's daughter, however, unfortunately didn't compete this year. But that's okay anyway. At the same time, Tug of War Memorie – a very good friend of mine – was there and shared photos from the competition. In particular, a video he posted on Facebook caught my attention even more: the Swiss cheering squad! They brought large cowbells with them, which they rang from the stands, and that made me super eager to finally follow through on something I had always planned: to release a Tug of War 2025. It was finished on Sunday, the same weekend as the World Championship, and has now been released on a range of streaming services, including Spotify, YouTube Music and Apple Music! This time, it's not the usual Drum & Bass – instead, it has been “houseified” with a light touch of Latin Tech House. We present “Tug of War – Houseifyer 2025 (Feat. Switzerland Tug of War Cheering Squad)” – with a little “Easter egg” from the earlier releases! Here is a preview of what awaits. You can listen to the track directly from SoundCloud below! The Original Inspiring Video
TITLE: Tug of War 2025 – Featuring World Championship 2025 in Nottingham DESCRIPTION: No! Unfortunately, we didn’t have the honor of being at the Tug of War World Championship this year either – otherwise, I probably would have been the photographer there too… or not. After all, it’s a worldwide competition, and it... CONTENT: No! Unfortunately, we didn’t have the honor of being at the Tug of War World Championship this year either – otherwise, I probably would have been the photographer there too… or not. After all, it’s a worldwide competition, and it doesn’t really work the same way as it does here at home. At national competitions in Sweden, it usually works out to get permission to go onto the field, especially when the referees are Swedish and the crowd is smaller. But at a World Championship? No, most likely not. But well, one has to travel abroad too. This year the World Championship was held in Nottingham, England, but we could still follow the competitions from home through friends who were there. Jessica’s daughter, however, unfortunately didn’t compete this year. But that’s okay anyway. At the same time, Tug of War Memorie – a very good friend of mine – was there and shared photos from the competition. In particular, a video he posted on Facebook caught my attention even more: the Swiss cheering squad! They brought large cowbells with them, which they rang from the stands, and that made me super eager to finally follow through on something I had always planned: to release a Tug of War 2025. It was finished on Sunday, the same weekend as the World Championship, and has now been released on a range of streaming services, including Spotify, YouTube Music and Apple Music! This time, it’s not the usual Drum & Bass – instead, it has been “houseified” with a light touch of Latin Tech House. We present “Tug of War – Houseifyer 2025 (Feat. Switzerland Tug of War Cheering Squad)” – with a little “Easter egg” from the earlier releases! Here is a preview of what awaits. You can listen to the track directly from SoundCloud below! The Original Inspiring Video
eb54dd9ea23b7b61b42e019dfa52ae8309fbe93e
4524a78ed76a2631cd268d7a4df5ae7001fd3221
01f5909eafe42c6bc5cccbcf990d1a567b705379Tornevall now offers a Spotify integration service that makes it easy to both link to playlists with clean, shareable URLs and export them into structured formats. I’ve been missing this myself for a long time now, and sometimes it is...
Tornevall now offers a Spotify integration service that makes it easy to both link to playlists with clean, shareable URLs and export them into structured formats. I’ve been missing this myself for a long time now, and sometimes it is easier to share embedded urls at Facebook than through the open-spotify-url, as thumbnails and marketing sometimes fails in that format. So here they are…
Table of Contents Toggle
With this service, you can share Spotify playlists through pretty URLs that are ready for social media and web embedding. Example:https://www.tornevalls.se/spotify-playlist/0xC88jDvnmWZgIpJvaHbAp/
Each link automatically fetches metadata from Spotify (title, artwork, description) and provides correct Open Graph and Twitter card tags for better presentation when shared.
Our export tool allows you to transform playlists into multiple formats beyond simple embedding.
Example usage
JSON output:https://www.tornevalls.se/spotify-to-json.php?id=0xC88jDvnmWZgIpJvaHbAp
Raw text output:https://www.tornevalls.se/spotify-to-json.php?id=0xC88jDvnmWZgIpJvaHbAp&format=text
Output formats
JSON: Complete playlist metadata with track, album, and artist details.
Text: A simplified export in the format:Artist - Track Title [Year, Album]
CSV: Structured table with columns: Artist, Title, Year, Album.
Example text output
Massive Attack - Teardrop [1998, Mezzanine] Portishead - Glory Box [1994, Dummy] Radiohead - Karma Police [1997, OK Computer]
Why use this service?
Generate professional, shareable Spotify links with proper previews.
Export playlists for archiving, publishing, research, or curation.
Switch between JSON, text, or CSV depending on your workflow.
The service relies on the official Spotify Web API and supports public playlists via the Client Credentials flow.
acf4811e929bd53adbad140aa68e513384f624c9
01f5909eafe42c6bc5cccbcf990d1a567b705379
TITLE: Spotify Playlist Services by Tornevall DESCRIPTION: Tornevall now offers a Spotify integration service that makes it easy to both link to playlists with clean, shareable URLs and export them into structured formats. I’ve been missing this myself for a long time now, and sometimes it is... CONTENT: Tornevall now offers a Spotify integration service that makes it easy to both link to playlists with clean, shareable URLs and export them into structured formats. I’ve been missing this myself for a long time now, and sometimes it is easier to share embedded urls at Facebook than through the open-spotify-url, as thumbnails and marketing sometimes fails in that format. So here they are… Table of Contents Toggle 1. Spotify Playlist Links2. Spotify Playlist ExportExample usageOutput formatsExample text outputWhy use this service? 1. Spotify Playlist Links With this service, you can share Spotify playlists through pretty URLs that are ready for social media and web embedding. Example:https://www.tornevalls.se/spotify-playlist/0xC88jDvnmWZgIpJvaHbAp/ Each link automatically fetches metadata from Spotify (title, artwork, description) and provides correct Open Graph and Twitter card tags for better presentation when shared. 2. Spotify Playlist Export Our export tool allows you to transform playlists into multiple formats beyond simple embedding. Example usage JSON output:https://www.tornevalls.se/spotify-to-json.php?id=0xC88jDvnmWZgIpJvaHbAp Raw text output:https://www.tornevalls.se/spotify-to-json.php?id=0xC88jDvnmWZgIpJvaHbAp&format=text Output formats JSON: Complete playlist metadata with track, album, and artist details. Text: A simplified export in the format:Artist - Track Title [Year, Album] CSV: Structured table with columns: Artist, Title, Year, Album. Example text output Massive Attack - Teardrop [1998, Mezzanine] Portishead - Glory Box [1994, Dummy] Radiohead - Karma Police [1997, OK Computer] Why use this service? Generate professional, shareable Spotify links with proper previews. Export playlists for archiving, publishing, research, or curation. Switch between JSON, text, or CSV depending on your workflow. The service relies on the official Spotify Web API and supports public playlists via the Client Credentials flow.
TITLE: Spotify Playlist Services by Tornevall DESCRIPTION: Tornevall now offers a Spotify integration service that makes it easy to both link to playlists with clean, shareable URLs and export them into structured formats. I’ve been missing this myself for a long time now, and sometimes it is... CONTENT: Tornevall now offers a Spotify integration service that makes it easy to both link to playlists with clean, shareable URLs and export them into structured formats. I’ve been missing this myself for a long time now, and sometimes it is easier to share embedded urls at Facebook than through the open-spotify-url, as thumbnails and marketing sometimes fails in that format. So here they are… Table of Contents Toggle 1. Spotify Playlist Links2. Spotify Playlist ExportExample usageOutput formatsExample text outputWhy use this service? 1. Spotify Playlist Links With this service, you can share Spotify playlists through pretty URLs that are ready for social media and web embedding. Example:https://www.tornevalls.se/spotify-playlist/0xC88jDvnmWZgIpJvaHbAp/ Each link automatically fetches metadata from Spotify (title, artwork, description) and provides correct Open Graph and Twitter card tags for better presentation when shared. 2. Spotify Playlist Export Our export tool allows you to transform playlists into multiple formats beyond simple embedding. Example usage JSON output:https://www.tornevalls.se/spotify-to-json.php?id=0xC88jDvnmWZgIpJvaHbAp Raw text output:https://www.tornevalls.se/spotify-to-json.php?id=0xC88jDvnmWZgIpJvaHbAp&format=text Output formats JSON: Complete playlist metadata with track, album, and artist details. Text: A simplified export in the format:Artist - Track Title [Year, Album] CSV: Structured table with columns: Artist, Title, Year, Album. Example text output Massive Attack - Teardrop [1998, Mezzanine] Portishead - Glory Box [1994, Dummy] Radiohead - Karma Police [1997, OK Computer] Why use this service? Generate professional, shareable Spotify links with proper previews. Export playlists for archiving, publishing, research, or curation. Switch between JSON, text, or CSV depending on your workflow. The service relies on the official Spotify Web API and supports public playlists via the Client Credentials flow.
01f5909eafe42c6bc5cccbcf990d1a567b705379
acf4811e929bd53adbad140aa68e513384f624c9
acf4811e929bd53adbad140aa68e513384f624c9Tornevall now offers a Spotify integration service that makes it easy to both link to playlists with clean, shareable URLs and export them into structured formats. I’ve been missing this myself for a long time now, and sometimes it is...
Tornevall now offers a Spotify integration service that makes it easy to both link to playlists with clean, shareable URLs and export them into structured formats. I’ve been missing this myself for a long time now, and sometimes it is easier to share embedded urls at Facebook than through the open-spotify-url, as thumbnails and marketing sometimes fails in that format. So here they are…
Table of Contents Toggle
With this service, you can share Spotify playlists through pretty URLs that are ready for social media and web embedding. Example:https://www.tornevalls.se/spotify-playlist/0xC88jDvnmWZgIpJvaHbAp/
Each link automatically fetches metadata from Spotify (title, artwork, description) and provides correct Open Graph and Twitter card tags for better presentation when shared.
Our export tool allows you to transform playlists into multiple formats beyond simple embedding.
Example usage
JSON output:https://www.tornevalls.se/spotify-to-json.php?id=0xC88jDvnmWZgIpJvaHbAp
Raw text output:https://www.tornevalls.se/spotify-to-json.php?id=0xC88jDvnmWZgIpJvaHbAp&format=text
Output formats
JSON: Complete playlist metadata with track, album, and artist details.
Text: A simplified export in the format:Artist - Track Title [Year, Album]
CSV: Structured table with columns: Artist, Title, Year, Album.
Example text output
Massive Attack - Teardrop [1998, Mezzanine] Portishead - Glory Box [1994, Dummy] Radiohead - Karma Police [1997, OK Computer]
Why use this service?
Generate professional, shareable Spotify links with proper previews.
Export playlists for archiving, publishing, research, or curation.
Switch between JSON, text, or CSV depending on your workflow.
The service relies on the official Spotify Web API and supports public playlists via the Client Credentials flow.
acf4811e929bd53adbad140aa68e513384f624c9
01f5909eafe42c6bc5cccbcf990d1a567b705379
TITLE: Spotify Playlist Services by Tornevall DESCRIPTION: Tornevall now offers a Spotify integration service that makes it easy to both link to playlists with clean, shareable URLs and export them into structured formats. I’ve been missing this myself for a long time now, and sometimes it is... CONTENT: Tornevall now offers a Spotify integration service that makes it easy to both link to playlists with clean, shareable URLs and export them into structured formats. I’ve been missing this myself for a long time now, and sometimes it is easier to share embedded urls at Facebook than through the open-spotify-url, as thumbnails and marketing sometimes fails in that format. So here they are… Table of Contents Toggle 1. Spotify Playlist Links2. Spotify Playlist ExportExample usageOutput formatsExample text outputWhy use this service? 1. Spotify Playlist Links With this service, you can share Spotify playlists through pretty URLs that are ready for social media and web embedding. Example:https://www.tornevalls.se/spotify-playlist/0xC88jDvnmWZgIpJvaHbAp/ Each link automatically fetches metadata from Spotify (title, artwork, description) and provides correct Open Graph and Twitter card tags for better presentation when shared. 2. Spotify Playlist Export Our export tool allows you to transform playlists into multiple formats beyond simple embedding. Example usage JSON output:https://www.tornevalls.se/spotify-to-json.php?id=0xC88jDvnmWZgIpJvaHbAp Raw text output:https://www.tornevalls.se/spotify-to-json.php?id=0xC88jDvnmWZgIpJvaHbAp&format=text Output formats JSON: Complete playlist metadata with track, album, and artist details. Text: A simplified export in the format:Artist - Track Title [Year, Album] CSV: Structured table with columns: Artist, Title, Year, Album. Example text output Massive Attack - Teardrop [1998, Mezzanine] Portishead - Glory Box [1994, Dummy] Radiohead - Karma Police [1997, OK Computer] Why use this service? Generate professional, shareable Spotify links with proper previews. Export playlists for archiving, publishing, research, or curation. Switch between JSON, text, or CSV depending on your workflow. The service relies on the official Spotify Web API and supports public playlists via the Client Credentials flow.
TITLE: Spotify Playlist Services by Tornevall DESCRIPTION: Tornevall now offers a Spotify integration service that makes it easy to both link to playlists with clean, shareable URLs and export them into structured formats. I’ve been missing this myself for a long time now, and sometimes it is... CONTENT: Tornevall now offers a Spotify integration service that makes it easy to both link to playlists with clean, shareable URLs and export them into structured formats. I’ve been missing this myself for a long time now, and sometimes it is easier to share embedded urls at Facebook than through the open-spotify-url, as thumbnails and marketing sometimes fails in that format. So here they are… Table of Contents Toggle 1. Spotify Playlist Links2. Spotify Playlist ExportExample usageOutput formatsExample text outputWhy use this service? 1. Spotify Playlist Links With this service, you can share Spotify playlists through pretty URLs that are ready for social media and web embedding. Example:https://www.tornevalls.se/spotify-playlist/0xC88jDvnmWZgIpJvaHbAp/ Each link automatically fetches metadata from Spotify (title, artwork, description) and provides correct Open Graph and Twitter card tags for better presentation when shared. 2. Spotify Playlist Export Our export tool allows you to transform playlists into multiple formats beyond simple embedding. Example usage JSON output:https://www.tornevalls.se/spotify-to-json.php?id=0xC88jDvnmWZgIpJvaHbAp Raw text output:https://www.tornevalls.se/spotify-to-json.php?id=0xC88jDvnmWZgIpJvaHbAp&format=text Output formats JSON: Complete playlist metadata with track, album, and artist details. Text: A simplified export in the format:Artist - Track Title [Year, Album] CSV: Structured table with columns: Artist, Title, Year, Album. Example text output Massive Attack - Teardrop [1998, Mezzanine] Portishead - Glory Box [1994, Dummy] Radiohead - Karma Police [1997, OK Computer] Why use this service? Generate professional, shareable Spotify links with proper previews. Export playlists for archiving, publishing, research, or curation. Switch between JSON, text, or CSV depending on your workflow. The service relies on the official Spotify Web API and supports public playlists via the Client Credentials flow.
01f5909eafe42c6bc5cccbcf990d1a567b705379
acf4811e929bd53adbad140aa68e513384f624c9
1b825cedc8e42967f2858b9292d32890b79d4aceThe World Championship in Nottingham, England, became for us a remote experience. Thanks to good friends on-site, and the material generously shared by Tug of War Memorie, we could still feel the pulse of the competition. One moment etched itself...
The World Championship in Nottingham, England, became for us a remote experience. Thanks to good friends on-site, and the material generously shared by Tug of War Memorie, we could still feel the pulse of the competition. One moment etched itself in particular: the Swiss supporters, whose mighty cowbells transformed the stands into a rhythmic instrument.
Although we were prevented from participating ourselves, either as athletes or as spectators, the inspiration still reached us. Switzerland’s energy became the catalyst that finally pushed me to launch – albeit in an early, unofficial form – Tug of War, the 2025 edition. This time, in an entirely new musical expression: house, flavored with subtle echoes from earlier works.
Friday marks the official premiere on multiple streaming platforms. Here is a preview of what awaits. You can listen to the track directly from SoundCloud below!
The Original Inspiring Video
f589308f0acaec79b607efecb1d0ec37cb699b9c
1b825cedc8e42967f2858b9292d32890b79d4ace
TITLE: Tug of War 2025 – Going global streaming next friday DESCRIPTION: The World Championship in Nottingham, England, became for us a remote experience. Thanks to good friends on-site, and the material generously shared by Tug of War Memorie, we could still feel the pulse of the competition. One moment etched itself... CONTENT: The World Championship in Nottingham, England, became for us a remote experience. Thanks to good friends on-site, and the material generously shared by Tug of War Memorie, we could still feel the pulse of the competition. One moment etched itself in particular: the Swiss supporters, whose mighty cowbells transformed the stands into a rhythmic instrument. Although we were prevented from participating ourselves, either as athletes or as spectators, the inspiration still reached us. Switzerland's energy became the catalyst that finally pushed me to launch – albeit in an early, unofficial form – Tug of War, the 2025 edition. This time, in an entirely new musical expression: house, flavored with subtle echoes from earlier works. Friday marks the official premiere on multiple streaming platforms. Here is a preview of what awaits. You can listen to the track directly from SoundCloud below! The Original Inspiring Video
TITLE: Tug of War 2025 – Going global streaming next friday DESCRIPTION: The World Championship in Nottingham, England, became for us a remote experience. Thanks to good friends on-site, and the material generously shared by Tug of War Memorie, we could still feel the pulse of the competition. One moment etched itself... CONTENT: The World Championship in Nottingham, England, became for us a remote experience. Thanks to good friends on-site, and the material generously shared by Tug of War Memorie, we could still feel the pulse of the competition. One moment etched itself in particular: the Swiss supporters, whose mighty cowbells transformed the stands into a rhythmic instrument. Although we were prevented from participating ourselves, either as athletes or as spectators, the inspiration still reached us. Switzerland’s energy became the catalyst that finally pushed me to launch – albeit in an early, unofficial form – Tug of War, the 2025 edition. This time, in an entirely new musical expression: house, flavored with subtle echoes from earlier works. Friday marks the official premiere on multiple streaming platforms. Here is a preview of what awaits. You can listen to the track directly from SoundCloud below! The Original Inspiring Video
1b825cedc8e42967f2858b9292d32890b79d4ace
f589308f0acaec79b607efecb1d0ec37cb699b9c
f589308f0acaec79b607efecb1d0ec37cb699b9cThe World Championship in Nottingham, England, became for us a remote experience. Thanks to good friends on-site, and the material generously shared by Tug of War Memorie, we could still feel the pulse of the competition. One moment etched itself...
The World Championship in Nottingham, England, became for us a remote experience. Thanks to good friends on-site, and the material generously shared by Tug of War Memorie, we could still feel the pulse of the competition. One moment etched itself in particular: the Swiss supporters, whose mighty cowbells transformed the stands into a rhythmic instrument.
Although we were prevented from participating ourselves, either as athletes or as spectators, the inspiration still reached us. Switzerland's energy became the catalyst that finally pushed me to launch – albeit in an early, unofficial form – Tug of War, the 2025 edition. This time, in an entirely new musical expression: house, flavored with subtle echoes from earlier works.
Friday marks the official premiere on multiple streaming platforms. Here is a preview of what awaits. You can listen to the track directly from SoundCloud below!
The Original Inspiring Video
f589308f0acaec79b607efecb1d0ec37cb699b9c
1b825cedc8e42967f2858b9292d32890b79d4ace
TITLE: Tug of War 2025 – Going global streaming next friday DESCRIPTION: The World Championship in Nottingham, England, became for us a remote experience. Thanks to good friends on-site, and the material generously shared by Tug of War Memorie, we could still feel the pulse of the competition. One moment etched itself... CONTENT: The World Championship in Nottingham, England, became for us a remote experience. Thanks to good friends on-site, and the material generously shared by Tug of War Memorie, we could still feel the pulse of the competition. One moment etched itself in particular: the Swiss supporters, whose mighty cowbells transformed the stands into a rhythmic instrument. Although we were prevented from participating ourselves, either as athletes or as spectators, the inspiration still reached us. Switzerland's energy became the catalyst that finally pushed me to launch – albeit in an early, unofficial form – Tug of War, the 2025 edition. This time, in an entirely new musical expression: house, flavored with subtle echoes from earlier works. Friday marks the official premiere on multiple streaming platforms. Here is a preview of what awaits. You can listen to the track directly from SoundCloud below! The Original Inspiring Video
TITLE: Tug of War 2025 – Going global streaming next friday DESCRIPTION: The World Championship in Nottingham, England, became for us a remote experience. Thanks to good friends on-site, and the material generously shared by Tug of War Memorie, we could still feel the pulse of the competition. One moment etched itself... CONTENT: The World Championship in Nottingham, England, became for us a remote experience. Thanks to good friends on-site, and the material generously shared by Tug of War Memorie, we could still feel the pulse of the competition. One moment etched itself in particular: the Swiss supporters, whose mighty cowbells transformed the stands into a rhythmic instrument. Although we were prevented from participating ourselves, either as athletes or as spectators, the inspiration still reached us. Switzerland’s energy became the catalyst that finally pushed me to launch – albeit in an early, unofficial form – Tug of War, the 2025 edition. This time, in an entirely new musical expression: house, flavored with subtle echoes from earlier works. Friday marks the official premiere on multiple streaming platforms. Here is a preview of what awaits. You can listen to the track directly from SoundCloud below! The Original Inspiring Video
1b825cedc8e42967f2858b9292d32890b79d4ace
f589308f0acaec79b607efecb1d0ec37cb699b9c
1828e743537d7f33d4cb9006df8464ae289e82c9“Shampoo” is a track written out of pure frustration, much like my earlier releases Anger Management and Managed Anger. It’s about scents and how they can affect mood and desire – sometimes in ways that feel intrusive or even disturbing....
“Shampoo” is a track written out of pure frustration, much like my earlier releases Anger Management and Managed Anger. It’s about scents and how they can affect mood and desire – sometimes in ways that feel intrusive or even disturbing. The whole idea started when my partner bought a cedar-scented shampoo. That smell completely messed with my head and even kept me awake an entire night. It was such a strong and strange experience that I turned it into music.
The song was released on SoundCloud on 3 September 2025 (that’s the export date of the wav-file), and a slightly extended Tech House edit followed two days later, since I realized that the original edit could’ve been longer. On SoundCloud, it is described how the shampoo’s smell overwhelmed me, and on Facebook, I noted as a joke (since I just recently released a bunch of ballades) that it wasn’t “just a ballade” but still something – reminding me “a little bit too much” of Jessica, my partner.
dfc7ed679f80bdce11e1337e17e81eea86a302f0
1828e743537d7f33d4cb9006df8464ae289e82c9
TITLE: “Shampoo” is out! DESCRIPTION: "Shampoo" is a track written out of pure frustration, much like my earlier releases Anger Management and Managed Anger. It's about scents and how they can affect mood and desire – sometimes in ways that feel intrusive or even disturbing.... CONTENT: "Shampoo" is a track written out of pure frustration, much like my earlier releases Anger Management and Managed Anger. It's about scents and how they can affect mood and desire – sometimes in ways that feel intrusive or even disturbing. The whole idea started when my partner bought a cedar-scented shampoo. That smell completely messed with my head and even kept me awake an entire night. It was such a strong and strange experience that I turned it into music. The song was released on SoundCloud on 3 September 2025 (that’s the export date of the wav-file), and a slightly extended Tech House edit followed two days later, since I realized that the original edit could’ve been longer. On SoundCloud, it is described how the shampoo's smell overwhelmed me, and on Facebook, I noted as a joke (since I just recently released a bunch of ballades) that it wasn't “just a ballade” but still something – reminding me “a little bit too much” of Jessica, my partner.
TITLE: “Shampoo” is out! DESCRIPTION: “Shampoo” is a track written out of pure frustration, much like my earlier releases Anger Management and Managed Anger. It’s about scents and how they can affect mood and desire – sometimes in ways that feel intrusive or even disturbing.... CONTENT: “Shampoo” is a track written out of pure frustration, much like my earlier releases Anger Management and Managed Anger. It’s about scents and how they can affect mood and desire – sometimes in ways that feel intrusive or even disturbing. The whole idea started when my partner bought a cedar-scented shampoo. That smell completely messed with my head and even kept me awake an entire night. It was such a strong and strange experience that I turned it into music. The song was released on SoundCloud on 3 September 2025 (that’s the export date of the wav-file), and a slightly extended Tech House edit followed two days later, since I realized that the original edit could’ve been longer. On SoundCloud, it is described how the shampoo’s smell overwhelmed me, and on Facebook, I noted as a joke (since I just recently released a bunch of ballades) that it wasn’t “just a ballade” but still something – reminding me “a little bit too much” of Jessica, my partner.
1828e743537d7f33d4cb9006df8464ae289e82c9
dfc7ed679f80bdce11e1337e17e81eea86a302f0
dfc7ed679f80bdce11e1337e17e81eea86a302f0"Shampoo" is a track written out of pure frustration, much like my earlier releases Anger Management and Managed Anger. It's about scents and how they can affect mood and desire – sometimes in ways that feel intrusive or even disturbing....
"Shampoo" is a track written out of pure frustration, much like my earlier releases Anger Management and Managed Anger. It's about scents and how they can affect mood and desire – sometimes in ways that feel intrusive or even disturbing. The whole idea started when my partner bought a cedar-scented shampoo. That smell completely messed with my head and even kept me awake an entire night. It was such a strong and strange experience that I turned it into music.
The song was released on SoundCloud on 3 September 2025 (that’s the export date of the wav-file), and a slightly extended Tech House edit followed two days later, since I realized that the original edit could’ve been longer. On SoundCloud, it is described how the shampoo's smell overwhelmed me, and on Facebook, I noted as a joke (since I just recently released a bunch of ballades) that it wasn't “just a ballade” but still something – reminding me “a little bit too much” of Jessica, my partner.
dfc7ed679f80bdce11e1337e17e81eea86a302f0
1828e743537d7f33d4cb9006df8464ae289e82c9
TITLE: “Shampoo” is out! DESCRIPTION: "Shampoo" is a track written out of pure frustration, much like my earlier releases Anger Management and Managed Anger. It's about scents and how they can affect mood and desire – sometimes in ways that feel intrusive or even disturbing.... CONTENT: "Shampoo" is a track written out of pure frustration, much like my earlier releases Anger Management and Managed Anger. It's about scents and how they can affect mood and desire – sometimes in ways that feel intrusive or even disturbing. The whole idea started when my partner bought a cedar-scented shampoo. That smell completely messed with my head and even kept me awake an entire night. It was such a strong and strange experience that I turned it into music. The song was released on SoundCloud on 3 September 2025 (that’s the export date of the wav-file), and a slightly extended Tech House edit followed two days later, since I realized that the original edit could’ve been longer. On SoundCloud, it is described how the shampoo's smell overwhelmed me, and on Facebook, I noted as a joke (since I just recently released a bunch of ballades) that it wasn't “just a ballade” but still something – reminding me “a little bit too much” of Jessica, my partner.
TITLE: “Shampoo” is out! DESCRIPTION: “Shampoo” is a track written out of pure frustration, much like my earlier releases Anger Management and Managed Anger. It’s about scents and how they can affect mood and desire – sometimes in ways that feel intrusive or even disturbing.... CONTENT: “Shampoo” is a track written out of pure frustration, much like my earlier releases Anger Management and Managed Anger. It’s about scents and how they can affect mood and desire – sometimes in ways that feel intrusive or even disturbing. The whole idea started when my partner bought a cedar-scented shampoo. That smell completely messed with my head and even kept me awake an entire night. It was such a strong and strange experience that I turned it into music. The song was released on SoundCloud on 3 September 2025 (that’s the export date of the wav-file), and a slightly extended Tech House edit followed two days later, since I realized that the original edit could’ve been longer. On SoundCloud, it is described how the shampoo’s smell overwhelmed me, and on Facebook, I noted as a joke (since I just recently released a bunch of ballades) that it wasn’t “just a ballade” but still something – reminding me “a little bit too much” of Jessica, my partner.
1828e743537d7f33d4cb9006df8464ae289e82c9
dfc7ed679f80bdce11e1337e17e81eea86a302f0
459a69f145fcb918fc646246c195ca22de8d103eMotion till riksdagen 2025/26:0009av Korpral Åkesson, Bredängsmaffian Förslag till riksdagsbeslut Motivering Sverige står inför en tid av förändring där våra internationella samarbeten, vår kulturella position och våra globala ambitioner behöver förnyas. Att göra London till Sveriges huvudstad stärker vår närvaro...
Table of Contents Toggle Motion till riksdagenFörslag till riksdagsbeslutMotiveringStockholm, 2025 Motion till riksdagen
2025/26:0009av Korpral Åkesson, Bredängsmaffian
Förslag till riksdagsbeslut
Riksdagen ställer sig bakom det som anförs i motionen om att London ska utses till Sveriges nya huvudstad och tillkännager detta för regeringen.
Riksdagen ställer sig bakom det som anförs i motionen om att New York ska bli en officiell förort till Göteborg och tillkännager detta för regeringen.
Riksdagen ställer sig bakom det som anförs i motionen om att Australien ska ges en ny roll som ”världsreservat för gemensamma resurser” där mänsklighetens långsiktiga överlevnad kan tryggas, och tillkännager detta för regeringen.
Riksdagen ställer sig bakom det som anförs i motionen om att Sverige ska driva dessa förslag i internationella forum som FN, EU och WTO, samt tillkännager detta för regeringen.
Motivering
Sverige står inför en tid av förändring där våra internationella samarbeten, vår kulturella position och våra globala ambitioner behöver förnyas.
Att göra London till Sveriges huvudstad stärker vår närvaro i Europa, underlättar internationella samarbeten och förflyttar det politiska centrumet närmare världens finans- och kulturhubbar. Big Ben skall därför målas om i blå-gul färg.
New York som förort till Göteborg är en nyskapande idé som suddar ut gränser mellan kontinenter och förstärker Sveriges ställning som ledande inom urban innovation. Göteborg kommer därmed att få en unik roll som global knutpunkt för kultur, näringsliv och demokrati.
Australien som världsreservat innebär att kontinenten ska ges en särskild status, där världens gemensamma resurser – biodiversitet, vatten, klimatinnovationer och långsiktiga överlevnadsprojekt – samordnas under internationell förvaltning. På så vis kan Australien bli hela mänsklighetens framtidslaboratorium.
Sammantaget representerar dessa reformer en ny vision för Sveriges roll i världen: djärv, global och präglad av både humor och allvar i strävan efter hållbar utveckling.
Stockholm, 2025
Korpral ÅkessonBredängsmaffian
7d0df1431bfc5220cc620762e08d940aa3115000
459a69f145fcb918fc646246c195ca22de8d103e
TITLE: London som Sveriges huvudstad och nya internationella samarbeten DESCRIPTION: Motion till riksdagen 2025/26:0009av Korpral Åkesson, Bredängsmaffian Förslag till riksdagsbeslut Motivering Sverige står inför en tid av förändring där våra internationella samarbeten, vår kulturella position och våra globala ambitioner behöver förnyas. Att göra London till Sveriges huvudstad stärker vår närvaro... CONTENT: Table of Contents Toggle Motion till riksdagenFörslag till riksdagsbeslutMotiveringStockholm, 2025 Motion till riksdagen 2025/26:0009av Korpral Åkesson, Bredängsmaffian Förslag till riksdagsbeslut Riksdagen ställer sig bakom det som anförs i motionen om att London ska utses till Sveriges nya huvudstad och tillkännager detta för regeringen. Riksdagen ställer sig bakom det som anförs i motionen om att New York ska bli en officiell förort till Göteborg och tillkännager detta för regeringen. Riksdagen ställer sig bakom det som anförs i motionen om att Australien ska ges en ny roll som "världsreservat för gemensamma resurser" där mänsklighetens långsiktiga överlevnad kan tryggas, och tillkännager detta för regeringen. Riksdagen ställer sig bakom det som anförs i motionen om att Sverige ska driva dessa förslag i internationella forum som FN, EU och WTO, samt tillkännager detta för regeringen. Motivering Sverige står inför en tid av förändring där våra internationella samarbeten, vår kulturella position och våra globala ambitioner behöver förnyas. Att göra London till Sveriges huvudstad stärker vår närvaro i Europa, underlättar internationella samarbeten och förflyttar det politiska centrumet närmare världens finans- och kulturhubbar. Big Ben skall därför målas om i blå-gul färg. New York som förort till Göteborg är en nyskapande idé som suddar ut gränser mellan kontinenter och förstärker Sveriges ställning som ledande inom urban innovation. Göteborg kommer därmed att få en unik roll som global knutpunkt för kultur, näringsliv och demokrati. Australien som världsreservat innebär att kontinenten ska ges en särskild status, där världens gemensamma resurser - biodiversitet, vatten, klimatinnovationer och långsiktiga överlevnadsprojekt - samordnas under internationell förvaltning. På så vis kan Australien bli hela mänsklighetens framtidslaboratorium. Sammantaget representerar dessa reformer en ny vision för Sveriges roll i världen: djärv, global och präglad av både humor och allvar i strävan efter hållbar utveckling. Stockholm, 2025 Korpral ÅkessonBredängsmaffian
TITLE: London som Sveriges huvudstad och nya internationella samarbeten DESCRIPTION: Motion till riksdagen 2025/26:0009av Korpral Åkesson, Bredängsmaffian Förslag till riksdagsbeslut Motivering Sverige står inför en tid av förändring där våra internationella samarbeten, vår kulturella position och våra globala ambitioner behöver förnyas. Att göra London till Sveriges huvudstad stärker vår närvaro... CONTENT: Table of Contents Toggle Motion till riksdagenFörslag till riksdagsbeslutMotiveringStockholm, 2025 Motion till riksdagen 2025/26:0009av Korpral Åkesson, Bredängsmaffian Förslag till riksdagsbeslut Riksdagen ställer sig bakom det som anförs i motionen om att London ska utses till Sveriges nya huvudstad och tillkännager detta för regeringen. Riksdagen ställer sig bakom det som anförs i motionen om att New York ska bli en officiell förort till Göteborg och tillkännager detta för regeringen. Riksdagen ställer sig bakom det som anförs i motionen om att Australien ska ges en ny roll som ”världsreservat för gemensamma resurser” där mänsklighetens långsiktiga överlevnad kan tryggas, och tillkännager detta för regeringen. Riksdagen ställer sig bakom det som anförs i motionen om att Sverige ska driva dessa förslag i internationella forum som FN, EU och WTO, samt tillkännager detta för regeringen. Motivering Sverige står inför en tid av förändring där våra internationella samarbeten, vår kulturella position och våra globala ambitioner behöver förnyas. Att göra London till Sveriges huvudstad stärker vår närvaro i Europa, underlättar internationella samarbeten och förflyttar det politiska centrumet närmare världens finans- och kulturhubbar. Big Ben skall därför målas om i blå-gul färg. New York som förort till Göteborg är en nyskapande idé som suddar ut gränser mellan kontinenter och förstärker Sveriges ställning som ledande inom urban innovation. Göteborg kommer därmed att få en unik roll som global knutpunkt för kultur, näringsliv och demokrati. Australien som världsreservat innebär att kontinenten ska ges en särskild status, där världens gemensamma resurser – biodiversitet, vatten, klimatinnovationer och långsiktiga överlevnadsprojekt – samordnas under internationell förvaltning. På så vis kan Australien bli hela mänsklighetens framtidslaboratorium. Sammantaget representerar dessa reformer en ny vision för Sveriges roll i världen: djärv, global och präglad av både humor och allvar i strävan efter hållbar utveckling. Stockholm, 2025 Korpral ÅkessonBredängsmaffian
459a69f145fcb918fc646246c195ca22de8d103e
7d0df1431bfc5220cc620762e08d940aa3115000