Log in to subscribe to heads-up notifications for this feed or its category via email, Slack, or Discord.
Ask the AI anything about content, patterns, and edits for Tornevalls Blog. The AI will receive full version history including all edited articles. Open question history.
386401bd21e3733aefed2b4eb1288ad640ef6d94In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
#sonaar_music_48 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_48 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_48 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_48 .album .album-art img { border-radius: 0px;} #sonaar_music_48 .sonaar-grid .album { padding: 0px;} #sonaar_music_48 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_48 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_48 .sonaar-grid { justify-content: center; } #sonaar_music_48 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_48 .playlist, #sonaar_music_48 .buttons-block { width: 100%; } #sonaar_music_48 .playlist { margin: 0px; } #sonaar_music_48 .srp_tracklist { margin: 0px; } #sonaar_music_48 .sr_it-playlist-title, #sonaar_music_48 .sr_it-playlist-artists, #sonaar_music_48 .srp_subtitle { text-align: left; } #sonaar_music_48 .sr_it-playlist-title, #sonaar_music_48 .sr_it-playlist-artists, #sonaar_music_48 .srp_subtitle { margin-left: 0px; } #sonaar_music_48 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_48 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_48 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_48 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_48 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_48 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_48 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_48 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_48 .album-player .control { top: 0px; position: relative; } #sonaar_music_48 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_48 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_48 .srp-play-circle { border-width: 6px; } #sonaar_music_48 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69bda5295de4f = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69bda5295de4f = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69bda5295de4f"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69bda5295de4f"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f9ef32a43f26aa668a977b6f2713aea03ccded8e
480fd9f907ea6224d853bd0f2950db628b029bbf
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f519109c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f519109c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f519109c"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f519109c"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
7bb35d71444334218d1646c6be355493b98a2846
f9ef32a43f26aa668a977b6f2713aea03ccded8e
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
7bb35d71444334218d1646c6be355493b98a2846
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f7f229cc9675f1d3bda56364fff3ecec289e76b7
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f4c2ecd72b50cd39eb8776941a771323600826ab
f7f229cc9675f1d3bda56364fff3ecec289e76b7
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
54c1e369cb6d3df7e152b02c19ca844461c11b00
f4c2ecd72b50cd39eb8776941a771323600826ab
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
8a729c2e88b7b245ccf235520b96bc9e2583a970
54c1e369cb6d3df7e152b02c19ca844461c11b00
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
014d3f807e85f000bb3d34957361ba397d1b33bb
8a729c2e88b7b245ccf235520b96bc9e2583a970
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f0360992e977337846a62f6081322c1f8b842497
014d3f807e85f000bb3d34957361ba397d1b33bb
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 .playlist, #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d378efcf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d378efcf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d378efcf"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
480fd9f907ea6224d853bd0f2950db628b029bbf
f9ef32a43f26aa668a977b6f2713aea03ccded8e
7bb35d71444334218d1646c6be355493b98a2846
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
f7f229cc9675f1d3bda56364fff3ecec289e76b7
f4c2ecd72b50cd39eb8776941a771323600826ab
54c1e369cb6d3df7e152b02c19ca844461c11b00
8a729c2e88b7b245ccf235520b96bc9e2583a970
014d3f807e85f000bb3d34957361ba397d1b33bb
f0360992e977337846a62f6081322c1f8b842497
d004be8c807cd74033eef9e6c0af396a3e895dd8In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
#sonaar_music_32 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_32 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_32 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_32 .album .album-art img { border-radius: 0px;} #sonaar_music_32 .sonaar-grid .album { padding: 0px;} #sonaar_music_32 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_32 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_32 .sonaar-grid { justify-content: center; } #sonaar_music_32 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_32 .playlist, #sonaar_music_32 .buttons-block { width: 100%; } #sonaar_music_32 .playlist { margin: 0px; } #sonaar_music_32 .srp_tracklist { margin: 0px; } #sonaar_music_32 .sr_it-playlist-title, #sonaar_music_32 .sr_it-playlist-artists, #sonaar_music_32 .srp_subtitle { text-align: left; } #sonaar_music_32 .sr_it-playlist-title, #sonaar_music_32 .sr_it-playlist-artists, #sonaar_music_32 .srp_subtitle { margin-left: 0px; } #sonaar_music_32 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_32 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_32 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_32 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_32 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_32 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_32 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_32 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_32 .album-player .control { top: 0px; position: relative; } #sonaar_music_32 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_32 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_32 .srp-play-circle { border-width: 6px; } #sonaar_music_32 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69bda4ed14517 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69bda4ed14517 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69bda4ed14517"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69bda4ed14517"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f9ef32a43f26aa668a977b6f2713aea03ccded8e
480fd9f907ea6224d853bd0f2950db628b029bbf
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f519109c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f519109c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f519109c"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f519109c"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
7bb35d71444334218d1646c6be355493b98a2846
f9ef32a43f26aa668a977b6f2713aea03ccded8e
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
7bb35d71444334218d1646c6be355493b98a2846
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f7f229cc9675f1d3bda56364fff3ecec289e76b7
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f4c2ecd72b50cd39eb8776941a771323600826ab
f7f229cc9675f1d3bda56364fff3ecec289e76b7
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
54c1e369cb6d3df7e152b02c19ca844461c11b00
f4c2ecd72b50cd39eb8776941a771323600826ab
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
8a729c2e88b7b245ccf235520b96bc9e2583a970
54c1e369cb6d3df7e152b02c19ca844461c11b00
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
014d3f807e85f000bb3d34957361ba397d1b33bb
8a729c2e88b7b245ccf235520b96bc9e2583a970
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f0360992e977337846a62f6081322c1f8b842497
014d3f807e85f000bb3d34957361ba397d1b33bb
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 .playlist, #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d378efcf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d378efcf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d378efcf"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
480fd9f907ea6224d853bd0f2950db628b029bbf
f9ef32a43f26aa668a977b6f2713aea03ccded8e
7bb35d71444334218d1646c6be355493b98a2846
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
f7f229cc9675f1d3bda56364fff3ecec289e76b7
f4c2ecd72b50cd39eb8776941a771323600826ab
54c1e369cb6d3df7e152b02c19ca844461c11b00
8a729c2e88b7b245ccf235520b96bc9e2583a970
014d3f807e85f000bb3d34957361ba397d1b33bb
f0360992e977337846a62f6081322c1f8b842497
a95c7afba8f9abfa7f17089aa03148bac5493d09In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
#sonaar_music_83 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_83 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_83 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_83 .album .album-art img { border-radius: 0px;} #sonaar_music_83 .sonaar-grid .album { padding: 0px;} #sonaar_music_83 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_83 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_83 .sonaar-grid { justify-content: center; } #sonaar_music_83 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_83 .playlist, #sonaar_music_83 .buttons-block { width: 100%; } #sonaar_music_83 .playlist { margin: 0px; } #sonaar_music_83 .srp_tracklist { margin: 0px; } #sonaar_music_83 .sr_it-playlist-title, #sonaar_music_83 .sr_it-playlist-artists, #sonaar_music_83 .srp_subtitle { text-align: left; } #sonaar_music_83 .sr_it-playlist-title, #sonaar_music_83 .sr_it-playlist-artists, #sonaar_music_83 .srp_subtitle { margin-left: 0px; } #sonaar_music_83 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_83 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_83 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_83 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_83 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_83 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_83 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_83 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_83 .album-player .control { top: 0px; position: relative; } #sonaar_music_83 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_83 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_83 .srp-play-circle { border-width: 6px; } #sonaar_music_83 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69bda4b1a76f9 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69bda4b1a76f9 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69bda4b1a76f9"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69bda4b1a76f9"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f9ef32a43f26aa668a977b6f2713aea03ccded8e
480fd9f907ea6224d853bd0f2950db628b029bbf
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f519109c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f519109c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f519109c"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f519109c"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
7bb35d71444334218d1646c6be355493b98a2846
f9ef32a43f26aa668a977b6f2713aea03ccded8e
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
7bb35d71444334218d1646c6be355493b98a2846
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f7f229cc9675f1d3bda56364fff3ecec289e76b7
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f4c2ecd72b50cd39eb8776941a771323600826ab
f7f229cc9675f1d3bda56364fff3ecec289e76b7
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
54c1e369cb6d3df7e152b02c19ca844461c11b00
f4c2ecd72b50cd39eb8776941a771323600826ab
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
8a729c2e88b7b245ccf235520b96bc9e2583a970
54c1e369cb6d3df7e152b02c19ca844461c11b00
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
014d3f807e85f000bb3d34957361ba397d1b33bb
8a729c2e88b7b245ccf235520b96bc9e2583a970
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f0360992e977337846a62f6081322c1f8b842497
014d3f807e85f000bb3d34957361ba397d1b33bb
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 .playlist, #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d378efcf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d378efcf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d378efcf"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
480fd9f907ea6224d853bd0f2950db628b029bbf
f9ef32a43f26aa668a977b6f2713aea03ccded8e
7bb35d71444334218d1646c6be355493b98a2846
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
f7f229cc9675f1d3bda56364fff3ecec289e76b7
f4c2ecd72b50cd39eb8776941a771323600826ab
54c1e369cb6d3df7e152b02c19ca844461c11b00
8a729c2e88b7b245ccf235520b96bc9e2583a970
014d3f807e85f000bb3d34957361ba397d1b33bb
f0360992e977337846a62f6081322c1f8b842497
809eb5ae2251851f79d1a8ca501762629a4d3962In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69bda47635de9 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69bda47635de9 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69bda47635de9"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69bda47635de9"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f9ef32a43f26aa668a977b6f2713aea03ccded8e
480fd9f907ea6224d853bd0f2950db628b029bbf
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f519109c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f519109c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f519109c"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f519109c"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
7bb35d71444334218d1646c6be355493b98a2846
f9ef32a43f26aa668a977b6f2713aea03ccded8e
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
7bb35d71444334218d1646c6be355493b98a2846
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f7f229cc9675f1d3bda56364fff3ecec289e76b7
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f4c2ecd72b50cd39eb8776941a771323600826ab
f7f229cc9675f1d3bda56364fff3ecec289e76b7
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
54c1e369cb6d3df7e152b02c19ca844461c11b00
f4c2ecd72b50cd39eb8776941a771323600826ab
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
8a729c2e88b7b245ccf235520b96bc9e2583a970
54c1e369cb6d3df7e152b02c19ca844461c11b00
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
014d3f807e85f000bb3d34957361ba397d1b33bb
8a729c2e88b7b245ccf235520b96bc9e2583a970
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f0360992e977337846a62f6081322c1f8b842497
014d3f807e85f000bb3d34957361ba397d1b33bb
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 .playlist, #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d378efcf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d378efcf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d378efcf"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
480fd9f907ea6224d853bd0f2950db628b029bbf
f9ef32a43f26aa668a977b6f2713aea03ccded8e
7bb35d71444334218d1646c6be355493b98a2846
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
f7f229cc9675f1d3bda56364fff3ecec289e76b7
f4c2ecd72b50cd39eb8776941a771323600826ab
54c1e369cb6d3df7e152b02c19ca844461c11b00
8a729c2e88b7b245ccf235520b96bc9e2583a970
014d3f807e85f000bb3d34957361ba397d1b33bb
f0360992e977337846a62f6081322c1f8b842497
8f5a395e4b5aa3a52a33ac970d44c235c90c3c8fIn 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
#sonaar_music_93 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_93 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_93 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_93 .album .album-art img { border-radius: 0px;} #sonaar_music_93 .sonaar-grid .album { padding: 0px;} #sonaar_music_93 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_93 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_93 .sonaar-grid { justify-content: center; } #sonaar_music_93 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_93 .playlist, #sonaar_music_93 .buttons-block { width: 100%; } #sonaar_music_93 .playlist { margin: 0px; } #sonaar_music_93 .srp_tracklist { margin: 0px; } #sonaar_music_93 .sr_it-playlist-title, #sonaar_music_93 .sr_it-playlist-artists, #sonaar_music_93 .srp_subtitle { text-align: left; } #sonaar_music_93 .sr_it-playlist-title, #sonaar_music_93 .sr_it-playlist-artists, #sonaar_music_93 .srp_subtitle { margin-left: 0px; } #sonaar_music_93 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_93 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_93 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_93 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_93 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_93 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_93 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_93 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_93 .album-player .control { top: 0px; position: relative; } #sonaar_music_93 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_93 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_93 .srp-play-circle { border-width: 6px; } #sonaar_music_93 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69bda43abeb30 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69bda43abeb30 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69bda43abeb30"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69bda43abeb30"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f9ef32a43f26aa668a977b6f2713aea03ccded8e
480fd9f907ea6224d853bd0f2950db628b029bbf
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f519109c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f519109c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f519109c"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f519109c"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
7bb35d71444334218d1646c6be355493b98a2846
f9ef32a43f26aa668a977b6f2713aea03ccded8e
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
7bb35d71444334218d1646c6be355493b98a2846
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f7f229cc9675f1d3bda56364fff3ecec289e76b7
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f4c2ecd72b50cd39eb8776941a771323600826ab
f7f229cc9675f1d3bda56364fff3ecec289e76b7
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
54c1e369cb6d3df7e152b02c19ca844461c11b00
f4c2ecd72b50cd39eb8776941a771323600826ab
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
8a729c2e88b7b245ccf235520b96bc9e2583a970
54c1e369cb6d3df7e152b02c19ca844461c11b00
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
014d3f807e85f000bb3d34957361ba397d1b33bb
8a729c2e88b7b245ccf235520b96bc9e2583a970
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f0360992e977337846a62f6081322c1f8b842497
014d3f807e85f000bb3d34957361ba397d1b33bb
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 .playlist, #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d378efcf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d378efcf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d378efcf"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
480fd9f907ea6224d853bd0f2950db628b029bbf
f9ef32a43f26aa668a977b6f2713aea03ccded8e
7bb35d71444334218d1646c6be355493b98a2846
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
f7f229cc9675f1d3bda56364fff3ecec289e76b7
f4c2ecd72b50cd39eb8776941a771323600826ab
54c1e369cb6d3df7e152b02c19ca844461c11b00
8a729c2e88b7b245ccf235520b96bc9e2583a970
014d3f807e85f000bb3d34957361ba397d1b33bb
f0360992e977337846a62f6081322c1f8b842497
c9a5c68e415e5b70bbe947e1c65a540f67ca1a0bIn 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
#sonaar_music_45 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_45 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_45 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_45 .album .album-art img { border-radius: 0px;} #sonaar_music_45 .sonaar-grid .album { padding: 0px;} #sonaar_music_45 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_45 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_45 .sonaar-grid { justify-content: center; } #sonaar_music_45 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_45 .playlist, #sonaar_music_45 .buttons-block { width: 100%; } #sonaar_music_45 .playlist { margin: 0px; } #sonaar_music_45 .srp_tracklist { margin: 0px; } #sonaar_music_45 .sr_it-playlist-title, #sonaar_music_45 .sr_it-playlist-artists, #sonaar_music_45 .srp_subtitle { text-align: left; } #sonaar_music_45 .sr_it-playlist-title, #sonaar_music_45 .sr_it-playlist-artists, #sonaar_music_45 .srp_subtitle { margin-left: 0px; } #sonaar_music_45 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_45 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_45 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_45 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_45 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_45 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_45 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_45 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_45 .album-player .control { top: 0px; position: relative; } #sonaar_music_45 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_45 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_45 .srp-play-circle { border-width: 6px; } #sonaar_music_45 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69bda3fe73c11 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69bda3fe73c11 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69bda3fe73c11"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69bda3fe73c11"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f9ef32a43f26aa668a977b6f2713aea03ccded8e
480fd9f907ea6224d853bd0f2950db628b029bbf
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f519109c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f519109c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f519109c"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f519109c"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
7bb35d71444334218d1646c6be355493b98a2846
f9ef32a43f26aa668a977b6f2713aea03ccded8e
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
7bb35d71444334218d1646c6be355493b98a2846
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f7f229cc9675f1d3bda56364fff3ecec289e76b7
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f4c2ecd72b50cd39eb8776941a771323600826ab
f7f229cc9675f1d3bda56364fff3ecec289e76b7
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
54c1e369cb6d3df7e152b02c19ca844461c11b00
f4c2ecd72b50cd39eb8776941a771323600826ab
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
8a729c2e88b7b245ccf235520b96bc9e2583a970
54c1e369cb6d3df7e152b02c19ca844461c11b00
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
014d3f807e85f000bb3d34957361ba397d1b33bb
8a729c2e88b7b245ccf235520b96bc9e2583a970
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f0360992e977337846a62f6081322c1f8b842497
014d3f807e85f000bb3d34957361ba397d1b33bb
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 .playlist, #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d378efcf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d378efcf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d378efcf"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
480fd9f907ea6224d853bd0f2950db628b029bbf
f9ef32a43f26aa668a977b6f2713aea03ccded8e
7bb35d71444334218d1646c6be355493b98a2846
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
f7f229cc9675f1d3bda56364fff3ecec289e76b7
f4c2ecd72b50cd39eb8776941a771323600826ab
54c1e369cb6d3df7e152b02c19ca844461c11b00
8a729c2e88b7b245ccf235520b96bc9e2583a970
014d3f807e85f000bb3d34957361ba397d1b33bb
f0360992e977337846a62f6081322c1f8b842497
945584223f73a5e6883854d5d0eb264e772b2cb5In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
#sonaar_music_60 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_60 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_60 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_60 .album .album-art img { border-radius: 0px;} #sonaar_music_60 .sonaar-grid .album { padding: 0px;} #sonaar_music_60 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_60 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_60 .sonaar-grid { justify-content: center; } #sonaar_music_60 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_60 .playlist, #sonaar_music_60 .buttons-block { width: 100%; } #sonaar_music_60 .playlist { margin: 0px; } #sonaar_music_60 .srp_tracklist { margin: 0px; } #sonaar_music_60 .sr_it-playlist-title, #sonaar_music_60 .sr_it-playlist-artists, #sonaar_music_60 .srp_subtitle { text-align: left; } #sonaar_music_60 .sr_it-playlist-title, #sonaar_music_60 .sr_it-playlist-artists, #sonaar_music_60 .srp_subtitle { margin-left: 0px; } #sonaar_music_60 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_60 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_60 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_60 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_60 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_60 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_60 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_60 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_60 .album-player .control { top: 0px; position: relative; } #sonaar_music_60 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_60 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_60 .srp-play-circle { border-width: 6px; } #sonaar_music_60 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69bda3c37caf0 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69bda3c37caf0 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69bda3c37caf0"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69bda3c37caf0"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f9ef32a43f26aa668a977b6f2713aea03ccded8e
480fd9f907ea6224d853bd0f2950db628b029bbf
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f519109c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f519109c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f519109c"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f519109c"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
7bb35d71444334218d1646c6be355493b98a2846
f9ef32a43f26aa668a977b6f2713aea03ccded8e
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
7bb35d71444334218d1646c6be355493b98a2846
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f7f229cc9675f1d3bda56364fff3ecec289e76b7
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f4c2ecd72b50cd39eb8776941a771323600826ab
f7f229cc9675f1d3bda56364fff3ecec289e76b7
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
54c1e369cb6d3df7e152b02c19ca844461c11b00
f4c2ecd72b50cd39eb8776941a771323600826ab
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
8a729c2e88b7b245ccf235520b96bc9e2583a970
54c1e369cb6d3df7e152b02c19ca844461c11b00
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
014d3f807e85f000bb3d34957361ba397d1b33bb
8a729c2e88b7b245ccf235520b96bc9e2583a970
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f0360992e977337846a62f6081322c1f8b842497
014d3f807e85f000bb3d34957361ba397d1b33bb
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 .playlist, #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d378efcf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d378efcf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d378efcf"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
480fd9f907ea6224d853bd0f2950db628b029bbf
f9ef32a43f26aa668a977b6f2713aea03ccded8e
7bb35d71444334218d1646c6be355493b98a2846
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
f7f229cc9675f1d3bda56364fff3ecec289e76b7
f4c2ecd72b50cd39eb8776941a771323600826ab
54c1e369cb6d3df7e152b02c19ca844461c11b00
8a729c2e88b7b245ccf235520b96bc9e2583a970
014d3f807e85f000bb3d34957361ba397d1b33bb
f0360992e977337846a62f6081322c1f8b842497
a7264d2259272fe648d8ad85565bffbab340d136In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
#sonaar_music_83 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_83 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_83 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_83 .album .album-art img { border-radius: 0px;} #sonaar_music_83 .sonaar-grid .album { padding: 0px;} #sonaar_music_83 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_83 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_83 .sonaar-grid { justify-content: center; } #sonaar_music_83 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_83 .playlist, #sonaar_music_83 .buttons-block { width: 100%; } #sonaar_music_83 .playlist { margin: 0px; } #sonaar_music_83 .srp_tracklist { margin: 0px; } #sonaar_music_83 .sr_it-playlist-title, #sonaar_music_83 .sr_it-playlist-artists, #sonaar_music_83 .srp_subtitle { text-align: left; } #sonaar_music_83 .sr_it-playlist-title, #sonaar_music_83 .sr_it-playlist-artists, #sonaar_music_83 .srp_subtitle { margin-left: 0px; } #sonaar_music_83 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_83 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_83 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_83 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_83 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_83 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_83 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_83 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_83 .album-player .control { top: 0px; position: relative; } #sonaar_music_83 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_83 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_83 .srp-play-circle { border-width: 6px; } #sonaar_music_83 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69bda3870794b = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69bda3870794b = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69bda3870794b"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69bda3870794b"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f9ef32a43f26aa668a977b6f2713aea03ccded8e
480fd9f907ea6224d853bd0f2950db628b029bbf
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f519109c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f519109c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f519109c"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f519109c"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
7bb35d71444334218d1646c6be355493b98a2846
f9ef32a43f26aa668a977b6f2713aea03ccded8e
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
7bb35d71444334218d1646c6be355493b98a2846
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f7f229cc9675f1d3bda56364fff3ecec289e76b7
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f4c2ecd72b50cd39eb8776941a771323600826ab
f7f229cc9675f1d3bda56364fff3ecec289e76b7
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
54c1e369cb6d3df7e152b02c19ca844461c11b00
f4c2ecd72b50cd39eb8776941a771323600826ab
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
8a729c2e88b7b245ccf235520b96bc9e2583a970
54c1e369cb6d3df7e152b02c19ca844461c11b00
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
014d3f807e85f000bb3d34957361ba397d1b33bb
8a729c2e88b7b245ccf235520b96bc9e2583a970
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f0360992e977337846a62f6081322c1f8b842497
014d3f807e85f000bb3d34957361ba397d1b33bb
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 .playlist, #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d378efcf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d378efcf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d378efcf"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
480fd9f907ea6224d853bd0f2950db628b029bbf
f9ef32a43f26aa668a977b6f2713aea03ccded8e
7bb35d71444334218d1646c6be355493b98a2846
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
f7f229cc9675f1d3bda56364fff3ecec289e76b7
f4c2ecd72b50cd39eb8776941a771323600826ab
54c1e369cb6d3df7e152b02c19ca844461c11b00
8a729c2e88b7b245ccf235520b96bc9e2583a970
014d3f807e85f000bb3d34957361ba397d1b33bb
f0360992e977337846a62f6081322c1f8b842497
a8eb982beea0322e588cecbcb2b40605c474428bIn 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69bda349bd86f = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69bda349bd86f = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69bda349bd86f"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69bda349bd86f"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f9ef32a43f26aa668a977b6f2713aea03ccded8e
480fd9f907ea6224d853bd0f2950db628b029bbf
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f519109c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f519109c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f519109c"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f519109c"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
7bb35d71444334218d1646c6be355493b98a2846
f9ef32a43f26aa668a977b6f2713aea03ccded8e
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
7bb35d71444334218d1646c6be355493b98a2846
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f7f229cc9675f1d3bda56364fff3ecec289e76b7
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f4c2ecd72b50cd39eb8776941a771323600826ab
f7f229cc9675f1d3bda56364fff3ecec289e76b7
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
54c1e369cb6d3df7e152b02c19ca844461c11b00
f4c2ecd72b50cd39eb8776941a771323600826ab
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
8a729c2e88b7b245ccf235520b96bc9e2583a970
54c1e369cb6d3df7e152b02c19ca844461c11b00
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
014d3f807e85f000bb3d34957361ba397d1b33bb
8a729c2e88b7b245ccf235520b96bc9e2583a970
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f0360992e977337846a62f6081322c1f8b842497
014d3f807e85f000bb3d34957361ba397d1b33bb
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 .playlist, #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d378efcf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d378efcf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d378efcf"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
480fd9f907ea6224d853bd0f2950db628b029bbf
f9ef32a43f26aa668a977b6f2713aea03ccded8e
7bb35d71444334218d1646c6be355493b98a2846
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
f7f229cc9675f1d3bda56364fff3ecec289e76b7
f4c2ecd72b50cd39eb8776941a771323600826ab
54c1e369cb6d3df7e152b02c19ca844461c11b00
8a729c2e88b7b245ccf235520b96bc9e2583a970
014d3f807e85f000bb3d34957361ba397d1b33bb
f0360992e977337846a62f6081322c1f8b842497
a8e9b7fcf8b583ed0d960c7ca7c65acb6d9bbef6In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
#sonaar_music_26 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_26 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_26 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_26 .album .album-art img { border-radius: 0px;} #sonaar_music_26 .sonaar-grid .album { padding: 0px;} #sonaar_music_26 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_26 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_26 .sonaar-grid { justify-content: center; } #sonaar_music_26 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_26 .playlist, #sonaar_music_26 .buttons-block { width: 100%; } #sonaar_music_26 .playlist { margin: 0px; } #sonaar_music_26 .srp_tracklist { margin: 0px; } #sonaar_music_26 .sr_it-playlist-title, #sonaar_music_26 .sr_it-playlist-artists, #sonaar_music_26 .srp_subtitle { text-align: left; } #sonaar_music_26 .sr_it-playlist-title, #sonaar_music_26 .sr_it-playlist-artists, #sonaar_music_26 .srp_subtitle { margin-left: 0px; } #sonaar_music_26 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_26 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_26 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_26 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_26 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_26 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_26 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_26 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_26 .album-player .control { top: 0px; position: relative; } #sonaar_music_26 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_26 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_26 .srp-play-circle { border-width: 6px; } #sonaar_music_26 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69bda30f97154 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69bda30f97154 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69bda30f97154"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69bda30f97154"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f9ef32a43f26aa668a977b6f2713aea03ccded8e
480fd9f907ea6224d853bd0f2950db628b029bbf
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f519109c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f519109c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f519109c"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f519109c"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
7bb35d71444334218d1646c6be355493b98a2846
f9ef32a43f26aa668a977b6f2713aea03ccded8e
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
7bb35d71444334218d1646c6be355493b98a2846
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f7f229cc9675f1d3bda56364fff3ecec289e76b7
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f4c2ecd72b50cd39eb8776941a771323600826ab
f7f229cc9675f1d3bda56364fff3ecec289e76b7
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
54c1e369cb6d3df7e152b02c19ca844461c11b00
f4c2ecd72b50cd39eb8776941a771323600826ab
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
8a729c2e88b7b245ccf235520b96bc9e2583a970
54c1e369cb6d3df7e152b02c19ca844461c11b00
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
014d3f807e85f000bb3d34957361ba397d1b33bb
8a729c2e88b7b245ccf235520b96bc9e2583a970
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f0360992e977337846a62f6081322c1f8b842497
014d3f807e85f000bb3d34957361ba397d1b33bb
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 .playlist, #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d378efcf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d378efcf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d378efcf"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
480fd9f907ea6224d853bd0f2950db628b029bbf
f9ef32a43f26aa668a977b6f2713aea03ccded8e
7bb35d71444334218d1646c6be355493b98a2846
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
f7f229cc9675f1d3bda56364fff3ecec289e76b7
f4c2ecd72b50cd39eb8776941a771323600826ab
54c1e369cb6d3df7e152b02c19ca844461c11b00
8a729c2e88b7b245ccf235520b96bc9e2583a970
014d3f807e85f000bb3d34957361ba397d1b33bb
f0360992e977337846a62f6081322c1f8b842497