Log in to subscribe to heads-up notifications for this feed or its category via email, Slack, or Discord.
Ask the AI anything about content, patterns, and edits for Tornevalls Blog. The AI will receive full version history including all edited articles. Open question history.
07d2e30fe78c455b412a98eef13efbeb1216195aIn 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
#sonaar_music_67 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_67 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_67 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_67 .album .album-art img { border-radius: 0px;} #sonaar_music_67 .sonaar-grid .album { padding: 0px;} #sonaar_music_67 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_67 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_67 .sonaar-grid { justify-content: center; } #sonaar_music_67 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_67 .playlist, #sonaar_music_67 .buttons-block { width: 100%; } #sonaar_music_67 .playlist { margin: 0px; } #sonaar_music_67 .srp_tracklist { margin: 0px; } #sonaar_music_67 .sr_it-playlist-title, #sonaar_music_67 .sr_it-playlist-artists, #sonaar_music_67 .srp_subtitle { text-align: left; } #sonaar_music_67 .sr_it-playlist-title, #sonaar_music_67 .sr_it-playlist-artists, #sonaar_music_67 .srp_subtitle { margin-left: 0px; } #sonaar_music_67 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_67 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_67 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_67 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_67 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_67 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_67 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_67 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_67 .album-player .control { top: 0px; position: relative; } #sonaar_music_67 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_67 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_67 .srp-play-circle { border-width: 6px; } #sonaar_music_67 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69bd913f427a7 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69bd913f427a7 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69bd913f427a7"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69bd913f427a7"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f9ef32a43f26aa668a977b6f2713aea03ccded8e
480fd9f907ea6224d853bd0f2950db628b029bbf
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f519109c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f519109c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f519109c"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f519109c"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
7bb35d71444334218d1646c6be355493b98a2846
f9ef32a43f26aa668a977b6f2713aea03ccded8e
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
7bb35d71444334218d1646c6be355493b98a2846
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f7f229cc9675f1d3bda56364fff3ecec289e76b7
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f4c2ecd72b50cd39eb8776941a771323600826ab
f7f229cc9675f1d3bda56364fff3ecec289e76b7
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
54c1e369cb6d3df7e152b02c19ca844461c11b00
f4c2ecd72b50cd39eb8776941a771323600826ab
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
8a729c2e88b7b245ccf235520b96bc9e2583a970
54c1e369cb6d3df7e152b02c19ca844461c11b00
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
014d3f807e85f000bb3d34957361ba397d1b33bb
8a729c2e88b7b245ccf235520b96bc9e2583a970
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f0360992e977337846a62f6081322c1f8b842497
014d3f807e85f000bb3d34957361ba397d1b33bb
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 .playlist, #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d378efcf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d378efcf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d378efcf"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
480fd9f907ea6224d853bd0f2950db628b029bbf
f9ef32a43f26aa668a977b6f2713aea03ccded8e
7bb35d71444334218d1646c6be355493b98a2846
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
f7f229cc9675f1d3bda56364fff3ecec289e76b7
f4c2ecd72b50cd39eb8776941a771323600826ab
54c1e369cb6d3df7e152b02c19ca844461c11b00
8a729c2e88b7b245ccf235520b96bc9e2583a970
014d3f807e85f000bb3d34957361ba397d1b33bb
f0360992e977337846a62f6081322c1f8b842497
a9cb887927d5a7a006253618875e9635c3a90daaIn 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
#sonaar_music_21 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_21 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_21 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_21 .album .album-art img { border-radius: 0px;} #sonaar_music_21 .sonaar-grid .album { padding: 0px;} #sonaar_music_21 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_21 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_21 .sonaar-grid { justify-content: center; } #sonaar_music_21 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_21 .playlist, #sonaar_music_21 .buttons-block { width: 100%; } #sonaar_music_21 .playlist { margin: 0px; } #sonaar_music_21 .srp_tracklist { margin: 0px; } #sonaar_music_21 .sr_it-playlist-title, #sonaar_music_21 .sr_it-playlist-artists, #sonaar_music_21 .srp_subtitle { text-align: left; } #sonaar_music_21 .sr_it-playlist-title, #sonaar_music_21 .sr_it-playlist-artists, #sonaar_music_21 .srp_subtitle { margin-left: 0px; } #sonaar_music_21 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_21 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_21 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_21 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_21 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_21 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_21 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_21 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_21 .album-player .control { top: 0px; position: relative; } #sonaar_music_21 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_21 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_21 .srp-play-circle { border-width: 6px; } #sonaar_music_21 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69bd91023a532 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69bd91023a532 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69bd91023a532"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69bd91023a532"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f9ef32a43f26aa668a977b6f2713aea03ccded8e
480fd9f907ea6224d853bd0f2950db628b029bbf
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f519109c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f519109c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f519109c"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f519109c"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
7bb35d71444334218d1646c6be355493b98a2846
f9ef32a43f26aa668a977b6f2713aea03ccded8e
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
7bb35d71444334218d1646c6be355493b98a2846
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f7f229cc9675f1d3bda56364fff3ecec289e76b7
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f4c2ecd72b50cd39eb8776941a771323600826ab
f7f229cc9675f1d3bda56364fff3ecec289e76b7
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
54c1e369cb6d3df7e152b02c19ca844461c11b00
f4c2ecd72b50cd39eb8776941a771323600826ab
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
8a729c2e88b7b245ccf235520b96bc9e2583a970
54c1e369cb6d3df7e152b02c19ca844461c11b00
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
014d3f807e85f000bb3d34957361ba397d1b33bb
8a729c2e88b7b245ccf235520b96bc9e2583a970
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f0360992e977337846a62f6081322c1f8b842497
014d3f807e85f000bb3d34957361ba397d1b33bb
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 .playlist, #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d378efcf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d378efcf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d378efcf"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
480fd9f907ea6224d853bd0f2950db628b029bbf
f9ef32a43f26aa668a977b6f2713aea03ccded8e
7bb35d71444334218d1646c6be355493b98a2846
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
f7f229cc9675f1d3bda56364fff3ecec289e76b7
f4c2ecd72b50cd39eb8776941a771323600826ab
54c1e369cb6d3df7e152b02c19ca844461c11b00
8a729c2e88b7b245ccf235520b96bc9e2583a970
014d3f807e85f000bb3d34957361ba397d1b33bb
f0360992e977337846a62f6081322c1f8b842497
fd73dae07a3a3e4f39bdac8e2b83bdd0b09f2a8dIn 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
#sonaar_music_88 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_88 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_88 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_88 .album .album-art img { border-radius: 0px;} #sonaar_music_88 .sonaar-grid .album { padding: 0px;} #sonaar_music_88 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_88 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_88 .sonaar-grid { justify-content: center; } #sonaar_music_88 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_88 .playlist, #sonaar_music_88 .buttons-block { width: 100%; } #sonaar_music_88 .playlist { margin: 0px; } #sonaar_music_88 .srp_tracklist { margin: 0px; } #sonaar_music_88 .sr_it-playlist-title, #sonaar_music_88 .sr_it-playlist-artists, #sonaar_music_88 .srp_subtitle { text-align: left; } #sonaar_music_88 .sr_it-playlist-title, #sonaar_music_88 .sr_it-playlist-artists, #sonaar_music_88 .srp_subtitle { margin-left: 0px; } #sonaar_music_88 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_88 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_88 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_88 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_88 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_88 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_88 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_88 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_88 .album-player .control { top: 0px; position: relative; } #sonaar_music_88 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_88 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_88 .srp-play-circle { border-width: 6px; } #sonaar_music_88 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69bd90c6ac658 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69bd90c6ac658 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69bd90c6ac658"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69bd90c6ac658"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f9ef32a43f26aa668a977b6f2713aea03ccded8e
480fd9f907ea6224d853bd0f2950db628b029bbf
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f519109c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f519109c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f519109c"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f519109c"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
7bb35d71444334218d1646c6be355493b98a2846
f9ef32a43f26aa668a977b6f2713aea03ccded8e
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
7bb35d71444334218d1646c6be355493b98a2846
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f7f229cc9675f1d3bda56364fff3ecec289e76b7
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f4c2ecd72b50cd39eb8776941a771323600826ab
f7f229cc9675f1d3bda56364fff3ecec289e76b7
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
54c1e369cb6d3df7e152b02c19ca844461c11b00
f4c2ecd72b50cd39eb8776941a771323600826ab
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
8a729c2e88b7b245ccf235520b96bc9e2583a970
54c1e369cb6d3df7e152b02c19ca844461c11b00
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
014d3f807e85f000bb3d34957361ba397d1b33bb
8a729c2e88b7b245ccf235520b96bc9e2583a970
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f0360992e977337846a62f6081322c1f8b842497
014d3f807e85f000bb3d34957361ba397d1b33bb
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 .playlist, #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d378efcf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d378efcf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d378efcf"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
480fd9f907ea6224d853bd0f2950db628b029bbf
f9ef32a43f26aa668a977b6f2713aea03ccded8e
7bb35d71444334218d1646c6be355493b98a2846
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
f7f229cc9675f1d3bda56364fff3ecec289e76b7
f4c2ecd72b50cd39eb8776941a771323600826ab
54c1e369cb6d3df7e152b02c19ca844461c11b00
8a729c2e88b7b245ccf235520b96bc9e2583a970
014d3f807e85f000bb3d34957361ba397d1b33bb
f0360992e977337846a62f6081322c1f8b842497
b3b48df09ce72ab20482643882bdcb583d8726d6In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
#sonaar_music_57 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_57 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_57 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_57 .album .album-art img { border-radius: 0px;} #sonaar_music_57 .sonaar-grid .album { padding: 0px;} #sonaar_music_57 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_57 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_57 .sonaar-grid { justify-content: center; } #sonaar_music_57 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_57 .playlist, #sonaar_music_57 .buttons-block { width: 100%; } #sonaar_music_57 .playlist { margin: 0px; } #sonaar_music_57 .srp_tracklist { margin: 0px; } #sonaar_music_57 .sr_it-playlist-title, #sonaar_music_57 .sr_it-playlist-artists, #sonaar_music_57 .srp_subtitle { text-align: left; } #sonaar_music_57 .sr_it-playlist-title, #sonaar_music_57 .sr_it-playlist-artists, #sonaar_music_57 .srp_subtitle { margin-left: 0px; } #sonaar_music_57 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_57 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_57 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_57 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_57 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_57 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_57 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_57 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_57 .album-player .control { top: 0px; position: relative; } #sonaar_music_57 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_57 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_57 .srp-play-circle { border-width: 6px; } #sonaar_music_57 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69bd90897458e = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69bd90897458e = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69bd90897458e"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69bd90897458e"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f9ef32a43f26aa668a977b6f2713aea03ccded8e
480fd9f907ea6224d853bd0f2950db628b029bbf
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f519109c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f519109c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f519109c"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f519109c"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
7bb35d71444334218d1646c6be355493b98a2846
f9ef32a43f26aa668a977b6f2713aea03ccded8e
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
7bb35d71444334218d1646c6be355493b98a2846
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f7f229cc9675f1d3bda56364fff3ecec289e76b7
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f4c2ecd72b50cd39eb8776941a771323600826ab
f7f229cc9675f1d3bda56364fff3ecec289e76b7
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
54c1e369cb6d3df7e152b02c19ca844461c11b00
f4c2ecd72b50cd39eb8776941a771323600826ab
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
8a729c2e88b7b245ccf235520b96bc9e2583a970
54c1e369cb6d3df7e152b02c19ca844461c11b00
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
014d3f807e85f000bb3d34957361ba397d1b33bb
8a729c2e88b7b245ccf235520b96bc9e2583a970
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f0360992e977337846a62f6081322c1f8b842497
014d3f807e85f000bb3d34957361ba397d1b33bb
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 .playlist, #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d378efcf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d378efcf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d378efcf"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
480fd9f907ea6224d853bd0f2950db628b029bbf
f9ef32a43f26aa668a977b6f2713aea03ccded8e
7bb35d71444334218d1646c6be355493b98a2846
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
f7f229cc9675f1d3bda56364fff3ecec289e76b7
f4c2ecd72b50cd39eb8776941a771323600826ab
54c1e369cb6d3df7e152b02c19ca844461c11b00
8a729c2e88b7b245ccf235520b96bc9e2583a970
014d3f807e85f000bb3d34957361ba397d1b33bb
f0360992e977337846a62f6081322c1f8b842497
0d4718d79f9c4cfa2f487cb77861caf25ca4e3f7In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
#sonaar_music_99 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_99 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_99 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_99 .album .album-art img { border-radius: 0px;} #sonaar_music_99 .sonaar-grid .album { padding: 0px;} #sonaar_music_99 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_99 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_99 .sonaar-grid { justify-content: center; } #sonaar_music_99 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_99 .playlist, #sonaar_music_99 .buttons-block { width: 100%; } #sonaar_music_99 .playlist { margin: 0px; } #sonaar_music_99 .srp_tracklist { margin: 0px; } #sonaar_music_99 .sr_it-playlist-title, #sonaar_music_99 .sr_it-playlist-artists, #sonaar_music_99 .srp_subtitle { text-align: left; } #sonaar_music_99 .sr_it-playlist-title, #sonaar_music_99 .sr_it-playlist-artists, #sonaar_music_99 .srp_subtitle { margin-left: 0px; } #sonaar_music_99 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_99 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_99 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_99 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_99 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_99 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_99 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_99 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_99 .album-player .control { top: 0px; position: relative; } #sonaar_music_99 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_99 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_99 .srp-play-circle { border-width: 6px; } #sonaar_music_99 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69bd904d10c82 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69bd904d10c82 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69bd904d10c82"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69bd904d10c82"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f9ef32a43f26aa668a977b6f2713aea03ccded8e
480fd9f907ea6224d853bd0f2950db628b029bbf
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f519109c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f519109c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f519109c"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f519109c"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
7bb35d71444334218d1646c6be355493b98a2846
f9ef32a43f26aa668a977b6f2713aea03ccded8e
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
7bb35d71444334218d1646c6be355493b98a2846
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f7f229cc9675f1d3bda56364fff3ecec289e76b7
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f4c2ecd72b50cd39eb8776941a771323600826ab
f7f229cc9675f1d3bda56364fff3ecec289e76b7
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
54c1e369cb6d3df7e152b02c19ca844461c11b00
f4c2ecd72b50cd39eb8776941a771323600826ab
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
8a729c2e88b7b245ccf235520b96bc9e2583a970
54c1e369cb6d3df7e152b02c19ca844461c11b00
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
014d3f807e85f000bb3d34957361ba397d1b33bb
8a729c2e88b7b245ccf235520b96bc9e2583a970
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f0360992e977337846a62f6081322c1f8b842497
014d3f807e85f000bb3d34957361ba397d1b33bb
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 .playlist, #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d378efcf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d378efcf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d378efcf"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
480fd9f907ea6224d853bd0f2950db628b029bbf
f9ef32a43f26aa668a977b6f2713aea03ccded8e
7bb35d71444334218d1646c6be355493b98a2846
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
f7f229cc9675f1d3bda56364fff3ecec289e76b7
f4c2ecd72b50cd39eb8776941a771323600826ab
54c1e369cb6d3df7e152b02c19ca844461c11b00
8a729c2e88b7b245ccf235520b96bc9e2583a970
014d3f807e85f000bb3d34957361ba397d1b33bb
f0360992e977337846a62f6081322c1f8b842497
44152ff546272c3e162a93fd78168872e86a0a81In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
#sonaar_music_45 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_45 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_45 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_45 .album .album-art img { border-radius: 0px;} #sonaar_music_45 .sonaar-grid .album { padding: 0px;} #sonaar_music_45 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_45 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_45 .sonaar-grid { justify-content: center; } #sonaar_music_45 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_45 .playlist, #sonaar_music_45 .buttons-block { width: 100%; } #sonaar_music_45 .playlist { margin: 0px; } #sonaar_music_45 .srp_tracklist { margin: 0px; } #sonaar_music_45 .sr_it-playlist-title, #sonaar_music_45 .sr_it-playlist-artists, #sonaar_music_45 .srp_subtitle { text-align: left; } #sonaar_music_45 .sr_it-playlist-title, #sonaar_music_45 .sr_it-playlist-artists, #sonaar_music_45 .srp_subtitle { margin-left: 0px; } #sonaar_music_45 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_45 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_45 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_45 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_45 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_45 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_45 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_45 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_45 .album-player .control { top: 0px; position: relative; } #sonaar_music_45 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_45 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_45 .srp-play-circle { border-width: 6px; } #sonaar_music_45 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69bd901139ead = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69bd901139ead = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69bd901139ead"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69bd901139ead"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f9ef32a43f26aa668a977b6f2713aea03ccded8e
480fd9f907ea6224d853bd0f2950db628b029bbf
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f519109c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f519109c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f519109c"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f519109c"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
7bb35d71444334218d1646c6be355493b98a2846
f9ef32a43f26aa668a977b6f2713aea03ccded8e
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
7bb35d71444334218d1646c6be355493b98a2846
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f7f229cc9675f1d3bda56364fff3ecec289e76b7
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f4c2ecd72b50cd39eb8776941a771323600826ab
f7f229cc9675f1d3bda56364fff3ecec289e76b7
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
54c1e369cb6d3df7e152b02c19ca844461c11b00
f4c2ecd72b50cd39eb8776941a771323600826ab
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
8a729c2e88b7b245ccf235520b96bc9e2583a970
54c1e369cb6d3df7e152b02c19ca844461c11b00
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
014d3f807e85f000bb3d34957361ba397d1b33bb
8a729c2e88b7b245ccf235520b96bc9e2583a970
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f0360992e977337846a62f6081322c1f8b842497
014d3f807e85f000bb3d34957361ba397d1b33bb
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 .playlist, #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d378efcf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d378efcf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d378efcf"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
480fd9f907ea6224d853bd0f2950db628b029bbf
f9ef32a43f26aa668a977b6f2713aea03ccded8e
7bb35d71444334218d1646c6be355493b98a2846
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
f7f229cc9675f1d3bda56364fff3ecec289e76b7
f4c2ecd72b50cd39eb8776941a771323600826ab
54c1e369cb6d3df7e152b02c19ca844461c11b00
8a729c2e88b7b245ccf235520b96bc9e2583a970
014d3f807e85f000bb3d34957361ba397d1b33bb
f0360992e977337846a62f6081322c1f8b842497
693941f04d58979dabd4cc19a5204880990a2761In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
#sonaar_music_88 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_88 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_88 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_88 .album .album-art img { border-radius: 0px;} #sonaar_music_88 .sonaar-grid .album { padding: 0px;} #sonaar_music_88 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_88 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_88 .sonaar-grid { justify-content: center; } #sonaar_music_88 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_88 .playlist, #sonaar_music_88 .buttons-block { width: 100%; } #sonaar_music_88 .playlist { margin: 0px; } #sonaar_music_88 .srp_tracklist { margin: 0px; } #sonaar_music_88 .sr_it-playlist-title, #sonaar_music_88 .sr_it-playlist-artists, #sonaar_music_88 .srp_subtitle { text-align: left; } #sonaar_music_88 .sr_it-playlist-title, #sonaar_music_88 .sr_it-playlist-artists, #sonaar_music_88 .srp_subtitle { margin-left: 0px; } #sonaar_music_88 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_88 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_88 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_88 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_88 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_88 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_88 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_88 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_88 .album-player .control { top: 0px; position: relative; } #sonaar_music_88 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_88 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_88 .srp-play-circle { border-width: 6px; } #sonaar_music_88 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69bd8fd57b5bf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69bd8fd57b5bf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69bd8fd57b5bf"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69bd8fd57b5bf"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f9ef32a43f26aa668a977b6f2713aea03ccded8e
480fd9f907ea6224d853bd0f2950db628b029bbf
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f519109c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f519109c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f519109c"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f519109c"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
7bb35d71444334218d1646c6be355493b98a2846
f9ef32a43f26aa668a977b6f2713aea03ccded8e
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
7bb35d71444334218d1646c6be355493b98a2846
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f7f229cc9675f1d3bda56364fff3ecec289e76b7
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f4c2ecd72b50cd39eb8776941a771323600826ab
f7f229cc9675f1d3bda56364fff3ecec289e76b7
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
54c1e369cb6d3df7e152b02c19ca844461c11b00
f4c2ecd72b50cd39eb8776941a771323600826ab
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
8a729c2e88b7b245ccf235520b96bc9e2583a970
54c1e369cb6d3df7e152b02c19ca844461c11b00
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
014d3f807e85f000bb3d34957361ba397d1b33bb
8a729c2e88b7b245ccf235520b96bc9e2583a970
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f0360992e977337846a62f6081322c1f8b842497
014d3f807e85f000bb3d34957361ba397d1b33bb
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 .playlist, #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d378efcf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d378efcf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d378efcf"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
480fd9f907ea6224d853bd0f2950db628b029bbf
f9ef32a43f26aa668a977b6f2713aea03ccded8e
7bb35d71444334218d1646c6be355493b98a2846
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
f7f229cc9675f1d3bda56364fff3ecec289e76b7
f4c2ecd72b50cd39eb8776941a771323600826ab
54c1e369cb6d3df7e152b02c19ca844461c11b00
8a729c2e88b7b245ccf235520b96bc9e2583a970
014d3f807e85f000bb3d34957361ba397d1b33bb
f0360992e977337846a62f6081322c1f8b842497
e7f819bfe80cd11c65e657c39484d71570d26414In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
#sonaar_music_73 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_73 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_73 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_73 .album .album-art img { border-radius: 0px;} #sonaar_music_73 .sonaar-grid .album { padding: 0px;} #sonaar_music_73 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_73 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_73 .sonaar-grid { justify-content: center; } #sonaar_music_73 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_73 .playlist, #sonaar_music_73 .buttons-block { width: 100%; } #sonaar_music_73 .playlist { margin: 0px; } #sonaar_music_73 .srp_tracklist { margin: 0px; } #sonaar_music_73 .sr_it-playlist-title, #sonaar_music_73 .sr_it-playlist-artists, #sonaar_music_73 .srp_subtitle { text-align: left; } #sonaar_music_73 .sr_it-playlist-title, #sonaar_music_73 .sr_it-playlist-artists, #sonaar_music_73 .srp_subtitle { margin-left: 0px; } #sonaar_music_73 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_73 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_73 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_73 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_73 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_73 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_73 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_73 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_73 .album-player .control { top: 0px; position: relative; } #sonaar_music_73 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_73 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_73 .srp-play-circle { border-width: 6px; } #sonaar_music_73 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69bd8f9a65511 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69bd8f9a65511 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69bd8f9a65511"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69bd8f9a65511"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f9ef32a43f26aa668a977b6f2713aea03ccded8e
480fd9f907ea6224d853bd0f2950db628b029bbf
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f519109c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f519109c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f519109c"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f519109c"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
7bb35d71444334218d1646c6be355493b98a2846
f9ef32a43f26aa668a977b6f2713aea03ccded8e
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
7bb35d71444334218d1646c6be355493b98a2846
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f7f229cc9675f1d3bda56364fff3ecec289e76b7
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f4c2ecd72b50cd39eb8776941a771323600826ab
f7f229cc9675f1d3bda56364fff3ecec289e76b7
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
54c1e369cb6d3df7e152b02c19ca844461c11b00
f4c2ecd72b50cd39eb8776941a771323600826ab
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
8a729c2e88b7b245ccf235520b96bc9e2583a970
54c1e369cb6d3df7e152b02c19ca844461c11b00
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
014d3f807e85f000bb3d34957361ba397d1b33bb
8a729c2e88b7b245ccf235520b96bc9e2583a970
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f0360992e977337846a62f6081322c1f8b842497
014d3f807e85f000bb3d34957361ba397d1b33bb
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 .playlist, #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d378efcf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d378efcf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d378efcf"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
480fd9f907ea6224d853bd0f2950db628b029bbf
f9ef32a43f26aa668a977b6f2713aea03ccded8e
7bb35d71444334218d1646c6be355493b98a2846
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
f7f229cc9675f1d3bda56364fff3ecec289e76b7
f4c2ecd72b50cd39eb8776941a771323600826ab
54c1e369cb6d3df7e152b02c19ca844461c11b00
8a729c2e88b7b245ccf235520b96bc9e2583a970
014d3f807e85f000bb3d34957361ba397d1b33bb
f0360992e977337846a62f6081322c1f8b842497
3f249192058c385afca75f9c44e464932c59b8bfIn 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
#sonaar_music_91 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_91 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_91 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_91 .album .album-art img { border-radius: 0px;} #sonaar_music_91 .sonaar-grid .album { padding: 0px;} #sonaar_music_91 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_91 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_91 .sonaar-grid { justify-content: center; } #sonaar_music_91 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_91 .playlist, #sonaar_music_91 .buttons-block { width: 100%; } #sonaar_music_91 .playlist { margin: 0px; } #sonaar_music_91 .srp_tracklist { margin: 0px; } #sonaar_music_91 .sr_it-playlist-title, #sonaar_music_91 .sr_it-playlist-artists, #sonaar_music_91 .srp_subtitle { text-align: left; } #sonaar_music_91 .sr_it-playlist-title, #sonaar_music_91 .sr_it-playlist-artists, #sonaar_music_91 .srp_subtitle { margin-left: 0px; } #sonaar_music_91 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_91 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_91 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_91 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_91 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_91 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_91 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_91 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_91 .album-player .control { top: 0px; position: relative; } #sonaar_music_91 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_91 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_91 .srp-play-circle { border-width: 6px; } #sonaar_music_91 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69bd8f5cbe9e5 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69bd8f5cbe9e5 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69bd8f5cbe9e5"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69bd8f5cbe9e5"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f9ef32a43f26aa668a977b6f2713aea03ccded8e
480fd9f907ea6224d853bd0f2950db628b029bbf
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f519109c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f519109c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f519109c"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f519109c"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
7bb35d71444334218d1646c6be355493b98a2846
f9ef32a43f26aa668a977b6f2713aea03ccded8e
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
7bb35d71444334218d1646c6be355493b98a2846
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f7f229cc9675f1d3bda56364fff3ecec289e76b7
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f4c2ecd72b50cd39eb8776941a771323600826ab
f7f229cc9675f1d3bda56364fff3ecec289e76b7
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
54c1e369cb6d3df7e152b02c19ca844461c11b00
f4c2ecd72b50cd39eb8776941a771323600826ab
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
8a729c2e88b7b245ccf235520b96bc9e2583a970
54c1e369cb6d3df7e152b02c19ca844461c11b00
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
014d3f807e85f000bb3d34957361ba397d1b33bb
8a729c2e88b7b245ccf235520b96bc9e2583a970
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f0360992e977337846a62f6081322c1f8b842497
014d3f807e85f000bb3d34957361ba397d1b33bb
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 .playlist, #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d378efcf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d378efcf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d378efcf"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
480fd9f907ea6224d853bd0f2950db628b029bbf
f9ef32a43f26aa668a977b6f2713aea03ccded8e
7bb35d71444334218d1646c6be355493b98a2846
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
f7f229cc9675f1d3bda56364fff3ecec289e76b7
f4c2ecd72b50cd39eb8776941a771323600826ab
54c1e369cb6d3df7e152b02c19ca844461c11b00
8a729c2e88b7b245ccf235520b96bc9e2583a970
014d3f807e85f000bb3d34957361ba397d1b33bb
f0360992e977337846a62f6081322c1f8b842497
bf1f9ac941356784a5ca59287428e827af8dd5e1In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
#sonaar_music_25 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_25 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_25 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_25 .album .album-art img { border-radius: 0px;} #sonaar_music_25 .sonaar-grid .album { padding: 0px;} #sonaar_music_25 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_25 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_25 .sonaar-grid { justify-content: center; } #sonaar_music_25 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_25 .playlist, #sonaar_music_25 .buttons-block { width: 100%; } #sonaar_music_25 .playlist { margin: 0px; } #sonaar_music_25 .srp_tracklist { margin: 0px; } #sonaar_music_25 .sr_it-playlist-title, #sonaar_music_25 .sr_it-playlist-artists, #sonaar_music_25 .srp_subtitle { text-align: left; } #sonaar_music_25 .sr_it-playlist-title, #sonaar_music_25 .sr_it-playlist-artists, #sonaar_music_25 .srp_subtitle { margin-left: 0px; } #sonaar_music_25 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_25 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_25 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_25 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_25 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_25 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_25 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_25 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_25 .album-player .control { top: 0px; position: relative; } #sonaar_music_25 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_25 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_25 .srp-play-circle { border-width: 6px; } #sonaar_music_25 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69bd8f21dd118 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69bd8f21dd118 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69bd8f21dd118"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69bd8f21dd118"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f9ef32a43f26aa668a977b6f2713aea03ccded8e
480fd9f907ea6224d853bd0f2950db628b029bbf
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f519109c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f519109c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f519109c"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f519109c"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
7bb35d71444334218d1646c6be355493b98a2846
f9ef32a43f26aa668a977b6f2713aea03ccded8e
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
7bb35d71444334218d1646c6be355493b98a2846
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 .playlist, #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f7f229cc9675f1d3bda56364fff3ecec289e76b7
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 .playlist, #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f4c2ecd72b50cd39eb8776941a771323600826ab
f7f229cc9675f1d3bda56364fff3ecec289e76b7
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 .playlist, #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
54c1e369cb6d3df7e152b02c19ca844461c11b00
f4c2ecd72b50cd39eb8776941a771323600826ab
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 .playlist, #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
8a729c2e88b7b245ccf235520b96bc9e2583a970
54c1e369cb6d3df7e152b02c19ca844461c11b00
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 .playlist, #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
014d3f807e85f000bb3d34957361ba397d1b33bb
8a729c2e88b7b245ccf235520b96bc9e2583a970
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 .playlist, #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
f0360992e977337846a62f6081322c1f8b842497
014d3f807e85f000bb3d34957361ba397d1b33bb
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 .playlist, #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d378efcf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d378efcf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d378efcf"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
TITLE:
TMM: Bloodline is coming back as a 16 year premiere
DESCRIPTION:
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
CONTENT:
#sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 .playlist, #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; }
00:00
var srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"}
var srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"}
if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); }
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.
After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.
Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.
Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
480fd9f907ea6224d853bd0f2950db628b029bbf
f9ef32a43f26aa668a977b6f2713aea03ccded8e
7bb35d71444334218d1646c6be355493b98a2846
bf35cf15b9891f7f0fdc04c72124ded1b0f21425
f7f229cc9675f1d3bda56364fff3ecec289e76b7
f4c2ecd72b50cd39eb8776941a771323600826ab
54c1e369cb6d3df7e152b02c19ca844461c11b00
8a729c2e88b7b245ccf235520b96bc9e2583a970
014d3f807e85f000bb3d34957361ba397d1b33bb
f0360992e977337846a62f6081322c1f8b842497