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TMM: Bloodline is coming back as a 16 year premiere

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Published: 2025-08-23 09:19:40
Discovered: 2026-03-21 08:57:18
Author: 1
Hash: 480fd9f907ea6224d853bd0f2950db628b029bbf
https://www.tornevalls.se/tmm-bloodline-is-coming-back-as-a-16-year-premiere/
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }














00:00



























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if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f519109c"); }

In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
History (200 versions shown of 2386 total )

Changes

From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:56:17) hash: f9ef32a43f26aa668a977b6f2713aea03ccded8e
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:57:18) hash: 480fd9f907ea6224d853bd0f2950db628b029bbf
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_79 #sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_79 #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_79 #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 #sonaar_music_51 .playlist, #sonaar_music_79 #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_79 #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_79 #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_79 #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_79 #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_79 #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_79 #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_79 #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_79 #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_79 #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4f15c02e4 srp_player_params_69be4f519109c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4f15c02e4 srp_player_params_args_69be4f519109c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f519109c"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); setIronAudioplayers("arbitrary-instance-69be4f519109c"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:55:18) hash: 7bb35d71444334218d1646c6be355493b98a2846
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:56:17) hash: f9ef32a43f26aa668a977b6f2713aea03ccded8e
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_53 #sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_53 #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_53 #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_53 #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_53 #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_53 #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_53 #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_53 #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_53 #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_53 #sonaar_music_79 .playlist, #sonaar_music_53 #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_53 #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_53 #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_53 #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_53 #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_53 #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_53 #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_53 #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_53 #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_53 #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_53 #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_53 #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_53 #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_53 #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_53 #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_53 #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_53 #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_53 #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_53 #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_53 #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_53 #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_53 #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4edae9896 srp_player_params_69be4f15c02e4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4edae9896 srp_player_params_args_69be4f15c02e4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4f15c02e4"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4edae9896"); setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:54:18) hash: bf35cf15b9891f7f0fdc04c72124ded1b0f21425
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:55:18) hash: 7bb35d71444334218d1646c6be355493b98a2846
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_44 #sonaar_music_53 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 #sonaar_music_53 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 #sonaar_music_53 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 #sonaar_music_53 .album .album-art img { border-radius: 0px;} #sonaar_music_44 #sonaar_music_53 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 #sonaar_music_53 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 #sonaar_music_53 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 #sonaar_music_53 .sonaar-grid { justify-content: center; } #sonaar_music_44 #sonaar_music_53 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 #sonaar_music_53 .playlist, #sonaar_music_44 #sonaar_music_53 .buttons-block { width: 100%; } #sonaar_music_44 #sonaar_music_53 .playlist { margin: 0px; } #sonaar_music_44 #sonaar_music_53 .srp_tracklist { margin: 0px; } #sonaar_music_44 #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_44 #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_44 #sonaar_music_53 .srp_subtitle { text-align: left; } #sonaar_music_44 #sonaar_music_53 .sr_it-playlist-title, #sonaar_music_44 #sonaar_music_53 .sr_it-playlist-artists, #sonaar_music_44 #sonaar_music_53 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 #sonaar_music_53 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 #sonaar_music_53 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 #sonaar_music_53 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 #sonaar_music_53 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 #sonaar_music_53 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 #sonaar_music_53 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 #sonaar_music_53 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 #sonaar_music_53 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 #sonaar_music_53 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 #sonaar_music_53 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 #sonaar_music_53 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 #sonaar_music_53 .srp-play-circle { border-width: 6px; } #sonaar_music_44 #sonaar_music_53 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4e9f57f4a srp_player_params_69be4edae9896 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4e9f57f4a srp_player_params_args_69be4edae9896 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4edae9896"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); setIronAudioplayers("arbitrary-instance-69be4edae9896"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:53:19) hash: f7f229cc9675f1d3bda56364fff3ecec289e76b7
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:54:18) hash: bf35cf15b9891f7f0fdc04c72124ded1b0f21425
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_65 #sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_65 #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_65 #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 #sonaar_music_44 .playlist, #sonaar_music_65 #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_65 #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_65 #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_65 #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_65 #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_65 #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_65 #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_65 #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_65 #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_65 #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4e6332468 srp_player_params_69be4e9f57f4a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4e6332468 srp_player_params_args_69be4e9f57f4a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e9f57f4a"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e6332468"); setIronAudioplayers("arbitrary-instance-69be4e9f57f4a"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:52:18) hash: f4c2ecd72b50cd39eb8776941a771323600826ab
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:53:19) hash: f7f229cc9675f1d3bda56364fff3ecec289e76b7
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_19 #sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_19 #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_19 #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 #sonaar_music_65 .playlist, #sonaar_music_19 #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_19 #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_19 #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_19 #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_19 #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_19 #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_19 #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_19 #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_19 #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_19 #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4e273dae4 srp_player_params_69be4e6332468 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4e273dae4 srp_player_params_args_69be4e6332468 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e6332468"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4e273dae4"); setIronAudioplayers("arbitrary-instance-69be4e6332468"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:51:18) hash: 54c1e369cb6d3df7e152b02c19ca844461c11b00
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:52:18) hash: f4c2ecd72b50cd39eb8776941a771323600826ab
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_50 #sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_50 #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_50 #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 #sonaar_music_19 .playlist, #sonaar_music_50 #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_50 #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_50 #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_50 #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_50 #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_50 #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_50 #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_50 #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_50 #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_50 #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4dead0a95 srp_player_params_69be4e273dae4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4dead0a95 srp_player_params_args_69be4e273dae4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4e273dae4"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4dead0a95"); setIronAudioplayers("arbitrary-instance-69be4e273dae4"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:50:18) hash: 8a729c2e88b7b245ccf235520b96bc9e2583a970
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:51:18) hash: 54c1e369cb6d3df7e152b02c19ca844461c11b00
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_34 #sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_34 #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_34 #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 #sonaar_music_50 .playlist, #sonaar_music_34 #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_34 #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_34 #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_34 #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_34 #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_34 #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_34 #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_34 #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_34 #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_34 #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4daedc8b4 srp_player_params_69be4dead0a95 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4daedc8b4 srp_player_params_args_69be4dead0a95 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4dead0a95"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); setIronAudioplayers("arbitrary-instance-69be4dead0a95"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:49:22) hash: 014d3f807e85f000bb3d34957361ba397d1b33bb
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:50:18) hash: 8a729c2e88b7b245ccf235520b96bc9e2583a970
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_37 #sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_37 #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_37 #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_37 #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_37 #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_37 #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_37 #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_37 #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_37 #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_37 #sonaar_music_34 .playlist, #sonaar_music_37 #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_37 #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_37 #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_37 #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_37 #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_37 #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_37 #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_37 #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_37 #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_37 #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_37 #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_37 #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_37 #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_37 #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_37 #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_37 #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_37 #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_37 #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_37 #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_37 #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_37 #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_37 #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4d765a1e1 srp_player_params_69be4daedc8b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4d765a1e1 srp_player_params_args_69be4daedc8b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4daedc8b4"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); setIronAudioplayers("arbitrary-instance-69be4daedc8b4"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:48:19) hash: f0360992e977337846a62f6081322c1f8b842497
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:49:22) hash: 014d3f807e85f000bb3d34957361ba397d1b33bb
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_100 #sonaar_music_37 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 #sonaar_music_37 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 #sonaar_music_37 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 #sonaar_music_37 .album .album-art img { border-radius: 0px;} #sonaar_music_100 #sonaar_music_37 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 #sonaar_music_37 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 #sonaar_music_37 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 #sonaar_music_37 .sonaar-grid { justify-content: center; } #sonaar_music_100 #sonaar_music_37 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 #sonaar_music_37 .playlist, #sonaar_music_100 #sonaar_music_37 .buttons-block { width: 100%; } #sonaar_music_100 #sonaar_music_37 .playlist { margin: 0px; } #sonaar_music_100 #sonaar_music_37 .srp_tracklist { margin: 0px; } #sonaar_music_100 #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_100 #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_100 #sonaar_music_37 .srp_subtitle { text-align: left; } #sonaar_music_100 #sonaar_music_37 .sr_it-playlist-title, #sonaar_music_100 #sonaar_music_37 .sr_it-playlist-artists, #sonaar_music_100 #sonaar_music_37 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 #sonaar_music_37 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 #sonaar_music_37 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 #sonaar_music_37 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 #sonaar_music_37 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 #sonaar_music_37 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 #sonaar_music_37 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 #sonaar_music_37 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 #sonaar_music_37 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 #sonaar_music_37 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 #sonaar_music_37 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 #sonaar_music_37 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 #sonaar_music_37 .srp-play-circle { border-width: 6px; } #sonaar_music_100 #sonaar_music_37 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4d378efcf srp_player_params_69be4d765a1e1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4d378efcf srp_player_params_args_69be4d765a1e1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d765a1e1"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4d378efcf"); setIronAudioplayers("arbitrary-instance-69be4d765a1e1"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:47:18) hash: 1e6fe76f0514f27b30fd256f407253fb2ef20c14
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:48:19) hash: f0360992e977337846a62f6081322c1f8b842497
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_86 #sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_86 #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_86 #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_86 #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_86 #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_86 #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_86 #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_86 #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_86 #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_86 #sonaar_music_100 .playlist, #sonaar_music_86 #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_86 #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_86 #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_86 #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_86 #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_86 #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_86 #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_86 #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_86 #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_86 #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_86 #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_86 #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_86 #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_86 #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_86 #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_86 #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_86 #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_86 #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_86 #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_86 #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_86 #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_86 #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4cfb531ac srp_player_params_69be4d378efcf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4cfb531ac srp_player_params_args_69be4d378efcf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4cfb531ac"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4d378efcf"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4cfb531ac"); setIronAudioplayers("arbitrary-instance-69be4d378efcf"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:46:18) hash: 2bbbc02b6edb8992f0d6404f5ee683e649f44bd8
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:47:18) hash: 1e6fe76f0514f27b30fd256f407253fb2ef20c14
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_63 #sonaar_music_86 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_63 #sonaar_music_86 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_63 #sonaar_music_86 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_63 #sonaar_music_86 .album .album-art img { border-radius: 0px;} #sonaar_music_63 #sonaar_music_86 .sonaar-grid .album { padding: 0px;} #sonaar_music_63 #sonaar_music_86 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_63 #sonaar_music_86 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_63 #sonaar_music_86 .sonaar-grid { justify-content: center; } #sonaar_music_63 #sonaar_music_86 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_63 #sonaar_music_86 .playlist, #sonaar_music_63 #sonaar_music_86 .buttons-block { width: 100%; } #sonaar_music_63 #sonaar_music_86 .playlist { margin: 0px; } #sonaar_music_63 #sonaar_music_86 .srp_tracklist { margin: 0px; } #sonaar_music_63 #sonaar_music_86 .sr_it-playlist-title, #sonaar_music_63 #sonaar_music_86 .sr_it-playlist-artists, #sonaar_music_63 #sonaar_music_86 .srp_subtitle { text-align: left; } #sonaar_music_63 #sonaar_music_86 .sr_it-playlist-title, #sonaar_music_63 #sonaar_music_86 .sr_it-playlist-artists, #sonaar_music_63 #sonaar_music_86 .srp_subtitle { margin-left: 0px; } #sonaar_music_63 #sonaar_music_86 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_63 #sonaar_music_86 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_63 #sonaar_music_86 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_63 #sonaar_music_86 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_63 #sonaar_music_86 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_63 #sonaar_music_86 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_63 #sonaar_music_86 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_63 #sonaar_music_86 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_63 #sonaar_music_86 .album-player .control { top: 0px; position: relative; } #sonaar_music_63 #sonaar_music_86 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_63 #sonaar_music_86 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_63 #sonaar_music_86 .srp-play-circle { border-width: 6px; } #sonaar_music_63 #sonaar_music_86 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4cbe866ed srp_player_params_69be4cfb531ac = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4cbe866ed srp_player_params_args_69be4cfb531ac = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4cbe866ed"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4cfb531ac"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4cbe866ed"); setIronAudioplayers("arbitrary-instance-69be4cfb531ac"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:45:18) hash: 9e8bc795beb2ad46cea20569665ce5e133687f59
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:46:18) hash: 2bbbc02b6edb8992f0d6404f5ee683e649f44bd8
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_54 #sonaar_music_63 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_54 #sonaar_music_63 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_54 #sonaar_music_63 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_54 #sonaar_music_63 .album .album-art img { border-radius: 0px;} #sonaar_music_54 #sonaar_music_63 .sonaar-grid .album { padding: 0px;} #sonaar_music_54 #sonaar_music_63 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_54 #sonaar_music_63 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_54 #sonaar_music_63 .sonaar-grid { justify-content: center; } #sonaar_music_54 #sonaar_music_63 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_54 #sonaar_music_63 .playlist, #sonaar_music_54 #sonaar_music_63 .buttons-block { width: 100%; } #sonaar_music_54 #sonaar_music_63 .playlist { margin: 0px; } #sonaar_music_54 #sonaar_music_63 .srp_tracklist { margin: 0px; } #sonaar_music_54 #sonaar_music_63 .sr_it-playlist-title, #sonaar_music_54 #sonaar_music_63 .sr_it-playlist-artists, #sonaar_music_54 #sonaar_music_63 .srp_subtitle { text-align: left; } #sonaar_music_54 #sonaar_music_63 .sr_it-playlist-title, #sonaar_music_54 #sonaar_music_63 .sr_it-playlist-artists, #sonaar_music_54 #sonaar_music_63 .srp_subtitle { margin-left: 0px; } #sonaar_music_54 #sonaar_music_63 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_54 #sonaar_music_63 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_54 #sonaar_music_63 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_54 #sonaar_music_63 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_54 #sonaar_music_63 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_54 #sonaar_music_63 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_54 #sonaar_music_63 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_54 #sonaar_music_63 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_54 #sonaar_music_63 .album-player .control { top: 0px; position: relative; } #sonaar_music_54 #sonaar_music_63 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_54 #sonaar_music_63 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_54 #sonaar_music_63 .srp-play-circle { border-width: 6px; } #sonaar_music_54 #sonaar_music_63 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4c82c30aa srp_player_params_69be4cbe866ed = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4c82c30aa srp_player_params_args_69be4cbe866ed = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4c82c30aa"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4cbe866ed"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4c82c30aa"); setIronAudioplayers("arbitrary-instance-69be4cbe866ed"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:44:17) hash: 582e90a92b5f70cc0383d05249cb7376efa736f0
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:45:18) hash: 9e8bc795beb2ad46cea20569665ce5e133687f59
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_44 #sonaar_music_54 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 #sonaar_music_54 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 #sonaar_music_54 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 #sonaar_music_54 .album .album-art img { border-radius: 0px;} #sonaar_music_44 #sonaar_music_54 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 #sonaar_music_54 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 #sonaar_music_54 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 #sonaar_music_54 .sonaar-grid { justify-content: center; } #sonaar_music_44 #sonaar_music_54 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 #sonaar_music_54 .playlist, #sonaar_music_44 #sonaar_music_54 .buttons-block { width: 100%; } #sonaar_music_44 #sonaar_music_54 .playlist { margin: 0px; } #sonaar_music_44 #sonaar_music_54 .srp_tracklist { margin: 0px; } #sonaar_music_44 #sonaar_music_54 .sr_it-playlist-title, #sonaar_music_44 #sonaar_music_54 .sr_it-playlist-artists, #sonaar_music_44 #sonaar_music_54 .srp_subtitle { text-align: left; } #sonaar_music_44 #sonaar_music_54 .sr_it-playlist-title, #sonaar_music_44 #sonaar_music_54 .sr_it-playlist-artists, #sonaar_music_44 #sonaar_music_54 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 #sonaar_music_54 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 #sonaar_music_54 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 #sonaar_music_54 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 #sonaar_music_54 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 #sonaar_music_54 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 #sonaar_music_54 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 #sonaar_music_54 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 #sonaar_music_54 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 #sonaar_music_54 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 #sonaar_music_54 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 #sonaar_music_54 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 #sonaar_music_54 .srp-play-circle { border-width: 6px; } #sonaar_music_44 #sonaar_music_54 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4c4620411 srp_player_params_69be4c82c30aa = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4c4620411 srp_player_params_args_69be4c82c30aa = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4c4620411"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4c82c30aa"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4c4620411"); setIronAudioplayers("arbitrary-instance-69be4c82c30aa"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:43:20) hash: f105098bcf639af111d4f7d7f956cc0f5077d820
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:44:17) hash: 582e90a92b5f70cc0383d05249cb7376efa736f0
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_11 #sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_11 #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_11 #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_11 #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_11 #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_11 #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_11 #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_11 #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_11 #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_11 #sonaar_music_44 .playlist, #sonaar_music_11 #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_11 #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_11 #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_11 #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_11 #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_11 #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_11 #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_11 #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_11 #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_11 #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_11 #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_11 #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_11 #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_11 #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_11 #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_11 #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_11 #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_11 #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_11 #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_11 #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_11 #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_11 #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4c0c5f412 srp_player_params_69be4c4620411 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4c0c5f412 srp_player_params_args_69be4c4620411 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4c0c5f412"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4c4620411"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4c0c5f412"); setIronAudioplayers("arbitrary-instance-69be4c4620411"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:42:36) hash: 966af8907f001fcd86c4006d84c5e712d6ca3484
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:43:20) hash: f105098bcf639af111d4f7d7f956cc0f5077d820
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_65 #sonaar_music_11 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_65 #sonaar_music_11 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_65 #sonaar_music_11 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_65 #sonaar_music_11 .album .album-art img { border-radius: 0px;} #sonaar_music_65 #sonaar_music_11 .sonaar-grid .album { padding: 0px;} #sonaar_music_65 #sonaar_music_11 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_65 #sonaar_music_11 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_65 #sonaar_music_11 .sonaar-grid { justify-content: center; } #sonaar_music_65 #sonaar_music_11 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_65 #sonaar_music_11 .playlist, #sonaar_music_65 #sonaar_music_11 .buttons-block { width: 100%; } #sonaar_music_65 #sonaar_music_11 .playlist { margin: 0px; } #sonaar_music_65 #sonaar_music_11 .srp_tracklist { margin: 0px; } #sonaar_music_65 #sonaar_music_11 .sr_it-playlist-title, #sonaar_music_65 #sonaar_music_11 .sr_it-playlist-artists, #sonaar_music_65 #sonaar_music_11 .srp_subtitle { text-align: left; } #sonaar_music_65 #sonaar_music_11 .sr_it-playlist-title, #sonaar_music_65 #sonaar_music_11 .sr_it-playlist-artists, #sonaar_music_65 #sonaar_music_11 .srp_subtitle { margin-left: 0px; } #sonaar_music_65 #sonaar_music_11 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_65 #sonaar_music_11 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_65 #sonaar_music_11 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_65 #sonaar_music_11 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_65 #sonaar_music_11 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_65 #sonaar_music_11 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_65 #sonaar_music_11 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_65 #sonaar_music_11 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_65 #sonaar_music_11 .album-player .control { top: 0px; position: relative; } #sonaar_music_65 #sonaar_music_11 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_65 #sonaar_music_11 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_65 #sonaar_music_11 .srp-play-circle { border-width: 6px; } #sonaar_music_65 #sonaar_music_11 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4bcd4f3ef srp_player_params_69be4c0c5f412 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4bcd4f3ef srp_player_params_args_69be4c0c5f412 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4bcd4f3ef"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4c0c5f412"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4bcd4f3ef"); setIronAudioplayers("arbitrary-instance-69be4c0c5f412"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:41:18) hash: 0068c5bbd610daa64f7e38dccd340a8415786a0a
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:42:36) hash: 966af8907f001fcd86c4006d84c5e712d6ca3484
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_66 #sonaar_music_65 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_66 #sonaar_music_65 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_66 #sonaar_music_65 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_66 #sonaar_music_65 .album .album-art img { border-radius: 0px;} #sonaar_music_66 #sonaar_music_65 .sonaar-grid .album { padding: 0px;} #sonaar_music_66 #sonaar_music_65 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_66 #sonaar_music_65 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_66 #sonaar_music_65 .sonaar-grid { justify-content: center; } #sonaar_music_66 #sonaar_music_65 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_66 #sonaar_music_65 .playlist, #sonaar_music_66 #sonaar_music_65 .buttons-block { width: 100%; } #sonaar_music_66 #sonaar_music_65 .playlist { margin: 0px; } #sonaar_music_66 #sonaar_music_65 .srp_tracklist { margin: 0px; } #sonaar_music_66 #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_66 #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_66 #sonaar_music_65 .srp_subtitle { text-align: left; } #sonaar_music_66 #sonaar_music_65 .sr_it-playlist-title, #sonaar_music_66 #sonaar_music_65 .sr_it-playlist-artists, #sonaar_music_66 #sonaar_music_65 .srp_subtitle { margin-left: 0px; } #sonaar_music_66 #sonaar_music_65 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_66 #sonaar_music_65 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_66 #sonaar_music_65 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_66 #sonaar_music_65 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_66 #sonaar_music_65 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_66 #sonaar_music_65 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_66 #sonaar_music_65 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_66 #sonaar_music_65 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_66 #sonaar_music_65 .album-player .control { top: 0px; position: relative; } #sonaar_music_66 #sonaar_music_65 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_66 #sonaar_music_65 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_66 #sonaar_music_65 .srp-play-circle { border-width: 6px; } #sonaar_music_66 #sonaar_music_65 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4b92157c1 srp_player_params_69be4bcd4f3ef = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4b92157c1 srp_player_params_args_69be4bcd4f3ef = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4b92157c1"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4bcd4f3ef"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4b92157c1"); setIronAudioplayers("arbitrary-instance-69be4bcd4f3ef"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:40:19) hash: 6abc412ca6f6804b344ce72654ae3f727dc0110e
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:41:18) hash: 0068c5bbd610daa64f7e38dccd340a8415786a0a
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_71 #sonaar_music_66 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_71 #sonaar_music_66 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_71 #sonaar_music_66 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_71 #sonaar_music_66 .album .album-art img { border-radius: 0px;} #sonaar_music_71 #sonaar_music_66 .sonaar-grid .album { padding: 0px;} #sonaar_music_71 #sonaar_music_66 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_71 #sonaar_music_66 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_71 #sonaar_music_66 .sonaar-grid { justify-content: center; } #sonaar_music_71 #sonaar_music_66 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_71 #sonaar_music_66 .playlist, #sonaar_music_71 #sonaar_music_66 .buttons-block { width: 100%; } #sonaar_music_71 #sonaar_music_66 .playlist { margin: 0px; } #sonaar_music_71 #sonaar_music_66 .srp_tracklist { margin: 0px; } #sonaar_music_71 #sonaar_music_66 .sr_it-playlist-title, #sonaar_music_71 #sonaar_music_66 .sr_it-playlist-artists, #sonaar_music_71 #sonaar_music_66 .srp_subtitle { text-align: left; } #sonaar_music_71 #sonaar_music_66 .sr_it-playlist-title, #sonaar_music_71 #sonaar_music_66 .sr_it-playlist-artists, #sonaar_music_71 #sonaar_music_66 .srp_subtitle { margin-left: 0px; } #sonaar_music_71 #sonaar_music_66 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_71 #sonaar_music_66 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_71 #sonaar_music_66 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_71 #sonaar_music_66 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_71 #sonaar_music_66 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_71 #sonaar_music_66 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_71 #sonaar_music_66 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_71 #sonaar_music_66 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_71 #sonaar_music_66 .album-player .control { top: 0px; position: relative; } #sonaar_music_71 #sonaar_music_66 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_71 #sonaar_music_66 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_71 #sonaar_music_66 .srp-play-circle { border-width: 6px; } #sonaar_music_71 #sonaar_music_66 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4b57321b0 srp_player_params_69be4b92157c1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4b57321b0 srp_player_params_args_69be4b92157c1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4b57321b0"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4b92157c1"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4b57321b0"); setIronAudioplayers("arbitrary-instance-69be4b92157c1"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:39:18) hash: ee580cb8a4948c5805c221f7fea34c3decb6560d
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:40:19) hash: 6abc412ca6f6804b344ce72654ae3f727dc0110e
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_100 #sonaar_music_71 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 #sonaar_music_71 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 #sonaar_music_71 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 #sonaar_music_71 .album .album-art img { border-radius: 0px;} #sonaar_music_100 #sonaar_music_71 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 #sonaar_music_71 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 #sonaar_music_71 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 #sonaar_music_71 .sonaar-grid { justify-content: center; } #sonaar_music_100 #sonaar_music_71 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 #sonaar_music_71 .playlist, #sonaar_music_100 #sonaar_music_71 .buttons-block { width: 100%; } #sonaar_music_100 #sonaar_music_71 .playlist { margin: 0px; } #sonaar_music_100 #sonaar_music_71 .srp_tracklist { margin: 0px; } #sonaar_music_100 #sonaar_music_71 .sr_it-playlist-title, #sonaar_music_100 #sonaar_music_71 .sr_it-playlist-artists, #sonaar_music_100 #sonaar_music_71 .srp_subtitle { text-align: left; } #sonaar_music_100 #sonaar_music_71 .sr_it-playlist-title, #sonaar_music_100 #sonaar_music_71 .sr_it-playlist-artists, #sonaar_music_100 #sonaar_music_71 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 #sonaar_music_71 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 #sonaar_music_71 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 #sonaar_music_71 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 #sonaar_music_71 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 #sonaar_music_71 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 #sonaar_music_71 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 #sonaar_music_71 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 #sonaar_music_71 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 #sonaar_music_71 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 #sonaar_music_71 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 #sonaar_music_71 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 #sonaar_music_71 .srp-play-circle { border-width: 6px; } #sonaar_music_100 #sonaar_music_71 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4b1b68199 srp_player_params_69be4b57321b0 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4b1b68199 srp_player_params_args_69be4b57321b0 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4b1b68199"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4b57321b0"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4b1b68199"); setIronAudioplayers("arbitrary-instance-69be4b57321b0"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:38:19) hash: 12e3b66c99334f35c66279b8babae9832e23b733
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:39:18) hash: ee580cb8a4948c5805c221f7fea34c3decb6560d
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_31 #sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_31 #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_31 #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_31 #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_31 #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_31 #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_31 #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_31 #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_31 #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_31 #sonaar_music_100 .playlist, #sonaar_music_31 #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_31 #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_31 #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_31 #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_31 #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_31 #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_31 #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_31 #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_31 #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_31 #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_31 #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_31 #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_31 #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_31 #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_31 #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_31 #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_31 #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_31 #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_31 #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_31 #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_31 #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_31 #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4adfe432c srp_player_params_69be4b1b68199 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4adfe432c srp_player_params_args_69be4b1b68199 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4adfe432c"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4b1b68199"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4adfe432c"); setIronAudioplayers("arbitrary-instance-69be4b1b68199"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:37:18) hash: 6a269a0b29d65d33ed002fa8e24cb0f5378937e2
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:38:19) hash: 12e3b66c99334f35c66279b8babae9832e23b733
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_46 #sonaar_music_31 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_46 #sonaar_music_31 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_46 #sonaar_music_31 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_46 #sonaar_music_31 .album .album-art img { border-radius: 0px;} #sonaar_music_46 #sonaar_music_31 .sonaar-grid .album { padding: 0px;} #sonaar_music_46 #sonaar_music_31 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_46 #sonaar_music_31 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_46 #sonaar_music_31 .sonaar-grid { justify-content: center; } #sonaar_music_46 #sonaar_music_31 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_46 #sonaar_music_31 .playlist, #sonaar_music_46 #sonaar_music_31 .buttons-block { width: 100%; } #sonaar_music_46 #sonaar_music_31 .playlist { margin: 0px; } #sonaar_music_46 #sonaar_music_31 .srp_tracklist { margin: 0px; } #sonaar_music_46 #sonaar_music_31 .sr_it-playlist-title, #sonaar_music_46 #sonaar_music_31 .sr_it-playlist-artists, #sonaar_music_46 #sonaar_music_31 .srp_subtitle { text-align: left; } #sonaar_music_46 #sonaar_music_31 .sr_it-playlist-title, #sonaar_music_46 #sonaar_music_31 .sr_it-playlist-artists, #sonaar_music_46 #sonaar_music_31 .srp_subtitle { margin-left: 0px; } #sonaar_music_46 #sonaar_music_31 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_46 #sonaar_music_31 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_46 #sonaar_music_31 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_46 #sonaar_music_31 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_46 #sonaar_music_31 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_46 #sonaar_music_31 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_46 #sonaar_music_31 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_46 #sonaar_music_31 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_46 #sonaar_music_31 .album-player .control { top: 0px; position: relative; } #sonaar_music_46 #sonaar_music_31 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_46 #sonaar_music_31 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_46 #sonaar_music_31 .srp-play-circle { border-width: 6px; } #sonaar_music_46 #sonaar_music_31 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4aa3e933d srp_player_params_69be4adfe432c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4aa3e933d srp_player_params_args_69be4adfe432c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4aa3e933d"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4adfe432c"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4aa3e933d"); setIronAudioplayers("arbitrary-instance-69be4adfe432c"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:36:19) hash: 880999872f38de844e6d650346b61105b203b641
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:37:18) hash: 6a269a0b29d65d33ed002fa8e24cb0f5378937e2
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_70 #sonaar_music_46 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_70 #sonaar_music_46 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_70 #sonaar_music_46 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_70 #sonaar_music_46 .album .album-art img { border-radius: 0px;} #sonaar_music_70 #sonaar_music_46 .sonaar-grid .album { padding: 0px;} #sonaar_music_70 #sonaar_music_46 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_70 #sonaar_music_46 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_70 #sonaar_music_46 .sonaar-grid { justify-content: center; } #sonaar_music_70 #sonaar_music_46 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_70 #sonaar_music_46 .playlist, #sonaar_music_70 #sonaar_music_46 .buttons-block { width: 100%; } #sonaar_music_70 #sonaar_music_46 .playlist { margin: 0px; } #sonaar_music_70 #sonaar_music_46 .srp_tracklist { margin: 0px; } #sonaar_music_70 #sonaar_music_46 .sr_it-playlist-title, #sonaar_music_70 #sonaar_music_46 .sr_it-playlist-artists, #sonaar_music_70 #sonaar_music_46 .srp_subtitle { text-align: left; } #sonaar_music_70 #sonaar_music_46 .sr_it-playlist-title, #sonaar_music_70 #sonaar_music_46 .sr_it-playlist-artists, #sonaar_music_70 #sonaar_music_46 .srp_subtitle { margin-left: 0px; } #sonaar_music_70 #sonaar_music_46 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_70 #sonaar_music_46 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_70 #sonaar_music_46 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_70 #sonaar_music_46 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_70 #sonaar_music_46 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_70 #sonaar_music_46 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_70 #sonaar_music_46 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_70 #sonaar_music_46 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_70 #sonaar_music_46 .album-player .control { top: 0px; position: relative; } #sonaar_music_70 #sonaar_music_46 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_70 #sonaar_music_46 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_70 #sonaar_music_46 .srp-play-circle { border-width: 6px; } #sonaar_music_70 #sonaar_music_46 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4a678693e srp_player_params_69be4aa3e933d = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4a678693e srp_player_params_args_69be4aa3e933d = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4a678693e"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4aa3e933d"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4a678693e"); setIronAudioplayers("arbitrary-instance-69be4aa3e933d"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:35:21) hash: 026bb7582f09c73d361d900b5c2f7d606ff42408
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:36:19) hash: 880999872f38de844e6d650346b61105b203b641
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_29 #sonaar_music_70 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_29 #sonaar_music_70 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_29 #sonaar_music_70 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_29 #sonaar_music_70 .album .album-art img { border-radius: 0px;} #sonaar_music_29 #sonaar_music_70 .sonaar-grid .album { padding: 0px;} #sonaar_music_29 #sonaar_music_70 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_29 #sonaar_music_70 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_29 #sonaar_music_70 .sonaar-grid { justify-content: center; } #sonaar_music_29 #sonaar_music_70 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_29 #sonaar_music_70 .playlist, #sonaar_music_29 #sonaar_music_70 .buttons-block { width: 100%; } #sonaar_music_29 #sonaar_music_70 .playlist { margin: 0px; } #sonaar_music_29 #sonaar_music_70 .srp_tracklist { margin: 0px; } #sonaar_music_29 #sonaar_music_70 .sr_it-playlist-title, #sonaar_music_29 #sonaar_music_70 .sr_it-playlist-artists, #sonaar_music_29 #sonaar_music_70 .srp_subtitle { text-align: left; } #sonaar_music_29 #sonaar_music_70 .sr_it-playlist-title, #sonaar_music_29 #sonaar_music_70 .sr_it-playlist-artists, #sonaar_music_29 #sonaar_music_70 .srp_subtitle { margin-left: 0px; } #sonaar_music_29 #sonaar_music_70 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_29 #sonaar_music_70 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_29 #sonaar_music_70 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_29 #sonaar_music_70 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_29 #sonaar_music_70 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_29 #sonaar_music_70 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_29 #sonaar_music_70 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_29 #sonaar_music_70 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_29 #sonaar_music_70 .album-player .control { top: 0px; position: relative; } #sonaar_music_29 #sonaar_music_70 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_29 #sonaar_music_70 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_29 #sonaar_music_70 .srp-play-circle { border-width: 6px; } #sonaar_music_29 #sonaar_music_70 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4a2e8a214 srp_player_params_69be4a678693e = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4a2e8a214 srp_player_params_args_69be4a678693e = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4a2e8a214"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4a678693e"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4a2e8a214"); setIronAudioplayers("arbitrary-instance-69be4a678693e"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:34:17) hash: cd702398095a661a1add10bbaf5ddeb8b7420be2
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:35:21) hash: 026bb7582f09c73d361d900b5c2f7d606ff42408
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_51 #sonaar_music_29 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 #sonaar_music_29 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 #sonaar_music_29 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 #sonaar_music_29 .album .album-art img { border-radius: 0px;} #sonaar_music_51 #sonaar_music_29 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 #sonaar_music_29 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 #sonaar_music_29 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 #sonaar_music_29 .sonaar-grid { justify-content: center; } #sonaar_music_51 #sonaar_music_29 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 #sonaar_music_29 .playlist, #sonaar_music_51 #sonaar_music_29 .buttons-block { width: 100%; } #sonaar_music_51 #sonaar_music_29 .playlist { margin: 0px; } #sonaar_music_51 #sonaar_music_29 .srp_tracklist { margin: 0px; } #sonaar_music_51 #sonaar_music_29 .sr_it-playlist-title, #sonaar_music_51 #sonaar_music_29 .sr_it-playlist-artists, #sonaar_music_51 #sonaar_music_29 .srp_subtitle { text-align: left; } #sonaar_music_51 #sonaar_music_29 .sr_it-playlist-title, #sonaar_music_51 #sonaar_music_29 .sr_it-playlist-artists, #sonaar_music_51 #sonaar_music_29 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 #sonaar_music_29 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 #sonaar_music_29 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 #sonaar_music_29 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 #sonaar_music_29 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 #sonaar_music_29 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 #sonaar_music_29 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 #sonaar_music_29 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 #sonaar_music_29 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 #sonaar_music_29 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 #sonaar_music_29 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 #sonaar_music_29 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 #sonaar_music_29 .srp-play-circle { border-width: 6px; } #sonaar_music_51 #sonaar_music_29 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be49ef03dce srp_player_params_69be4a2e8a214 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be49ef03dce srp_player_params_args_69be4a2e8a214 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be49ef03dce"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4a2e8a214"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be49ef03dce"); setIronAudioplayers("arbitrary-instance-69be4a2e8a214"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:33:19) hash: 79ed3d65ea9365acc0e3c2e0681807ced2897c95
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:34:17) hash: cd702398095a661a1add10bbaf5ddeb8b7420be2
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_38 #sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_38 #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_38 #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_38 #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_38 #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_38 #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_38 #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_38 #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_38 #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_38 #sonaar_music_51 .playlist, #sonaar_music_38 #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_38 #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_38 #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_38 #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_38 #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_38 #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_38 #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_38 #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_38 #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_38 #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_38 #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_38 #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_38 #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_38 #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_38 #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_38 #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_38 #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_38 #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_38 #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_38 #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_38 #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_38 #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be49b4b96ba srp_player_params_69be49ef03dce = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be49b4b96ba srp_player_params_args_69be49ef03dce = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be49b4b96ba"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be49ef03dce"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be49b4b96ba"); setIronAudioplayers("arbitrary-instance-69be49ef03dce"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:32:18) hash: 178be7841e2835e3499ed3b6012393e2cf00fef2
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:33:19) hash: 79ed3d65ea9365acc0e3c2e0681807ced2897c95
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_47 #sonaar_music_38 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_47 #sonaar_music_38 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_47 #sonaar_music_38 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_47 #sonaar_music_38 .album .album-art img { border-radius: 0px;} #sonaar_music_47 #sonaar_music_38 .sonaar-grid .album { padding: 0px;} #sonaar_music_47 #sonaar_music_38 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_47 #sonaar_music_38 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_47 #sonaar_music_38 .sonaar-grid { justify-content: center; } #sonaar_music_47 #sonaar_music_38 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_47 #sonaar_music_38 .playlist, #sonaar_music_47 #sonaar_music_38 .buttons-block { width: 100%; } #sonaar_music_47 #sonaar_music_38 .playlist { margin: 0px; } #sonaar_music_47 #sonaar_music_38 .srp_tracklist { margin: 0px; } #sonaar_music_47 #sonaar_music_38 .sr_it-playlist-title, #sonaar_music_47 #sonaar_music_38 .sr_it-playlist-artists, #sonaar_music_47 #sonaar_music_38 .srp_subtitle { text-align: left; } #sonaar_music_47 #sonaar_music_38 .sr_it-playlist-title, #sonaar_music_47 #sonaar_music_38 .sr_it-playlist-artists, #sonaar_music_47 #sonaar_music_38 .srp_subtitle { margin-left: 0px; } #sonaar_music_47 #sonaar_music_38 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_47 #sonaar_music_38 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_47 #sonaar_music_38 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_47 #sonaar_music_38 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_47 #sonaar_music_38 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_47 #sonaar_music_38 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_47 #sonaar_music_38 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_47 #sonaar_music_38 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_47 #sonaar_music_38 .album-player .control { top: 0px; position: relative; } #sonaar_music_47 #sonaar_music_38 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_47 #sonaar_music_38 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_47 #sonaar_music_38 .srp-play-circle { border-width: 6px; } #sonaar_music_47 #sonaar_music_38 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4977d3855 srp_player_params_69be49b4b96ba = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4977d3855 srp_player_params_args_69be49b4b96ba = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4977d3855"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be49b4b96ba"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4977d3855"); setIronAudioplayers("arbitrary-instance-69be49b4b96ba"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:31:18) hash: 286cdf57f3a0962f21adf4124ea30db1866b7e92
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:32:18) hash: 178be7841e2835e3499ed3b6012393e2cf00fef2
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_62 #sonaar_music_47 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_62 #sonaar_music_47 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_62 #sonaar_music_47 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_62 #sonaar_music_47 .album .album-art img { border-radius: 0px;} #sonaar_music_62 #sonaar_music_47 .sonaar-grid .album { padding: 0px;} #sonaar_music_62 #sonaar_music_47 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_62 #sonaar_music_47 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_62 #sonaar_music_47 .sonaar-grid { justify-content: center; } #sonaar_music_62 #sonaar_music_47 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_62 #sonaar_music_47 .playlist, #sonaar_music_62 #sonaar_music_47 .buttons-block { width: 100%; } #sonaar_music_62 #sonaar_music_47 .playlist { margin: 0px; } #sonaar_music_62 #sonaar_music_47 .srp_tracklist { margin: 0px; } #sonaar_music_62 #sonaar_music_47 .sr_it-playlist-title, #sonaar_music_62 #sonaar_music_47 .sr_it-playlist-artists, #sonaar_music_62 #sonaar_music_47 .srp_subtitle { text-align: left; } #sonaar_music_62 #sonaar_music_47 .sr_it-playlist-title, #sonaar_music_62 #sonaar_music_47 .sr_it-playlist-artists, #sonaar_music_62 #sonaar_music_47 .srp_subtitle { margin-left: 0px; } #sonaar_music_62 #sonaar_music_47 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_62 #sonaar_music_47 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_62 #sonaar_music_47 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_62 #sonaar_music_47 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_62 #sonaar_music_47 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_62 #sonaar_music_47 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_62 #sonaar_music_47 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_62 #sonaar_music_47 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_62 #sonaar_music_47 .album-player .control { top: 0px; position: relative; } #sonaar_music_62 #sonaar_music_47 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_62 #sonaar_music_47 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_62 #sonaar_music_47 .srp-play-circle { border-width: 6px; } #sonaar_music_62 #sonaar_music_47 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be493970a43 srp_player_params_69be4977d3855 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be493970a43 srp_player_params_args_69be4977d3855 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be493970a43"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4977d3855"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be493970a43"); setIronAudioplayers("arbitrary-instance-69be4977d3855"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:30:17) hash: 70c82118d7df13a090f88806c9a48a788bf87021
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:31:18) hash: 286cdf57f3a0962f21adf4124ea30db1866b7e92
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_30 #sonaar_music_62 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_30 #sonaar_music_62 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_30 #sonaar_music_62 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_30 #sonaar_music_62 .album .album-art img { border-radius: 0px;} #sonaar_music_30 #sonaar_music_62 .sonaar-grid .album { padding: 0px;} #sonaar_music_30 #sonaar_music_62 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_30 #sonaar_music_62 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_30 #sonaar_music_62 .sonaar-grid { justify-content: center; } #sonaar_music_30 #sonaar_music_62 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_30 #sonaar_music_62 .playlist, #sonaar_music_30 #sonaar_music_62 .buttons-block { width: 100%; } #sonaar_music_30 #sonaar_music_62 .playlist { margin: 0px; } #sonaar_music_30 #sonaar_music_62 .srp_tracklist { margin: 0px; } #sonaar_music_30 #sonaar_music_62 .sr_it-playlist-title, #sonaar_music_30 #sonaar_music_62 .sr_it-playlist-artists, #sonaar_music_30 #sonaar_music_62 .srp_subtitle { text-align: left; } #sonaar_music_30 #sonaar_music_62 .sr_it-playlist-title, #sonaar_music_30 #sonaar_music_62 .sr_it-playlist-artists, #sonaar_music_30 #sonaar_music_62 .srp_subtitle { margin-left: 0px; } #sonaar_music_30 #sonaar_music_62 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_30 #sonaar_music_62 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_30 #sonaar_music_62 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_30 #sonaar_music_62 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_30 #sonaar_music_62 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_30 #sonaar_music_62 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_30 #sonaar_music_62 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_30 #sonaar_music_62 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_30 #sonaar_music_62 .album-player .control { top: 0px; position: relative; } #sonaar_music_30 #sonaar_music_62 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_30 #sonaar_music_62 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_30 #sonaar_music_62 .srp-play-circle { border-width: 6px; } #sonaar_music_30 #sonaar_music_62 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be48fd2e6db srp_player_params_69be493970a43 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be48fd2e6db srp_player_params_args_69be493970a43 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be48fd2e6db"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be493970a43"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be48fd2e6db"); setIronAudioplayers("arbitrary-instance-69be493970a43"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:29:19) hash: d1f49a28978a2b8d9e4cfda4178eb98d03e18719
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:30:17) hash: 70c82118d7df13a090f88806c9a48a788bf87021
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_12 #sonaar_music_30 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_12 #sonaar_music_30 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_12 #sonaar_music_30 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_12 #sonaar_music_30 .album .album-art img { border-radius: 0px;} #sonaar_music_12 #sonaar_music_30 .sonaar-grid .album { padding: 0px;} #sonaar_music_12 #sonaar_music_30 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_12 #sonaar_music_30 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_12 #sonaar_music_30 .sonaar-grid { justify-content: center; } #sonaar_music_12 #sonaar_music_30 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_12 #sonaar_music_30 .playlist, #sonaar_music_12 #sonaar_music_30 .buttons-block { width: 100%; } #sonaar_music_12 #sonaar_music_30 .playlist { margin: 0px; } #sonaar_music_12 #sonaar_music_30 .srp_tracklist { margin: 0px; } #sonaar_music_12 #sonaar_music_30 .sr_it-playlist-title, #sonaar_music_12 #sonaar_music_30 .sr_it-playlist-artists, #sonaar_music_12 #sonaar_music_30 .srp_subtitle { text-align: left; } #sonaar_music_12 #sonaar_music_30 .sr_it-playlist-title, #sonaar_music_12 #sonaar_music_30 .sr_it-playlist-artists, #sonaar_music_12 #sonaar_music_30 .srp_subtitle { margin-left: 0px; } #sonaar_music_12 #sonaar_music_30 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_12 #sonaar_music_30 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_12 #sonaar_music_30 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_12 #sonaar_music_30 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_12 #sonaar_music_30 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_12 #sonaar_music_30 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_12 #sonaar_music_30 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_12 #sonaar_music_30 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_12 #sonaar_music_30 .album-player .control { top: 0px; position: relative; } #sonaar_music_12 #sonaar_music_30 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_12 #sonaar_music_30 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_12 #sonaar_music_30 .srp-play-circle { border-width: 6px; } #sonaar_music_12 #sonaar_music_30 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be48c1d54b2 srp_player_params_69be48fd2e6db = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be48c1d54b2 srp_player_params_args_69be48fd2e6db = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be48c1d54b2"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be48fd2e6db"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be48c1d54b2"); setIronAudioplayers("arbitrary-instance-69be48fd2e6db"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:28:17) hash: c5020dd3d5202535f818a07b541e3ab599a3c52b
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:29:19) hash: d1f49a28978a2b8d9e4cfda4178eb98d03e18719
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_36 #sonaar_music_12 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_36 #sonaar_music_12 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_36 #sonaar_music_12 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_36 #sonaar_music_12 .album .album-art img { border-radius: 0px;} #sonaar_music_36 #sonaar_music_12 .sonaar-grid .album { padding: 0px;} #sonaar_music_36 #sonaar_music_12 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_36 #sonaar_music_12 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_36 #sonaar_music_12 .sonaar-grid { justify-content: center; } #sonaar_music_36 #sonaar_music_12 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_36 #sonaar_music_12 .playlist, #sonaar_music_36 #sonaar_music_12 .buttons-block { width: 100%; } #sonaar_music_36 #sonaar_music_12 .playlist { margin: 0px; } #sonaar_music_36 #sonaar_music_12 .srp_tracklist { margin: 0px; } #sonaar_music_36 #sonaar_music_12 .sr_it-playlist-title, #sonaar_music_36 #sonaar_music_12 .sr_it-playlist-artists, #sonaar_music_36 #sonaar_music_12 .srp_subtitle { text-align: left; } #sonaar_music_36 #sonaar_music_12 .sr_it-playlist-title, #sonaar_music_36 #sonaar_music_12 .sr_it-playlist-artists, #sonaar_music_36 #sonaar_music_12 .srp_subtitle { margin-left: 0px; } #sonaar_music_36 #sonaar_music_12 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_36 #sonaar_music_12 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_36 #sonaar_music_12 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_36 #sonaar_music_12 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_36 #sonaar_music_12 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_36 #sonaar_music_12 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_36 #sonaar_music_12 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_36 #sonaar_music_12 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_36 #sonaar_music_12 .album-player .control { top: 0px; position: relative; } #sonaar_music_36 #sonaar_music_12 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_36 #sonaar_music_12 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_36 #sonaar_music_12 .srp-play-circle { border-width: 6px; } #sonaar_music_36 #sonaar_music_12 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be48856a42b srp_player_params_69be48c1d54b2 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be48856a42b srp_player_params_args_69be48c1d54b2 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be48856a42b"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be48c1d54b2"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be48856a42b"); setIronAudioplayers("arbitrary-instance-69be48c1d54b2"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:27:17) hash: f1ebdca57a27bf0939a5746a4f9bb0cff5ce22ac
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:28:17) hash: c5020dd3d5202535f818a07b541e3ab599a3c52b
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_32 #sonaar_music_36 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_32 #sonaar_music_36 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_32 #sonaar_music_36 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_32 #sonaar_music_36 .album .album-art img { border-radius: 0px;} #sonaar_music_32 #sonaar_music_36 .sonaar-grid .album { padding: 0px;} #sonaar_music_32 #sonaar_music_36 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_32 #sonaar_music_36 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_32 #sonaar_music_36 .sonaar-grid { justify-content: center; } #sonaar_music_32 #sonaar_music_36 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_32 #sonaar_music_36 .playlist, #sonaar_music_32 #sonaar_music_36 .buttons-block { width: 100%; } #sonaar_music_32 #sonaar_music_36 .playlist { margin: 0px; } #sonaar_music_32 #sonaar_music_36 .srp_tracklist { margin: 0px; } #sonaar_music_32 #sonaar_music_36 .sr_it-playlist-title, #sonaar_music_32 #sonaar_music_36 .sr_it-playlist-artists, #sonaar_music_32 #sonaar_music_36 .srp_subtitle { text-align: left; } #sonaar_music_32 #sonaar_music_36 .sr_it-playlist-title, #sonaar_music_32 #sonaar_music_36 .sr_it-playlist-artists, #sonaar_music_32 #sonaar_music_36 .srp_subtitle { margin-left: 0px; } #sonaar_music_32 #sonaar_music_36 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_32 #sonaar_music_36 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_32 #sonaar_music_36 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_32 #sonaar_music_36 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_32 #sonaar_music_36 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_32 #sonaar_music_36 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_32 #sonaar_music_36 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_32 #sonaar_music_36 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_32 #sonaar_music_36 .album-player .control { top: 0px; position: relative; } #sonaar_music_32 #sonaar_music_36 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_32 #sonaar_music_36 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_32 #sonaar_music_36 .srp-play-circle { border-width: 6px; } #sonaar_music_32 #sonaar_music_36 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be48494fde0 srp_player_params_69be48856a42b = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be48494fde0 srp_player_params_args_69be48856a42b = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be48494fde0"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be48856a42b"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be48494fde0"); setIronAudioplayers("arbitrary-instance-69be48856a42b"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:26:18) hash: fb104ab584104c3b176f3b9e07a9e2477fdaaac6
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:27:17) hash: f1ebdca57a27bf0939a5746a4f9bb0cff5ce22ac
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_40 #sonaar_music_32 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_40 #sonaar_music_32 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_40 #sonaar_music_32 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_40 #sonaar_music_32 .album .album-art img { border-radius: 0px;} #sonaar_music_40 #sonaar_music_32 .sonaar-grid .album { padding: 0px;} #sonaar_music_40 #sonaar_music_32 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_40 #sonaar_music_32 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_40 #sonaar_music_32 .sonaar-grid { justify-content: center; } #sonaar_music_40 #sonaar_music_32 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_40 #sonaar_music_32 .playlist, #sonaar_music_40 #sonaar_music_32 .buttons-block { width: 100%; } #sonaar_music_40 #sonaar_music_32 .playlist { margin: 0px; } #sonaar_music_40 #sonaar_music_32 .srp_tracklist { margin: 0px; } #sonaar_music_40 #sonaar_music_32 .sr_it-playlist-title, #sonaar_music_40 #sonaar_music_32 .sr_it-playlist-artists, #sonaar_music_40 #sonaar_music_32 .srp_subtitle { text-align: left; } #sonaar_music_40 #sonaar_music_32 .sr_it-playlist-title, #sonaar_music_40 #sonaar_music_32 .sr_it-playlist-artists, #sonaar_music_40 #sonaar_music_32 .srp_subtitle { margin-left: 0px; } #sonaar_music_40 #sonaar_music_32 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_40 #sonaar_music_32 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_40 #sonaar_music_32 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_40 #sonaar_music_32 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_40 #sonaar_music_32 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_40 #sonaar_music_32 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_40 #sonaar_music_32 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_40 #sonaar_music_32 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_40 #sonaar_music_32 .album-player .control { top: 0px; position: relative; } #sonaar_music_40 #sonaar_music_32 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_40 #sonaar_music_32 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_40 #sonaar_music_32 .srp-play-circle { border-width: 6px; } #sonaar_music_40 #sonaar_music_32 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be480e03e5d srp_player_params_69be48494fde0 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be480e03e5d srp_player_params_args_69be48494fde0 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be480e03e5d"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be48494fde0"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be480e03e5d"); setIronAudioplayers("arbitrary-instance-69be48494fde0"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:25:17) hash: a990deac3563b552334afa74fc22540d623153fe
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:26:18) hash: fb104ab584104c3b176f3b9e07a9e2477fdaaac6
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_31 #sonaar_music_40 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_31 #sonaar_music_40 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_31 #sonaar_music_40 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_31 #sonaar_music_40 .album .album-art img { border-radius: 0px;} #sonaar_music_31 #sonaar_music_40 .sonaar-grid .album { padding: 0px;} #sonaar_music_31 #sonaar_music_40 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_31 #sonaar_music_40 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_31 #sonaar_music_40 .sonaar-grid { justify-content: center; } #sonaar_music_31 #sonaar_music_40 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_31 #sonaar_music_40 .playlist, #sonaar_music_31 #sonaar_music_40 .buttons-block { width: 100%; } #sonaar_music_31 #sonaar_music_40 .playlist { margin: 0px; } #sonaar_music_31 #sonaar_music_40 .srp_tracklist { margin: 0px; } #sonaar_music_31 #sonaar_music_40 .sr_it-playlist-title, #sonaar_music_31 #sonaar_music_40 .sr_it-playlist-artists, #sonaar_music_31 #sonaar_music_40 .srp_subtitle { text-align: left; } #sonaar_music_31 #sonaar_music_40 .sr_it-playlist-title, #sonaar_music_31 #sonaar_music_40 .sr_it-playlist-artists, #sonaar_music_31 #sonaar_music_40 .srp_subtitle { margin-left: 0px; } #sonaar_music_31 #sonaar_music_40 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_31 #sonaar_music_40 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_31 #sonaar_music_40 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_31 #sonaar_music_40 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_31 #sonaar_music_40 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_31 #sonaar_music_40 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_31 #sonaar_music_40 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_31 #sonaar_music_40 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_31 #sonaar_music_40 .album-player .control { top: 0px; position: relative; } #sonaar_music_31 #sonaar_music_40 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_31 #sonaar_music_40 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_31 #sonaar_music_40 .srp-play-circle { border-width: 6px; } #sonaar_music_31 #sonaar_music_40 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be47d1b56f3 srp_player_params_69be480e03e5d = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be47d1b56f3 srp_player_params_args_69be480e03e5d = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be47d1b56f3"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be480e03e5d"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be47d1b56f3"); setIronAudioplayers("arbitrary-instance-69be480e03e5d"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:24:18) hash: d225c27e3089d30d31922bc8f994655356833c1c
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:25:17) hash: a990deac3563b552334afa74fc22540d623153fe
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_26 #sonaar_music_31 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_26 #sonaar_music_31 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_26 #sonaar_music_31 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_26 #sonaar_music_31 .album .album-art img { border-radius: 0px;} #sonaar_music_26 #sonaar_music_31 .sonaar-grid .album { padding: 0px;} #sonaar_music_26 #sonaar_music_31 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_26 #sonaar_music_31 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_26 #sonaar_music_31 .sonaar-grid { justify-content: center; } #sonaar_music_26 #sonaar_music_31 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_26 #sonaar_music_31 .playlist, #sonaar_music_26 #sonaar_music_31 .buttons-block { width: 100%; } #sonaar_music_26 #sonaar_music_31 .playlist { margin: 0px; } #sonaar_music_26 #sonaar_music_31 .srp_tracklist { margin: 0px; } #sonaar_music_26 #sonaar_music_31 .sr_it-playlist-title, #sonaar_music_26 #sonaar_music_31 .sr_it-playlist-artists, #sonaar_music_26 #sonaar_music_31 .srp_subtitle { text-align: left; } #sonaar_music_26 #sonaar_music_31 .sr_it-playlist-title, #sonaar_music_26 #sonaar_music_31 .sr_it-playlist-artists, #sonaar_music_26 #sonaar_music_31 .srp_subtitle { margin-left: 0px; } #sonaar_music_26 #sonaar_music_31 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_26 #sonaar_music_31 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_26 #sonaar_music_31 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_26 #sonaar_music_31 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_26 #sonaar_music_31 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_26 #sonaar_music_31 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_26 #sonaar_music_31 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_26 #sonaar_music_31 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_26 #sonaar_music_31 .album-player .control { top: 0px; position: relative; } #sonaar_music_26 #sonaar_music_31 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_26 #sonaar_music_31 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_26 #sonaar_music_31 .srp-play-circle { border-width: 6px; } #sonaar_music_26 #sonaar_music_31 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4796cdefd srp_player_params_69be47d1b56f3 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4796cdefd srp_player_params_args_69be47d1b56f3 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4796cdefd"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be47d1b56f3"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4796cdefd"); setIronAudioplayers("arbitrary-instance-69be47d1b56f3"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:23:18) hash: c656c7aedf2a0a1c427931d1bfb66e050128ecdd
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:24:18) hash: d225c27e3089d30d31922bc8f994655356833c1c
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_29 #sonaar_music_26 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_29 #sonaar_music_26 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_29 #sonaar_music_26 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_29 #sonaar_music_26 .album .album-art img { border-radius: 0px;} #sonaar_music_29 #sonaar_music_26 .sonaar-grid .album { padding: 0px;} #sonaar_music_29 #sonaar_music_26 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_29 #sonaar_music_26 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_29 #sonaar_music_26 .sonaar-grid { justify-content: center; } #sonaar_music_29 #sonaar_music_26 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_29 #sonaar_music_26 .playlist, #sonaar_music_29 #sonaar_music_26 .buttons-block { width: 100%; } #sonaar_music_29 #sonaar_music_26 .playlist { margin: 0px; } #sonaar_music_29 #sonaar_music_26 .srp_tracklist { margin: 0px; } #sonaar_music_29 #sonaar_music_26 .sr_it-playlist-title, #sonaar_music_29 #sonaar_music_26 .sr_it-playlist-artists, #sonaar_music_29 #sonaar_music_26 .srp_subtitle { text-align: left; } #sonaar_music_29 #sonaar_music_26 .sr_it-playlist-title, #sonaar_music_29 #sonaar_music_26 .sr_it-playlist-artists, #sonaar_music_29 #sonaar_music_26 .srp_subtitle { margin-left: 0px; } #sonaar_music_29 #sonaar_music_26 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_29 #sonaar_music_26 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_29 #sonaar_music_26 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_29 #sonaar_music_26 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_29 #sonaar_music_26 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_29 #sonaar_music_26 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_29 #sonaar_music_26 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_29 #sonaar_music_26 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_29 #sonaar_music_26 .album-player .control { top: 0px; position: relative; } #sonaar_music_29 #sonaar_music_26 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_29 #sonaar_music_26 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_29 #sonaar_music_26 .srp-play-circle { border-width: 6px; } #sonaar_music_29 #sonaar_music_26 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be475b53cda srp_player_params_69be4796cdefd = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be475b53cda srp_player_params_args_69be4796cdefd = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be475b53cda"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4796cdefd"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be475b53cda"); setIronAudioplayers("arbitrary-instance-69be4796cdefd"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:22:23) hash: 08ad127896fac8bdc5665150e9a658138e961db2
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:23:18) hash: c656c7aedf2a0a1c427931d1bfb66e050128ecdd
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_52 #sonaar_music_29 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_52 #sonaar_music_29 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_52 #sonaar_music_29 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_52 #sonaar_music_29 .album .album-art img { border-radius: 0px;} #sonaar_music_52 #sonaar_music_29 .sonaar-grid .album { padding: 0px;} #sonaar_music_52 #sonaar_music_29 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_52 #sonaar_music_29 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_52 #sonaar_music_29 .sonaar-grid { justify-content: center; } #sonaar_music_52 #sonaar_music_29 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_52 #sonaar_music_29 .playlist, #sonaar_music_52 #sonaar_music_29 .buttons-block { width: 100%; } #sonaar_music_52 #sonaar_music_29 .playlist { margin: 0px; } #sonaar_music_52 #sonaar_music_29 .srp_tracklist { margin: 0px; } #sonaar_music_52 #sonaar_music_29 .sr_it-playlist-title, #sonaar_music_52 #sonaar_music_29 .sr_it-playlist-artists, #sonaar_music_52 #sonaar_music_29 .srp_subtitle { text-align: left; } #sonaar_music_52 #sonaar_music_29 .sr_it-playlist-title, #sonaar_music_52 #sonaar_music_29 .sr_it-playlist-artists, #sonaar_music_52 #sonaar_music_29 .srp_subtitle { margin-left: 0px; } #sonaar_music_52 #sonaar_music_29 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_52 #sonaar_music_29 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_52 #sonaar_music_29 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_52 #sonaar_music_29 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_52 #sonaar_music_29 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_52 #sonaar_music_29 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_52 #sonaar_music_29 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_52 #sonaar_music_29 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_52 #sonaar_music_29 .album-player .control { top: 0px; position: relative; } #sonaar_music_52 #sonaar_music_29 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_52 #sonaar_music_29 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_52 #sonaar_music_29 .srp-play-circle { border-width: 6px; } #sonaar_music_52 #sonaar_music_29 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be47236bdd5 srp_player_params_69be475b53cda = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be47236bdd5 srp_player_params_args_69be475b53cda = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be47236bdd5"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be475b53cda"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be47236bdd5"); setIronAudioplayers("arbitrary-instance-69be475b53cda"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:21:17) hash: 0d63ffcce283ec392e9e471493e4efa3afe2ae1c
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:22:23) hash: 08ad127896fac8bdc5665150e9a658138e961db2
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_69 #sonaar_music_52 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_69 #sonaar_music_52 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_69 #sonaar_music_52 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_69 #sonaar_music_52 .album .album-art img { border-radius: 0px;} #sonaar_music_69 #sonaar_music_52 .sonaar-grid .album { padding: 0px;} #sonaar_music_69 #sonaar_music_52 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_69 #sonaar_music_52 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_69 #sonaar_music_52 .sonaar-grid { justify-content: center; } #sonaar_music_69 #sonaar_music_52 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_69 #sonaar_music_52 .playlist, #sonaar_music_69 #sonaar_music_52 .buttons-block { width: 100%; } #sonaar_music_69 #sonaar_music_52 .playlist { margin: 0px; } #sonaar_music_69 #sonaar_music_52 .srp_tracklist { margin: 0px; } #sonaar_music_69 #sonaar_music_52 .sr_it-playlist-title, #sonaar_music_69 #sonaar_music_52 .sr_it-playlist-artists, #sonaar_music_69 #sonaar_music_52 .srp_subtitle { text-align: left; } #sonaar_music_69 #sonaar_music_52 .sr_it-playlist-title, #sonaar_music_69 #sonaar_music_52 .sr_it-playlist-artists, #sonaar_music_69 #sonaar_music_52 .srp_subtitle { margin-left: 0px; } #sonaar_music_69 #sonaar_music_52 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_69 #sonaar_music_52 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_69 #sonaar_music_52 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_69 #sonaar_music_52 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_69 #sonaar_music_52 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_69 #sonaar_music_52 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_69 #sonaar_music_52 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_69 #sonaar_music_52 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_69 #sonaar_music_52 .album-player .control { top: 0px; position: relative; } #sonaar_music_69 #sonaar_music_52 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_69 #sonaar_music_52 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_69 #sonaar_music_52 .srp-play-circle { border-width: 6px; } #sonaar_music_69 #sonaar_music_52 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be46e33346a srp_player_params_69be47236bdd5 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be46e33346a srp_player_params_args_69be47236bdd5 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be46e33346a"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be47236bdd5"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be46e33346a"); setIronAudioplayers("arbitrary-instance-69be47236bdd5"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:20:17) hash: 8a25a3de66286b4a03b2437b300045cc3d330493
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:21:17) hash: 0d63ffcce283ec392e9e471493e4efa3afe2ae1c
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_35 #sonaar_music_69 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_35 #sonaar_music_69 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_35 #sonaar_music_69 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_35 #sonaar_music_69 .album .album-art img { border-radius: 0px;} #sonaar_music_35 #sonaar_music_69 .sonaar-grid .album { padding: 0px;} #sonaar_music_35 #sonaar_music_69 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_35 #sonaar_music_69 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_35 #sonaar_music_69 .sonaar-grid { justify-content: center; } #sonaar_music_35 #sonaar_music_69 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_35 #sonaar_music_69 .playlist, #sonaar_music_35 #sonaar_music_69 .buttons-block { width: 100%; } #sonaar_music_35 #sonaar_music_69 .playlist { margin: 0px; } #sonaar_music_35 #sonaar_music_69 .srp_tracklist { margin: 0px; } #sonaar_music_35 #sonaar_music_69 .sr_it-playlist-title, #sonaar_music_35 #sonaar_music_69 .sr_it-playlist-artists, #sonaar_music_35 #sonaar_music_69 .srp_subtitle { text-align: left; } #sonaar_music_35 #sonaar_music_69 .sr_it-playlist-title, #sonaar_music_35 #sonaar_music_69 .sr_it-playlist-artists, #sonaar_music_35 #sonaar_music_69 .srp_subtitle { margin-left: 0px; } #sonaar_music_35 #sonaar_music_69 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_35 #sonaar_music_69 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_35 #sonaar_music_69 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_35 #sonaar_music_69 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_35 #sonaar_music_69 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_35 #sonaar_music_69 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_35 #sonaar_music_69 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_35 #sonaar_music_69 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_35 #sonaar_music_69 .album-player .control { top: 0px; position: relative; } #sonaar_music_35 #sonaar_music_69 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_35 #sonaar_music_69 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_35 #sonaar_music_69 .srp-play-circle { border-width: 6px; } #sonaar_music_35 #sonaar_music_69 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be46a61022e srp_player_params_69be46e33346a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be46a61022e srp_player_params_args_69be46e33346a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be46a61022e"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be46e33346a"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be46a61022e"); setIronAudioplayers("arbitrary-instance-69be46e33346a"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:19:19) hash: c5dd8a2a5a719c9b261ebb3539bdd4af9a5bf49e
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:20:17) hash: 8a25a3de66286b4a03b2437b300045cc3d330493
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_66 #sonaar_music_35 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_66 #sonaar_music_35 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_66 #sonaar_music_35 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_66 #sonaar_music_35 .album .album-art img { border-radius: 0px;} #sonaar_music_66 #sonaar_music_35 .sonaar-grid .album { padding: 0px;} #sonaar_music_66 #sonaar_music_35 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_66 #sonaar_music_35 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_66 #sonaar_music_35 .sonaar-grid { justify-content: center; } #sonaar_music_66 #sonaar_music_35 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_66 #sonaar_music_35 .playlist, #sonaar_music_66 #sonaar_music_35 .buttons-block { width: 100%; } #sonaar_music_66 #sonaar_music_35 .playlist { margin: 0px; } #sonaar_music_66 #sonaar_music_35 .srp_tracklist { margin: 0px; } #sonaar_music_66 #sonaar_music_35 .sr_it-playlist-title, #sonaar_music_66 #sonaar_music_35 .sr_it-playlist-artists, #sonaar_music_66 #sonaar_music_35 .srp_subtitle { text-align: left; } #sonaar_music_66 #sonaar_music_35 .sr_it-playlist-title, #sonaar_music_66 #sonaar_music_35 .sr_it-playlist-artists, #sonaar_music_66 #sonaar_music_35 .srp_subtitle { margin-left: 0px; } #sonaar_music_66 #sonaar_music_35 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_66 #sonaar_music_35 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_66 #sonaar_music_35 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_66 #sonaar_music_35 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_66 #sonaar_music_35 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_66 #sonaar_music_35 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_66 #sonaar_music_35 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_66 #sonaar_music_35 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_66 #sonaar_music_35 .album-player .control { top: 0px; position: relative; } #sonaar_music_66 #sonaar_music_35 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_66 #sonaar_music_35 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_66 #sonaar_music_35 .srp-play-circle { border-width: 6px; } #sonaar_music_66 #sonaar_music_35 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be466a4fd39 srp_player_params_69be46a61022e = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be466a4fd39 srp_player_params_args_69be46a61022e = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be466a4fd39"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be46a61022e"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be466a4fd39"); setIronAudioplayers("arbitrary-instance-69be46a61022e"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:18:18) hash: c2653fe90f284749419c9c1c0c8decac6dbe96e0
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:19:19) hash: c5dd8a2a5a719c9b261ebb3539bdd4af9a5bf49e
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_25 #sonaar_music_66 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_25 #sonaar_music_66 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_25 #sonaar_music_66 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_25 #sonaar_music_66 .album .album-art img { border-radius: 0px;} #sonaar_music_25 #sonaar_music_66 .sonaar-grid .album { padding: 0px;} #sonaar_music_25 #sonaar_music_66 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_25 #sonaar_music_66 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_25 #sonaar_music_66 .sonaar-grid { justify-content: center; } #sonaar_music_25 #sonaar_music_66 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_25 #sonaar_music_66 .playlist, #sonaar_music_25 #sonaar_music_66 .buttons-block { width: 100%; } #sonaar_music_25 #sonaar_music_66 .playlist { margin: 0px; } #sonaar_music_25 #sonaar_music_66 .srp_tracklist { margin: 0px; } #sonaar_music_25 #sonaar_music_66 .sr_it-playlist-title, #sonaar_music_25 #sonaar_music_66 .sr_it-playlist-artists, #sonaar_music_25 #sonaar_music_66 .srp_subtitle { text-align: left; } #sonaar_music_25 #sonaar_music_66 .sr_it-playlist-title, #sonaar_music_25 #sonaar_music_66 .sr_it-playlist-artists, #sonaar_music_25 #sonaar_music_66 .srp_subtitle { margin-left: 0px; } #sonaar_music_25 #sonaar_music_66 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_25 #sonaar_music_66 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_25 #sonaar_music_66 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_25 #sonaar_music_66 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_25 #sonaar_music_66 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_25 #sonaar_music_66 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_25 #sonaar_music_66 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_25 #sonaar_music_66 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_25 #sonaar_music_66 .album-player .control { top: 0px; position: relative; } #sonaar_music_25 #sonaar_music_66 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_25 #sonaar_music_66 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_25 #sonaar_music_66 .srp-play-circle { border-width: 6px; } #sonaar_music_25 #sonaar_music_66 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be462e11095 srp_player_params_69be466a4fd39 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be462e11095 srp_player_params_args_69be466a4fd39 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be462e11095"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be466a4fd39"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be462e11095"); setIronAudioplayers("arbitrary-instance-69be466a4fd39"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:17:18) hash: 65136acef407b936b0d8babbfc7848e6d5505ef8
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:18:18) hash: c2653fe90f284749419c9c1c0c8decac6dbe96e0
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_44 #sonaar_music_25 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 #sonaar_music_25 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 #sonaar_music_25 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 #sonaar_music_25 .album .album-art img { border-radius: 0px;} #sonaar_music_44 #sonaar_music_25 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 #sonaar_music_25 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 #sonaar_music_25 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 #sonaar_music_25 .sonaar-grid { justify-content: center; } #sonaar_music_44 #sonaar_music_25 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 #sonaar_music_25 .playlist, #sonaar_music_44 #sonaar_music_25 .buttons-block { width: 100%; } #sonaar_music_44 #sonaar_music_25 .playlist { margin: 0px; } #sonaar_music_44 #sonaar_music_25 .srp_tracklist { margin: 0px; } #sonaar_music_44 #sonaar_music_25 .sr_it-playlist-title, #sonaar_music_44 #sonaar_music_25 .sr_it-playlist-artists, #sonaar_music_44 #sonaar_music_25 .srp_subtitle { text-align: left; } #sonaar_music_44 #sonaar_music_25 .sr_it-playlist-title, #sonaar_music_44 #sonaar_music_25 .sr_it-playlist-artists, #sonaar_music_44 #sonaar_music_25 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 #sonaar_music_25 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 #sonaar_music_25 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 #sonaar_music_25 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 #sonaar_music_25 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 #sonaar_music_25 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 #sonaar_music_25 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 #sonaar_music_25 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 #sonaar_music_25 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 #sonaar_music_25 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 #sonaar_music_25 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 #sonaar_music_25 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 #sonaar_music_25 .srp-play-circle { border-width: 6px; } #sonaar_music_44 #sonaar_music_25 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be45f2a70ac srp_player_params_69be462e11095 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be45f2a70ac srp_player_params_args_69be462e11095 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be45f2a70ac"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be462e11095"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be45f2a70ac"); setIronAudioplayers("arbitrary-instance-69be462e11095"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:16:17) hash: 9b4c23c4a5707bf1765bf6fe16fe3735c4214673
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:17:18) hash: 65136acef407b936b0d8babbfc7848e6d5505ef8
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_60 #sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_60 #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_60 #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_60 #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_60 #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_60 #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_60 #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_60 #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_60 #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_60 #sonaar_music_44 .playlist, #sonaar_music_60 #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_60 #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_60 #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_60 #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_60 #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_60 #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_60 #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_60 #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_60 #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_60 #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_60 #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_60 #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_60 #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_60 #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_60 #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_60 #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_60 #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_60 #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_60 #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_60 #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_60 #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_60 #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be45b5c1676 srp_player_params_69be45f2a70ac = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be45b5c1676 srp_player_params_args_69be45f2a70ac = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be45b5c1676"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be45f2a70ac"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be45b5c1676"); setIronAudioplayers("arbitrary-instance-69be45f2a70ac"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:15:17) hash: 86b22e537659ad651f7fdef1df1996bb184f7cc4
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:16:17) hash: 9b4c23c4a5707bf1765bf6fe16fe3735c4214673
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_39 #sonaar_music_60 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_39 #sonaar_music_60 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_39 #sonaar_music_60 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_39 #sonaar_music_60 .album .album-art img { border-radius: 0px;} #sonaar_music_39 #sonaar_music_60 .sonaar-grid .album { padding: 0px;} #sonaar_music_39 #sonaar_music_60 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_39 #sonaar_music_60 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_39 #sonaar_music_60 .sonaar-grid { justify-content: center; } #sonaar_music_39 #sonaar_music_60 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_39 #sonaar_music_60 .playlist, #sonaar_music_39 #sonaar_music_60 .buttons-block { width: 100%; } #sonaar_music_39 #sonaar_music_60 .playlist { margin: 0px; } #sonaar_music_39 #sonaar_music_60 .srp_tracklist { margin: 0px; } #sonaar_music_39 #sonaar_music_60 .sr_it-playlist-title, #sonaar_music_39 #sonaar_music_60 .sr_it-playlist-artists, #sonaar_music_39 #sonaar_music_60 .srp_subtitle { text-align: left; } #sonaar_music_39 #sonaar_music_60 .sr_it-playlist-title, #sonaar_music_39 #sonaar_music_60 .sr_it-playlist-artists, #sonaar_music_39 #sonaar_music_60 .srp_subtitle { margin-left: 0px; } #sonaar_music_39 #sonaar_music_60 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_39 #sonaar_music_60 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_39 #sonaar_music_60 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_39 #sonaar_music_60 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_39 #sonaar_music_60 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_39 #sonaar_music_60 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_39 #sonaar_music_60 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_39 #sonaar_music_60 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_39 #sonaar_music_60 .album-player .control { top: 0px; position: relative; } #sonaar_music_39 #sonaar_music_60 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_39 #sonaar_music_60 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_39 #sonaar_music_60 .srp-play-circle { border-width: 6px; } #sonaar_music_39 #sonaar_music_60 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be457a3e16e srp_player_params_69be45b5c1676 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be457a3e16e srp_player_params_args_69be45b5c1676 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be457a3e16e"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be45b5c1676"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be457a3e16e"); setIronAudioplayers("arbitrary-instance-69be45b5c1676"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:14:36) hash: bf1a5b88d2e7951b9b9d68aad11211809421b32b
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:15:17) hash: 86b22e537659ad651f7fdef1df1996bb184f7cc4
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_100 #sonaar_music_39 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_100 #sonaar_music_39 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_100 #sonaar_music_39 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_100 #sonaar_music_39 .album .album-art img { border-radius: 0px;} #sonaar_music_100 #sonaar_music_39 .sonaar-grid .album { padding: 0px;} #sonaar_music_100 #sonaar_music_39 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_100 #sonaar_music_39 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_100 #sonaar_music_39 .sonaar-grid { justify-content: center; } #sonaar_music_100 #sonaar_music_39 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_100 #sonaar_music_39 .playlist, #sonaar_music_100 #sonaar_music_39 .buttons-block { width: 100%; } #sonaar_music_100 #sonaar_music_39 .playlist { margin: 0px; } #sonaar_music_100 #sonaar_music_39 .srp_tracklist { margin: 0px; } #sonaar_music_100 #sonaar_music_39 .sr_it-playlist-title, #sonaar_music_100 #sonaar_music_39 .sr_it-playlist-artists, #sonaar_music_100 #sonaar_music_39 .srp_subtitle { text-align: left; } #sonaar_music_100 #sonaar_music_39 .sr_it-playlist-title, #sonaar_music_100 #sonaar_music_39 .sr_it-playlist-artists, #sonaar_music_100 #sonaar_music_39 .srp_subtitle { margin-left: 0px; } #sonaar_music_100 #sonaar_music_39 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_100 #sonaar_music_39 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_100 #sonaar_music_39 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_100 #sonaar_music_39 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_100 #sonaar_music_39 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_100 #sonaar_music_39 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_100 #sonaar_music_39 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_100 #sonaar_music_39 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_100 #sonaar_music_39 .album-player .control { top: 0px; position: relative; } #sonaar_music_100 #sonaar_music_39 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_100 #sonaar_music_39 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_100 #sonaar_music_39 .srp-play-circle { border-width: 6px; } #sonaar_music_100 #sonaar_music_39 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be453d8ee1d srp_player_params_69be457a3e16e = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be453d8ee1d srp_player_params_args_69be457a3e16e = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be453d8ee1d"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be457a3e16e"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be453d8ee1d"); setIronAudioplayers("arbitrary-instance-69be457a3e16e"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:13:19) hash: 578196fc37a01ac8fa1eb12227be18e3138d9dce
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:14:36) hash: bf1a5b88d2e7951b9b9d68aad11211809421b32b
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_28 #sonaar_music_100 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_28 #sonaar_music_100 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_28 #sonaar_music_100 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_28 #sonaar_music_100 .album .album-art img { border-radius: 0px;} #sonaar_music_28 #sonaar_music_100 .sonaar-grid .album { padding: 0px;} #sonaar_music_28 #sonaar_music_100 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_28 #sonaar_music_100 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_28 #sonaar_music_100 .sonaar-grid { justify-content: center; } #sonaar_music_28 #sonaar_music_100 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_28 #sonaar_music_100 .playlist, #sonaar_music_28 #sonaar_music_100 .buttons-block { width: 100%; } #sonaar_music_28 #sonaar_music_100 .playlist { margin: 0px; } #sonaar_music_28 #sonaar_music_100 .srp_tracklist { margin: 0px; } #sonaar_music_28 #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_28 #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_28 #sonaar_music_100 .srp_subtitle { text-align: left; } #sonaar_music_28 #sonaar_music_100 .sr_it-playlist-title, #sonaar_music_28 #sonaar_music_100 .sr_it-playlist-artists, #sonaar_music_28 #sonaar_music_100 .srp_subtitle { margin-left: 0px; } #sonaar_music_28 #sonaar_music_100 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_28 #sonaar_music_100 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_28 #sonaar_music_100 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_28 #sonaar_music_100 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_28 #sonaar_music_100 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_28 #sonaar_music_100 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_28 #sonaar_music_100 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_28 #sonaar_music_100 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_28 #sonaar_music_100 .album-player .control { top: 0px; position: relative; } #sonaar_music_28 #sonaar_music_100 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_28 #sonaar_music_100 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_28 #sonaar_music_100 .srp-play-circle { border-width: 6px; } #sonaar_music_28 #sonaar_music_100 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be450162f5f srp_player_params_69be453d8ee1d = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be450162f5f srp_player_params_args_69be453d8ee1d = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be450162f5f"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be453d8ee1d"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be450162f5f"); setIronAudioplayers("arbitrary-instance-69be453d8ee1d"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:12:18) hash: 26d1cb8b7444d4d89dc85a2cb688cc419c126e9c
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:13:19) hash: 578196fc37a01ac8fa1eb12227be18e3138d9dce
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_41 #sonaar_music_28 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_41 #sonaar_music_28 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_41 #sonaar_music_28 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_41 #sonaar_music_28 .album .album-art img { border-radius: 0px;} #sonaar_music_41 #sonaar_music_28 .sonaar-grid .album { padding: 0px;} #sonaar_music_41 #sonaar_music_28 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_41 #sonaar_music_28 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_41 #sonaar_music_28 .sonaar-grid { justify-content: center; } #sonaar_music_41 #sonaar_music_28 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_41 #sonaar_music_28 .playlist, #sonaar_music_41 #sonaar_music_28 .buttons-block { width: 100%; } #sonaar_music_41 #sonaar_music_28 .playlist { margin: 0px; } #sonaar_music_41 #sonaar_music_28 .srp_tracklist { margin: 0px; } #sonaar_music_41 #sonaar_music_28 .sr_it-playlist-title, #sonaar_music_41 #sonaar_music_28 .sr_it-playlist-artists, #sonaar_music_41 #sonaar_music_28 .srp_subtitle { text-align: left; } #sonaar_music_41 #sonaar_music_28 .sr_it-playlist-title, #sonaar_music_41 #sonaar_music_28 .sr_it-playlist-artists, #sonaar_music_41 #sonaar_music_28 .srp_subtitle { margin-left: 0px; } #sonaar_music_41 #sonaar_music_28 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_41 #sonaar_music_28 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_41 #sonaar_music_28 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_41 #sonaar_music_28 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_41 #sonaar_music_28 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_41 #sonaar_music_28 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_41 #sonaar_music_28 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_41 #sonaar_music_28 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_41 #sonaar_music_28 .album-player .control { top: 0px; position: relative; } #sonaar_music_41 #sonaar_music_28 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_41 #sonaar_music_28 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_41 #sonaar_music_28 .srp-play-circle { border-width: 6px; } #sonaar_music_41 #sonaar_music_28 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be44c61fb3d srp_player_params_69be450162f5f = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be44c61fb3d srp_player_params_args_69be450162f5f = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be44c61fb3d"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be450162f5f"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be44c61fb3d"); setIronAudioplayers("arbitrary-instance-69be450162f5f"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:11:21) hash: 29716d38facc59a7aaa87f8c4bbd123280ef4ce3
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:12:18) hash: 26d1cb8b7444d4d89dc85a2cb688cc419c126e9c
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_78 #sonaar_music_41 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_78 #sonaar_music_41 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_78 #sonaar_music_41 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_78 #sonaar_music_41 .album .album-art img { border-radius: 0px;} #sonaar_music_78 #sonaar_music_41 .sonaar-grid .album { padding: 0px;} #sonaar_music_78 #sonaar_music_41 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_78 #sonaar_music_41 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_78 #sonaar_music_41 .sonaar-grid { justify-content: center; } #sonaar_music_78 #sonaar_music_41 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_78 #sonaar_music_41 .playlist, #sonaar_music_78 #sonaar_music_41 .buttons-block { width: 100%; } #sonaar_music_78 #sonaar_music_41 .playlist { margin: 0px; } #sonaar_music_78 #sonaar_music_41 .srp_tracklist { margin: 0px; } #sonaar_music_78 #sonaar_music_41 .sr_it-playlist-title, #sonaar_music_78 #sonaar_music_41 .sr_it-playlist-artists, #sonaar_music_78 #sonaar_music_41 .srp_subtitle { text-align: left; } #sonaar_music_78 #sonaar_music_41 .sr_it-playlist-title, #sonaar_music_78 #sonaar_music_41 .sr_it-playlist-artists, #sonaar_music_78 #sonaar_music_41 .srp_subtitle { margin-left: 0px; } #sonaar_music_78 #sonaar_music_41 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_78 #sonaar_music_41 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_78 #sonaar_music_41 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_78 #sonaar_music_41 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_78 #sonaar_music_41 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_78 #sonaar_music_41 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_78 #sonaar_music_41 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_78 #sonaar_music_41 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_78 #sonaar_music_41 .album-player .control { top: 0px; position: relative; } #sonaar_music_78 #sonaar_music_41 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_78 #sonaar_music_41 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_78 #sonaar_music_41 .srp-play-circle { border-width: 6px; } #sonaar_music_78 #sonaar_music_41 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be448cbf026 srp_player_params_69be44c61fb3d = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be448cbf026 srp_player_params_args_69be44c61fb3d = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be448cbf026"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be44c61fb3d"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be448cbf026"); setIronAudioplayers("arbitrary-instance-69be44c61fb3d"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:10:18) hash: e6d9c8a85da19c79a3af92b8202aa57d2500d59e
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:11:21) hash: 29716d38facc59a7aaa87f8c4bbd123280ef4ce3
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_99 #sonaar_music_78 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_99 #sonaar_music_78 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_99 #sonaar_music_78 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_99 #sonaar_music_78 .album .album-art img { border-radius: 0px;} #sonaar_music_99 #sonaar_music_78 .sonaar-grid .album { padding: 0px;} #sonaar_music_99 #sonaar_music_78 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_99 #sonaar_music_78 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_99 #sonaar_music_78 .sonaar-grid { justify-content: center; } #sonaar_music_99 #sonaar_music_78 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_99 #sonaar_music_78 .playlist, #sonaar_music_99 #sonaar_music_78 .buttons-block { width: 100%; } #sonaar_music_99 #sonaar_music_78 .playlist { margin: 0px; } #sonaar_music_99 #sonaar_music_78 .srp_tracklist { margin: 0px; } #sonaar_music_99 #sonaar_music_78 .sr_it-playlist-title, #sonaar_music_99 #sonaar_music_78 .sr_it-playlist-artists, #sonaar_music_99 #sonaar_music_78 .srp_subtitle { text-align: left; } #sonaar_music_99 #sonaar_music_78 .sr_it-playlist-title, #sonaar_music_99 #sonaar_music_78 .sr_it-playlist-artists, #sonaar_music_99 #sonaar_music_78 .srp_subtitle { margin-left: 0px; } #sonaar_music_99 #sonaar_music_78 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_99 #sonaar_music_78 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_99 #sonaar_music_78 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_99 #sonaar_music_78 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_99 #sonaar_music_78 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_99 #sonaar_music_78 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_99 #sonaar_music_78 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_99 #sonaar_music_78 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_99 #sonaar_music_78 .album-player .control { top: 0px; position: relative; } #sonaar_music_99 #sonaar_music_78 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_99 #sonaar_music_78 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_99 #sonaar_music_78 .srp-play-circle { border-width: 6px; } #sonaar_music_99 #sonaar_music_78 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be444e29e0f srp_player_params_69be448cbf026 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be444e29e0f srp_player_params_args_69be448cbf026 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be444e29e0f"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be448cbf026"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be444e29e0f"); setIronAudioplayers("arbitrary-instance-69be448cbf026"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:09:18) hash: 00674c43f604ef2728e96a22da149915e9271128
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:10:18) hash: e6d9c8a85da19c79a3af92b8202aa57d2500d59e
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_12 #sonaar_music_99 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_12 #sonaar_music_99 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_12 #sonaar_music_99 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_12 #sonaar_music_99 .album .album-art img { border-radius: 0px;} #sonaar_music_12 #sonaar_music_99 .sonaar-grid .album { padding: 0px;} #sonaar_music_12 #sonaar_music_99 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_12 #sonaar_music_99 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_12 #sonaar_music_99 .sonaar-grid { justify-content: center; } #sonaar_music_12 #sonaar_music_99 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_12 #sonaar_music_99 .playlist, #sonaar_music_12 #sonaar_music_99 .buttons-block { width: 100%; } #sonaar_music_12 #sonaar_music_99 .playlist { margin: 0px; } #sonaar_music_12 #sonaar_music_99 .srp_tracklist { margin: 0px; } #sonaar_music_12 #sonaar_music_99 .sr_it-playlist-title, #sonaar_music_12 #sonaar_music_99 .sr_it-playlist-artists, #sonaar_music_12 #sonaar_music_99 .srp_subtitle { text-align: left; } #sonaar_music_12 #sonaar_music_99 .sr_it-playlist-title, #sonaar_music_12 #sonaar_music_99 .sr_it-playlist-artists, #sonaar_music_12 #sonaar_music_99 .srp_subtitle { margin-left: 0px; } #sonaar_music_12 #sonaar_music_99 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_12 #sonaar_music_99 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_12 #sonaar_music_99 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_12 #sonaar_music_99 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_12 #sonaar_music_99 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_12 #sonaar_music_99 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_12 #sonaar_music_99 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_12 #sonaar_music_99 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_12 #sonaar_music_99 .album-player .control { top: 0px; position: relative; } #sonaar_music_12 #sonaar_music_99 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_12 #sonaar_music_99 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_12 #sonaar_music_99 .srp-play-circle { border-width: 6px; } #sonaar_music_12 #sonaar_music_99 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4411a21b5 srp_player_params_69be444e29e0f = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4411a21b5 srp_player_params_args_69be444e29e0f = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4411a21b5"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be444e29e0f"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4411a21b5"); setIronAudioplayers("arbitrary-instance-69be444e29e0f"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:08:18) hash: 30a294e2d9209425c6ad214cad340448f61826d0
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:09:18) hash: 00674c43f604ef2728e96a22da149915e9271128
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_44 #sonaar_music_12 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 #sonaar_music_12 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 #sonaar_music_12 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 #sonaar_music_12 .album .album-art img { border-radius: 0px;} #sonaar_music_44 #sonaar_music_12 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 #sonaar_music_12 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 #sonaar_music_12 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 #sonaar_music_12 .sonaar-grid { justify-content: center; } #sonaar_music_44 #sonaar_music_12 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 #sonaar_music_12 .playlist, #sonaar_music_44 #sonaar_music_12 .buttons-block { width: 100%; } #sonaar_music_44 #sonaar_music_12 .playlist { margin: 0px; } #sonaar_music_44 #sonaar_music_12 .srp_tracklist { margin: 0px; } #sonaar_music_44 #sonaar_music_12 .sr_it-playlist-title, #sonaar_music_44 #sonaar_music_12 .sr_it-playlist-artists, #sonaar_music_44 #sonaar_music_12 .srp_subtitle { text-align: left; } #sonaar_music_44 #sonaar_music_12 .sr_it-playlist-title, #sonaar_music_44 #sonaar_music_12 .sr_it-playlist-artists, #sonaar_music_44 #sonaar_music_12 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 #sonaar_music_12 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 #sonaar_music_12 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 #sonaar_music_12 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 #sonaar_music_12 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 #sonaar_music_12 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 #sonaar_music_12 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 #sonaar_music_12 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 #sonaar_music_12 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 #sonaar_music_12 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 #sonaar_music_12 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 #sonaar_music_12 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 #sonaar_music_12 .srp-play-circle { border-width: 6px; } #sonaar_music_44 #sonaar_music_12 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be43d56c5aa srp_player_params_69be4411a21b5 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be43d56c5aa srp_player_params_args_69be4411a21b5 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be43d56c5aa"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4411a21b5"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be43d56c5aa"); setIronAudioplayers("arbitrary-instance-69be4411a21b5"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:07:17) hash: 5b9cee9bc8b46b411e802ff773a3b983610d3ed0
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:08:18) hash: 30a294e2d9209425c6ad214cad340448f61826d0
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_79 #sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_79 #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_79 #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 #sonaar_music_44 .playlist, #sonaar_music_79 #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_79 #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_79 #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_79 #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_79 #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_79 #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_79 #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_79 #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_79 #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_79 #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be43996bdee srp_player_params_69be43d56c5aa = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be43996bdee srp_player_params_args_69be43d56c5aa = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be43996bdee"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be43d56c5aa"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be43996bdee"); setIronAudioplayers("arbitrary-instance-69be43d56c5aa"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:06:18) hash: 2804a2dc5ba463306f9b3cfe63009f56b02dcd62
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:07:17) hash: 5b9cee9bc8b46b411e802ff773a3b983610d3ed0
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_34 #sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_34 #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_34 #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 #sonaar_music_79 .playlist, #sonaar_music_34 #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_34 #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_34 #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_34 #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_34 #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_34 #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_34 #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_34 #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_34 #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_34 #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be435e9bb07 srp_player_params_69be43996bdee = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be435e9bb07 srp_player_params_args_69be43996bdee = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be435e9bb07"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be43996bdee"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be435e9bb07"); setIronAudioplayers("arbitrary-instance-69be43996bdee"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:05:18) hash: 0ce1500eb8e0585d78b783705bc062d969cd0019
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:06:18) hash: 2804a2dc5ba463306f9b3cfe63009f56b02dcd62
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_76 #sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_76 #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_76 #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_76 #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_76 #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_76 #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_76 #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_76 #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_76 #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_76 #sonaar_music_34 .playlist, #sonaar_music_76 #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_76 #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_76 #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_76 #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_76 #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_76 #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_76 #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_76 #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_76 #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_76 #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_76 #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_76 #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_76 #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_76 #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_76 #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_76 #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_76 #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_76 #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_76 #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_76 #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_76 #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_76 #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be43220c181 srp_player_params_69be435e9bb07 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be43220c181 srp_player_params_args_69be435e9bb07 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be43220c181"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be435e9bb07"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be43220c181"); setIronAudioplayers("arbitrary-instance-69be435e9bb07"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:04:17) hash: cb7503f9fc6115a66dad54ae308deb897042ba37
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:05:18) hash: 0ce1500eb8e0585d78b783705bc062d969cd0019
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_30 #sonaar_music_76 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_30 #sonaar_music_76 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_30 #sonaar_music_76 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_30 #sonaar_music_76 .album .album-art img { border-radius: 0px;} #sonaar_music_30 #sonaar_music_76 .sonaar-grid .album { padding: 0px;} #sonaar_music_30 #sonaar_music_76 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_30 #sonaar_music_76 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_30 #sonaar_music_76 .sonaar-grid { justify-content: center; } #sonaar_music_30 #sonaar_music_76 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_30 #sonaar_music_76 .playlist, #sonaar_music_30 #sonaar_music_76 .buttons-block { width: 100%; } #sonaar_music_30 #sonaar_music_76 .playlist { margin: 0px; } #sonaar_music_30 #sonaar_music_76 .srp_tracklist { margin: 0px; } #sonaar_music_30 #sonaar_music_76 .sr_it-playlist-title, #sonaar_music_30 #sonaar_music_76 .sr_it-playlist-artists, #sonaar_music_30 #sonaar_music_76 .srp_subtitle { text-align: left; } #sonaar_music_30 #sonaar_music_76 .sr_it-playlist-title, #sonaar_music_30 #sonaar_music_76 .sr_it-playlist-artists, #sonaar_music_30 #sonaar_music_76 .srp_subtitle { margin-left: 0px; } #sonaar_music_30 #sonaar_music_76 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_30 #sonaar_music_76 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_30 #sonaar_music_76 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_30 #sonaar_music_76 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_30 #sonaar_music_76 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_30 #sonaar_music_76 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_30 #sonaar_music_76 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_30 #sonaar_music_76 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_30 #sonaar_music_76 .album-player .control { top: 0px; position: relative; } #sonaar_music_30 #sonaar_music_76 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_30 #sonaar_music_76 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_30 #sonaar_music_76 .srp-play-circle { border-width: 6px; } #sonaar_music_30 #sonaar_music_76 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be42e59f871 srp_player_params_69be43220c181 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be42e59f871 srp_player_params_args_69be43220c181 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be42e59f871"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be43220c181"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be42e59f871"); setIronAudioplayers("arbitrary-instance-69be43220c181"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:03:18) hash: c8ea422a0b87760ea376e5ad376a5d41af2c49d9
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:04:17) hash: cb7503f9fc6115a66dad54ae308deb897042ba37
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_28 #sonaar_music_30 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_28 #sonaar_music_30 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_28 #sonaar_music_30 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_28 #sonaar_music_30 .album .album-art img { border-radius: 0px;} #sonaar_music_28 #sonaar_music_30 .sonaar-grid .album { padding: 0px;} #sonaar_music_28 #sonaar_music_30 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_28 #sonaar_music_30 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_28 #sonaar_music_30 .sonaar-grid { justify-content: center; } #sonaar_music_28 #sonaar_music_30 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_28 #sonaar_music_30 .playlist, #sonaar_music_28 #sonaar_music_30 .buttons-block { width: 100%; } #sonaar_music_28 #sonaar_music_30 .playlist { margin: 0px; } #sonaar_music_28 #sonaar_music_30 .srp_tracklist { margin: 0px; } #sonaar_music_28 #sonaar_music_30 .sr_it-playlist-title, #sonaar_music_28 #sonaar_music_30 .sr_it-playlist-artists, #sonaar_music_28 #sonaar_music_30 .srp_subtitle { text-align: left; } #sonaar_music_28 #sonaar_music_30 .sr_it-playlist-title, #sonaar_music_28 #sonaar_music_30 .sr_it-playlist-artists, #sonaar_music_28 #sonaar_music_30 .srp_subtitle { margin-left: 0px; } #sonaar_music_28 #sonaar_music_30 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_28 #sonaar_music_30 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_28 #sonaar_music_30 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_28 #sonaar_music_30 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_28 #sonaar_music_30 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_28 #sonaar_music_30 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_28 #sonaar_music_30 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_28 #sonaar_music_30 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_28 #sonaar_music_30 .album-player .control { top: 0px; position: relative; } #sonaar_music_28 #sonaar_music_30 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_28 #sonaar_music_30 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_28 #sonaar_music_30 .srp-play-circle { border-width: 6px; } #sonaar_music_28 #sonaar_music_30 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be42ab15e34 srp_player_params_69be42e59f871 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be42ab15e34 srp_player_params_args_69be42e59f871 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be42ab15e34"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be42e59f871"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be42ab15e34"); setIronAudioplayers("arbitrary-instance-69be42e59f871"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:02:18) hash: 71d503601ade0a85d9301caeacd7f505f92508a1
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:03:18) hash: c8ea422a0b87760ea376e5ad376a5d41af2c49d9
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_50 #sonaar_music_28 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 #sonaar_music_28 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 #sonaar_music_28 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 #sonaar_music_28 .album .album-art img { border-radius: 0px;} #sonaar_music_50 #sonaar_music_28 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 #sonaar_music_28 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 #sonaar_music_28 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 #sonaar_music_28 .sonaar-grid { justify-content: center; } #sonaar_music_50 #sonaar_music_28 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 #sonaar_music_28 .playlist, #sonaar_music_50 #sonaar_music_28 .buttons-block { width: 100%; } #sonaar_music_50 #sonaar_music_28 .playlist { margin: 0px; } #sonaar_music_50 #sonaar_music_28 .srp_tracklist { margin: 0px; } #sonaar_music_50 #sonaar_music_28 .sr_it-playlist-title, #sonaar_music_50 #sonaar_music_28 .sr_it-playlist-artists, #sonaar_music_50 #sonaar_music_28 .srp_subtitle { text-align: left; } #sonaar_music_50 #sonaar_music_28 .sr_it-playlist-title, #sonaar_music_50 #sonaar_music_28 .sr_it-playlist-artists, #sonaar_music_50 #sonaar_music_28 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 #sonaar_music_28 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 #sonaar_music_28 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 #sonaar_music_28 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 #sonaar_music_28 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 #sonaar_music_28 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 #sonaar_music_28 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 #sonaar_music_28 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 #sonaar_music_28 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 #sonaar_music_28 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 #sonaar_music_28 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 #sonaar_music_28 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 #sonaar_music_28 .srp-play-circle { border-width: 6px; } #sonaar_music_50 #sonaar_music_28 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be426deaec3 srp_player_params_69be42ab15e34 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be426deaec3 srp_player_params_args_69be42ab15e34 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be426deaec3"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be42ab15e34"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be426deaec3"); setIronAudioplayers("arbitrary-instance-69be42ab15e34"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:01:18) hash: 3039811b831616d6ab34e61ab95c3a868f39e5f0
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:02:18) hash: 71d503601ade0a85d9301caeacd7f505f92508a1
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_33 #sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_33 #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_33 #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_33 #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_33 #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_33 #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_33 #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_33 #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_33 #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_33 #sonaar_music_50 .playlist, #sonaar_music_33 #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_33 #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_33 #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_33 #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_33 #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_33 #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_33 #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_33 #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_33 #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_33 #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_33 #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_33 #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_33 #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_33 #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_33 #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_33 #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_33 #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_33 #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_33 #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_33 #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_33 #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_33 #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be42310f273 srp_player_params_69be426deaec3 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be42310f273 srp_player_params_args_69be426deaec3 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be42310f273"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be426deaec3"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be42310f273"); setIronAudioplayers("arbitrary-instance-69be426deaec3"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 08:00:18) hash: a53a9f31038c4afb8503d82a15382dcd4f6b1854
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:01:18) hash: 3039811b831616d6ab34e61ab95c3a868f39e5f0
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_99 #sonaar_music_33 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_99 #sonaar_music_33 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_99 #sonaar_music_33 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_99 #sonaar_music_33 .album .album-art img { border-radius: 0px;} #sonaar_music_99 #sonaar_music_33 .sonaar-grid .album { padding: 0px;} #sonaar_music_99 #sonaar_music_33 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_99 #sonaar_music_33 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_99 #sonaar_music_33 .sonaar-grid { justify-content: center; } #sonaar_music_99 #sonaar_music_33 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_99 #sonaar_music_33 .playlist, #sonaar_music_99 #sonaar_music_33 .buttons-block { width: 100%; } #sonaar_music_99 #sonaar_music_33 .playlist { margin: 0px; } #sonaar_music_99 #sonaar_music_33 .srp_tracklist { margin: 0px; } #sonaar_music_99 #sonaar_music_33 .sr_it-playlist-title, #sonaar_music_99 #sonaar_music_33 .sr_it-playlist-artists, #sonaar_music_99 #sonaar_music_33 .srp_subtitle { text-align: left; } #sonaar_music_99 #sonaar_music_33 .sr_it-playlist-title, #sonaar_music_99 #sonaar_music_33 .sr_it-playlist-artists, #sonaar_music_99 #sonaar_music_33 .srp_subtitle { margin-left: 0px; } #sonaar_music_99 #sonaar_music_33 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_99 #sonaar_music_33 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_99 #sonaar_music_33 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_99 #sonaar_music_33 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_99 #sonaar_music_33 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_99 #sonaar_music_33 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_99 #sonaar_music_33 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_99 #sonaar_music_33 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_99 #sonaar_music_33 .album-player .control { top: 0px; position: relative; } #sonaar_music_99 #sonaar_music_33 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_99 #sonaar_music_33 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_99 #sonaar_music_33 .srp-play-circle { border-width: 6px; } #sonaar_music_99 #sonaar_music_33 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be41f60d8c9 srp_player_params_69be42310f273 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be41f60d8c9 srp_player_params_args_69be42310f273 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be41f60d8c9"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be42310f273"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be41f60d8c9"); setIronAudioplayers("arbitrary-instance-69be42310f273"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:59:17) hash: ac9ff88a43cf4417bb21a56754e505b6770e700c
To 2025-08-23 09:19:40 (discovered: 2026-03-21 08:00:18) hash: a53a9f31038c4afb8503d82a15382dcd4f6b1854
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_98 #sonaar_music_99 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_98 #sonaar_music_99 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_98 #sonaar_music_99 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_98 #sonaar_music_99 .album .album-art img { border-radius: 0px;} #sonaar_music_98 #sonaar_music_99 .sonaar-grid .album { padding: 0px;} #sonaar_music_98 #sonaar_music_99 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_98 #sonaar_music_99 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_98 #sonaar_music_99 .sonaar-grid { justify-content: center; } #sonaar_music_98 #sonaar_music_99 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_98 #sonaar_music_99 .playlist, #sonaar_music_98 #sonaar_music_99 .buttons-block { width: 100%; } #sonaar_music_98 #sonaar_music_99 .playlist { margin: 0px; } #sonaar_music_98 #sonaar_music_99 .srp_tracklist { margin: 0px; } #sonaar_music_98 #sonaar_music_99 .sr_it-playlist-title, #sonaar_music_98 #sonaar_music_99 .sr_it-playlist-artists, #sonaar_music_98 #sonaar_music_99 .srp_subtitle { text-align: left; } #sonaar_music_98 #sonaar_music_99 .sr_it-playlist-title, #sonaar_music_98 #sonaar_music_99 .sr_it-playlist-artists, #sonaar_music_98 #sonaar_music_99 .srp_subtitle { margin-left: 0px; } #sonaar_music_98 #sonaar_music_99 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_98 #sonaar_music_99 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_98 #sonaar_music_99 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_98 #sonaar_music_99 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_98 #sonaar_music_99 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_98 #sonaar_music_99 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_98 #sonaar_music_99 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_98 #sonaar_music_99 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_98 #sonaar_music_99 .album-player .control { top: 0px; position: relative; } #sonaar_music_98 #sonaar_music_99 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_98 #sonaar_music_99 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_98 #sonaar_music_99 .srp-play-circle { border-width: 6px; } #sonaar_music_98 #sonaar_music_99 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be41ba2f0ab srp_player_params_69be41f60d8c9 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be41ba2f0ab srp_player_params_args_69be41f60d8c9 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be41ba2f0ab"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be41f60d8c9"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be41ba2f0ab"); setIronAudioplayers("arbitrary-instance-69be41f60d8c9"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:58:19) hash: de48201846a6e9ccba972b30edc5b30e418f020d
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:59:17) hash: ac9ff88a43cf4417bb21a56754e505b6770e700c
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_28 #sonaar_music_98 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_28 #sonaar_music_98 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_28 #sonaar_music_98 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_28 #sonaar_music_98 .album .album-art img { border-radius: 0px;} #sonaar_music_28 #sonaar_music_98 .sonaar-grid .album { padding: 0px;} #sonaar_music_28 #sonaar_music_98 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_28 #sonaar_music_98 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_28 #sonaar_music_98 .sonaar-grid { justify-content: center; } #sonaar_music_28 #sonaar_music_98 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_28 #sonaar_music_98 .playlist, #sonaar_music_28 #sonaar_music_98 .buttons-block { width: 100%; } #sonaar_music_28 #sonaar_music_98 .playlist { margin: 0px; } #sonaar_music_28 #sonaar_music_98 .srp_tracklist { margin: 0px; } #sonaar_music_28 #sonaar_music_98 .sr_it-playlist-title, #sonaar_music_28 #sonaar_music_98 .sr_it-playlist-artists, #sonaar_music_28 #sonaar_music_98 .srp_subtitle { text-align: left; } #sonaar_music_28 #sonaar_music_98 .sr_it-playlist-title, #sonaar_music_28 #sonaar_music_98 .sr_it-playlist-artists, #sonaar_music_28 #sonaar_music_98 .srp_subtitle { margin-left: 0px; } #sonaar_music_28 #sonaar_music_98 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_28 #sonaar_music_98 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_28 #sonaar_music_98 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_28 #sonaar_music_98 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_28 #sonaar_music_98 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_28 #sonaar_music_98 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_28 #sonaar_music_98 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_28 #sonaar_music_98 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_28 #sonaar_music_98 .album-player .control { top: 0px; position: relative; } #sonaar_music_28 #sonaar_music_98 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_28 #sonaar_music_98 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_28 #sonaar_music_98 .srp-play-circle { border-width: 6px; } #sonaar_music_28 #sonaar_music_98 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be417f7340b srp_player_params_69be41ba2f0ab = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be417f7340b srp_player_params_args_69be41ba2f0ab = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be417f7340b"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be41ba2f0ab"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be417f7340b"); setIronAudioplayers("arbitrary-instance-69be41ba2f0ab"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:57:18) hash: 9dd4b73bc918d588f02616ed7e46381c3ede23d3
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:58:19) hash: de48201846a6e9ccba972b30edc5b30e418f020d
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_58 #sonaar_music_28 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_58 #sonaar_music_28 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_58 #sonaar_music_28 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_58 #sonaar_music_28 .album .album-art img { border-radius: 0px;} #sonaar_music_58 #sonaar_music_28 .sonaar-grid .album { padding: 0px;} #sonaar_music_58 #sonaar_music_28 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_58 #sonaar_music_28 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_58 #sonaar_music_28 .sonaar-grid { justify-content: center; } #sonaar_music_58 #sonaar_music_28 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_58 #sonaar_music_28 .playlist, #sonaar_music_58 #sonaar_music_28 .buttons-block { width: 100%; } #sonaar_music_58 #sonaar_music_28 .playlist { margin: 0px; } #sonaar_music_58 #sonaar_music_28 .srp_tracklist { margin: 0px; } #sonaar_music_58 #sonaar_music_28 .sr_it-playlist-title, #sonaar_music_58 #sonaar_music_28 .sr_it-playlist-artists, #sonaar_music_58 #sonaar_music_28 .srp_subtitle { text-align: left; } #sonaar_music_58 #sonaar_music_28 .sr_it-playlist-title, #sonaar_music_58 #sonaar_music_28 .sr_it-playlist-artists, #sonaar_music_58 #sonaar_music_28 .srp_subtitle { margin-left: 0px; } #sonaar_music_58 #sonaar_music_28 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_58 #sonaar_music_28 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_58 #sonaar_music_28 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_58 #sonaar_music_28 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_58 #sonaar_music_28 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_58 #sonaar_music_28 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_58 #sonaar_music_28 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_58 #sonaar_music_28 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_58 #sonaar_music_28 .album-player .control { top: 0px; position: relative; } #sonaar_music_58 #sonaar_music_28 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_58 #sonaar_music_28 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_58 #sonaar_music_28 .srp-play-circle { border-width: 6px; } #sonaar_music_58 #sonaar_music_28 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4142e0d05 srp_player_params_69be417f7340b = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4142e0d05 srp_player_params_args_69be417f7340b = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4142e0d05"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be417f7340b"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4142e0d05"); setIronAudioplayers("arbitrary-instance-69be417f7340b"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:56:21) hash: 6dc51fc32e2cee4ce0554e42de1123f7ade9cb3f
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:57:18) hash: 9dd4b73bc918d588f02616ed7e46381c3ede23d3
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_66 #sonaar_music_58 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_66 #sonaar_music_58 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_66 #sonaar_music_58 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_66 #sonaar_music_58 .album .album-art img { border-radius: 0px;} #sonaar_music_66 #sonaar_music_58 .sonaar-grid .album { padding: 0px;} #sonaar_music_66 #sonaar_music_58 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_66 #sonaar_music_58 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_66 #sonaar_music_58 .sonaar-grid { justify-content: center; } #sonaar_music_66 #sonaar_music_58 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_66 #sonaar_music_58 .playlist, #sonaar_music_66 #sonaar_music_58 .buttons-block { width: 100%; } #sonaar_music_66 #sonaar_music_58 .playlist { margin: 0px; } #sonaar_music_66 #sonaar_music_58 .srp_tracklist { margin: 0px; } #sonaar_music_66 #sonaar_music_58 .sr_it-playlist-title, #sonaar_music_66 #sonaar_music_58 .sr_it-playlist-artists, #sonaar_music_66 #sonaar_music_58 .srp_subtitle { text-align: left; } #sonaar_music_66 #sonaar_music_58 .sr_it-playlist-title, #sonaar_music_66 #sonaar_music_58 .sr_it-playlist-artists, #sonaar_music_66 #sonaar_music_58 .srp_subtitle { margin-left: 0px; } #sonaar_music_66 #sonaar_music_58 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_66 #sonaar_music_58 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_66 #sonaar_music_58 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_66 #sonaar_music_58 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_66 #sonaar_music_58 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_66 #sonaar_music_58 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_66 #sonaar_music_58 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_66 #sonaar_music_58 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_66 #sonaar_music_58 .album-player .control { top: 0px; position: relative; } #sonaar_music_66 #sonaar_music_58 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_66 #sonaar_music_58 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_66 #sonaar_music_58 .srp-play-circle { border-width: 6px; } #sonaar_music_66 #sonaar_music_58 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4109ee1e2 srp_player_params_69be4142e0d05 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4109ee1e2 srp_player_params_args_69be4142e0d05 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4109ee1e2"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4142e0d05"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4109ee1e2"); setIronAudioplayers("arbitrary-instance-69be4142e0d05"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:55:18) hash: 83e140cb267f32b229b5f8e56a4e238acdf05a38
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:56:21) hash: 6dc51fc32e2cee4ce0554e42de1123f7ade9cb3f
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_51 #sonaar_music_66 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 #sonaar_music_66 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 #sonaar_music_66 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 #sonaar_music_66 .album .album-art img { border-radius: 0px;} #sonaar_music_51 #sonaar_music_66 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 #sonaar_music_66 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 #sonaar_music_66 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 #sonaar_music_66 .sonaar-grid { justify-content: center; } #sonaar_music_51 #sonaar_music_66 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 #sonaar_music_66 .playlist, #sonaar_music_51 #sonaar_music_66 .buttons-block { width: 100%; } #sonaar_music_51 #sonaar_music_66 .playlist { margin: 0px; } #sonaar_music_51 #sonaar_music_66 .srp_tracklist { margin: 0px; } #sonaar_music_51 #sonaar_music_66 .sr_it-playlist-title, #sonaar_music_51 #sonaar_music_66 .sr_it-playlist-artists, #sonaar_music_51 #sonaar_music_66 .srp_subtitle { text-align: left; } #sonaar_music_51 #sonaar_music_66 .sr_it-playlist-title, #sonaar_music_51 #sonaar_music_66 .sr_it-playlist-artists, #sonaar_music_51 #sonaar_music_66 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 #sonaar_music_66 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 #sonaar_music_66 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 #sonaar_music_66 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 #sonaar_music_66 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 #sonaar_music_66 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 #sonaar_music_66 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 #sonaar_music_66 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 #sonaar_music_66 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 #sonaar_music_66 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 #sonaar_music_66 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 #sonaar_music_66 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 #sonaar_music_66 .srp-play-circle { border-width: 6px; } #sonaar_music_51 #sonaar_music_66 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be40cab39a9 srp_player_params_69be4109ee1e2 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be40cab39a9 srp_player_params_args_69be4109ee1e2 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be40cab39a9"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4109ee1e2"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be40cab39a9"); setIronAudioplayers("arbitrary-instance-69be4109ee1e2"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:54:18) hash: e94caed6c1ab9c628599dcd8a014a0ca5c42c7d1
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:55:18) hash: 83e140cb267f32b229b5f8e56a4e238acdf05a38
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_16 #sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_16 #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_16 #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_16 #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_16 #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_16 #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_16 #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_16 #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_16 #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_16 #sonaar_music_51 .playlist, #sonaar_music_16 #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_16 #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_16 #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_16 #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_16 #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_16 #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_16 #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_16 #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_16 #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_16 #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_16 #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_16 #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_16 #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_16 #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_16 #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_16 #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_16 #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_16 #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_16 #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_16 #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_16 #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_16 #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be408f2183d srp_player_params_69be40cab39a9 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be408f2183d srp_player_params_args_69be40cab39a9 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be408f2183d"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be40cab39a9"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be408f2183d"); setIronAudioplayers("arbitrary-instance-69be40cab39a9"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:53:18) hash: 36f0c2d1f861865d5476dc506c02e4815c2e444f
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:54:18) hash: e94caed6c1ab9c628599dcd8a014a0ca5c42c7d1
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_84 #sonaar_music_16 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_84 #sonaar_music_16 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_84 #sonaar_music_16 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_84 #sonaar_music_16 .album .album-art img { border-radius: 0px;} #sonaar_music_84 #sonaar_music_16 .sonaar-grid .album { padding: 0px;} #sonaar_music_84 #sonaar_music_16 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_84 #sonaar_music_16 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_84 #sonaar_music_16 .sonaar-grid { justify-content: center; } #sonaar_music_84 #sonaar_music_16 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_84 #sonaar_music_16 .playlist, #sonaar_music_84 #sonaar_music_16 .buttons-block { width: 100%; } #sonaar_music_84 #sonaar_music_16 .playlist { margin: 0px; } #sonaar_music_84 #sonaar_music_16 .srp_tracklist { margin: 0px; } #sonaar_music_84 #sonaar_music_16 .sr_it-playlist-title, #sonaar_music_84 #sonaar_music_16 .sr_it-playlist-artists, #sonaar_music_84 #sonaar_music_16 .srp_subtitle { text-align: left; } #sonaar_music_84 #sonaar_music_16 .sr_it-playlist-title, #sonaar_music_84 #sonaar_music_16 .sr_it-playlist-artists, #sonaar_music_84 #sonaar_music_16 .srp_subtitle { margin-left: 0px; } #sonaar_music_84 #sonaar_music_16 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_84 #sonaar_music_16 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_84 #sonaar_music_16 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_84 #sonaar_music_16 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_84 #sonaar_music_16 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_84 #sonaar_music_16 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_84 #sonaar_music_16 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_84 #sonaar_music_16 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_84 #sonaar_music_16 .album-player .control { top: 0px; position: relative; } #sonaar_music_84 #sonaar_music_16 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_84 #sonaar_music_16 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_84 #sonaar_music_16 .srp-play-circle { border-width: 6px; } #sonaar_music_84 #sonaar_music_16 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be405233fe4 srp_player_params_69be408f2183d = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be405233fe4 srp_player_params_args_69be408f2183d = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be405233fe4"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be408f2183d"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be405233fe4"); setIronAudioplayers("arbitrary-instance-69be408f2183d"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:52:17) hash: 7bb0ca5b2de5855e2b30bccd243a6219ce359c11
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:53:18) hash: 36f0c2d1f861865d5476dc506c02e4815c2e444f
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_13 #sonaar_music_84 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_13 #sonaar_music_84 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_13 #sonaar_music_84 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_13 #sonaar_music_84 .album .album-art img { border-radius: 0px;} #sonaar_music_13 #sonaar_music_84 .sonaar-grid .album { padding: 0px;} #sonaar_music_13 #sonaar_music_84 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_13 #sonaar_music_84 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_13 #sonaar_music_84 .sonaar-grid { justify-content: center; } #sonaar_music_13 #sonaar_music_84 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_13 #sonaar_music_84 .playlist, #sonaar_music_13 #sonaar_music_84 .buttons-block { width: 100%; } #sonaar_music_13 #sonaar_music_84 .playlist { margin: 0px; } #sonaar_music_13 #sonaar_music_84 .srp_tracklist { margin: 0px; } #sonaar_music_13 #sonaar_music_84 .sr_it-playlist-title, #sonaar_music_13 #sonaar_music_84 .sr_it-playlist-artists, #sonaar_music_13 #sonaar_music_84 .srp_subtitle { text-align: left; } #sonaar_music_13 #sonaar_music_84 .sr_it-playlist-title, #sonaar_music_13 #sonaar_music_84 .sr_it-playlist-artists, #sonaar_music_13 #sonaar_music_84 .srp_subtitle { margin-left: 0px; } #sonaar_music_13 #sonaar_music_84 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_13 #sonaar_music_84 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_13 #sonaar_music_84 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_13 #sonaar_music_84 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_13 #sonaar_music_84 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_13 #sonaar_music_84 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_13 #sonaar_music_84 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_13 #sonaar_music_84 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_13 #sonaar_music_84 .album-player .control { top: 0px; position: relative; } #sonaar_music_13 #sonaar_music_84 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_13 #sonaar_music_84 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_13 #sonaar_music_84 .srp-play-circle { border-width: 6px; } #sonaar_music_13 #sonaar_music_84 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be4015e4ff5 srp_player_params_69be405233fe4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be4015e4ff5 srp_player_params_args_69be405233fe4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4015e4ff5"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be405233fe4"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4015e4ff5"); setIronAudioplayers("arbitrary-instance-69be405233fe4"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:51:17) hash: 04a08bfd52e3f55e591e1c83c9d14481d0c14866
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:52:17) hash: 7bb0ca5b2de5855e2b30bccd243a6219ce359c11
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_89 #sonaar_music_13 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_89 #sonaar_music_13 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_89 #sonaar_music_13 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_89 #sonaar_music_13 .album .album-art img { border-radius: 0px;} #sonaar_music_89 #sonaar_music_13 .sonaar-grid .album { padding: 0px;} #sonaar_music_89 #sonaar_music_13 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_89 #sonaar_music_13 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_89 #sonaar_music_13 .sonaar-grid { justify-content: center; } #sonaar_music_89 #sonaar_music_13 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_89 #sonaar_music_13 .playlist, #sonaar_music_89 #sonaar_music_13 .buttons-block { width: 100%; } #sonaar_music_89 #sonaar_music_13 .playlist { margin: 0px; } #sonaar_music_89 #sonaar_music_13 .srp_tracklist { margin: 0px; } #sonaar_music_89 #sonaar_music_13 .sr_it-playlist-title, #sonaar_music_89 #sonaar_music_13 .sr_it-playlist-artists, #sonaar_music_89 #sonaar_music_13 .srp_subtitle { text-align: left; } #sonaar_music_89 #sonaar_music_13 .sr_it-playlist-title, #sonaar_music_89 #sonaar_music_13 .sr_it-playlist-artists, #sonaar_music_89 #sonaar_music_13 .srp_subtitle { margin-left: 0px; } #sonaar_music_89 #sonaar_music_13 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_89 #sonaar_music_13 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_89 #sonaar_music_13 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_89 #sonaar_music_13 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_89 #sonaar_music_13 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_89 #sonaar_music_13 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_89 #sonaar_music_13 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_89 #sonaar_music_13 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_89 #sonaar_music_13 .album-player .control { top: 0px; position: relative; } #sonaar_music_89 #sonaar_music_13 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_89 #sonaar_music_13 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_89 #sonaar_music_13 .srp-play-circle { border-width: 6px; } #sonaar_music_89 #sonaar_music_13 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3fda70efb srp_player_params_69be4015e4ff5 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3fda70efb srp_player_params_args_69be4015e4ff5 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3fda70efb"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be4015e4ff5"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3fda70efb"); setIronAudioplayers("arbitrary-instance-69be4015e4ff5"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:50:18) hash: 5c52fe7f5d3becac492dce7d690d896c92002753
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:51:17) hash: 04a08bfd52e3f55e591e1c83c9d14481d0c14866
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_72 #sonaar_music_89 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_72 #sonaar_music_89 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_72 #sonaar_music_89 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_72 #sonaar_music_89 .album .album-art img { border-radius: 0px;} #sonaar_music_72 #sonaar_music_89 .sonaar-grid .album { padding: 0px;} #sonaar_music_72 #sonaar_music_89 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_72 #sonaar_music_89 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_72 #sonaar_music_89 .sonaar-grid { justify-content: center; } #sonaar_music_72 #sonaar_music_89 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_72 #sonaar_music_89 .playlist, #sonaar_music_72 #sonaar_music_89 .buttons-block { width: 100%; } #sonaar_music_72 #sonaar_music_89 .playlist { margin: 0px; } #sonaar_music_72 #sonaar_music_89 .srp_tracklist { margin: 0px; } #sonaar_music_72 #sonaar_music_89 .sr_it-playlist-title, #sonaar_music_72 #sonaar_music_89 .sr_it-playlist-artists, #sonaar_music_72 #sonaar_music_89 .srp_subtitle { text-align: left; } #sonaar_music_72 #sonaar_music_89 .sr_it-playlist-title, #sonaar_music_72 #sonaar_music_89 .sr_it-playlist-artists, #sonaar_music_72 #sonaar_music_89 .srp_subtitle { margin-left: 0px; } #sonaar_music_72 #sonaar_music_89 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_72 #sonaar_music_89 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_72 #sonaar_music_89 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_72 #sonaar_music_89 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_72 #sonaar_music_89 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_72 #sonaar_music_89 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_72 #sonaar_music_89 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_72 #sonaar_music_89 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_72 #sonaar_music_89 .album-player .control { top: 0px; position: relative; } #sonaar_music_72 #sonaar_music_89 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_72 #sonaar_music_89 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_72 #sonaar_music_89 .srp-play-circle { border-width: 6px; } #sonaar_music_72 #sonaar_music_89 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3f9ec160f srp_player_params_69be3fda70efb = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3f9ec160f srp_player_params_args_69be3fda70efb = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3f9ec160f"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3fda70efb"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3f9ec160f"); setIronAudioplayers("arbitrary-instance-69be3fda70efb"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:49:18) hash: 0cd33cadc99aaec3dc52d1c78f5054fabe964f9a
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:50:18) hash: 5c52fe7f5d3becac492dce7d690d896c92002753
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_16 #sonaar_music_72 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_16 #sonaar_music_72 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_16 #sonaar_music_72 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_16 #sonaar_music_72 .album .album-art img { border-radius: 0px;} #sonaar_music_16 #sonaar_music_72 .sonaar-grid .album { padding: 0px;} #sonaar_music_16 #sonaar_music_72 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_16 #sonaar_music_72 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_16 #sonaar_music_72 .sonaar-grid { justify-content: center; } #sonaar_music_16 #sonaar_music_72 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_16 #sonaar_music_72 .playlist, #sonaar_music_16 #sonaar_music_72 .buttons-block { width: 100%; } #sonaar_music_16 #sonaar_music_72 .playlist { margin: 0px; } #sonaar_music_16 #sonaar_music_72 .srp_tracklist { margin: 0px; } #sonaar_music_16 #sonaar_music_72 .sr_it-playlist-title, #sonaar_music_16 #sonaar_music_72 .sr_it-playlist-artists, #sonaar_music_16 #sonaar_music_72 .srp_subtitle { text-align: left; } #sonaar_music_16 #sonaar_music_72 .sr_it-playlist-title, #sonaar_music_16 #sonaar_music_72 .sr_it-playlist-artists, #sonaar_music_16 #sonaar_music_72 .srp_subtitle { margin-left: 0px; } #sonaar_music_16 #sonaar_music_72 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_16 #sonaar_music_72 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_16 #sonaar_music_72 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_16 #sonaar_music_72 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_16 #sonaar_music_72 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_16 #sonaar_music_72 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_16 #sonaar_music_72 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_16 #sonaar_music_72 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_16 #sonaar_music_72 .album-player .control { top: 0px; position: relative; } #sonaar_music_16 #sonaar_music_72 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_16 #sonaar_music_72 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_16 #sonaar_music_72 .srp-play-circle { border-width: 6px; } #sonaar_music_16 #sonaar_music_72 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3f638cf76 srp_player_params_69be3f9ec160f = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3f638cf76 srp_player_params_args_69be3f9ec160f = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3f638cf76"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3f9ec160f"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3f638cf76"); setIronAudioplayers("arbitrary-instance-69be3f9ec160f"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:48:19) hash: 1a02cd15fbf972269688b419ebdad027df7c14a9
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:49:18) hash: 0cd33cadc99aaec3dc52d1c78f5054fabe964f9a
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_21 #sonaar_music_16 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_21 #sonaar_music_16 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_21 #sonaar_music_16 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_21 #sonaar_music_16 .album .album-art img { border-radius: 0px;} #sonaar_music_21 #sonaar_music_16 .sonaar-grid .album { padding: 0px;} #sonaar_music_21 #sonaar_music_16 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_21 #sonaar_music_16 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_21 #sonaar_music_16 .sonaar-grid { justify-content: center; } #sonaar_music_21 #sonaar_music_16 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_21 #sonaar_music_16 .playlist, #sonaar_music_21 #sonaar_music_16 .buttons-block { width: 100%; } #sonaar_music_21 #sonaar_music_16 .playlist { margin: 0px; } #sonaar_music_21 #sonaar_music_16 .srp_tracklist { margin: 0px; } #sonaar_music_21 #sonaar_music_16 .sr_it-playlist-title, #sonaar_music_21 #sonaar_music_16 .sr_it-playlist-artists, #sonaar_music_21 #sonaar_music_16 .srp_subtitle { text-align: left; } #sonaar_music_21 #sonaar_music_16 .sr_it-playlist-title, #sonaar_music_21 #sonaar_music_16 .sr_it-playlist-artists, #sonaar_music_21 #sonaar_music_16 .srp_subtitle { margin-left: 0px; } #sonaar_music_21 #sonaar_music_16 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_21 #sonaar_music_16 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_21 #sonaar_music_16 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_21 #sonaar_music_16 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_21 #sonaar_music_16 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_21 #sonaar_music_16 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_21 #sonaar_music_16 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_21 #sonaar_music_16 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_21 #sonaar_music_16 .album-player .control { top: 0px; position: relative; } #sonaar_music_21 #sonaar_music_16 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_21 #sonaar_music_16 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_21 #sonaar_music_16 .srp-play-circle { border-width: 6px; } #sonaar_music_21 #sonaar_music_16 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3f27b77c1 srp_player_params_69be3f638cf76 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3f27b77c1 srp_player_params_args_69be3f638cf76 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3f27b77c1"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3f638cf76"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3f27b77c1"); setIronAudioplayers("arbitrary-instance-69be3f638cf76"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:47:35) hash: 5b6f6a05b893add4f5e1b9f06368b4e21b8b6f07
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:48:19) hash: 1a02cd15fbf972269688b419ebdad027df7c14a9
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_77 #sonaar_music_21 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_77 #sonaar_music_21 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_77 #sonaar_music_21 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_77 #sonaar_music_21 .album .album-art img { border-radius: 0px;} #sonaar_music_77 #sonaar_music_21 .sonaar-grid .album { padding: 0px;} #sonaar_music_77 #sonaar_music_21 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_77 #sonaar_music_21 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_77 #sonaar_music_21 .sonaar-grid { justify-content: center; } #sonaar_music_77 #sonaar_music_21 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_77 #sonaar_music_21 .playlist, #sonaar_music_77 #sonaar_music_21 .buttons-block { width: 100%; } #sonaar_music_77 #sonaar_music_21 .playlist { margin: 0px; } #sonaar_music_77 #sonaar_music_21 .srp_tracklist { margin: 0px; } #sonaar_music_77 #sonaar_music_21 .sr_it-playlist-title, #sonaar_music_77 #sonaar_music_21 .sr_it-playlist-artists, #sonaar_music_77 #sonaar_music_21 .srp_subtitle { text-align: left; } #sonaar_music_77 #sonaar_music_21 .sr_it-playlist-title, #sonaar_music_77 #sonaar_music_21 .sr_it-playlist-artists, #sonaar_music_77 #sonaar_music_21 .srp_subtitle { margin-left: 0px; } #sonaar_music_77 #sonaar_music_21 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_77 #sonaar_music_21 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_77 #sonaar_music_21 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_77 #sonaar_music_21 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_77 #sonaar_music_21 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_77 #sonaar_music_21 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_77 #sonaar_music_21 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_77 #sonaar_music_21 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_77 #sonaar_music_21 .album-player .control { top: 0px; position: relative; } #sonaar_music_77 #sonaar_music_21 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_77 #sonaar_music_21 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_77 #sonaar_music_21 .srp-play-circle { border-width: 6px; } #sonaar_music_77 #sonaar_music_21 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3efdadb51 srp_player_params_69be3f27b77c1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3efdadb51 srp_player_params_args_69be3f27b77c1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3efdadb51"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3f27b77c1"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3efdadb51"); setIronAudioplayers("arbitrary-instance-69be3f27b77c1"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:46:18) hash: 84e03d3d00fff64a19a98a5f27df47b88f3c2ab6
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:47:35) hash: 5b6f6a05b893add4f5e1b9f06368b4e21b8b6f07
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_61 #sonaar_music_77 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_61 #sonaar_music_77 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_61 #sonaar_music_77 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_61 #sonaar_music_77 .album .album-art img { border-radius: 0px;} #sonaar_music_61 #sonaar_music_77 .sonaar-grid .album { padding: 0px;} #sonaar_music_61 #sonaar_music_77 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_61 #sonaar_music_77 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_61 #sonaar_music_77 .sonaar-grid { justify-content: center; } #sonaar_music_61 #sonaar_music_77 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_61 #sonaar_music_77 .playlist, #sonaar_music_61 #sonaar_music_77 .buttons-block { width: 100%; } #sonaar_music_61 #sonaar_music_77 .playlist { margin: 0px; } #sonaar_music_61 #sonaar_music_77 .srp_tracklist { margin: 0px; } #sonaar_music_61 #sonaar_music_77 .sr_it-playlist-title, #sonaar_music_61 #sonaar_music_77 .sr_it-playlist-artists, #sonaar_music_61 #sonaar_music_77 .srp_subtitle { text-align: left; } #sonaar_music_61 #sonaar_music_77 .sr_it-playlist-title, #sonaar_music_61 #sonaar_music_77 .sr_it-playlist-artists, #sonaar_music_61 #sonaar_music_77 .srp_subtitle { margin-left: 0px; } #sonaar_music_61 #sonaar_music_77 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_61 #sonaar_music_77 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_61 #sonaar_music_77 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_61 #sonaar_music_77 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_61 #sonaar_music_77 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_61 #sonaar_music_77 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_61 #sonaar_music_77 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_61 #sonaar_music_77 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_61 #sonaar_music_77 .album-player .control { top: 0px; position: relative; } #sonaar_music_61 #sonaar_music_77 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_61 #sonaar_music_77 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_61 #sonaar_music_77 .srp-play-circle { border-width: 6px; } #sonaar_music_61 #sonaar_music_77 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3eaf7e6ef srp_player_params_69be3efdadb51 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3eaf7e6ef srp_player_params_args_69be3efdadb51 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3eaf7e6ef"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3efdadb51"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3eaf7e6ef"); setIronAudioplayers("arbitrary-instance-69be3efdadb51"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:45:18) hash: 1c90e7ad89c127d4cc5adb1d1e08e2a2f3282b24
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:46:18) hash: 84e03d3d00fff64a19a98a5f27df47b88f3c2ab6
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_11 #sonaar_music_61 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_11 #sonaar_music_61 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_11 #sonaar_music_61 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_11 #sonaar_music_61 .album .album-art img { border-radius: 0px;} #sonaar_music_11 #sonaar_music_61 .sonaar-grid .album { padding: 0px;} #sonaar_music_11 #sonaar_music_61 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_11 #sonaar_music_61 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_11 #sonaar_music_61 .sonaar-grid { justify-content: center; } #sonaar_music_11 #sonaar_music_61 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_11 #sonaar_music_61 .playlist, #sonaar_music_11 #sonaar_music_61 .buttons-block { width: 100%; } #sonaar_music_11 #sonaar_music_61 .playlist { margin: 0px; } #sonaar_music_11 #sonaar_music_61 .srp_tracklist { margin: 0px; } #sonaar_music_11 #sonaar_music_61 .sr_it-playlist-title, #sonaar_music_11 #sonaar_music_61 .sr_it-playlist-artists, #sonaar_music_11 #sonaar_music_61 .srp_subtitle { text-align: left; } #sonaar_music_11 #sonaar_music_61 .sr_it-playlist-title, #sonaar_music_11 #sonaar_music_61 .sr_it-playlist-artists, #sonaar_music_11 #sonaar_music_61 .srp_subtitle { margin-left: 0px; } #sonaar_music_11 #sonaar_music_61 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_11 #sonaar_music_61 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_11 #sonaar_music_61 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_11 #sonaar_music_61 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_11 #sonaar_music_61 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_11 #sonaar_music_61 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_11 #sonaar_music_61 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_11 #sonaar_music_61 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_11 #sonaar_music_61 .album-player .control { top: 0px; position: relative; } #sonaar_music_11 #sonaar_music_61 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_11 #sonaar_music_61 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_11 #sonaar_music_61 .srp-play-circle { border-width: 6px; } #sonaar_music_11 #sonaar_music_61 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3e73a32cf srp_player_params_69be3eaf7e6ef = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3e73a32cf srp_player_params_args_69be3eaf7e6ef = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3e73a32cf"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3eaf7e6ef"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3e73a32cf"); setIronAudioplayers("arbitrary-instance-69be3eaf7e6ef"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:44:17) hash: cfa487a2ba3e100d581a9f6fd7385ca923bfc213
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:45:18) hash: 1c90e7ad89c127d4cc5adb1d1e08e2a2f3282b24
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_19 #sonaar_music_11 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 #sonaar_music_11 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 #sonaar_music_11 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 #sonaar_music_11 .album .album-art img { border-radius: 0px;} #sonaar_music_19 #sonaar_music_11 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 #sonaar_music_11 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 #sonaar_music_11 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 #sonaar_music_11 .sonaar-grid { justify-content: center; } #sonaar_music_19 #sonaar_music_11 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 #sonaar_music_11 .playlist, #sonaar_music_19 #sonaar_music_11 .buttons-block { width: 100%; } #sonaar_music_19 #sonaar_music_11 .playlist { margin: 0px; } #sonaar_music_19 #sonaar_music_11 .srp_tracklist { margin: 0px; } #sonaar_music_19 #sonaar_music_11 .sr_it-playlist-title, #sonaar_music_19 #sonaar_music_11 .sr_it-playlist-artists, #sonaar_music_19 #sonaar_music_11 .srp_subtitle { text-align: left; } #sonaar_music_19 #sonaar_music_11 .sr_it-playlist-title, #sonaar_music_19 #sonaar_music_11 .sr_it-playlist-artists, #sonaar_music_19 #sonaar_music_11 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 #sonaar_music_11 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 #sonaar_music_11 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 #sonaar_music_11 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 #sonaar_music_11 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 #sonaar_music_11 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 #sonaar_music_11 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 #sonaar_music_11 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 #sonaar_music_11 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 #sonaar_music_11 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 #sonaar_music_11 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 #sonaar_music_11 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 #sonaar_music_11 .srp-play-circle { border-width: 6px; } #sonaar_music_19 #sonaar_music_11 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3e36d6cc8 srp_player_params_69be3e73a32cf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3e36d6cc8 srp_player_params_args_69be3e73a32cf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3e36d6cc8"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3e73a32cf"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3e36d6cc8"); setIronAudioplayers("arbitrary-instance-69be3e73a32cf"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:43:18) hash: 35ab14c23a7e614dd384abddd3035adf06d6326c
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:44:17) hash: cfa487a2ba3e100d581a9f6fd7385ca923bfc213
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_81 #sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_81 #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_81 #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_81 #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_81 #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_81 #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_81 #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_81 #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_81 #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_81 #sonaar_music_19 .playlist, #sonaar_music_81 #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_81 #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_81 #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_81 #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_81 #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_81 #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_81 #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_81 #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_81 #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_81 #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_81 #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_81 #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_81 #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_81 #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_81 #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_81 #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_81 #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_81 #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_81 #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_81 #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_81 #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_81 #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3dfb1f41e srp_player_params_69be3e36d6cc8 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3dfb1f41e srp_player_params_args_69be3e36d6cc8 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3dfb1f41e"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3e36d6cc8"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3dfb1f41e"); setIronAudioplayers("arbitrary-instance-69be3e36d6cc8"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:42:18) hash: c0be22cf4452d8534725a9e33cbe56aa83615d6e
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:43:18) hash: 35ab14c23a7e614dd384abddd3035adf06d6326c
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_56 #sonaar_music_81 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_56 #sonaar_music_81 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_56 #sonaar_music_81 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_56 #sonaar_music_81 .album .album-art img { border-radius: 0px;} #sonaar_music_56 #sonaar_music_81 .sonaar-grid .album { padding: 0px;} #sonaar_music_56 #sonaar_music_81 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_56 #sonaar_music_81 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_56 #sonaar_music_81 .sonaar-grid { justify-content: center; } #sonaar_music_56 #sonaar_music_81 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_56 #sonaar_music_81 .playlist, #sonaar_music_56 #sonaar_music_81 .buttons-block { width: 100%; } #sonaar_music_56 #sonaar_music_81 .playlist { margin: 0px; } #sonaar_music_56 #sonaar_music_81 .srp_tracklist { margin: 0px; } #sonaar_music_56 #sonaar_music_81 .sr_it-playlist-title, #sonaar_music_56 #sonaar_music_81 .sr_it-playlist-artists, #sonaar_music_56 #sonaar_music_81 .srp_subtitle { text-align: left; } #sonaar_music_56 #sonaar_music_81 .sr_it-playlist-title, #sonaar_music_56 #sonaar_music_81 .sr_it-playlist-artists, #sonaar_music_56 #sonaar_music_81 .srp_subtitle { margin-left: 0px; } #sonaar_music_56 #sonaar_music_81 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_56 #sonaar_music_81 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_56 #sonaar_music_81 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_56 #sonaar_music_81 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_56 #sonaar_music_81 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_56 #sonaar_music_81 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_56 #sonaar_music_81 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_56 #sonaar_music_81 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_56 #sonaar_music_81 .album-player .control { top: 0px; position: relative; } #sonaar_music_56 #sonaar_music_81 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_56 #sonaar_music_81 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_56 #sonaar_music_81 .srp-play-circle { border-width: 6px; } #sonaar_music_56 #sonaar_music_81 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3dbfd9938 srp_player_params_69be3dfb1f41e = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3dbfd9938 srp_player_params_args_69be3dfb1f41e = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3dbfd9938"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3dfb1f41e"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3dbfd9938"); setIronAudioplayers("arbitrary-instance-69be3dfb1f41e"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:41:18) hash: e4ae9161fff5135021b4506b9499e5db89920d4b
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:42:18) hash: c0be22cf4452d8534725a9e33cbe56aa83615d6e
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_44 #sonaar_music_56 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 #sonaar_music_56 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 #sonaar_music_56 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 #sonaar_music_56 .album .album-art img { border-radius: 0px;} #sonaar_music_44 #sonaar_music_56 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 #sonaar_music_56 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 #sonaar_music_56 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 #sonaar_music_56 .sonaar-grid { justify-content: center; } #sonaar_music_44 #sonaar_music_56 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 #sonaar_music_56 .playlist, #sonaar_music_44 #sonaar_music_56 .buttons-block { width: 100%; } #sonaar_music_44 #sonaar_music_56 .playlist { margin: 0px; } #sonaar_music_44 #sonaar_music_56 .srp_tracklist { margin: 0px; } #sonaar_music_44 #sonaar_music_56 .sr_it-playlist-title, #sonaar_music_44 #sonaar_music_56 .sr_it-playlist-artists, #sonaar_music_44 #sonaar_music_56 .srp_subtitle { text-align: left; } #sonaar_music_44 #sonaar_music_56 .sr_it-playlist-title, #sonaar_music_44 #sonaar_music_56 .sr_it-playlist-artists, #sonaar_music_44 #sonaar_music_56 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 #sonaar_music_56 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 #sonaar_music_56 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 #sonaar_music_56 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 #sonaar_music_56 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 #sonaar_music_56 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 #sonaar_music_56 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 #sonaar_music_56 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 #sonaar_music_56 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 #sonaar_music_56 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 #sonaar_music_56 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 #sonaar_music_56 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 #sonaar_music_56 .srp-play-circle { border-width: 6px; } #sonaar_music_44 #sonaar_music_56 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3d83cff34 srp_player_params_69be3dbfd9938 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3d83cff34 srp_player_params_args_69be3dbfd9938 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3d83cff34"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3dbfd9938"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3d83cff34"); setIronAudioplayers("arbitrary-instance-69be3dbfd9938"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:40:17) hash: d47b84077ce06a3edcc204dfeb762e022caab91b
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:41:18) hash: e4ae9161fff5135021b4506b9499e5db89920d4b
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_91 #sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_91 #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_91 #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_91 #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_91 #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_91 #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_91 #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_91 #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_91 #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_91 #sonaar_music_44 .playlist, #sonaar_music_91 #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_91 #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_91 #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_91 #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_91 #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_91 #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_91 #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_91 #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_91 #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_91 #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_91 #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_91 #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_91 #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_91 #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_91 #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_91 #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_91 #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_91 #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_91 #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_91 #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_91 #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_91 #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3d4712827 srp_player_params_69be3d83cff34 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3d4712827 srp_player_params_args_69be3d83cff34 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3d4712827"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3d83cff34"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3d4712827"); setIronAudioplayers("arbitrary-instance-69be3d83cff34"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:39:17) hash: 9d21be3f3549337344b4abc03f62a11aeb0e5b21
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:40:17) hash: d47b84077ce06a3edcc204dfeb762e022caab91b
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_35 #sonaar_music_91 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_35 #sonaar_music_91 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_35 #sonaar_music_91 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_35 #sonaar_music_91 .album .album-art img { border-radius: 0px;} #sonaar_music_35 #sonaar_music_91 .sonaar-grid .album { padding: 0px;} #sonaar_music_35 #sonaar_music_91 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_35 #sonaar_music_91 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_35 #sonaar_music_91 .sonaar-grid { justify-content: center; } #sonaar_music_35 #sonaar_music_91 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_35 #sonaar_music_91 .playlist, #sonaar_music_35 #sonaar_music_91 .buttons-block { width: 100%; } #sonaar_music_35 #sonaar_music_91 .playlist { margin: 0px; } #sonaar_music_35 #sonaar_music_91 .srp_tracklist { margin: 0px; } #sonaar_music_35 #sonaar_music_91 .sr_it-playlist-title, #sonaar_music_35 #sonaar_music_91 .sr_it-playlist-artists, #sonaar_music_35 #sonaar_music_91 .srp_subtitle { text-align: left; } #sonaar_music_35 #sonaar_music_91 .sr_it-playlist-title, #sonaar_music_35 #sonaar_music_91 .sr_it-playlist-artists, #sonaar_music_35 #sonaar_music_91 .srp_subtitle { margin-left: 0px; } #sonaar_music_35 #sonaar_music_91 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_35 #sonaar_music_91 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_35 #sonaar_music_91 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_35 #sonaar_music_91 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_35 #sonaar_music_91 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_35 #sonaar_music_91 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_35 #sonaar_music_91 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_35 #sonaar_music_91 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_35 #sonaar_music_91 .album-player .control { top: 0px; position: relative; } #sonaar_music_35 #sonaar_music_91 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_35 #sonaar_music_91 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_35 #sonaar_music_91 .srp-play-circle { border-width: 6px; } #sonaar_music_35 #sonaar_music_91 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3d0acfa82 srp_player_params_69be3d4712827 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3d0acfa82 srp_player_params_args_69be3d4712827 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3d0acfa82"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3d4712827"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3d0acfa82"); setIronAudioplayers("arbitrary-instance-69be3d4712827"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:38:20) hash: 2a12e0b6378a91580efc42f1c3850d207ec7fb0c
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:39:17) hash: 9d21be3f3549337344b4abc03f62a11aeb0e5b21
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_99 #sonaar_music_35 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_99 #sonaar_music_35 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_99 #sonaar_music_35 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_99 #sonaar_music_35 .album .album-art img { border-radius: 0px;} #sonaar_music_99 #sonaar_music_35 .sonaar-grid .album { padding: 0px;} #sonaar_music_99 #sonaar_music_35 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_99 #sonaar_music_35 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_99 #sonaar_music_35 .sonaar-grid { justify-content: center; } #sonaar_music_99 #sonaar_music_35 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_99 #sonaar_music_35 .playlist, #sonaar_music_99 #sonaar_music_35 .buttons-block { width: 100%; } #sonaar_music_99 #sonaar_music_35 .playlist { margin: 0px; } #sonaar_music_99 #sonaar_music_35 .srp_tracklist { margin: 0px; } #sonaar_music_99 #sonaar_music_35 .sr_it-playlist-title, #sonaar_music_99 #sonaar_music_35 .sr_it-playlist-artists, #sonaar_music_99 #sonaar_music_35 .srp_subtitle { text-align: left; } #sonaar_music_99 #sonaar_music_35 .sr_it-playlist-title, #sonaar_music_99 #sonaar_music_35 .sr_it-playlist-artists, #sonaar_music_99 #sonaar_music_35 .srp_subtitle { margin-left: 0px; } #sonaar_music_99 #sonaar_music_35 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_99 #sonaar_music_35 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_99 #sonaar_music_35 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_99 #sonaar_music_35 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_99 #sonaar_music_35 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_99 #sonaar_music_35 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_99 #sonaar_music_35 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_99 #sonaar_music_35 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_99 #sonaar_music_35 .album-player .control { top: 0px; position: relative; } #sonaar_music_99 #sonaar_music_35 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_99 #sonaar_music_35 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_99 #sonaar_music_35 .srp-play-circle { border-width: 6px; } #sonaar_music_99 #sonaar_music_35 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3cd0c5522 srp_player_params_69be3d0acfa82 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3cd0c5522 srp_player_params_args_69be3d0acfa82 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3cd0c5522"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3d0acfa82"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3cd0c5522"); setIronAudioplayers("arbitrary-instance-69be3d0acfa82"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:37:21) hash: 41aeef7da72a98f4cff52b40f386dd9b92225198
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:38:20) hash: 2a12e0b6378a91580efc42f1c3850d207ec7fb0c
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_79 #sonaar_music_99 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 #sonaar_music_99 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 #sonaar_music_99 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 #sonaar_music_99 .album .album-art img { border-radius: 0px;} #sonaar_music_79 #sonaar_music_99 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 #sonaar_music_99 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 #sonaar_music_99 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 #sonaar_music_99 .sonaar-grid { justify-content: center; } #sonaar_music_79 #sonaar_music_99 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 #sonaar_music_99 .playlist, #sonaar_music_79 #sonaar_music_99 .buttons-block { width: 100%; } #sonaar_music_79 #sonaar_music_99 .playlist { margin: 0px; } #sonaar_music_79 #sonaar_music_99 .srp_tracklist { margin: 0px; } #sonaar_music_79 #sonaar_music_99 .sr_it-playlist-title, #sonaar_music_79 #sonaar_music_99 .sr_it-playlist-artists, #sonaar_music_79 #sonaar_music_99 .srp_subtitle { text-align: left; } #sonaar_music_79 #sonaar_music_99 .sr_it-playlist-title, #sonaar_music_79 #sonaar_music_99 .sr_it-playlist-artists, #sonaar_music_79 #sonaar_music_99 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 #sonaar_music_99 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 #sonaar_music_99 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 #sonaar_music_99 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 #sonaar_music_99 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 #sonaar_music_99 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 #sonaar_music_99 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 #sonaar_music_99 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 #sonaar_music_99 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 #sonaar_music_99 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 #sonaar_music_99 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 #sonaar_music_99 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 #sonaar_music_99 .srp-play-circle { border-width: 6px; } #sonaar_music_79 #sonaar_music_99 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3c92b7e68 srp_player_params_69be3cd0c5522 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3c92b7e68 srp_player_params_args_69be3cd0c5522 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3c92b7e68"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3cd0c5522"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3c92b7e68"); setIronAudioplayers("arbitrary-instance-69be3cd0c5522"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:36:18) hash: bce59c5906019f57928c973a42c8b317acdf3416
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:37:21) hash: 41aeef7da72a98f4cff52b40f386dd9b92225198
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_18 #sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_18 #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_18 #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_18 #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_18 #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_18 #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_18 #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_18 #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_18 #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_18 #sonaar_music_79 .playlist, #sonaar_music_18 #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_18 #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_18 #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_18 #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_18 #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_18 #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_18 #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_18 #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_18 #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_18 #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_18 #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_18 #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_18 #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_18 #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_18 #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_18 #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_18 #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_18 #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_18 #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_18 #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_18 #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_18 #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3c567742d srp_player_params_69be3c92b7e68 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3c567742d srp_player_params_args_69be3c92b7e68 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3c567742d"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3c92b7e68"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3c567742d"); setIronAudioplayers("arbitrary-instance-69be3c92b7e68"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:35:17) hash: dbbb1ac234b280606fc204aeeb398a549fca4135
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:36:18) hash: bce59c5906019f57928c973a42c8b317acdf3416
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_12 #sonaar_music_18 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_12 #sonaar_music_18 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_12 #sonaar_music_18 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_12 #sonaar_music_18 .album .album-art img { border-radius: 0px;} #sonaar_music_12 #sonaar_music_18 .sonaar-grid .album { padding: 0px;} #sonaar_music_12 #sonaar_music_18 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_12 #sonaar_music_18 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_12 #sonaar_music_18 .sonaar-grid { justify-content: center; } #sonaar_music_12 #sonaar_music_18 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_12 #sonaar_music_18 .playlist, #sonaar_music_12 #sonaar_music_18 .buttons-block { width: 100%; } #sonaar_music_12 #sonaar_music_18 .playlist { margin: 0px; } #sonaar_music_12 #sonaar_music_18 .srp_tracklist { margin: 0px; } #sonaar_music_12 #sonaar_music_18 .sr_it-playlist-title, #sonaar_music_12 #sonaar_music_18 .sr_it-playlist-artists, #sonaar_music_12 #sonaar_music_18 .srp_subtitle { text-align: left; } #sonaar_music_12 #sonaar_music_18 .sr_it-playlist-title, #sonaar_music_12 #sonaar_music_18 .sr_it-playlist-artists, #sonaar_music_12 #sonaar_music_18 .srp_subtitle { margin-left: 0px; } #sonaar_music_12 #sonaar_music_18 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_12 #sonaar_music_18 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_12 #sonaar_music_18 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_12 #sonaar_music_18 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_12 #sonaar_music_18 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_12 #sonaar_music_18 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_12 #sonaar_music_18 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_12 #sonaar_music_18 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_12 #sonaar_music_18 .album-player .control { top: 0px; position: relative; } #sonaar_music_12 #sonaar_music_18 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_12 #sonaar_music_18 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_12 #sonaar_music_18 .srp-play-circle { border-width: 6px; } #sonaar_music_12 #sonaar_music_18 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3c1a2e88e srp_player_params_69be3c567742d = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3c1a2e88e srp_player_params_args_69be3c567742d = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3c1a2e88e"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3c567742d"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3c1a2e88e"); setIronAudioplayers("arbitrary-instance-69be3c567742d"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:34:36) hash: 1998d64705cd56ee1033dc42cb1df399048b0eb5
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:35:17) hash: dbbb1ac234b280606fc204aeeb398a549fca4135
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_59 #sonaar_music_12 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_59 #sonaar_music_12 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_59 #sonaar_music_12 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_59 #sonaar_music_12 .album .album-art img { border-radius: 0px;} #sonaar_music_59 #sonaar_music_12 .sonaar-grid .album { padding: 0px;} #sonaar_music_59 #sonaar_music_12 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_59 #sonaar_music_12 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_59 #sonaar_music_12 .sonaar-grid { justify-content: center; } #sonaar_music_59 #sonaar_music_12 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_59 #sonaar_music_12 .playlist, #sonaar_music_59 #sonaar_music_12 .buttons-block { width: 100%; } #sonaar_music_59 #sonaar_music_12 .playlist { margin: 0px; } #sonaar_music_59 #sonaar_music_12 .srp_tracklist { margin: 0px; } #sonaar_music_59 #sonaar_music_12 .sr_it-playlist-title, #sonaar_music_59 #sonaar_music_12 .sr_it-playlist-artists, #sonaar_music_59 #sonaar_music_12 .srp_subtitle { text-align: left; } #sonaar_music_59 #sonaar_music_12 .sr_it-playlist-title, #sonaar_music_59 #sonaar_music_12 .sr_it-playlist-artists, #sonaar_music_59 #sonaar_music_12 .srp_subtitle { margin-left: 0px; } #sonaar_music_59 #sonaar_music_12 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_59 #sonaar_music_12 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_59 #sonaar_music_12 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_59 #sonaar_music_12 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_59 #sonaar_music_12 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_59 #sonaar_music_12 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_59 #sonaar_music_12 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_59 #sonaar_music_12 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_59 #sonaar_music_12 .album-player .control { top: 0px; position: relative; } #sonaar_music_59 #sonaar_music_12 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_59 #sonaar_music_12 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_59 #sonaar_music_12 .srp-play-circle { border-width: 6px; } #sonaar_music_59 #sonaar_music_12 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3bdd3707f srp_player_params_69be3c1a2e88e = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3bdd3707f srp_player_params_args_69be3c1a2e88e = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3bdd3707f"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3c1a2e88e"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3bdd3707f"); setIronAudioplayers("arbitrary-instance-69be3c1a2e88e"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:33:17) hash: d9db072660cf2e3326b73ea38945196b6aaddc39
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:34:36) hash: 1998d64705cd56ee1033dc42cb1df399048b0eb5
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_51 #sonaar_music_59 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 #sonaar_music_59 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 #sonaar_music_59 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 #sonaar_music_59 .album .album-art img { border-radius: 0px;} #sonaar_music_51 #sonaar_music_59 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 #sonaar_music_59 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 #sonaar_music_59 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 #sonaar_music_59 .sonaar-grid { justify-content: center; } #sonaar_music_51 #sonaar_music_59 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 #sonaar_music_59 .playlist, #sonaar_music_51 #sonaar_music_59 .buttons-block { width: 100%; } #sonaar_music_51 #sonaar_music_59 .playlist { margin: 0px; } #sonaar_music_51 #sonaar_music_59 .srp_tracklist { margin: 0px; } #sonaar_music_51 #sonaar_music_59 .sr_it-playlist-title, #sonaar_music_51 #sonaar_music_59 .sr_it-playlist-artists, #sonaar_music_51 #sonaar_music_59 .srp_subtitle { text-align: left; } #sonaar_music_51 #sonaar_music_59 .sr_it-playlist-title, #sonaar_music_51 #sonaar_music_59 .sr_it-playlist-artists, #sonaar_music_51 #sonaar_music_59 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 #sonaar_music_59 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 #sonaar_music_59 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 #sonaar_music_59 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 #sonaar_music_59 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 #sonaar_music_59 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 #sonaar_music_59 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 #sonaar_music_59 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 #sonaar_music_59 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 #sonaar_music_59 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 #sonaar_music_59 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 #sonaar_music_59 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 #sonaar_music_59 .srp-play-circle { border-width: 6px; } #sonaar_music_51 #sonaar_music_59 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3ba169af1 srp_player_params_69be3bdd3707f = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3ba169af1 srp_player_params_args_69be3bdd3707f = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3ba169af1"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3bdd3707f"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3ba169af1"); setIronAudioplayers("arbitrary-instance-69be3bdd3707f"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:32:18) hash: ef46aad04ac31dd9e9294ad4e4faf1f63d144ca9
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:33:17) hash: d9db072660cf2e3326b73ea38945196b6aaddc39
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_22 #sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_22 #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_22 #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_22 #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_22 #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_22 #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_22 #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_22 #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_22 #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_22 #sonaar_music_51 .playlist, #sonaar_music_22 #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_22 #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_22 #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_22 #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_22 #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_22 #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_22 #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_22 #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_22 #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_22 #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_22 #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_22 #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_22 #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_22 #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_22 #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_22 #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_22 #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_22 #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_22 #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_22 #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_22 #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_22 #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3b6617606 srp_player_params_69be3ba169af1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3b6617606 srp_player_params_args_69be3ba169af1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3b6617606"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3ba169af1"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3b6617606"); setIronAudioplayers("arbitrary-instance-69be3ba169af1"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:31:19) hash: 890265de61df0059d9fbd5be2e5d6d0be02bd091
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:32:18) hash: ef46aad04ac31dd9e9294ad4e4faf1f63d144ca9
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_25 #sonaar_music_22 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_25 #sonaar_music_22 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_25 #sonaar_music_22 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_25 #sonaar_music_22 .album .album-art img { border-radius: 0px;} #sonaar_music_25 #sonaar_music_22 .sonaar-grid .album { padding: 0px;} #sonaar_music_25 #sonaar_music_22 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_25 #sonaar_music_22 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_25 #sonaar_music_22 .sonaar-grid { justify-content: center; } #sonaar_music_25 #sonaar_music_22 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_25 #sonaar_music_22 .playlist, #sonaar_music_25 #sonaar_music_22 .buttons-block { width: 100%; } #sonaar_music_25 #sonaar_music_22 .playlist { margin: 0px; } #sonaar_music_25 #sonaar_music_22 .srp_tracklist { margin: 0px; } #sonaar_music_25 #sonaar_music_22 .sr_it-playlist-title, #sonaar_music_25 #sonaar_music_22 .sr_it-playlist-artists, #sonaar_music_25 #sonaar_music_22 .srp_subtitle { text-align: left; } #sonaar_music_25 #sonaar_music_22 .sr_it-playlist-title, #sonaar_music_25 #sonaar_music_22 .sr_it-playlist-artists, #sonaar_music_25 #sonaar_music_22 .srp_subtitle { margin-left: 0px; } #sonaar_music_25 #sonaar_music_22 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_25 #sonaar_music_22 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_25 #sonaar_music_22 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_25 #sonaar_music_22 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_25 #sonaar_music_22 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_25 #sonaar_music_22 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_25 #sonaar_music_22 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_25 #sonaar_music_22 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_25 #sonaar_music_22 .album-player .control { top: 0px; position: relative; } #sonaar_music_25 #sonaar_music_22 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_25 #sonaar_music_22 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_25 #sonaar_music_22 .srp-play-circle { border-width: 6px; } #sonaar_music_25 #sonaar_music_22 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3b2b4f099 srp_player_params_69be3b6617606 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3b2b4f099 srp_player_params_args_69be3b6617606 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3b2b4f099"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3b6617606"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3b2b4f099"); setIronAudioplayers("arbitrary-instance-69be3b6617606"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:30:18) hash: 31300104ebd99222d4b643a24f1c12cf55f0adef
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:31:19) hash: 890265de61df0059d9fbd5be2e5d6d0be02bd091
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_97 #sonaar_music_25 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_97 #sonaar_music_25 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_97 #sonaar_music_25 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_97 #sonaar_music_25 .album .album-art img { border-radius: 0px;} #sonaar_music_97 #sonaar_music_25 .sonaar-grid .album { padding: 0px;} #sonaar_music_97 #sonaar_music_25 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_97 #sonaar_music_25 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_97 #sonaar_music_25 .sonaar-grid { justify-content: center; } #sonaar_music_97 #sonaar_music_25 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_97 #sonaar_music_25 .playlist, #sonaar_music_97 #sonaar_music_25 .buttons-block { width: 100%; } #sonaar_music_97 #sonaar_music_25 .playlist { margin: 0px; } #sonaar_music_97 #sonaar_music_25 .srp_tracklist { margin: 0px; } #sonaar_music_97 #sonaar_music_25 .sr_it-playlist-title, #sonaar_music_97 #sonaar_music_25 .sr_it-playlist-artists, #sonaar_music_97 #sonaar_music_25 .srp_subtitle { text-align: left; } #sonaar_music_97 #sonaar_music_25 .sr_it-playlist-title, #sonaar_music_97 #sonaar_music_25 .sr_it-playlist-artists, #sonaar_music_97 #sonaar_music_25 .srp_subtitle { margin-left: 0px; } #sonaar_music_97 #sonaar_music_25 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_97 #sonaar_music_25 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_97 #sonaar_music_25 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_97 #sonaar_music_25 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_97 #sonaar_music_25 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_97 #sonaar_music_25 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_97 #sonaar_music_25 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_97 #sonaar_music_25 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_97 #sonaar_music_25 .album-player .control { top: 0px; position: relative; } #sonaar_music_97 #sonaar_music_25 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_97 #sonaar_music_25 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_97 #sonaar_music_25 .srp-play-circle { border-width: 6px; } #sonaar_music_97 #sonaar_music_25 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3aed230d4 srp_player_params_69be3b2b4f099 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3aed230d4 srp_player_params_args_69be3b2b4f099 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3aed230d4"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3b2b4f099"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3aed230d4"); setIronAudioplayers("arbitrary-instance-69be3b2b4f099"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:29:18) hash: 47fc9c26cd7c5893f5b50debe2b81309bace1448
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:30:18) hash: 31300104ebd99222d4b643a24f1c12cf55f0adef
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_83 #sonaar_music_97 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_83 #sonaar_music_97 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_83 #sonaar_music_97 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_83 #sonaar_music_97 .album .album-art img { border-radius: 0px;} #sonaar_music_83 #sonaar_music_97 .sonaar-grid .album { padding: 0px;} #sonaar_music_83 #sonaar_music_97 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_83 #sonaar_music_97 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_83 #sonaar_music_97 .sonaar-grid { justify-content: center; } #sonaar_music_83 #sonaar_music_97 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_83 #sonaar_music_97 .playlist, #sonaar_music_83 #sonaar_music_97 .buttons-block { width: 100%; } #sonaar_music_83 #sonaar_music_97 .playlist { margin: 0px; } #sonaar_music_83 #sonaar_music_97 .srp_tracklist { margin: 0px; } #sonaar_music_83 #sonaar_music_97 .sr_it-playlist-title, #sonaar_music_83 #sonaar_music_97 .sr_it-playlist-artists, #sonaar_music_83 #sonaar_music_97 .srp_subtitle { text-align: left; } #sonaar_music_83 #sonaar_music_97 .sr_it-playlist-title, #sonaar_music_83 #sonaar_music_97 .sr_it-playlist-artists, #sonaar_music_83 #sonaar_music_97 .srp_subtitle { margin-left: 0px; } #sonaar_music_83 #sonaar_music_97 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_83 #sonaar_music_97 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_83 #sonaar_music_97 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_83 #sonaar_music_97 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_83 #sonaar_music_97 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_83 #sonaar_music_97 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_83 #sonaar_music_97 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_83 #sonaar_music_97 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_83 #sonaar_music_97 .album-player .control { top: 0px; position: relative; } #sonaar_music_83 #sonaar_music_97 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_83 #sonaar_music_97 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_83 #sonaar_music_97 .srp-play-circle { border-width: 6px; } #sonaar_music_83 #sonaar_music_97 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3ab256acd srp_player_params_69be3aed230d4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3ab256acd srp_player_params_args_69be3aed230d4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3ab256acd"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3aed230d4"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3ab256acd"); setIronAudioplayers("arbitrary-instance-69be3aed230d4"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:28:18) hash: 4c85f6763efa8e10e193552647e8385d24d535eb
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:29:18) hash: 47fc9c26cd7c5893f5b50debe2b81309bace1448
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_62 #sonaar_music_83 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_62 #sonaar_music_83 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_62 #sonaar_music_83 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_62 #sonaar_music_83 .album .album-art img { border-radius: 0px;} #sonaar_music_62 #sonaar_music_83 .sonaar-grid .album { padding: 0px;} #sonaar_music_62 #sonaar_music_83 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_62 #sonaar_music_83 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_62 #sonaar_music_83 .sonaar-grid { justify-content: center; } #sonaar_music_62 #sonaar_music_83 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_62 #sonaar_music_83 .playlist, #sonaar_music_62 #sonaar_music_83 .buttons-block { width: 100%; } #sonaar_music_62 #sonaar_music_83 .playlist { margin: 0px; } #sonaar_music_62 #sonaar_music_83 .srp_tracklist { margin: 0px; } #sonaar_music_62 #sonaar_music_83 .sr_it-playlist-title, #sonaar_music_62 #sonaar_music_83 .sr_it-playlist-artists, #sonaar_music_62 #sonaar_music_83 .srp_subtitle { text-align: left; } #sonaar_music_62 #sonaar_music_83 .sr_it-playlist-title, #sonaar_music_62 #sonaar_music_83 .sr_it-playlist-artists, #sonaar_music_62 #sonaar_music_83 .srp_subtitle { margin-left: 0px; } #sonaar_music_62 #sonaar_music_83 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_62 #sonaar_music_83 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_62 #sonaar_music_83 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_62 #sonaar_music_83 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_62 #sonaar_music_83 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_62 #sonaar_music_83 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_62 #sonaar_music_83 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_62 #sonaar_music_83 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_62 #sonaar_music_83 .album-player .control { top: 0px; position: relative; } #sonaar_music_62 #sonaar_music_83 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_62 #sonaar_music_83 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_62 #sonaar_music_83 .srp-play-circle { border-width: 6px; } #sonaar_music_62 #sonaar_music_83 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3a7591be2 srp_player_params_69be3ab256acd = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3a7591be2 srp_player_params_args_69be3ab256acd = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3a7591be2"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3ab256acd"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3a7591be2"); setIronAudioplayers("arbitrary-instance-69be3ab256acd"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:27:18) hash: 69935fb8725a6ab19e505c616ba577661210e232
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:28:18) hash: 4c85f6763efa8e10e193552647e8385d24d535eb
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_34 #sonaar_music_62 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_34 #sonaar_music_62 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_34 #sonaar_music_62 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_34 #sonaar_music_62 .album .album-art img { border-radius: 0px;} #sonaar_music_34 #sonaar_music_62 .sonaar-grid .album { padding: 0px;} #sonaar_music_34 #sonaar_music_62 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_34 #sonaar_music_62 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_34 #sonaar_music_62 .sonaar-grid { justify-content: center; } #sonaar_music_34 #sonaar_music_62 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_34 #sonaar_music_62 .playlist, #sonaar_music_34 #sonaar_music_62 .buttons-block { width: 100%; } #sonaar_music_34 #sonaar_music_62 .playlist { margin: 0px; } #sonaar_music_34 #sonaar_music_62 .srp_tracklist { margin: 0px; } #sonaar_music_34 #sonaar_music_62 .sr_it-playlist-title, #sonaar_music_34 #sonaar_music_62 .sr_it-playlist-artists, #sonaar_music_34 #sonaar_music_62 .srp_subtitle { text-align: left; } #sonaar_music_34 #sonaar_music_62 .sr_it-playlist-title, #sonaar_music_34 #sonaar_music_62 .sr_it-playlist-artists, #sonaar_music_34 #sonaar_music_62 .srp_subtitle { margin-left: 0px; } #sonaar_music_34 #sonaar_music_62 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_34 #sonaar_music_62 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_34 #sonaar_music_62 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_34 #sonaar_music_62 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_34 #sonaar_music_62 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_34 #sonaar_music_62 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_34 #sonaar_music_62 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_34 #sonaar_music_62 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_34 #sonaar_music_62 .album-player .control { top: 0px; position: relative; } #sonaar_music_34 #sonaar_music_62 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_34 #sonaar_music_62 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_34 #sonaar_music_62 .srp-play-circle { border-width: 6px; } #sonaar_music_34 #sonaar_music_62 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3a399fedf srp_player_params_69be3a7591be2 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3a399fedf srp_player_params_args_69be3a7591be2 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3a399fedf"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3a7591be2"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3a399fedf"); setIronAudioplayers("arbitrary-instance-69be3a7591be2"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:26:17) hash: 946af8bb646a0fb91ec889a8def2732df4c46aff
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:27:18) hash: 69935fb8725a6ab19e505c616ba577661210e232
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_80 #sonaar_music_34 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_80 #sonaar_music_34 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_80 #sonaar_music_34 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_80 #sonaar_music_34 .album .album-art img { border-radius: 0px;} #sonaar_music_80 #sonaar_music_34 .sonaar-grid .album { padding: 0px;} #sonaar_music_80 #sonaar_music_34 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_80 #sonaar_music_34 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_80 #sonaar_music_34 .sonaar-grid { justify-content: center; } #sonaar_music_80 #sonaar_music_34 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_80 #sonaar_music_34 .playlist, #sonaar_music_80 #sonaar_music_34 .buttons-block { width: 100%; } #sonaar_music_80 #sonaar_music_34 .playlist { margin: 0px; } #sonaar_music_80 #sonaar_music_34 .srp_tracklist { margin: 0px; } #sonaar_music_80 #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_80 #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_80 #sonaar_music_34 .srp_subtitle { text-align: left; } #sonaar_music_80 #sonaar_music_34 .sr_it-playlist-title, #sonaar_music_80 #sonaar_music_34 .sr_it-playlist-artists, #sonaar_music_80 #sonaar_music_34 .srp_subtitle { margin-left: 0px; } #sonaar_music_80 #sonaar_music_34 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_80 #sonaar_music_34 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_80 #sonaar_music_34 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_80 #sonaar_music_34 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_80 #sonaar_music_34 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_80 #sonaar_music_34 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_80 #sonaar_music_34 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_80 #sonaar_music_34 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_80 #sonaar_music_34 .album-player .control { top: 0px; position: relative; } #sonaar_music_80 #sonaar_music_34 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_80 #sonaar_music_34 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_80 #sonaar_music_34 .srp-play-circle { border-width: 6px; } #sonaar_music_80 #sonaar_music_34 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be39fde8aee srp_player_params_69be3a399fedf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be39fde8aee srp_player_params_args_69be3a399fedf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be39fde8aee"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3a399fedf"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be39fde8aee"); setIronAudioplayers("arbitrary-instance-69be3a399fedf"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:25:19) hash: ca7e4ad23c1d65fd738afe209ed8eee101e992b9
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:26:17) hash: 946af8bb646a0fb91ec889a8def2732df4c46aff
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_43 #sonaar_music_80 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_43 #sonaar_music_80 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_43 #sonaar_music_80 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_43 #sonaar_music_80 .album .album-art img { border-radius: 0px;} #sonaar_music_43 #sonaar_music_80 .sonaar-grid .album { padding: 0px;} #sonaar_music_43 #sonaar_music_80 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_43 #sonaar_music_80 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_43 #sonaar_music_80 .sonaar-grid { justify-content: center; } #sonaar_music_43 #sonaar_music_80 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_43 #sonaar_music_80 .playlist, #sonaar_music_43 #sonaar_music_80 .buttons-block { width: 100%; } #sonaar_music_43 #sonaar_music_80 .playlist { margin: 0px; } #sonaar_music_43 #sonaar_music_80 .srp_tracklist { margin: 0px; } #sonaar_music_43 #sonaar_music_80 .sr_it-playlist-title, #sonaar_music_43 #sonaar_music_80 .sr_it-playlist-artists, #sonaar_music_43 #sonaar_music_80 .srp_subtitle { text-align: left; } #sonaar_music_43 #sonaar_music_80 .sr_it-playlist-title, #sonaar_music_43 #sonaar_music_80 .sr_it-playlist-artists, #sonaar_music_43 #sonaar_music_80 .srp_subtitle { margin-left: 0px; } #sonaar_music_43 #sonaar_music_80 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_43 #sonaar_music_80 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_43 #sonaar_music_80 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_43 #sonaar_music_80 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_43 #sonaar_music_80 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_43 #sonaar_music_80 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_43 #sonaar_music_80 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_43 #sonaar_music_80 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_43 #sonaar_music_80 .album-player .control { top: 0px; position: relative; } #sonaar_music_43 #sonaar_music_80 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_43 #sonaar_music_80 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_43 #sonaar_music_80 .srp-play-circle { border-width: 6px; } #sonaar_music_43 #sonaar_music_80 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be39c1ef06f srp_player_params_69be39fde8aee = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be39c1ef06f srp_player_params_args_69be39fde8aee = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be39c1ef06f"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be39fde8aee"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be39c1ef06f"); setIronAudioplayers("arbitrary-instance-69be39fde8aee"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:24:18) hash: 5d7fb30bd55778596f4b22b5dcd7960f94faf5f2
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:25:19) hash: ca7e4ad23c1d65fd738afe209ed8eee101e992b9
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_94 #sonaar_music_43 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_94 #sonaar_music_43 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_94 #sonaar_music_43 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_94 #sonaar_music_43 .album .album-art img { border-radius: 0px;} #sonaar_music_94 #sonaar_music_43 .sonaar-grid .album { padding: 0px;} #sonaar_music_94 #sonaar_music_43 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_94 #sonaar_music_43 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_94 #sonaar_music_43 .sonaar-grid { justify-content: center; } #sonaar_music_94 #sonaar_music_43 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_94 #sonaar_music_43 .playlist, #sonaar_music_94 #sonaar_music_43 .buttons-block { width: 100%; } #sonaar_music_94 #sonaar_music_43 .playlist { margin: 0px; } #sonaar_music_94 #sonaar_music_43 .srp_tracklist { margin: 0px; } #sonaar_music_94 #sonaar_music_43 .sr_it-playlist-title, #sonaar_music_94 #sonaar_music_43 .sr_it-playlist-artists, #sonaar_music_94 #sonaar_music_43 .srp_subtitle { text-align: left; } #sonaar_music_94 #sonaar_music_43 .sr_it-playlist-title, #sonaar_music_94 #sonaar_music_43 .sr_it-playlist-artists, #sonaar_music_94 #sonaar_music_43 .srp_subtitle { margin-left: 0px; } #sonaar_music_94 #sonaar_music_43 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_94 #sonaar_music_43 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_94 #sonaar_music_43 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_94 #sonaar_music_43 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_94 #sonaar_music_43 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_94 #sonaar_music_43 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_94 #sonaar_music_43 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_94 #sonaar_music_43 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_94 #sonaar_music_43 .album-player .control { top: 0px; position: relative; } #sonaar_music_94 #sonaar_music_43 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_94 #sonaar_music_43 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_94 #sonaar_music_43 .srp-play-circle { border-width: 6px; } #sonaar_music_94 #sonaar_music_43 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3985ad106 srp_player_params_69be39c1ef06f = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3985ad106 srp_player_params_args_69be39c1ef06f = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3985ad106"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be39c1ef06f"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3985ad106"); setIronAudioplayers("arbitrary-instance-69be39c1ef06f"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:23:19) hash: b268c4e93e96f27136a004118cbcbc9b9ca32e7d
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:24:18) hash: 5d7fb30bd55778596f4b22b5dcd7960f94faf5f2
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_78 #sonaar_music_94 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_78 #sonaar_music_94 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_78 #sonaar_music_94 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_78 #sonaar_music_94 .album .album-art img { border-radius: 0px;} #sonaar_music_78 #sonaar_music_94 .sonaar-grid .album { padding: 0px;} #sonaar_music_78 #sonaar_music_94 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_78 #sonaar_music_94 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_78 #sonaar_music_94 .sonaar-grid { justify-content: center; } #sonaar_music_78 #sonaar_music_94 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_78 #sonaar_music_94 .playlist, #sonaar_music_78 #sonaar_music_94 .buttons-block { width: 100%; } #sonaar_music_78 #sonaar_music_94 .playlist { margin: 0px; } #sonaar_music_78 #sonaar_music_94 .srp_tracklist { margin: 0px; } #sonaar_music_78 #sonaar_music_94 .sr_it-playlist-title, #sonaar_music_78 #sonaar_music_94 .sr_it-playlist-artists, #sonaar_music_78 #sonaar_music_94 .srp_subtitle { text-align: left; } #sonaar_music_78 #sonaar_music_94 .sr_it-playlist-title, #sonaar_music_78 #sonaar_music_94 .sr_it-playlist-artists, #sonaar_music_78 #sonaar_music_94 .srp_subtitle { margin-left: 0px; } #sonaar_music_78 #sonaar_music_94 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_78 #sonaar_music_94 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_78 #sonaar_music_94 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_78 #sonaar_music_94 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_78 #sonaar_music_94 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_78 #sonaar_music_94 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_78 #sonaar_music_94 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_78 #sonaar_music_94 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_78 #sonaar_music_94 .album-player .control { top: 0px; position: relative; } #sonaar_music_78 #sonaar_music_94 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_78 #sonaar_music_94 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_78 #sonaar_music_94 .srp-play-circle { border-width: 6px; } #sonaar_music_78 #sonaar_music_94 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be394a4ceec srp_player_params_69be3985ad106 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be394a4ceec srp_player_params_args_69be3985ad106 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be394a4ceec"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3985ad106"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be394a4ceec"); setIronAudioplayers("arbitrary-instance-69be3985ad106"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:22:17) hash: 95af6255b07dce97563ef2959000cea0a3f02582
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:23:19) hash: b268c4e93e96f27136a004118cbcbc9b9ca32e7d
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_64 #sonaar_music_78 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_64 #sonaar_music_78 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_64 #sonaar_music_78 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_64 #sonaar_music_78 .album .album-art img { border-radius: 0px;} #sonaar_music_64 #sonaar_music_78 .sonaar-grid .album { padding: 0px;} #sonaar_music_64 #sonaar_music_78 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_64 #sonaar_music_78 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_64 #sonaar_music_78 .sonaar-grid { justify-content: center; } #sonaar_music_64 #sonaar_music_78 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_64 #sonaar_music_78 .playlist, #sonaar_music_64 #sonaar_music_78 .buttons-block { width: 100%; } #sonaar_music_64 #sonaar_music_78 .playlist { margin: 0px; } #sonaar_music_64 #sonaar_music_78 .srp_tracklist { margin: 0px; } #sonaar_music_64 #sonaar_music_78 .sr_it-playlist-title, #sonaar_music_64 #sonaar_music_78 .sr_it-playlist-artists, #sonaar_music_64 #sonaar_music_78 .srp_subtitle { text-align: left; } #sonaar_music_64 #sonaar_music_78 .sr_it-playlist-title, #sonaar_music_64 #sonaar_music_78 .sr_it-playlist-artists, #sonaar_music_64 #sonaar_music_78 .srp_subtitle { margin-left: 0px; } #sonaar_music_64 #sonaar_music_78 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_64 #sonaar_music_78 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_64 #sonaar_music_78 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_64 #sonaar_music_78 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_64 #sonaar_music_78 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_64 #sonaar_music_78 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_64 #sonaar_music_78 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_64 #sonaar_music_78 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_64 #sonaar_music_78 .album-player .control { top: 0px; position: relative; } #sonaar_music_64 #sonaar_music_78 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_64 #sonaar_music_78 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_64 #sonaar_music_78 .srp-play-circle { border-width: 6px; } #sonaar_music_64 #sonaar_music_78 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be390d21856 srp_player_params_69be394a4ceec = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be390d21856 srp_player_params_args_69be394a4ceec = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be390d21856"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be394a4ceec"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be390d21856"); setIronAudioplayers("arbitrary-instance-69be394a4ceec"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:21:17) hash: b85de7d12d97f1c151ce564bf4d250f233d78ece
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:22:17) hash: 95af6255b07dce97563ef2959000cea0a3f02582
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_19 #sonaar_music_64 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 #sonaar_music_64 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 #sonaar_music_64 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 #sonaar_music_64 .album .album-art img { border-radius: 0px;} #sonaar_music_19 #sonaar_music_64 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 #sonaar_music_64 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 #sonaar_music_64 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 #sonaar_music_64 .sonaar-grid { justify-content: center; } #sonaar_music_19 #sonaar_music_64 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 #sonaar_music_64 .playlist, #sonaar_music_19 #sonaar_music_64 .buttons-block { width: 100%; } #sonaar_music_19 #sonaar_music_64 .playlist { margin: 0px; } #sonaar_music_19 #sonaar_music_64 .srp_tracklist { margin: 0px; } #sonaar_music_19 #sonaar_music_64 .sr_it-playlist-title, #sonaar_music_19 #sonaar_music_64 .sr_it-playlist-artists, #sonaar_music_19 #sonaar_music_64 .srp_subtitle { text-align: left; } #sonaar_music_19 #sonaar_music_64 .sr_it-playlist-title, #sonaar_music_19 #sonaar_music_64 .sr_it-playlist-artists, #sonaar_music_19 #sonaar_music_64 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 #sonaar_music_64 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 #sonaar_music_64 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 #sonaar_music_64 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 #sonaar_music_64 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 #sonaar_music_64 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 #sonaar_music_64 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 #sonaar_music_64 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 #sonaar_music_64 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 #sonaar_music_64 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 #sonaar_music_64 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 #sonaar_music_64 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 #sonaar_music_64 .srp-play-circle { border-width: 6px; } #sonaar_music_19 #sonaar_music_64 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be38d2ab07f srp_player_params_69be390d21856 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be38d2ab07f srp_player_params_args_69be390d21856 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be38d2ab07f"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be390d21856"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be38d2ab07f"); setIronAudioplayers("arbitrary-instance-69be390d21856"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:20:19) hash: d439404652c4d6b25b3b11847732d6b9f23d52e9
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:21:17) hash: b85de7d12d97f1c151ce564bf4d250f233d78ece
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_15 #sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_15 #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_15 #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_15 #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_15 #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_15 #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_15 #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_15 #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_15 #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_15 #sonaar_music_19 .playlist, #sonaar_music_15 #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_15 #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_15 #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_15 #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_15 #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_15 #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_15 #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_15 #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_15 #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_15 #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_15 #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_15 #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_15 #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_15 #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_15 #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_15 #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_15 #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_15 #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_15 #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_15 #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_15 #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_15 #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be38970a2b4 srp_player_params_69be38d2ab07f = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be38970a2b4 srp_player_params_args_69be38d2ab07f = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be38970a2b4"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be38d2ab07f"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be38970a2b4"); setIronAudioplayers("arbitrary-instance-69be38d2ab07f"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:19:18) hash: 968fb4b7dd40b53e7b12da5ebe9c8aa89786d98c
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:20:19) hash: d439404652c4d6b25b3b11847732d6b9f23d52e9
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_49 #sonaar_music_15 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_49 #sonaar_music_15 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_49 #sonaar_music_15 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_49 #sonaar_music_15 .album .album-art img { border-radius: 0px;} #sonaar_music_49 #sonaar_music_15 .sonaar-grid .album { padding: 0px;} #sonaar_music_49 #sonaar_music_15 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_49 #sonaar_music_15 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_49 #sonaar_music_15 .sonaar-grid { justify-content: center; } #sonaar_music_49 #sonaar_music_15 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_49 #sonaar_music_15 .playlist, #sonaar_music_49 #sonaar_music_15 .buttons-block { width: 100%; } #sonaar_music_49 #sonaar_music_15 .playlist { margin: 0px; } #sonaar_music_49 #sonaar_music_15 .srp_tracklist { margin: 0px; } #sonaar_music_49 #sonaar_music_15 .sr_it-playlist-title, #sonaar_music_49 #sonaar_music_15 .sr_it-playlist-artists, #sonaar_music_49 #sonaar_music_15 .srp_subtitle { text-align: left; } #sonaar_music_49 #sonaar_music_15 .sr_it-playlist-title, #sonaar_music_49 #sonaar_music_15 .sr_it-playlist-artists, #sonaar_music_49 #sonaar_music_15 .srp_subtitle { margin-left: 0px; } #sonaar_music_49 #sonaar_music_15 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_49 #sonaar_music_15 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_49 #sonaar_music_15 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_49 #sonaar_music_15 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_49 #sonaar_music_15 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_49 #sonaar_music_15 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_49 #sonaar_music_15 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_49 #sonaar_music_15 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_49 #sonaar_music_15 .album-player .control { top: 0px; position: relative; } #sonaar_music_49 #sonaar_music_15 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_49 #sonaar_music_15 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_49 #sonaar_music_15 .srp-play-circle { border-width: 6px; } #sonaar_music_49 #sonaar_music_15 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be385aecd7e srp_player_params_69be38970a2b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be385aecd7e srp_player_params_args_69be38970a2b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be385aecd7e"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be38970a2b4"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be385aecd7e"); setIronAudioplayers("arbitrary-instance-69be38970a2b4"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:18:18) hash: 201cfb7d7b8eaaf255619aa7ee1cc97c349ce805
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:19:18) hash: 968fb4b7dd40b53e7b12da5ebe9c8aa89786d98c
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_63 #sonaar_music_49 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_63 #sonaar_music_49 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_63 #sonaar_music_49 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_63 #sonaar_music_49 .album .album-art img { border-radius: 0px;} #sonaar_music_63 #sonaar_music_49 .sonaar-grid .album { padding: 0px;} #sonaar_music_63 #sonaar_music_49 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_63 #sonaar_music_49 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_63 #sonaar_music_49 .sonaar-grid { justify-content: center; } #sonaar_music_63 #sonaar_music_49 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_63 #sonaar_music_49 .playlist, #sonaar_music_63 #sonaar_music_49 .buttons-block { width: 100%; } #sonaar_music_63 #sonaar_music_49 .playlist { margin: 0px; } #sonaar_music_63 #sonaar_music_49 .srp_tracklist { margin: 0px; } #sonaar_music_63 #sonaar_music_49 .sr_it-playlist-title, #sonaar_music_63 #sonaar_music_49 .sr_it-playlist-artists, #sonaar_music_63 #sonaar_music_49 .srp_subtitle { text-align: left; } #sonaar_music_63 #sonaar_music_49 .sr_it-playlist-title, #sonaar_music_63 #sonaar_music_49 .sr_it-playlist-artists, #sonaar_music_63 #sonaar_music_49 .srp_subtitle { margin-left: 0px; } #sonaar_music_63 #sonaar_music_49 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_63 #sonaar_music_49 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_63 #sonaar_music_49 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_63 #sonaar_music_49 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_63 #sonaar_music_49 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_63 #sonaar_music_49 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_63 #sonaar_music_49 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_63 #sonaar_music_49 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_63 #sonaar_music_49 .album-player .control { top: 0px; position: relative; } #sonaar_music_63 #sonaar_music_49 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_63 #sonaar_music_49 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_63 #sonaar_music_49 .srp-play-circle { border-width: 6px; } #sonaar_music_63 #sonaar_music_49 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be381e9017a srp_player_params_69be385aecd7e = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be381e9017a srp_player_params_args_69be385aecd7e = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be381e9017a"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be385aecd7e"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be381e9017a"); setIronAudioplayers("arbitrary-instance-69be385aecd7e"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:17:39) hash: 496f6702fe26882d64dd8c72cabc8425076d639d
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:18:18) hash: 201cfb7d7b8eaaf255619aa7ee1cc97c349ce805
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_89 #sonaar_music_63 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_89 #sonaar_music_63 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_89 #sonaar_music_63 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_89 #sonaar_music_63 .album .album-art img { border-radius: 0px;} #sonaar_music_89 #sonaar_music_63 .sonaar-grid .album { padding: 0px;} #sonaar_music_89 #sonaar_music_63 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_89 #sonaar_music_63 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_89 #sonaar_music_63 .sonaar-grid { justify-content: center; } #sonaar_music_89 #sonaar_music_63 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_89 #sonaar_music_63 .playlist, #sonaar_music_89 #sonaar_music_63 .buttons-block { width: 100%; } #sonaar_music_89 #sonaar_music_63 .playlist { margin: 0px; } #sonaar_music_89 #sonaar_music_63 .srp_tracklist { margin: 0px; } #sonaar_music_89 #sonaar_music_63 .sr_it-playlist-title, #sonaar_music_89 #sonaar_music_63 .sr_it-playlist-artists, #sonaar_music_89 #sonaar_music_63 .srp_subtitle { text-align: left; } #sonaar_music_89 #sonaar_music_63 .sr_it-playlist-title, #sonaar_music_89 #sonaar_music_63 .sr_it-playlist-artists, #sonaar_music_89 #sonaar_music_63 .srp_subtitle { margin-left: 0px; } #sonaar_music_89 #sonaar_music_63 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_89 #sonaar_music_63 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_89 #sonaar_music_63 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_89 #sonaar_music_63 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_89 #sonaar_music_63 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_89 #sonaar_music_63 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_89 #sonaar_music_63 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_89 #sonaar_music_63 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_89 #sonaar_music_63 .album-player .control { top: 0px; position: relative; } #sonaar_music_89 #sonaar_music_63 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_89 #sonaar_music_63 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_89 #sonaar_music_63 .srp-play-circle { border-width: 6px; } #sonaar_music_89 #sonaar_music_63 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be37f549db4 srp_player_params_69be381e9017a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be37f549db4 srp_player_params_args_69be381e9017a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be37f549db4"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be381e9017a"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be37f549db4"); setIronAudioplayers("arbitrary-instance-69be381e9017a"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:16:18) hash: 71a3099f86a99e5916c38e14be768acb6433ac1d
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:17:39) hash: 496f6702fe26882d64dd8c72cabc8425076d639d
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_54 #sonaar_music_89 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_54 #sonaar_music_89 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_54 #sonaar_music_89 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_54 #sonaar_music_89 .album .album-art img { border-radius: 0px;} #sonaar_music_54 #sonaar_music_89 .sonaar-grid .album { padding: 0px;} #sonaar_music_54 #sonaar_music_89 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_54 #sonaar_music_89 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_54 #sonaar_music_89 .sonaar-grid { justify-content: center; } #sonaar_music_54 #sonaar_music_89 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_54 #sonaar_music_89 .playlist, #sonaar_music_54 #sonaar_music_89 .buttons-block { width: 100%; } #sonaar_music_54 #sonaar_music_89 .playlist { margin: 0px; } #sonaar_music_54 #sonaar_music_89 .srp_tracklist { margin: 0px; } #sonaar_music_54 #sonaar_music_89 .sr_it-playlist-title, #sonaar_music_54 #sonaar_music_89 .sr_it-playlist-artists, #sonaar_music_54 #sonaar_music_89 .srp_subtitle { text-align: left; } #sonaar_music_54 #sonaar_music_89 .sr_it-playlist-title, #sonaar_music_54 #sonaar_music_89 .sr_it-playlist-artists, #sonaar_music_54 #sonaar_music_89 .srp_subtitle { margin-left: 0px; } #sonaar_music_54 #sonaar_music_89 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_54 #sonaar_music_89 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_54 #sonaar_music_89 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_54 #sonaar_music_89 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_54 #sonaar_music_89 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_54 #sonaar_music_89 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_54 #sonaar_music_89 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_54 #sonaar_music_89 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_54 #sonaar_music_89 .album-player .control { top: 0px; position: relative; } #sonaar_music_54 #sonaar_music_89 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_54 #sonaar_music_89 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_54 #sonaar_music_89 .srp-play-circle { border-width: 6px; } #sonaar_music_54 #sonaar_music_89 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be37a755864 srp_player_params_69be37f549db4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be37a755864 srp_player_params_args_69be37f549db4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be37a755864"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be37f549db4"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be37a755864"); setIronAudioplayers("arbitrary-instance-69be37f549db4"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:15:18) hash: 7867f09185551994ccf5f9b07c2ceb20f239c09b
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:16:18) hash: 71a3099f86a99e5916c38e14be768acb6433ac1d
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_56 #sonaar_music_54 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_56 #sonaar_music_54 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_56 #sonaar_music_54 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_56 #sonaar_music_54 .album .album-art img { border-radius: 0px;} #sonaar_music_56 #sonaar_music_54 .sonaar-grid .album { padding: 0px;} #sonaar_music_56 #sonaar_music_54 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_56 #sonaar_music_54 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_56 #sonaar_music_54 .sonaar-grid { justify-content: center; } #sonaar_music_56 #sonaar_music_54 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_56 #sonaar_music_54 .playlist, #sonaar_music_56 #sonaar_music_54 .buttons-block { width: 100%; } #sonaar_music_56 #sonaar_music_54 .playlist { margin: 0px; } #sonaar_music_56 #sonaar_music_54 .srp_tracklist { margin: 0px; } #sonaar_music_56 #sonaar_music_54 .sr_it-playlist-title, #sonaar_music_56 #sonaar_music_54 .sr_it-playlist-artists, #sonaar_music_56 #sonaar_music_54 .srp_subtitle { text-align: left; } #sonaar_music_56 #sonaar_music_54 .sr_it-playlist-title, #sonaar_music_56 #sonaar_music_54 .sr_it-playlist-artists, #sonaar_music_56 #sonaar_music_54 .srp_subtitle { margin-left: 0px; } #sonaar_music_56 #sonaar_music_54 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_56 #sonaar_music_54 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_56 #sonaar_music_54 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_56 #sonaar_music_54 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_56 #sonaar_music_54 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_56 #sonaar_music_54 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_56 #sonaar_music_54 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_56 #sonaar_music_54 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_56 #sonaar_music_54 .album-player .control { top: 0px; position: relative; } #sonaar_music_56 #sonaar_music_54 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_56 #sonaar_music_54 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_56 #sonaar_music_54 .srp-play-circle { border-width: 6px; } #sonaar_music_56 #sonaar_music_54 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be376ac1305 srp_player_params_69be37a755864 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be376ac1305 srp_player_params_args_69be37a755864 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be376ac1305"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be37a755864"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be376ac1305"); setIronAudioplayers("arbitrary-instance-69be37a755864"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:14:17) hash: 2bf0478458bd9bd3ff1c933182e63fddf665fddf
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:15:18) hash: 7867f09185551994ccf5f9b07c2ceb20f239c09b
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_42 #sonaar_music_56 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_42 #sonaar_music_56 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_42 #sonaar_music_56 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_42 #sonaar_music_56 .album .album-art img { border-radius: 0px;} #sonaar_music_42 #sonaar_music_56 .sonaar-grid .album { padding: 0px;} #sonaar_music_42 #sonaar_music_56 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_42 #sonaar_music_56 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_42 #sonaar_music_56 .sonaar-grid { justify-content: center; } #sonaar_music_42 #sonaar_music_56 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_42 #sonaar_music_56 .playlist, #sonaar_music_42 #sonaar_music_56 .buttons-block { width: 100%; } #sonaar_music_42 #sonaar_music_56 .playlist { margin: 0px; } #sonaar_music_42 #sonaar_music_56 .srp_tracklist { margin: 0px; } #sonaar_music_42 #sonaar_music_56 .sr_it-playlist-title, #sonaar_music_42 #sonaar_music_56 .sr_it-playlist-artists, #sonaar_music_42 #sonaar_music_56 .srp_subtitle { text-align: left; } #sonaar_music_42 #sonaar_music_56 .sr_it-playlist-title, #sonaar_music_42 #sonaar_music_56 .sr_it-playlist-artists, #sonaar_music_42 #sonaar_music_56 .srp_subtitle { margin-left: 0px; } #sonaar_music_42 #sonaar_music_56 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_42 #sonaar_music_56 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_42 #sonaar_music_56 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_42 #sonaar_music_56 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_42 #sonaar_music_56 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_42 #sonaar_music_56 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_42 #sonaar_music_56 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_42 #sonaar_music_56 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_42 #sonaar_music_56 .album-player .control { top: 0px; position: relative; } #sonaar_music_42 #sonaar_music_56 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_42 #sonaar_music_56 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_42 #sonaar_music_56 .srp-play-circle { border-width: 6px; } #sonaar_music_42 #sonaar_music_56 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be372d80bcc srp_player_params_69be376ac1305 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be372d80bcc srp_player_params_args_69be376ac1305 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be372d80bcc"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be376ac1305"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be372d80bcc"); setIronAudioplayers("arbitrary-instance-69be376ac1305"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:13:19) hash: 325bf0bcc79356702c2e559b7e6c753aa6ee389b
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:14:17) hash: 2bf0478458bd9bd3ff1c933182e63fddf665fddf
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_98 #sonaar_music_42 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_98 #sonaar_music_42 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_98 #sonaar_music_42 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_98 #sonaar_music_42 .album .album-art img { border-radius: 0px;} #sonaar_music_98 #sonaar_music_42 .sonaar-grid .album { padding: 0px;} #sonaar_music_98 #sonaar_music_42 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_98 #sonaar_music_42 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_98 #sonaar_music_42 .sonaar-grid { justify-content: center; } #sonaar_music_98 #sonaar_music_42 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_98 #sonaar_music_42 .playlist, #sonaar_music_98 #sonaar_music_42 .buttons-block { width: 100%; } #sonaar_music_98 #sonaar_music_42 .playlist { margin: 0px; } #sonaar_music_98 #sonaar_music_42 .srp_tracklist { margin: 0px; } #sonaar_music_98 #sonaar_music_42 .sr_it-playlist-title, #sonaar_music_98 #sonaar_music_42 .sr_it-playlist-artists, #sonaar_music_98 #sonaar_music_42 .srp_subtitle { text-align: left; } #sonaar_music_98 #sonaar_music_42 .sr_it-playlist-title, #sonaar_music_98 #sonaar_music_42 .sr_it-playlist-artists, #sonaar_music_98 #sonaar_music_42 .srp_subtitle { margin-left: 0px; } #sonaar_music_98 #sonaar_music_42 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_98 #sonaar_music_42 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_98 #sonaar_music_42 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_98 #sonaar_music_42 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_98 #sonaar_music_42 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_98 #sonaar_music_42 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_98 #sonaar_music_42 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_98 #sonaar_music_42 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_98 #sonaar_music_42 .album-player .control { top: 0px; position: relative; } #sonaar_music_98 #sonaar_music_42 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_98 #sonaar_music_42 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_98 #sonaar_music_42 .srp-play-circle { border-width: 6px; } #sonaar_music_98 #sonaar_music_42 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be36f3bb93a srp_player_params_69be372d80bcc = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be36f3bb93a srp_player_params_args_69be372d80bcc = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be36f3bb93a"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be372d80bcc"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be36f3bb93a"); setIronAudioplayers("arbitrary-instance-69be372d80bcc"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:12:18) hash: 0dcaad1bc7d8ab262a28fd5aec9edb62f4248474
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:13:19) hash: 325bf0bcc79356702c2e559b7e6c753aa6ee389b
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_82 #sonaar_music_98 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_82 #sonaar_music_98 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_82 #sonaar_music_98 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_82 #sonaar_music_98 .album .album-art img { border-radius: 0px;} #sonaar_music_82 #sonaar_music_98 .sonaar-grid .album { padding: 0px;} #sonaar_music_82 #sonaar_music_98 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_82 #sonaar_music_98 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_82 #sonaar_music_98 .sonaar-grid { justify-content: center; } #sonaar_music_82 #sonaar_music_98 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_82 #sonaar_music_98 .playlist, #sonaar_music_82 #sonaar_music_98 .buttons-block { width: 100%; } #sonaar_music_82 #sonaar_music_98 .playlist { margin: 0px; } #sonaar_music_82 #sonaar_music_98 .srp_tracklist { margin: 0px; } #sonaar_music_82 #sonaar_music_98 .sr_it-playlist-title, #sonaar_music_82 #sonaar_music_98 .sr_it-playlist-artists, #sonaar_music_82 #sonaar_music_98 .srp_subtitle { text-align: left; } #sonaar_music_82 #sonaar_music_98 .sr_it-playlist-title, #sonaar_music_82 #sonaar_music_98 .sr_it-playlist-artists, #sonaar_music_82 #sonaar_music_98 .srp_subtitle { margin-left: 0px; } #sonaar_music_82 #sonaar_music_98 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_82 #sonaar_music_98 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_82 #sonaar_music_98 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_82 #sonaar_music_98 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_82 #sonaar_music_98 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_82 #sonaar_music_98 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_82 #sonaar_music_98 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_82 #sonaar_music_98 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_82 #sonaar_music_98 .album-player .control { top: 0px; position: relative; } #sonaar_music_82 #sonaar_music_98 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_82 #sonaar_music_98 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_82 #sonaar_music_98 .srp-play-circle { border-width: 6px; } #sonaar_music_82 #sonaar_music_98 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be36b7a61c6 srp_player_params_69be36f3bb93a = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be36b7a61c6 srp_player_params_args_69be36f3bb93a = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be36b7a61c6"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be36f3bb93a"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be36b7a61c6"); setIronAudioplayers("arbitrary-instance-69be36f3bb93a"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:11:18) hash: 5d7546c5a1ad45c3292ac1bd83e57d481cb148d5
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:12:18) hash: 0dcaad1bc7d8ab262a28fd5aec9edb62f4248474
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_81 #sonaar_music_82 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_81 #sonaar_music_82 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_81 #sonaar_music_82 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_81 #sonaar_music_82 .album .album-art img { border-radius: 0px;} #sonaar_music_81 #sonaar_music_82 .sonaar-grid .album { padding: 0px;} #sonaar_music_81 #sonaar_music_82 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_81 #sonaar_music_82 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_81 #sonaar_music_82 .sonaar-grid { justify-content: center; } #sonaar_music_81 #sonaar_music_82 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_81 #sonaar_music_82 .playlist, #sonaar_music_81 #sonaar_music_82 .buttons-block { width: 100%; } #sonaar_music_81 #sonaar_music_82 .playlist { margin: 0px; } #sonaar_music_81 #sonaar_music_82 .srp_tracklist { margin: 0px; } #sonaar_music_81 #sonaar_music_82 .sr_it-playlist-title, #sonaar_music_81 #sonaar_music_82 .sr_it-playlist-artists, #sonaar_music_81 #sonaar_music_82 .srp_subtitle { text-align: left; } #sonaar_music_81 #sonaar_music_82 .sr_it-playlist-title, #sonaar_music_81 #sonaar_music_82 .sr_it-playlist-artists, #sonaar_music_81 #sonaar_music_82 .srp_subtitle { margin-left: 0px; } #sonaar_music_81 #sonaar_music_82 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_81 #sonaar_music_82 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_81 #sonaar_music_82 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_81 #sonaar_music_82 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_81 #sonaar_music_82 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_81 #sonaar_music_82 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_81 #sonaar_music_82 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_81 #sonaar_music_82 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_81 #sonaar_music_82 .album-player .control { top: 0px; position: relative; } #sonaar_music_81 #sonaar_music_82 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_81 #sonaar_music_82 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_81 #sonaar_music_82 .srp-play-circle { border-width: 6px; } #sonaar_music_81 #sonaar_music_82 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be367bbbcc8 srp_player_params_69be36b7a61c6 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be367bbbcc8 srp_player_params_args_69be36b7a61c6 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be367bbbcc8"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be36b7a61c6"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be367bbbcc8"); setIronAudioplayers("arbitrary-instance-69be36b7a61c6"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:10:18) hash: c82853845574b105e2a743ec4f5c76ce76683c7b
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:11:18) hash: 5d7546c5a1ad45c3292ac1bd83e57d481cb148d5
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_13 #sonaar_music_81 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_13 #sonaar_music_81 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_13 #sonaar_music_81 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_13 #sonaar_music_81 .album .album-art img { border-radius: 0px;} #sonaar_music_13 #sonaar_music_81 .sonaar-grid .album { padding: 0px;} #sonaar_music_13 #sonaar_music_81 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_13 #sonaar_music_81 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_13 #sonaar_music_81 .sonaar-grid { justify-content: center; } #sonaar_music_13 #sonaar_music_81 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_13 #sonaar_music_81 .playlist, #sonaar_music_13 #sonaar_music_81 .buttons-block { width: 100%; } #sonaar_music_13 #sonaar_music_81 .playlist { margin: 0px; } #sonaar_music_13 #sonaar_music_81 .srp_tracklist { margin: 0px; } #sonaar_music_13 #sonaar_music_81 .sr_it-playlist-title, #sonaar_music_13 #sonaar_music_81 .sr_it-playlist-artists, #sonaar_music_13 #sonaar_music_81 .srp_subtitle { text-align: left; } #sonaar_music_13 #sonaar_music_81 .sr_it-playlist-title, #sonaar_music_13 #sonaar_music_81 .sr_it-playlist-artists, #sonaar_music_13 #sonaar_music_81 .srp_subtitle { margin-left: 0px; } #sonaar_music_13 #sonaar_music_81 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_13 #sonaar_music_81 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_13 #sonaar_music_81 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_13 #sonaar_music_81 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_13 #sonaar_music_81 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_13 #sonaar_music_81 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_13 #sonaar_music_81 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_13 #sonaar_music_81 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_13 #sonaar_music_81 .album-player .control { top: 0px; position: relative; } #sonaar_music_13 #sonaar_music_81 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_13 #sonaar_music_81 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_13 #sonaar_music_81 .srp-play-circle { border-width: 6px; } #sonaar_music_13 #sonaar_music_81 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be363fedd11 srp_player_params_69be367bbbcc8 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be363fedd11 srp_player_params_args_69be367bbbcc8 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be363fedd11"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be367bbbcc8"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be363fedd11"); setIronAudioplayers("arbitrary-instance-69be367bbbcc8"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:09:18) hash: f8122ed2ad81376cddb9523ddbc05ad70073bcc7
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:10:18) hash: c82853845574b105e2a743ec4f5c76ce76683c7b
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_52 #sonaar_music_13 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_52 #sonaar_music_13 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_52 #sonaar_music_13 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_52 #sonaar_music_13 .album .album-art img { border-radius: 0px;} #sonaar_music_52 #sonaar_music_13 .sonaar-grid .album { padding: 0px;} #sonaar_music_52 #sonaar_music_13 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_52 #sonaar_music_13 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_52 #sonaar_music_13 .sonaar-grid { justify-content: center; } #sonaar_music_52 #sonaar_music_13 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_52 #sonaar_music_13 .playlist, #sonaar_music_52 #sonaar_music_13 .buttons-block { width: 100%; } #sonaar_music_52 #sonaar_music_13 .playlist { margin: 0px; } #sonaar_music_52 #sonaar_music_13 .srp_tracklist { margin: 0px; } #sonaar_music_52 #sonaar_music_13 .sr_it-playlist-title, #sonaar_music_52 #sonaar_music_13 .sr_it-playlist-artists, #sonaar_music_52 #sonaar_music_13 .srp_subtitle { text-align: left; } #sonaar_music_52 #sonaar_music_13 .sr_it-playlist-title, #sonaar_music_52 #sonaar_music_13 .sr_it-playlist-artists, #sonaar_music_52 #sonaar_music_13 .srp_subtitle { margin-left: 0px; } #sonaar_music_52 #sonaar_music_13 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_52 #sonaar_music_13 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_52 #sonaar_music_13 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_52 #sonaar_music_13 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_52 #sonaar_music_13 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_52 #sonaar_music_13 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_52 #sonaar_music_13 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_52 #sonaar_music_13 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_52 #sonaar_music_13 .album-player .control { top: 0px; position: relative; } #sonaar_music_52 #sonaar_music_13 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_52 #sonaar_music_13 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_52 #sonaar_music_13 .srp-play-circle { border-width: 6px; } #sonaar_music_52 #sonaar_music_13 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be36034eb9c srp_player_params_69be363fedd11 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be36034eb9c srp_player_params_args_69be363fedd11 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be36034eb9c"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be363fedd11"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be36034eb9c"); setIronAudioplayers("arbitrary-instance-69be363fedd11"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:08:19) hash: df8ea8d5aac057d7c51d82e972c79598c8825efe
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:09:18) hash: f8122ed2ad81376cddb9523ddbc05ad70073bcc7
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_20 #sonaar_music_52 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_20 #sonaar_music_52 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_20 #sonaar_music_52 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_20 #sonaar_music_52 .album .album-art img { border-radius: 0px;} #sonaar_music_20 #sonaar_music_52 .sonaar-grid .album { padding: 0px;} #sonaar_music_20 #sonaar_music_52 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_20 #sonaar_music_52 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_20 #sonaar_music_52 .sonaar-grid { justify-content: center; } #sonaar_music_20 #sonaar_music_52 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_20 #sonaar_music_52 .playlist, #sonaar_music_20 #sonaar_music_52 .buttons-block { width: 100%; } #sonaar_music_20 #sonaar_music_52 .playlist { margin: 0px; } #sonaar_music_20 #sonaar_music_52 .srp_tracklist { margin: 0px; } #sonaar_music_20 #sonaar_music_52 .sr_it-playlist-title, #sonaar_music_20 #sonaar_music_52 .sr_it-playlist-artists, #sonaar_music_20 #sonaar_music_52 .srp_subtitle { text-align: left; } #sonaar_music_20 #sonaar_music_52 .sr_it-playlist-title, #sonaar_music_20 #sonaar_music_52 .sr_it-playlist-artists, #sonaar_music_20 #sonaar_music_52 .srp_subtitle { margin-left: 0px; } #sonaar_music_20 #sonaar_music_52 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_20 #sonaar_music_52 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_20 #sonaar_music_52 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_20 #sonaar_music_52 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_20 #sonaar_music_52 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_20 #sonaar_music_52 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_20 #sonaar_music_52 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_20 #sonaar_music_52 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_20 #sonaar_music_52 .album-player .control { top: 0px; position: relative; } #sonaar_music_20 #sonaar_music_52 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_20 #sonaar_music_52 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_20 #sonaar_music_52 .srp-play-circle { border-width: 6px; } #sonaar_music_20 #sonaar_music_52 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be35c7c3e9f srp_player_params_69be36034eb9c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be35c7c3e9f srp_player_params_args_69be36034eb9c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be35c7c3e9f"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be36034eb9c"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be35c7c3e9f"); setIronAudioplayers("arbitrary-instance-69be36034eb9c"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:07:18) hash: e47ddd897cef05f7fb3f22f682247668b46718b3
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:08:19) hash: df8ea8d5aac057d7c51d82e972c79598c8825efe
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_44 #sonaar_music_20 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 #sonaar_music_20 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 #sonaar_music_20 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 #sonaar_music_20 .album .album-art img { border-radius: 0px;} #sonaar_music_44 #sonaar_music_20 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 #sonaar_music_20 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 #sonaar_music_20 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 #sonaar_music_20 .sonaar-grid { justify-content: center; } #sonaar_music_44 #sonaar_music_20 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 #sonaar_music_20 .playlist, #sonaar_music_44 #sonaar_music_20 .buttons-block { width: 100%; } #sonaar_music_44 #sonaar_music_20 .playlist { margin: 0px; } #sonaar_music_44 #sonaar_music_20 .srp_tracklist { margin: 0px; } #sonaar_music_44 #sonaar_music_20 .sr_it-playlist-title, #sonaar_music_44 #sonaar_music_20 .sr_it-playlist-artists, #sonaar_music_44 #sonaar_music_20 .srp_subtitle { text-align: left; } #sonaar_music_44 #sonaar_music_20 .sr_it-playlist-title, #sonaar_music_44 #sonaar_music_20 .sr_it-playlist-artists, #sonaar_music_44 #sonaar_music_20 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 #sonaar_music_20 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 #sonaar_music_20 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 #sonaar_music_20 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 #sonaar_music_20 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 #sonaar_music_20 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 #sonaar_music_20 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 #sonaar_music_20 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 #sonaar_music_20 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 #sonaar_music_20 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 #sonaar_music_20 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 #sonaar_music_20 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 #sonaar_music_20 .srp-play-circle { border-width: 6px; } #sonaar_music_44 #sonaar_music_20 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be358ad464b srp_player_params_69be35c7c3e9f = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be358ad464b srp_player_params_args_69be35c7c3e9f = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be358ad464b"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be35c7c3e9f"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be358ad464b"); setIronAudioplayers("arbitrary-instance-69be35c7c3e9f"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:06:37) hash: e61804011f330127f59a9830128810d6311e2243
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:07:18) hash: e47ddd897cef05f7fb3f22f682247668b46718b3
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_59 #sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_59 #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_59 #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_59 #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_59 #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_59 #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_59 #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_59 #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_59 #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_59 #sonaar_music_44 .playlist, #sonaar_music_59 #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_59 #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_59 #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_59 #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_59 #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_59 #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_59 #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_59 #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_59 #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_59 #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_59 #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_59 #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_59 #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_59 #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_59 #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_59 #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_59 #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_59 #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_59 #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_59 #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_59 #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_59 #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be356262d38 srp_player_params_69be358ad464b = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be356262d38 srp_player_params_args_69be358ad464b = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be356262d38"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be358ad464b"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be356262d38"); setIronAudioplayers("arbitrary-instance-69be358ad464b"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:05:21) hash: 5f177b125dcfd2124396c8b18bb909d9cf5b8392
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:06:37) hash: e61804011f330127f59a9830128810d6311e2243
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_32 #sonaar_music_59 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_32 #sonaar_music_59 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_32 #sonaar_music_59 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_32 #sonaar_music_59 .album .album-art img { border-radius: 0px;} #sonaar_music_32 #sonaar_music_59 .sonaar-grid .album { padding: 0px;} #sonaar_music_32 #sonaar_music_59 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_32 #sonaar_music_59 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_32 #sonaar_music_59 .sonaar-grid { justify-content: center; } #sonaar_music_32 #sonaar_music_59 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_32 #sonaar_music_59 .playlist, #sonaar_music_32 #sonaar_music_59 .buttons-block { width: 100%; } #sonaar_music_32 #sonaar_music_59 .playlist { margin: 0px; } #sonaar_music_32 #sonaar_music_59 .srp_tracklist { margin: 0px; } #sonaar_music_32 #sonaar_music_59 .sr_it-playlist-title, #sonaar_music_32 #sonaar_music_59 .sr_it-playlist-artists, #sonaar_music_32 #sonaar_music_59 .srp_subtitle { text-align: left; } #sonaar_music_32 #sonaar_music_59 .sr_it-playlist-title, #sonaar_music_32 #sonaar_music_59 .sr_it-playlist-artists, #sonaar_music_32 #sonaar_music_59 .srp_subtitle { margin-left: 0px; } #sonaar_music_32 #sonaar_music_59 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_32 #sonaar_music_59 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_32 #sonaar_music_59 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_32 #sonaar_music_59 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_32 #sonaar_music_59 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_32 #sonaar_music_59 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_32 #sonaar_music_59 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_32 #sonaar_music_59 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_32 #sonaar_music_59 .album-player .control { top: 0px; position: relative; } #sonaar_music_32 #sonaar_music_59 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_32 #sonaar_music_59 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_32 #sonaar_music_59 .srp-play-circle { border-width: 6px; } #sonaar_music_32 #sonaar_music_59 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3512ce696 srp_player_params_69be356262d38 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3512ce696 srp_player_params_args_69be356262d38 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3512ce696"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be356262d38"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3512ce696"); setIronAudioplayers("arbitrary-instance-69be356262d38"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:04:18) hash: eaa45bda6d80d189ee319561b548fb48afaf7c4f
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:05:21) hash: 5f177b125dcfd2124396c8b18bb909d9cf5b8392
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_74 #sonaar_music_32 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_74 #sonaar_music_32 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_74 #sonaar_music_32 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_74 #sonaar_music_32 .album .album-art img { border-radius: 0px;} #sonaar_music_74 #sonaar_music_32 .sonaar-grid .album { padding: 0px;} #sonaar_music_74 #sonaar_music_32 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_74 #sonaar_music_32 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_74 #sonaar_music_32 .sonaar-grid { justify-content: center; } #sonaar_music_74 #sonaar_music_32 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_74 #sonaar_music_32 .playlist, #sonaar_music_74 #sonaar_music_32 .buttons-block { width: 100%; } #sonaar_music_74 #sonaar_music_32 .playlist { margin: 0px; } #sonaar_music_74 #sonaar_music_32 .srp_tracklist { margin: 0px; } #sonaar_music_74 #sonaar_music_32 .sr_it-playlist-title, #sonaar_music_74 #sonaar_music_32 .sr_it-playlist-artists, #sonaar_music_74 #sonaar_music_32 .srp_subtitle { text-align: left; } #sonaar_music_74 #sonaar_music_32 .sr_it-playlist-title, #sonaar_music_74 #sonaar_music_32 .sr_it-playlist-artists, #sonaar_music_74 #sonaar_music_32 .srp_subtitle { margin-left: 0px; } #sonaar_music_74 #sonaar_music_32 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_74 #sonaar_music_32 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_74 #sonaar_music_32 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_74 #sonaar_music_32 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_74 #sonaar_music_32 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_74 #sonaar_music_32 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_74 #sonaar_music_32 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_74 #sonaar_music_32 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_74 #sonaar_music_32 .album-player .control { top: 0px; position: relative; } #sonaar_music_74 #sonaar_music_32 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_74 #sonaar_music_32 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_74 #sonaar_music_32 .srp-play-circle { border-width: 6px; } #sonaar_music_74 #sonaar_music_32 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be34d793fce srp_player_params_69be3512ce696 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be34d793fce srp_player_params_args_69be3512ce696 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be34d793fce"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3512ce696"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be34d793fce"); setIronAudioplayers("arbitrary-instance-69be3512ce696"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:03:18) hash: 9474d3c4388d131b60bf9135477b02318534e48b
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:04:18) hash: eaa45bda6d80d189ee319561b548fb48afaf7c4f
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_43 #sonaar_music_74 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_43 #sonaar_music_74 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_43 #sonaar_music_74 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_43 #sonaar_music_74 .album .album-art img { border-radius: 0px;} #sonaar_music_43 #sonaar_music_74 .sonaar-grid .album { padding: 0px;} #sonaar_music_43 #sonaar_music_74 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_43 #sonaar_music_74 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_43 #sonaar_music_74 .sonaar-grid { justify-content: center; } #sonaar_music_43 #sonaar_music_74 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_43 #sonaar_music_74 .playlist, #sonaar_music_43 #sonaar_music_74 .buttons-block { width: 100%; } #sonaar_music_43 #sonaar_music_74 .playlist { margin: 0px; } #sonaar_music_43 #sonaar_music_74 .srp_tracklist { margin: 0px; } #sonaar_music_43 #sonaar_music_74 .sr_it-playlist-title, #sonaar_music_43 #sonaar_music_74 .sr_it-playlist-artists, #sonaar_music_43 #sonaar_music_74 .srp_subtitle { text-align: left; } #sonaar_music_43 #sonaar_music_74 .sr_it-playlist-title, #sonaar_music_43 #sonaar_music_74 .sr_it-playlist-artists, #sonaar_music_43 #sonaar_music_74 .srp_subtitle { margin-left: 0px; } #sonaar_music_43 #sonaar_music_74 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_43 #sonaar_music_74 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_43 #sonaar_music_74 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_43 #sonaar_music_74 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_43 #sonaar_music_74 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_43 #sonaar_music_74 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_43 #sonaar_music_74 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_43 #sonaar_music_74 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_43 #sonaar_music_74 .album-player .control { top: 0px; position: relative; } #sonaar_music_43 #sonaar_music_74 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_43 #sonaar_music_74 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_43 #sonaar_music_74 .srp-play-circle { border-width: 6px; } #sonaar_music_43 #sonaar_music_74 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be349b008dc srp_player_params_69be34d793fce = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be349b008dc srp_player_params_args_69be34d793fce = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be349b008dc"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be34d793fce"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be349b008dc"); setIronAudioplayers("arbitrary-instance-69be34d793fce"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:02:18) hash: 6baf75ba922589c8cdf96f0123a6aa39c1454fd6
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:03:18) hash: 9474d3c4388d131b60bf9135477b02318534e48b
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_70 #sonaar_music_43 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_70 #sonaar_music_43 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_70 #sonaar_music_43 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_70 #sonaar_music_43 .album .album-art img { border-radius: 0px;} #sonaar_music_70 #sonaar_music_43 .sonaar-grid .album { padding: 0px;} #sonaar_music_70 #sonaar_music_43 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_70 #sonaar_music_43 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_70 #sonaar_music_43 .sonaar-grid { justify-content: center; } #sonaar_music_70 #sonaar_music_43 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_70 #sonaar_music_43 .playlist, #sonaar_music_70 #sonaar_music_43 .buttons-block { width: 100%; } #sonaar_music_70 #sonaar_music_43 .playlist { margin: 0px; } #sonaar_music_70 #sonaar_music_43 .srp_tracklist { margin: 0px; } #sonaar_music_70 #sonaar_music_43 .sr_it-playlist-title, #sonaar_music_70 #sonaar_music_43 .sr_it-playlist-artists, #sonaar_music_70 #sonaar_music_43 .srp_subtitle { text-align: left; } #sonaar_music_70 #sonaar_music_43 .sr_it-playlist-title, #sonaar_music_70 #sonaar_music_43 .sr_it-playlist-artists, #sonaar_music_70 #sonaar_music_43 .srp_subtitle { margin-left: 0px; } #sonaar_music_70 #sonaar_music_43 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_70 #sonaar_music_43 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_70 #sonaar_music_43 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_70 #sonaar_music_43 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_70 #sonaar_music_43 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_70 #sonaar_music_43 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_70 #sonaar_music_43 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_70 #sonaar_music_43 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_70 #sonaar_music_43 .album-player .control { top: 0px; position: relative; } #sonaar_music_70 #sonaar_music_43 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_70 #sonaar_music_43 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_70 #sonaar_music_43 .srp-play-circle { border-width: 6px; } #sonaar_music_70 #sonaar_music_43 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be345e29adf srp_player_params_69be349b008dc = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be345e29adf srp_player_params_args_69be349b008dc = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be345e29adf"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be349b008dc"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be345e29adf"); setIronAudioplayers("arbitrary-instance-69be349b008dc"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:01:17) hash: 6013e7554dc799f5a8e79b22c5f0776794db5a87
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:02:18) hash: 6baf75ba922589c8cdf96f0123a6aa39c1454fd6
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_17 #sonaar_music_70 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_17 #sonaar_music_70 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_17 #sonaar_music_70 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_17 #sonaar_music_70 .album .album-art img { border-radius: 0px;} #sonaar_music_17 #sonaar_music_70 .sonaar-grid .album { padding: 0px;} #sonaar_music_17 #sonaar_music_70 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_17 #sonaar_music_70 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_17 #sonaar_music_70 .sonaar-grid { justify-content: center; } #sonaar_music_17 #sonaar_music_70 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_17 #sonaar_music_70 .playlist, #sonaar_music_17 #sonaar_music_70 .buttons-block { width: 100%; } #sonaar_music_17 #sonaar_music_70 .playlist { margin: 0px; } #sonaar_music_17 #sonaar_music_70 .srp_tracklist { margin: 0px; } #sonaar_music_17 #sonaar_music_70 .sr_it-playlist-title, #sonaar_music_17 #sonaar_music_70 .sr_it-playlist-artists, #sonaar_music_17 #sonaar_music_70 .srp_subtitle { text-align: left; } #sonaar_music_17 #sonaar_music_70 .sr_it-playlist-title, #sonaar_music_17 #sonaar_music_70 .sr_it-playlist-artists, #sonaar_music_17 #sonaar_music_70 .srp_subtitle { margin-left: 0px; } #sonaar_music_17 #sonaar_music_70 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_17 #sonaar_music_70 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_17 #sonaar_music_70 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_17 #sonaar_music_70 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_17 #sonaar_music_70 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_17 #sonaar_music_70 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_17 #sonaar_music_70 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_17 #sonaar_music_70 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_17 #sonaar_music_70 .album-player .control { top: 0px; position: relative; } #sonaar_music_17 #sonaar_music_70 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_17 #sonaar_music_70 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_17 #sonaar_music_70 .srp-play-circle { border-width: 6px; } #sonaar_music_17 #sonaar_music_70 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be342260333 srp_player_params_69be345e29adf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be342260333 srp_player_params_args_69be345e29adf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be342260333"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be345e29adf"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be342260333"); setIronAudioplayers("arbitrary-instance-69be345e29adf"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 07:00:18) hash: dec497c42cae3f10b73f5d87fa542eaa6a2eecdf
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:01:17) hash: 6013e7554dc799f5a8e79b22c5f0776794db5a87
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_22 #sonaar_music_17 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_22 #sonaar_music_17 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_22 #sonaar_music_17 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_22 #sonaar_music_17 .album .album-art img { border-radius: 0px;} #sonaar_music_22 #sonaar_music_17 .sonaar-grid .album { padding: 0px;} #sonaar_music_22 #sonaar_music_17 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_22 #sonaar_music_17 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_22 #sonaar_music_17 .sonaar-grid { justify-content: center; } #sonaar_music_22 #sonaar_music_17 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_22 #sonaar_music_17 .playlist, #sonaar_music_22 #sonaar_music_17 .buttons-block { width: 100%; } #sonaar_music_22 #sonaar_music_17 .playlist { margin: 0px; } #sonaar_music_22 #sonaar_music_17 .srp_tracklist { margin: 0px; } #sonaar_music_22 #sonaar_music_17 .sr_it-playlist-title, #sonaar_music_22 #sonaar_music_17 .sr_it-playlist-artists, #sonaar_music_22 #sonaar_music_17 .srp_subtitle { text-align: left; } #sonaar_music_22 #sonaar_music_17 .sr_it-playlist-title, #sonaar_music_22 #sonaar_music_17 .sr_it-playlist-artists, #sonaar_music_22 #sonaar_music_17 .srp_subtitle { margin-left: 0px; } #sonaar_music_22 #sonaar_music_17 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_22 #sonaar_music_17 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_22 #sonaar_music_17 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_22 #sonaar_music_17 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_22 #sonaar_music_17 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_22 #sonaar_music_17 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_22 #sonaar_music_17 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_22 #sonaar_music_17 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_22 #sonaar_music_17 .album-player .control { top: 0px; position: relative; } #sonaar_music_22 #sonaar_music_17 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_22 #sonaar_music_17 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_22 #sonaar_music_17 .srp-play-circle { border-width: 6px; } #sonaar_music_22 #sonaar_music_17 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be33e5e6756 srp_player_params_69be342260333 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be33e5e6756 srp_player_params_args_69be342260333 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be33e5e6756"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be342260333"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be33e5e6756"); setIronAudioplayers("arbitrary-instance-69be342260333"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:59:19) hash: 1abb113aa53ad24d0351ce6239386fb8dcddd0d5
To 2025-08-23 09:19:40 (discovered: 2026-03-21 07:00:18) hash: dec497c42cae3f10b73f5d87fa542eaa6a2eecdf
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_10 #sonaar_music_22 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_10 #sonaar_music_22 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_10 #sonaar_music_22 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_10 #sonaar_music_22 .album .album-art img { border-radius: 0px;} #sonaar_music_10 #sonaar_music_22 .sonaar-grid .album { padding: 0px;} #sonaar_music_10 #sonaar_music_22 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_10 #sonaar_music_22 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_10 #sonaar_music_22 .sonaar-grid { justify-content: center; } #sonaar_music_10 #sonaar_music_22 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_10 #sonaar_music_22 .playlist, #sonaar_music_10 #sonaar_music_22 .buttons-block { width: 100%; } #sonaar_music_10 #sonaar_music_22 .playlist { margin: 0px; } #sonaar_music_10 #sonaar_music_22 .srp_tracklist { margin: 0px; } #sonaar_music_10 #sonaar_music_22 .sr_it-playlist-title, #sonaar_music_10 #sonaar_music_22 .sr_it-playlist-artists, #sonaar_music_10 #sonaar_music_22 .srp_subtitle { text-align: left; } #sonaar_music_10 #sonaar_music_22 .sr_it-playlist-title, #sonaar_music_10 #sonaar_music_22 .sr_it-playlist-artists, #sonaar_music_10 #sonaar_music_22 .srp_subtitle { margin-left: 0px; } #sonaar_music_10 #sonaar_music_22 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_10 #sonaar_music_22 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_10 #sonaar_music_22 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_10 #sonaar_music_22 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_10 #sonaar_music_22 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_10 #sonaar_music_22 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_10 #sonaar_music_22 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_10 #sonaar_music_22 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_10 #sonaar_music_22 .album-player .control { top: 0px; position: relative; } #sonaar_music_10 #sonaar_music_22 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_10 #sonaar_music_22 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_10 #sonaar_music_22 .srp-play-circle { border-width: 6px; } #sonaar_music_10 #sonaar_music_22 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be33ab3bc04 srp_player_params_69be33e5e6756 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be33ab3bc04 srp_player_params_args_69be33e5e6756 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be33ab3bc04"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be33e5e6756"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be33ab3bc04"); setIronAudioplayers("arbitrary-instance-69be33e5e6756"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:58:18) hash: d3d44e59bedb43393600e7bd3e18376d6502378e
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:59:19) hash: 1abb113aa53ad24d0351ce6239386fb8dcddd0d5
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_95 #sonaar_music_10 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_95 #sonaar_music_10 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_95 #sonaar_music_10 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_95 #sonaar_music_10 .album .album-art img { border-radius: 0px;} #sonaar_music_95 #sonaar_music_10 .sonaar-grid .album { padding: 0px;} #sonaar_music_95 #sonaar_music_10 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_95 #sonaar_music_10 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_95 #sonaar_music_10 .sonaar-grid { justify-content: center; } #sonaar_music_95 #sonaar_music_10 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_95 #sonaar_music_10 .playlist, #sonaar_music_95 #sonaar_music_10 .buttons-block { width: 100%; } #sonaar_music_95 #sonaar_music_10 .playlist { margin: 0px; } #sonaar_music_95 #sonaar_music_10 .srp_tracklist { margin: 0px; } #sonaar_music_95 #sonaar_music_10 .sr_it-playlist-title, #sonaar_music_95 #sonaar_music_10 .sr_it-playlist-artists, #sonaar_music_95 #sonaar_music_10 .srp_subtitle { text-align: left; } #sonaar_music_95 #sonaar_music_10 .sr_it-playlist-title, #sonaar_music_95 #sonaar_music_10 .sr_it-playlist-artists, #sonaar_music_95 #sonaar_music_10 .srp_subtitle { margin-left: 0px; } #sonaar_music_95 #sonaar_music_10 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_95 #sonaar_music_10 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_95 #sonaar_music_10 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_95 #sonaar_music_10 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_95 #sonaar_music_10 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_95 #sonaar_music_10 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_95 #sonaar_music_10 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_95 #sonaar_music_10 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_95 #sonaar_music_10 .album-player .control { top: 0px; position: relative; } #sonaar_music_95 #sonaar_music_10 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_95 #sonaar_music_10 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_95 #sonaar_music_10 .srp-play-circle { border-width: 6px; } #sonaar_music_95 #sonaar_music_10 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be336e86c8d srp_player_params_69be33ab3bc04 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be336e86c8d srp_player_params_args_69be33ab3bc04 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be336e86c8d"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be33ab3bc04"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be336e86c8d"); setIronAudioplayers("arbitrary-instance-69be33ab3bc04"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:57:18) hash: 51ed98a88a03139b0594d4dc725fc0c61ff29918
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:58:18) hash: d3d44e59bedb43393600e7bd3e18376d6502378e
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_66 #sonaar_music_95 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_66 #sonaar_music_95 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_66 #sonaar_music_95 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_66 #sonaar_music_95 .album .album-art img { border-radius: 0px;} #sonaar_music_66 #sonaar_music_95 .sonaar-grid .album { padding: 0px;} #sonaar_music_66 #sonaar_music_95 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_66 #sonaar_music_95 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_66 #sonaar_music_95 .sonaar-grid { justify-content: center; } #sonaar_music_66 #sonaar_music_95 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_66 #sonaar_music_95 .playlist, #sonaar_music_66 #sonaar_music_95 .buttons-block { width: 100%; } #sonaar_music_66 #sonaar_music_95 .playlist { margin: 0px; } #sonaar_music_66 #sonaar_music_95 .srp_tracklist { margin: 0px; } #sonaar_music_66 #sonaar_music_95 .sr_it-playlist-title, #sonaar_music_66 #sonaar_music_95 .sr_it-playlist-artists, #sonaar_music_66 #sonaar_music_95 .srp_subtitle { text-align: left; } #sonaar_music_66 #sonaar_music_95 .sr_it-playlist-title, #sonaar_music_66 #sonaar_music_95 .sr_it-playlist-artists, #sonaar_music_66 #sonaar_music_95 .srp_subtitle { margin-left: 0px; } #sonaar_music_66 #sonaar_music_95 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_66 #sonaar_music_95 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_66 #sonaar_music_95 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_66 #sonaar_music_95 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_66 #sonaar_music_95 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_66 #sonaar_music_95 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_66 #sonaar_music_95 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_66 #sonaar_music_95 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_66 #sonaar_music_95 .album-player .control { top: 0px; position: relative; } #sonaar_music_66 #sonaar_music_95 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_66 #sonaar_music_95 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_66 #sonaar_music_95 .srp-play-circle { border-width: 6px; } #sonaar_music_66 #sonaar_music_95 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3332d9c73 srp_player_params_69be336e86c8d = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3332d9c73 srp_player_params_args_69be336e86c8d = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3332d9c73"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be336e86c8d"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3332d9c73"); setIronAudioplayers("arbitrary-instance-69be336e86c8d"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:56:17) hash: 38fec02a2d9057b1d201856778b9674d10272e91
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:57:18) hash: 51ed98a88a03139b0594d4dc725fc0c61ff29918
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_29 #sonaar_music_66 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_29 #sonaar_music_66 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_29 #sonaar_music_66 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_29 #sonaar_music_66 .album .album-art img { border-radius: 0px;} #sonaar_music_29 #sonaar_music_66 .sonaar-grid .album { padding: 0px;} #sonaar_music_29 #sonaar_music_66 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_29 #sonaar_music_66 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_29 #sonaar_music_66 .sonaar-grid { justify-content: center; } #sonaar_music_29 #sonaar_music_66 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_29 #sonaar_music_66 .playlist, #sonaar_music_29 #sonaar_music_66 .buttons-block { width: 100%; } #sonaar_music_29 #sonaar_music_66 .playlist { margin: 0px; } #sonaar_music_29 #sonaar_music_66 .srp_tracklist { margin: 0px; } #sonaar_music_29 #sonaar_music_66 .sr_it-playlist-title, #sonaar_music_29 #sonaar_music_66 .sr_it-playlist-artists, #sonaar_music_29 #sonaar_music_66 .srp_subtitle { text-align: left; } #sonaar_music_29 #sonaar_music_66 .sr_it-playlist-title, #sonaar_music_29 #sonaar_music_66 .sr_it-playlist-artists, #sonaar_music_29 #sonaar_music_66 .srp_subtitle { margin-left: 0px; } #sonaar_music_29 #sonaar_music_66 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_29 #sonaar_music_66 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_29 #sonaar_music_66 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_29 #sonaar_music_66 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_29 #sonaar_music_66 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_29 #sonaar_music_66 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_29 #sonaar_music_66 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_29 #sonaar_music_66 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_29 #sonaar_music_66 .album-player .control { top: 0px; position: relative; } #sonaar_music_29 #sonaar_music_66 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_29 #sonaar_music_66 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_29 #sonaar_music_66 .srp-play-circle { border-width: 6px; } #sonaar_music_29 #sonaar_music_66 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be32f657445 srp_player_params_69be3332d9c73 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be32f657445 srp_player_params_args_69be3332d9c73 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be32f657445"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3332d9c73"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be32f657445"); setIronAudioplayers("arbitrary-instance-69be3332d9c73"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:55:18) hash: 208e5804094b56aecfe38daff4aa05b47e532e8c
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:56:17) hash: 38fec02a2d9057b1d201856778b9674d10272e91
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_87 #sonaar_music_29 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_87 #sonaar_music_29 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_87 #sonaar_music_29 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_87 #sonaar_music_29 .album .album-art img { border-radius: 0px;} #sonaar_music_87 #sonaar_music_29 .sonaar-grid .album { padding: 0px;} #sonaar_music_87 #sonaar_music_29 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_87 #sonaar_music_29 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_87 #sonaar_music_29 .sonaar-grid { justify-content: center; } #sonaar_music_87 #sonaar_music_29 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_87 #sonaar_music_29 .playlist, #sonaar_music_87 #sonaar_music_29 .buttons-block { width: 100%; } #sonaar_music_87 #sonaar_music_29 .playlist { margin: 0px; } #sonaar_music_87 #sonaar_music_29 .srp_tracklist { margin: 0px; } #sonaar_music_87 #sonaar_music_29 .sr_it-playlist-title, #sonaar_music_87 #sonaar_music_29 .sr_it-playlist-artists, #sonaar_music_87 #sonaar_music_29 .srp_subtitle { text-align: left; } #sonaar_music_87 #sonaar_music_29 .sr_it-playlist-title, #sonaar_music_87 #sonaar_music_29 .sr_it-playlist-artists, #sonaar_music_87 #sonaar_music_29 .srp_subtitle { margin-left: 0px; } #sonaar_music_87 #sonaar_music_29 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_87 #sonaar_music_29 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_87 #sonaar_music_29 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_87 #sonaar_music_29 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_87 #sonaar_music_29 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_87 #sonaar_music_29 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_87 #sonaar_music_29 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_87 #sonaar_music_29 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_87 #sonaar_music_29 .album-player .control { top: 0px; position: relative; } #sonaar_music_87 #sonaar_music_29 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_87 #sonaar_music_29 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_87 #sonaar_music_29 .srp-play-circle { border-width: 6px; } #sonaar_music_87 #sonaar_music_29 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be32bb25328 srp_player_params_69be32f657445 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be32bb25328 srp_player_params_args_69be32f657445 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be32bb25328"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be32f657445"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be32bb25328"); setIronAudioplayers("arbitrary-instance-69be32f657445"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:54:35) hash: de9754fb35a975b2de8bd60889f4b3f31bd5c91b
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:55:18) hash: 208e5804094b56aecfe38daff4aa05b47e532e8c
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_20 #sonaar_music_87 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_20 #sonaar_music_87 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_20 #sonaar_music_87 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_20 #sonaar_music_87 .album .album-art img { border-radius: 0px;} #sonaar_music_20 #sonaar_music_87 .sonaar-grid .album { padding: 0px;} #sonaar_music_20 #sonaar_music_87 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_20 #sonaar_music_87 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_20 #sonaar_music_87 .sonaar-grid { justify-content: center; } #sonaar_music_20 #sonaar_music_87 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_20 #sonaar_music_87 .playlist, #sonaar_music_20 #sonaar_music_87 .buttons-block { width: 100%; } #sonaar_music_20 #sonaar_music_87 .playlist { margin: 0px; } #sonaar_music_20 #sonaar_music_87 .srp_tracklist { margin: 0px; } #sonaar_music_20 #sonaar_music_87 .sr_it-playlist-title, #sonaar_music_20 #sonaar_music_87 .sr_it-playlist-artists, #sonaar_music_20 #sonaar_music_87 .srp_subtitle { text-align: left; } #sonaar_music_20 #sonaar_music_87 .sr_it-playlist-title, #sonaar_music_20 #sonaar_music_87 .sr_it-playlist-artists, #sonaar_music_20 #sonaar_music_87 .srp_subtitle { margin-left: 0px; } #sonaar_music_20 #sonaar_music_87 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_20 #sonaar_music_87 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_20 #sonaar_music_87 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_20 #sonaar_music_87 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_20 #sonaar_music_87 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_20 #sonaar_music_87 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_20 #sonaar_music_87 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_20 #sonaar_music_87 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_20 #sonaar_music_87 .album-player .control { top: 0px; position: relative; } #sonaar_music_20 #sonaar_music_87 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_20 #sonaar_music_87 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_20 #sonaar_music_87 .srp-play-circle { border-width: 6px; } #sonaar_music_20 #sonaar_music_87 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be327d29a12 srp_player_params_69be32bb25328 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be327d29a12 srp_player_params_args_69be32bb25328 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be327d29a12"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be32bb25328"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be327d29a12"); setIronAudioplayers("arbitrary-instance-69be32bb25328"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:53:18) hash: 1e0c8a4ac28110fbc0e621d1c84c286e469a6d9e
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:54:35) hash: de9754fb35a975b2de8bd60889f4b3f31bd5c91b
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_10 #sonaar_music_20 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_10 #sonaar_music_20 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_10 #sonaar_music_20 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_10 #sonaar_music_20 .album .album-art img { border-radius: 0px;} #sonaar_music_10 #sonaar_music_20 .sonaar-grid .album { padding: 0px;} #sonaar_music_10 #sonaar_music_20 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_10 #sonaar_music_20 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_10 #sonaar_music_20 .sonaar-grid { justify-content: center; } #sonaar_music_10 #sonaar_music_20 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_10 #sonaar_music_20 .playlist, #sonaar_music_10 #sonaar_music_20 .buttons-block { width: 100%; } #sonaar_music_10 #sonaar_music_20 .playlist { margin: 0px; } #sonaar_music_10 #sonaar_music_20 .srp_tracklist { margin: 0px; } #sonaar_music_10 #sonaar_music_20 .sr_it-playlist-title, #sonaar_music_10 #sonaar_music_20 .sr_it-playlist-artists, #sonaar_music_10 #sonaar_music_20 .srp_subtitle { text-align: left; } #sonaar_music_10 #sonaar_music_20 .sr_it-playlist-title, #sonaar_music_10 #sonaar_music_20 .sr_it-playlist-artists, #sonaar_music_10 #sonaar_music_20 .srp_subtitle { margin-left: 0px; } #sonaar_music_10 #sonaar_music_20 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_10 #sonaar_music_20 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_10 #sonaar_music_20 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_10 #sonaar_music_20 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_10 #sonaar_music_20 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_10 #sonaar_music_20 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_10 #sonaar_music_20 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_10 #sonaar_music_20 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_10 #sonaar_music_20 .album-player .control { top: 0px; position: relative; } #sonaar_music_10 #sonaar_music_20 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_10 #sonaar_music_20 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_10 #sonaar_music_20 .srp-play-circle { border-width: 6px; } #sonaar_music_10 #sonaar_music_20 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be324228669 srp_player_params_69be327d29a12 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be324228669 srp_player_params_args_69be327d29a12 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be324228669"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be327d29a12"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be324228669"); setIronAudioplayers("arbitrary-instance-69be327d29a12"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:52:18) hash: fda0a0794b90af495c80db0b74786543de12e1ca
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:53:18) hash: 1e0c8a4ac28110fbc0e621d1c84c286e469a6d9e
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_59 #sonaar_music_10 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_59 #sonaar_music_10 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_59 #sonaar_music_10 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_59 #sonaar_music_10 .album .album-art img { border-radius: 0px;} #sonaar_music_59 #sonaar_music_10 .sonaar-grid .album { padding: 0px;} #sonaar_music_59 #sonaar_music_10 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_59 #sonaar_music_10 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_59 #sonaar_music_10 .sonaar-grid { justify-content: center; } #sonaar_music_59 #sonaar_music_10 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_59 #sonaar_music_10 .playlist, #sonaar_music_59 #sonaar_music_10 .buttons-block { width: 100%; } #sonaar_music_59 #sonaar_music_10 .playlist { margin: 0px; } #sonaar_music_59 #sonaar_music_10 .srp_tracklist { margin: 0px; } #sonaar_music_59 #sonaar_music_10 .sr_it-playlist-title, #sonaar_music_59 #sonaar_music_10 .sr_it-playlist-artists, #sonaar_music_59 #sonaar_music_10 .srp_subtitle { text-align: left; } #sonaar_music_59 #sonaar_music_10 .sr_it-playlist-title, #sonaar_music_59 #sonaar_music_10 .sr_it-playlist-artists, #sonaar_music_59 #sonaar_music_10 .srp_subtitle { margin-left: 0px; } #sonaar_music_59 #sonaar_music_10 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_59 #sonaar_music_10 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_59 #sonaar_music_10 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_59 #sonaar_music_10 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_59 #sonaar_music_10 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_59 #sonaar_music_10 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_59 #sonaar_music_10 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_59 #sonaar_music_10 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_59 #sonaar_music_10 .album-player .control { top: 0px; position: relative; } #sonaar_music_59 #sonaar_music_10 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_59 #sonaar_music_10 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_59 #sonaar_music_10 .srp-play-circle { border-width: 6px; } #sonaar_music_59 #sonaar_music_10 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be320629197 srp_player_params_69be324228669 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be320629197 srp_player_params_args_69be324228669 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be320629197"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be324228669"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be320629197"); setIronAudioplayers("arbitrary-instance-69be324228669"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:51:18) hash: 71e36bee117485d50cb8f9c15eca1f6745506d2c
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:52:18) hash: fda0a0794b90af495c80db0b74786543de12e1ca
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_48 #sonaar_music_59 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_48 #sonaar_music_59 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_48 #sonaar_music_59 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_48 #sonaar_music_59 .album .album-art img { border-radius: 0px;} #sonaar_music_48 #sonaar_music_59 .sonaar-grid .album { padding: 0px;} #sonaar_music_48 #sonaar_music_59 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_48 #sonaar_music_59 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_48 #sonaar_music_59 .sonaar-grid { justify-content: center; } #sonaar_music_48 #sonaar_music_59 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_48 #sonaar_music_59 .playlist, #sonaar_music_48 #sonaar_music_59 .buttons-block { width: 100%; } #sonaar_music_48 #sonaar_music_59 .playlist { margin: 0px; } #sonaar_music_48 #sonaar_music_59 .srp_tracklist { margin: 0px; } #sonaar_music_48 #sonaar_music_59 .sr_it-playlist-title, #sonaar_music_48 #sonaar_music_59 .sr_it-playlist-artists, #sonaar_music_48 #sonaar_music_59 .srp_subtitle { text-align: left; } #sonaar_music_48 #sonaar_music_59 .sr_it-playlist-title, #sonaar_music_48 #sonaar_music_59 .sr_it-playlist-artists, #sonaar_music_48 #sonaar_music_59 .srp_subtitle { margin-left: 0px; } #sonaar_music_48 #sonaar_music_59 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_48 #sonaar_music_59 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_48 #sonaar_music_59 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_48 #sonaar_music_59 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_48 #sonaar_music_59 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_48 #sonaar_music_59 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_48 #sonaar_music_59 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_48 #sonaar_music_59 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_48 #sonaar_music_59 .album-player .control { top: 0px; position: relative; } #sonaar_music_48 #sonaar_music_59 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_48 #sonaar_music_59 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_48 #sonaar_music_59 .srp-play-circle { border-width: 6px; } #sonaar_music_48 #sonaar_music_59 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be31ca0daf0 srp_player_params_69be320629197 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be31ca0daf0 srp_player_params_args_69be320629197 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be31ca0daf0"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be320629197"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be31ca0daf0"); setIronAudioplayers("arbitrary-instance-69be320629197"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:50:18) hash: 85f37ba7801e6f347e111e0d2e71210103b5a337
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:51:18) hash: 71e36bee117485d50cb8f9c15eca1f6745506d2c
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_82 #sonaar_music_48 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_82 #sonaar_music_48 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_82 #sonaar_music_48 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_82 #sonaar_music_48 .album .album-art img { border-radius: 0px;} #sonaar_music_82 #sonaar_music_48 .sonaar-grid .album { padding: 0px;} #sonaar_music_82 #sonaar_music_48 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_82 #sonaar_music_48 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_82 #sonaar_music_48 .sonaar-grid { justify-content: center; } #sonaar_music_82 #sonaar_music_48 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_82 #sonaar_music_48 .playlist, #sonaar_music_82 #sonaar_music_48 .buttons-block { width: 100%; } #sonaar_music_82 #sonaar_music_48 .playlist { margin: 0px; } #sonaar_music_82 #sonaar_music_48 .srp_tracklist { margin: 0px; } #sonaar_music_82 #sonaar_music_48 .sr_it-playlist-title, #sonaar_music_82 #sonaar_music_48 .sr_it-playlist-artists, #sonaar_music_82 #sonaar_music_48 .srp_subtitle { text-align: left; } #sonaar_music_82 #sonaar_music_48 .sr_it-playlist-title, #sonaar_music_82 #sonaar_music_48 .sr_it-playlist-artists, #sonaar_music_82 #sonaar_music_48 .srp_subtitle { margin-left: 0px; } #sonaar_music_82 #sonaar_music_48 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_82 #sonaar_music_48 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_82 #sonaar_music_48 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_82 #sonaar_music_48 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_82 #sonaar_music_48 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_82 #sonaar_music_48 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_82 #sonaar_music_48 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_82 #sonaar_music_48 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_82 #sonaar_music_48 .album-player .control { top: 0px; position: relative; } #sonaar_music_82 #sonaar_music_48 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_82 #sonaar_music_48 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_82 #sonaar_music_48 .srp-play-circle { border-width: 6px; } #sonaar_music_82 #sonaar_music_48 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be318ecf221 srp_player_params_69be31ca0daf0 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be318ecf221 srp_player_params_args_69be31ca0daf0 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be318ecf221"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be31ca0daf0"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be318ecf221"); setIronAudioplayers("arbitrary-instance-69be31ca0daf0"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:49:18) hash: 8f89aca7eab401ba9ef53194bc5a0d3083402183
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:50:18) hash: 85f37ba7801e6f347e111e0d2e71210103b5a337
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_47 #sonaar_music_82 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_47 #sonaar_music_82 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_47 #sonaar_music_82 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_47 #sonaar_music_82 .album .album-art img { border-radius: 0px;} #sonaar_music_47 #sonaar_music_82 .sonaar-grid .album { padding: 0px;} #sonaar_music_47 #sonaar_music_82 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_47 #sonaar_music_82 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_47 #sonaar_music_82 .sonaar-grid { justify-content: center; } #sonaar_music_47 #sonaar_music_82 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_47 #sonaar_music_82 .playlist, #sonaar_music_47 #sonaar_music_82 .buttons-block { width: 100%; } #sonaar_music_47 #sonaar_music_82 .playlist { margin: 0px; } #sonaar_music_47 #sonaar_music_82 .srp_tracklist { margin: 0px; } #sonaar_music_47 #sonaar_music_82 .sr_it-playlist-title, #sonaar_music_47 #sonaar_music_82 .sr_it-playlist-artists, #sonaar_music_47 #sonaar_music_82 .srp_subtitle { text-align: left; } #sonaar_music_47 #sonaar_music_82 .sr_it-playlist-title, #sonaar_music_47 #sonaar_music_82 .sr_it-playlist-artists, #sonaar_music_47 #sonaar_music_82 .srp_subtitle { margin-left: 0px; } #sonaar_music_47 #sonaar_music_82 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_47 #sonaar_music_82 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_47 #sonaar_music_82 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_47 #sonaar_music_82 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_47 #sonaar_music_82 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_47 #sonaar_music_82 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_47 #sonaar_music_82 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_47 #sonaar_music_82 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_47 #sonaar_music_82 .album-player .control { top: 0px; position: relative; } #sonaar_music_47 #sonaar_music_82 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_47 #sonaar_music_82 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_47 #sonaar_music_82 .srp-play-circle { border-width: 6px; } #sonaar_music_47 #sonaar_music_82 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be31517a236 srp_player_params_69be318ecf221 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be31517a236 srp_player_params_args_69be318ecf221 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be31517a236"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be318ecf221"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be31517a236"); setIronAudioplayers("arbitrary-instance-69be318ecf221"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:48:18) hash: 129ce4abacf1412532cde475340e4dd6c78276ec
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:49:18) hash: 8f89aca7eab401ba9ef53194bc5a0d3083402183
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_44 #sonaar_music_47 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 #sonaar_music_47 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 #sonaar_music_47 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 #sonaar_music_47 .album .album-art img { border-radius: 0px;} #sonaar_music_44 #sonaar_music_47 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 #sonaar_music_47 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 #sonaar_music_47 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 #sonaar_music_47 .sonaar-grid { justify-content: center; } #sonaar_music_44 #sonaar_music_47 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 #sonaar_music_47 .playlist, #sonaar_music_44 #sonaar_music_47 .buttons-block { width: 100%; } #sonaar_music_44 #sonaar_music_47 .playlist { margin: 0px; } #sonaar_music_44 #sonaar_music_47 .srp_tracklist { margin: 0px; } #sonaar_music_44 #sonaar_music_47 .sr_it-playlist-title, #sonaar_music_44 #sonaar_music_47 .sr_it-playlist-artists, #sonaar_music_44 #sonaar_music_47 .srp_subtitle { text-align: left; } #sonaar_music_44 #sonaar_music_47 .sr_it-playlist-title, #sonaar_music_44 #sonaar_music_47 .sr_it-playlist-artists, #sonaar_music_44 #sonaar_music_47 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 #sonaar_music_47 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 #sonaar_music_47 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 #sonaar_music_47 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 #sonaar_music_47 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 #sonaar_music_47 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 #sonaar_music_47 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 #sonaar_music_47 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 #sonaar_music_47 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 #sonaar_music_47 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 #sonaar_music_47 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 #sonaar_music_47 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 #sonaar_music_47 .srp-play-circle { border-width: 6px; } #sonaar_music_44 #sonaar_music_47 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be31162db79 srp_player_params_69be31517a236 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be31162db79 srp_player_params_args_69be31517a236 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be31162db79"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be31517a236"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be31162db79"); setIronAudioplayers("arbitrary-instance-69be31517a236"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:47:18) hash: 5ae27f86ae7c5edb7be6945823648ae6cd7b7749
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:48:18) hash: 129ce4abacf1412532cde475340e4dd6c78276ec
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_35 #sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_35 #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_35 #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_35 #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_35 #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_35 #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_35 #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_35 #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_35 #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_35 #sonaar_music_44 .playlist, #sonaar_music_35 #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_35 #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_35 #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_35 #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_35 #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_35 #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_35 #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_35 #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_35 #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_35 #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_35 #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_35 #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_35 #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_35 #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_35 #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_35 #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_35 #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_35 #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_35 #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_35 #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_35 #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_35 #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be30da1fb2e srp_player_params_69be31162db79 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be30da1fb2e srp_player_params_args_69be31162db79 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be30da1fb2e"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be31162db79"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be30da1fb2e"); setIronAudioplayers("arbitrary-instance-69be31162db79"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:46:18) hash: 0ab26a1736983140dcf8d669ea8e06457969a4bd
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:47:18) hash: 5ae27f86ae7c5edb7be6945823648ae6cd7b7749
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_52 #sonaar_music_35 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_52 #sonaar_music_35 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_52 #sonaar_music_35 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_52 #sonaar_music_35 .album .album-art img { border-radius: 0px;} #sonaar_music_52 #sonaar_music_35 .sonaar-grid .album { padding: 0px;} #sonaar_music_52 #sonaar_music_35 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_52 #sonaar_music_35 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_52 #sonaar_music_35 .sonaar-grid { justify-content: center; } #sonaar_music_52 #sonaar_music_35 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_52 #sonaar_music_35 .playlist, #sonaar_music_52 #sonaar_music_35 .buttons-block { width: 100%; } #sonaar_music_52 #sonaar_music_35 .playlist { margin: 0px; } #sonaar_music_52 #sonaar_music_35 .srp_tracklist { margin: 0px; } #sonaar_music_52 #sonaar_music_35 .sr_it-playlist-title, #sonaar_music_52 #sonaar_music_35 .sr_it-playlist-artists, #sonaar_music_52 #sonaar_music_35 .srp_subtitle { text-align: left; } #sonaar_music_52 #sonaar_music_35 .sr_it-playlist-title, #sonaar_music_52 #sonaar_music_35 .sr_it-playlist-artists, #sonaar_music_52 #sonaar_music_35 .srp_subtitle { margin-left: 0px; } #sonaar_music_52 #sonaar_music_35 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_52 #sonaar_music_35 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_52 #sonaar_music_35 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_52 #sonaar_music_35 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_52 #sonaar_music_35 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_52 #sonaar_music_35 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_52 #sonaar_music_35 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_52 #sonaar_music_35 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_52 #sonaar_music_35 .album-player .control { top: 0px; position: relative; } #sonaar_music_52 #sonaar_music_35 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_52 #sonaar_music_35 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_52 #sonaar_music_35 .srp-play-circle { border-width: 6px; } #sonaar_music_52 #sonaar_music_35 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be309d35723 srp_player_params_69be30da1fb2e = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be309d35723 srp_player_params_args_69be30da1fb2e = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be309d35723"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be30da1fb2e"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be309d35723"); setIronAudioplayers("arbitrary-instance-69be30da1fb2e"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:45:18) hash: 707f903805badca45cec6dec9668074c7e4078d6
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:46:18) hash: 0ab26a1736983140dcf8d669ea8e06457969a4bd
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_50 #sonaar_music_52 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_50 #sonaar_music_52 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_50 #sonaar_music_52 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_50 #sonaar_music_52 .album .album-art img { border-radius: 0px;} #sonaar_music_50 #sonaar_music_52 .sonaar-grid .album { padding: 0px;} #sonaar_music_50 #sonaar_music_52 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_50 #sonaar_music_52 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_50 #sonaar_music_52 .sonaar-grid { justify-content: center; } #sonaar_music_50 #sonaar_music_52 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_50 #sonaar_music_52 .playlist, #sonaar_music_50 #sonaar_music_52 .buttons-block { width: 100%; } #sonaar_music_50 #sonaar_music_52 .playlist { margin: 0px; } #sonaar_music_50 #sonaar_music_52 .srp_tracklist { margin: 0px; } #sonaar_music_50 #sonaar_music_52 .sr_it-playlist-title, #sonaar_music_50 #sonaar_music_52 .sr_it-playlist-artists, #sonaar_music_50 #sonaar_music_52 .srp_subtitle { text-align: left; } #sonaar_music_50 #sonaar_music_52 .sr_it-playlist-title, #sonaar_music_50 #sonaar_music_52 .sr_it-playlist-artists, #sonaar_music_50 #sonaar_music_52 .srp_subtitle { margin-left: 0px; } #sonaar_music_50 #sonaar_music_52 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_50 #sonaar_music_52 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_50 #sonaar_music_52 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_50 #sonaar_music_52 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_50 #sonaar_music_52 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_50 #sonaar_music_52 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_50 #sonaar_music_52 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_50 #sonaar_music_52 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_50 #sonaar_music_52 .album-player .control { top: 0px; position: relative; } #sonaar_music_50 #sonaar_music_52 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_50 #sonaar_music_52 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_50 #sonaar_music_52 .srp-play-circle { border-width: 6px; } #sonaar_music_50 #sonaar_music_52 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be306217192 srp_player_params_69be309d35723 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be306217192 srp_player_params_args_69be309d35723 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be306217192"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be309d35723"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be306217192"); setIronAudioplayers("arbitrary-instance-69be309d35723"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:44:18) hash: 0d7461c61e2fda33f9ee36f82ee1068e6d354d03
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:45:18) hash: 707f903805badca45cec6dec9668074c7e4078d6
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_21 #sonaar_music_50 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_21 #sonaar_music_50 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_21 #sonaar_music_50 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_21 #sonaar_music_50 .album .album-art img { border-radius: 0px;} #sonaar_music_21 #sonaar_music_50 .sonaar-grid .album { padding: 0px;} #sonaar_music_21 #sonaar_music_50 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_21 #sonaar_music_50 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_21 #sonaar_music_50 .sonaar-grid { justify-content: center; } #sonaar_music_21 #sonaar_music_50 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_21 #sonaar_music_50 .playlist, #sonaar_music_21 #sonaar_music_50 .buttons-block { width: 100%; } #sonaar_music_21 #sonaar_music_50 .playlist { margin: 0px; } #sonaar_music_21 #sonaar_music_50 .srp_tracklist { margin: 0px; } #sonaar_music_21 #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_21 #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_21 #sonaar_music_50 .srp_subtitle { text-align: left; } #sonaar_music_21 #sonaar_music_50 .sr_it-playlist-title, #sonaar_music_21 #sonaar_music_50 .sr_it-playlist-artists, #sonaar_music_21 #sonaar_music_50 .srp_subtitle { margin-left: 0px; } #sonaar_music_21 #sonaar_music_50 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_21 #sonaar_music_50 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_21 #sonaar_music_50 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_21 #sonaar_music_50 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_21 #sonaar_music_50 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_21 #sonaar_music_50 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_21 #sonaar_music_50 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_21 #sonaar_music_50 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_21 #sonaar_music_50 .album-player .control { top: 0px; position: relative; } #sonaar_music_21 #sonaar_music_50 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_21 #sonaar_music_50 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_21 #sonaar_music_50 .srp-play-circle { border-width: 6px; } #sonaar_music_21 #sonaar_music_50 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be3025bade8 srp_player_params_69be306217192 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be3025bade8 srp_player_params_args_69be306217192 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3025bade8"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be306217192"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be3025bade8"); setIronAudioplayers("arbitrary-instance-69be306217192"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:43:18) hash: 3c63776231932d6305061e7119063b0ccbed9942
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:44:18) hash: 0d7461c61e2fda33f9ee36f82ee1068e6d354d03
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_12 #sonaar_music_21 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_12 #sonaar_music_21 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_12 #sonaar_music_21 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_12 #sonaar_music_21 .album .album-art img { border-radius: 0px;} #sonaar_music_12 #sonaar_music_21 .sonaar-grid .album { padding: 0px;} #sonaar_music_12 #sonaar_music_21 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_12 #sonaar_music_21 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_12 #sonaar_music_21 .sonaar-grid { justify-content: center; } #sonaar_music_12 #sonaar_music_21 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_12 #sonaar_music_21 .playlist, #sonaar_music_12 #sonaar_music_21 .buttons-block { width: 100%; } #sonaar_music_12 #sonaar_music_21 .playlist { margin: 0px; } #sonaar_music_12 #sonaar_music_21 .srp_tracklist { margin: 0px; } #sonaar_music_12 #sonaar_music_21 .sr_it-playlist-title, #sonaar_music_12 #sonaar_music_21 .sr_it-playlist-artists, #sonaar_music_12 #sonaar_music_21 .srp_subtitle { text-align: left; } #sonaar_music_12 #sonaar_music_21 .sr_it-playlist-title, #sonaar_music_12 #sonaar_music_21 .sr_it-playlist-artists, #sonaar_music_12 #sonaar_music_21 .srp_subtitle { margin-left: 0px; } #sonaar_music_12 #sonaar_music_21 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_12 #sonaar_music_21 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_12 #sonaar_music_21 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_12 #sonaar_music_21 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_12 #sonaar_music_21 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_12 #sonaar_music_21 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_12 #sonaar_music_21 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_12 #sonaar_music_21 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_12 #sonaar_music_21 .album-player .control { top: 0px; position: relative; } #sonaar_music_12 #sonaar_music_21 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_12 #sonaar_music_21 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_12 #sonaar_music_21 .srp-play-circle { border-width: 6px; } #sonaar_music_12 #sonaar_music_21 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2fe972741 srp_player_params_69be3025bade8 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2fe972741 srp_player_params_args_69be3025bade8 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2fe972741"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be3025bade8"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2fe972741"); setIronAudioplayers("arbitrary-instance-69be3025bade8"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:42:21) hash: dad82e00d1fd50a744351e1fd54da1f234b24a88
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:43:18) hash: 3c63776231932d6305061e7119063b0ccbed9942
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_23 #sonaar_music_12 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_23 #sonaar_music_12 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_23 #sonaar_music_12 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_23 #sonaar_music_12 .album .album-art img { border-radius: 0px;} #sonaar_music_23 #sonaar_music_12 .sonaar-grid .album { padding: 0px;} #sonaar_music_23 #sonaar_music_12 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_23 #sonaar_music_12 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_23 #sonaar_music_12 .sonaar-grid { justify-content: center; } #sonaar_music_23 #sonaar_music_12 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_23 #sonaar_music_12 .playlist, #sonaar_music_23 #sonaar_music_12 .buttons-block { width: 100%; } #sonaar_music_23 #sonaar_music_12 .playlist { margin: 0px; } #sonaar_music_23 #sonaar_music_12 .srp_tracklist { margin: 0px; } #sonaar_music_23 #sonaar_music_12 .sr_it-playlist-title, #sonaar_music_23 #sonaar_music_12 .sr_it-playlist-artists, #sonaar_music_23 #sonaar_music_12 .srp_subtitle { text-align: left; } #sonaar_music_23 #sonaar_music_12 .sr_it-playlist-title, #sonaar_music_23 #sonaar_music_12 .sr_it-playlist-artists, #sonaar_music_23 #sonaar_music_12 .srp_subtitle { margin-left: 0px; } #sonaar_music_23 #sonaar_music_12 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_23 #sonaar_music_12 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_23 #sonaar_music_12 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_23 #sonaar_music_12 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_23 #sonaar_music_12 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_23 #sonaar_music_12 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_23 #sonaar_music_12 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_23 #sonaar_music_12 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_23 #sonaar_music_12 .album-player .control { top: 0px; position: relative; } #sonaar_music_23 #sonaar_music_12 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_23 #sonaar_music_12 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_23 #sonaar_music_12 .srp-play-circle { border-width: 6px; } #sonaar_music_23 #sonaar_music_12 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2faff3a56 srp_player_params_69be2fe972741 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2faff3a56 srp_player_params_args_69be2fe972741 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2faff3a56"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2fe972741"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2faff3a56"); setIronAudioplayers("arbitrary-instance-69be2fe972741"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:41:19) hash: 97ed39e8cb38d96d3201e1ff07e2b417f74c9e9d
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:42:21) hash: dad82e00d1fd50a744351e1fd54da1f234b24a88
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_26 #sonaar_music_23 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_26 #sonaar_music_23 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_26 #sonaar_music_23 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_26 #sonaar_music_23 .album .album-art img { border-radius: 0px;} #sonaar_music_26 #sonaar_music_23 .sonaar-grid .album { padding: 0px;} #sonaar_music_26 #sonaar_music_23 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_26 #sonaar_music_23 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_26 #sonaar_music_23 .sonaar-grid { justify-content: center; } #sonaar_music_26 #sonaar_music_23 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_26 #sonaar_music_23 .playlist, #sonaar_music_26 #sonaar_music_23 .buttons-block { width: 100%; } #sonaar_music_26 #sonaar_music_23 .playlist { margin: 0px; } #sonaar_music_26 #sonaar_music_23 .srp_tracklist { margin: 0px; } #sonaar_music_26 #sonaar_music_23 .sr_it-playlist-title, #sonaar_music_26 #sonaar_music_23 .sr_it-playlist-artists, #sonaar_music_26 #sonaar_music_23 .srp_subtitle { text-align: left; } #sonaar_music_26 #sonaar_music_23 .sr_it-playlist-title, #sonaar_music_26 #sonaar_music_23 .sr_it-playlist-artists, #sonaar_music_26 #sonaar_music_23 .srp_subtitle { margin-left: 0px; } #sonaar_music_26 #sonaar_music_23 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_26 #sonaar_music_23 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_26 #sonaar_music_23 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_26 #sonaar_music_23 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_26 #sonaar_music_23 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_26 #sonaar_music_23 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_26 #sonaar_music_23 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_26 #sonaar_music_23 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_26 #sonaar_music_23 .album-player .control { top: 0px; position: relative; } #sonaar_music_26 #sonaar_music_23 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_26 #sonaar_music_23 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_26 #sonaar_music_23 .srp-play-circle { border-width: 6px; } #sonaar_music_26 #sonaar_music_23 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2f713c152 srp_player_params_69be2faff3a56 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2f713c152 srp_player_params_args_69be2faff3a56 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2f713c152"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2faff3a56"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2f713c152"); setIronAudioplayers("arbitrary-instance-69be2faff3a56"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:40:19) hash: 8da293b6e864d05e5f89d1ad636732bddf028410
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:41:19) hash: 97ed39e8cb38d96d3201e1ff07e2b417f74c9e9d
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_25 #sonaar_music_26 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_25 #sonaar_music_26 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_25 #sonaar_music_26 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_25 #sonaar_music_26 .album .album-art img { border-radius: 0px;} #sonaar_music_25 #sonaar_music_26 .sonaar-grid .album { padding: 0px;} #sonaar_music_25 #sonaar_music_26 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_25 #sonaar_music_26 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_25 #sonaar_music_26 .sonaar-grid { justify-content: center; } #sonaar_music_25 #sonaar_music_26 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_25 #sonaar_music_26 .playlist, #sonaar_music_25 #sonaar_music_26 .buttons-block { width: 100%; } #sonaar_music_25 #sonaar_music_26 .playlist { margin: 0px; } #sonaar_music_25 #sonaar_music_26 .srp_tracklist { margin: 0px; } #sonaar_music_25 #sonaar_music_26 .sr_it-playlist-title, #sonaar_music_25 #sonaar_music_26 .sr_it-playlist-artists, #sonaar_music_25 #sonaar_music_26 .srp_subtitle { text-align: left; } #sonaar_music_25 #sonaar_music_26 .sr_it-playlist-title, #sonaar_music_25 #sonaar_music_26 .sr_it-playlist-artists, #sonaar_music_25 #sonaar_music_26 .srp_subtitle { margin-left: 0px; } #sonaar_music_25 #sonaar_music_26 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_25 #sonaar_music_26 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_25 #sonaar_music_26 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_25 #sonaar_music_26 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_25 #sonaar_music_26 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_25 #sonaar_music_26 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_25 #sonaar_music_26 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_25 #sonaar_music_26 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_25 #sonaar_music_26 .album-player .control { top: 0px; position: relative; } #sonaar_music_25 #sonaar_music_26 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_25 #sonaar_music_26 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_25 #sonaar_music_26 .srp-play-circle { border-width: 6px; } #sonaar_music_25 #sonaar_music_26 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2f36b3cdf srp_player_params_69be2f713c152 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2f36b3cdf srp_player_params_args_69be2f713c152 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2f36b3cdf"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2f713c152"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2f36b3cdf"); setIronAudioplayers("arbitrary-instance-69be2f713c152"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:39:18) hash: 6b5a411128b84a2370d6a8d7b31ae83f94ba0414
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:40:19) hash: 8da293b6e864d05e5f89d1ad636732bddf028410
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_73 #sonaar_music_25 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_73 #sonaar_music_25 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_73 #sonaar_music_25 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_73 #sonaar_music_25 .album .album-art img { border-radius: 0px;} #sonaar_music_73 #sonaar_music_25 .sonaar-grid .album { padding: 0px;} #sonaar_music_73 #sonaar_music_25 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_73 #sonaar_music_25 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_73 #sonaar_music_25 .sonaar-grid { justify-content: center; } #sonaar_music_73 #sonaar_music_25 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_73 #sonaar_music_25 .playlist, #sonaar_music_73 #sonaar_music_25 .buttons-block { width: 100%; } #sonaar_music_73 #sonaar_music_25 .playlist { margin: 0px; } #sonaar_music_73 #sonaar_music_25 .srp_tracklist { margin: 0px; } #sonaar_music_73 #sonaar_music_25 .sr_it-playlist-title, #sonaar_music_73 #sonaar_music_25 .sr_it-playlist-artists, #sonaar_music_73 #sonaar_music_25 .srp_subtitle { text-align: left; } #sonaar_music_73 #sonaar_music_25 .sr_it-playlist-title, #sonaar_music_73 #sonaar_music_25 .sr_it-playlist-artists, #sonaar_music_73 #sonaar_music_25 .srp_subtitle { margin-left: 0px; } #sonaar_music_73 #sonaar_music_25 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_73 #sonaar_music_25 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_73 #sonaar_music_25 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_73 #sonaar_music_25 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_73 #sonaar_music_25 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_73 #sonaar_music_25 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_73 #sonaar_music_25 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_73 #sonaar_music_25 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_73 #sonaar_music_25 .album-player .control { top: 0px; position: relative; } #sonaar_music_73 #sonaar_music_25 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_73 #sonaar_music_25 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_73 #sonaar_music_25 .srp-play-circle { border-width: 6px; } #sonaar_music_73 #sonaar_music_25 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2ef9c369f srp_player_params_69be2f36b3cdf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2ef9c369f srp_player_params_args_69be2f36b3cdf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2ef9c369f"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2f36b3cdf"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2ef9c369f"); setIronAudioplayers("arbitrary-instance-69be2f36b3cdf"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:38:18) hash: 70a8ad622fce2f55a51a2b16ab1bd22453fb66c7
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:39:18) hash: 6b5a411128b84a2370d6a8d7b31ae83f94ba0414
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_14 #sonaar_music_73 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_14 #sonaar_music_73 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_14 #sonaar_music_73 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_14 #sonaar_music_73 .album .album-art img { border-radius: 0px;} #sonaar_music_14 #sonaar_music_73 .sonaar-grid .album { padding: 0px;} #sonaar_music_14 #sonaar_music_73 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_14 #sonaar_music_73 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_14 #sonaar_music_73 .sonaar-grid { justify-content: center; } #sonaar_music_14 #sonaar_music_73 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_14 #sonaar_music_73 .playlist, #sonaar_music_14 #sonaar_music_73 .buttons-block { width: 100%; } #sonaar_music_14 #sonaar_music_73 .playlist { margin: 0px; } #sonaar_music_14 #sonaar_music_73 .srp_tracklist { margin: 0px; } #sonaar_music_14 #sonaar_music_73 .sr_it-playlist-title, #sonaar_music_14 #sonaar_music_73 .sr_it-playlist-artists, #sonaar_music_14 #sonaar_music_73 .srp_subtitle { text-align: left; } #sonaar_music_14 #sonaar_music_73 .sr_it-playlist-title, #sonaar_music_14 #sonaar_music_73 .sr_it-playlist-artists, #sonaar_music_14 #sonaar_music_73 .srp_subtitle { margin-left: 0px; } #sonaar_music_14 #sonaar_music_73 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_14 #sonaar_music_73 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_14 #sonaar_music_73 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_14 #sonaar_music_73 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_14 #sonaar_music_73 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_14 #sonaar_music_73 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_14 #sonaar_music_73 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_14 #sonaar_music_73 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_14 #sonaar_music_73 .album-player .control { top: 0px; position: relative; } #sonaar_music_14 #sonaar_music_73 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_14 #sonaar_music_73 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_14 #sonaar_music_73 .srp-play-circle { border-width: 6px; } #sonaar_music_14 #sonaar_music_73 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2ebddc40d srp_player_params_69be2ef9c369f = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2ebddc40d srp_player_params_args_69be2ef9c369f = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2ebddc40d"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2ef9c369f"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2ebddc40d"); setIronAudioplayers("arbitrary-instance-69be2ef9c369f"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:37:17) hash: 685d93702a72afa8e792d88c0ad805038a6bddd1
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:38:18) hash: 70a8ad622fce2f55a51a2b16ab1bd22453fb66c7
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_56 #sonaar_music_14 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_56 #sonaar_music_14 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_56 #sonaar_music_14 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_56 #sonaar_music_14 .album .album-art img { border-radius: 0px;} #sonaar_music_56 #sonaar_music_14 .sonaar-grid .album { padding: 0px;} #sonaar_music_56 #sonaar_music_14 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_56 #sonaar_music_14 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_56 #sonaar_music_14 .sonaar-grid { justify-content: center; } #sonaar_music_56 #sonaar_music_14 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_56 #sonaar_music_14 .playlist, #sonaar_music_56 #sonaar_music_14 .buttons-block { width: 100%; } #sonaar_music_56 #sonaar_music_14 .playlist { margin: 0px; } #sonaar_music_56 #sonaar_music_14 .srp_tracklist { margin: 0px; } #sonaar_music_56 #sonaar_music_14 .sr_it-playlist-title, #sonaar_music_56 #sonaar_music_14 .sr_it-playlist-artists, #sonaar_music_56 #sonaar_music_14 .srp_subtitle { text-align: left; } #sonaar_music_56 #sonaar_music_14 .sr_it-playlist-title, #sonaar_music_56 #sonaar_music_14 .sr_it-playlist-artists, #sonaar_music_56 #sonaar_music_14 .srp_subtitle { margin-left: 0px; } #sonaar_music_56 #sonaar_music_14 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_56 #sonaar_music_14 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_56 #sonaar_music_14 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_56 #sonaar_music_14 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_56 #sonaar_music_14 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_56 #sonaar_music_14 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_56 #sonaar_music_14 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_56 #sonaar_music_14 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_56 #sonaar_music_14 .album-player .control { top: 0px; position: relative; } #sonaar_music_56 #sonaar_music_14 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_56 #sonaar_music_14 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_56 #sonaar_music_14 .srp-play-circle { border-width: 6px; } #sonaar_music_56 #sonaar_music_14 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2e80d8e01 srp_player_params_69be2ebddc40d = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2e80d8e01 srp_player_params_args_69be2ebddc40d = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2e80d8e01"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2ebddc40d"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2e80d8e01"); setIronAudioplayers("arbitrary-instance-69be2ebddc40d"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:36:17) hash: de2d8cae8f287b408d09994e83f3127010b66fed
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:37:17) hash: 685d93702a72afa8e792d88c0ad805038a6bddd1
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_27 #sonaar_music_56 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_27 #sonaar_music_56 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_27 #sonaar_music_56 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_27 #sonaar_music_56 .album .album-art img { border-radius: 0px;} #sonaar_music_27 #sonaar_music_56 .sonaar-grid .album { padding: 0px;} #sonaar_music_27 #sonaar_music_56 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_27 #sonaar_music_56 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_27 #sonaar_music_56 .sonaar-grid { justify-content: center; } #sonaar_music_27 #sonaar_music_56 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_27 #sonaar_music_56 .playlist, #sonaar_music_27 #sonaar_music_56 .buttons-block { width: 100%; } #sonaar_music_27 #sonaar_music_56 .playlist { margin: 0px; } #sonaar_music_27 #sonaar_music_56 .srp_tracklist { margin: 0px; } #sonaar_music_27 #sonaar_music_56 .sr_it-playlist-title, #sonaar_music_27 #sonaar_music_56 .sr_it-playlist-artists, #sonaar_music_27 #sonaar_music_56 .srp_subtitle { text-align: left; } #sonaar_music_27 #sonaar_music_56 .sr_it-playlist-title, #sonaar_music_27 #sonaar_music_56 .sr_it-playlist-artists, #sonaar_music_27 #sonaar_music_56 .srp_subtitle { margin-left: 0px; } #sonaar_music_27 #sonaar_music_56 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_27 #sonaar_music_56 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_27 #sonaar_music_56 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_27 #sonaar_music_56 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_27 #sonaar_music_56 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_27 #sonaar_music_56 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_27 #sonaar_music_56 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_27 #sonaar_music_56 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_27 #sonaar_music_56 .album-player .control { top: 0px; position: relative; } #sonaar_music_27 #sonaar_music_56 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_27 #sonaar_music_56 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_27 #sonaar_music_56 .srp-play-circle { border-width: 6px; } #sonaar_music_27 #sonaar_music_56 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2e44b4742 srp_player_params_69be2e80d8e01 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2e44b4742 srp_player_params_args_69be2e80d8e01 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2e44b4742"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2e80d8e01"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2e44b4742"); setIronAudioplayers("arbitrary-instance-69be2e80d8e01"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:35:18) hash: 6f451e72bc6fc6dfa3c665653755a15b0d715fd7
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:36:17) hash: de2d8cae8f287b408d09994e83f3127010b66fed
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_77 #sonaar_music_27 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_77 #sonaar_music_27 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_77 #sonaar_music_27 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_77 #sonaar_music_27 .album .album-art img { border-radius: 0px;} #sonaar_music_77 #sonaar_music_27 .sonaar-grid .album { padding: 0px;} #sonaar_music_77 #sonaar_music_27 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_77 #sonaar_music_27 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_77 #sonaar_music_27 .sonaar-grid { justify-content: center; } #sonaar_music_77 #sonaar_music_27 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_77 #sonaar_music_27 .playlist, #sonaar_music_77 #sonaar_music_27 .buttons-block { width: 100%; } #sonaar_music_77 #sonaar_music_27 .playlist { margin: 0px; } #sonaar_music_77 #sonaar_music_27 .srp_tracklist { margin: 0px; } #sonaar_music_77 #sonaar_music_27 .sr_it-playlist-title, #sonaar_music_77 #sonaar_music_27 .sr_it-playlist-artists, #sonaar_music_77 #sonaar_music_27 .srp_subtitle { text-align: left; } #sonaar_music_77 #sonaar_music_27 .sr_it-playlist-title, #sonaar_music_77 #sonaar_music_27 .sr_it-playlist-artists, #sonaar_music_77 #sonaar_music_27 .srp_subtitle { margin-left: 0px; } #sonaar_music_77 #sonaar_music_27 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_77 #sonaar_music_27 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_77 #sonaar_music_27 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_77 #sonaar_music_27 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_77 #sonaar_music_27 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_77 #sonaar_music_27 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_77 #sonaar_music_27 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_77 #sonaar_music_27 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_77 #sonaar_music_27 .album-player .control { top: 0px; position: relative; } #sonaar_music_77 #sonaar_music_27 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_77 #sonaar_music_27 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_77 #sonaar_music_27 .srp-play-circle { border-width: 6px; } #sonaar_music_77 #sonaar_music_27 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2e0990d60 srp_player_params_69be2e44b4742 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2e0990d60 srp_player_params_args_69be2e44b4742 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2e0990d60"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2e44b4742"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2e0990d60"); setIronAudioplayers("arbitrary-instance-69be2e44b4742"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:34:17) hash: efd618b20b5655fed2067537a062976f00284cda
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:35:18) hash: 6f451e72bc6fc6dfa3c665653755a15b0d715fd7
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_22 #sonaar_music_77 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_22 #sonaar_music_77 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_22 #sonaar_music_77 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_22 #sonaar_music_77 .album .album-art img { border-radius: 0px;} #sonaar_music_22 #sonaar_music_77 .sonaar-grid .album { padding: 0px;} #sonaar_music_22 #sonaar_music_77 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_22 #sonaar_music_77 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_22 #sonaar_music_77 .sonaar-grid { justify-content: center; } #sonaar_music_22 #sonaar_music_77 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_22 #sonaar_music_77 .playlist, #sonaar_music_22 #sonaar_music_77 .buttons-block { width: 100%; } #sonaar_music_22 #sonaar_music_77 .playlist { margin: 0px; } #sonaar_music_22 #sonaar_music_77 .srp_tracklist { margin: 0px; } #sonaar_music_22 #sonaar_music_77 .sr_it-playlist-title, #sonaar_music_22 #sonaar_music_77 .sr_it-playlist-artists, #sonaar_music_22 #sonaar_music_77 .srp_subtitle { text-align: left; } #sonaar_music_22 #sonaar_music_77 .sr_it-playlist-title, #sonaar_music_22 #sonaar_music_77 .sr_it-playlist-artists, #sonaar_music_22 #sonaar_music_77 .srp_subtitle { margin-left: 0px; } #sonaar_music_22 #sonaar_music_77 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_22 #sonaar_music_77 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_22 #sonaar_music_77 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_22 #sonaar_music_77 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_22 #sonaar_music_77 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_22 #sonaar_music_77 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_22 #sonaar_music_77 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_22 #sonaar_music_77 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_22 #sonaar_music_77 .album-player .control { top: 0px; position: relative; } #sonaar_music_22 #sonaar_music_77 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_22 #sonaar_music_77 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_22 #sonaar_music_77 .srp-play-circle { border-width: 6px; } #sonaar_music_22 #sonaar_music_77 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2dcd33c4c srp_player_params_69be2e0990d60 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2dcd33c4c srp_player_params_args_69be2e0990d60 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2dcd33c4c"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2e0990d60"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2dcd33c4c"); setIronAudioplayers("arbitrary-instance-69be2e0990d60"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:33:17) hash: 0404cdcda51bf338f51ec1a1a43def151f20a94a
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:34:17) hash: efd618b20b5655fed2067537a062976f00284cda
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_88 #sonaar_music_22 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_88 #sonaar_music_22 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_88 #sonaar_music_22 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_88 #sonaar_music_22 .album .album-art img { border-radius: 0px;} #sonaar_music_88 #sonaar_music_22 .sonaar-grid .album { padding: 0px;} #sonaar_music_88 #sonaar_music_22 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_88 #sonaar_music_22 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_88 #sonaar_music_22 .sonaar-grid { justify-content: center; } #sonaar_music_88 #sonaar_music_22 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_88 #sonaar_music_22 .playlist, #sonaar_music_88 #sonaar_music_22 .buttons-block { width: 100%; } #sonaar_music_88 #sonaar_music_22 .playlist { margin: 0px; } #sonaar_music_88 #sonaar_music_22 .srp_tracklist { margin: 0px; } #sonaar_music_88 #sonaar_music_22 .sr_it-playlist-title, #sonaar_music_88 #sonaar_music_22 .sr_it-playlist-artists, #sonaar_music_88 #sonaar_music_22 .srp_subtitle { text-align: left; } #sonaar_music_88 #sonaar_music_22 .sr_it-playlist-title, #sonaar_music_88 #sonaar_music_22 .sr_it-playlist-artists, #sonaar_music_88 #sonaar_music_22 .srp_subtitle { margin-left: 0px; } #sonaar_music_88 #sonaar_music_22 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_88 #sonaar_music_22 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_88 #sonaar_music_22 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_88 #sonaar_music_22 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_88 #sonaar_music_22 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_88 #sonaar_music_22 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_88 #sonaar_music_22 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_88 #sonaar_music_22 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_88 #sonaar_music_22 .album-player .control { top: 0px; position: relative; } #sonaar_music_88 #sonaar_music_22 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_88 #sonaar_music_22 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_88 #sonaar_music_22 .srp-play-circle { border-width: 6px; } #sonaar_music_88 #sonaar_music_22 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2d91b9c1e srp_player_params_69be2dcd33c4c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2d91b9c1e srp_player_params_args_69be2dcd33c4c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2d91b9c1e"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2dcd33c4c"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2d91b9c1e"); setIronAudioplayers("arbitrary-instance-69be2dcd33c4c"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:32:18) hash: c36ea91d39a3231e175ff1faf2a477430fd1955d
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:33:17) hash: 0404cdcda51bf338f51ec1a1a43def151f20a94a
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_78 #sonaar_music_88 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_78 #sonaar_music_88 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_78 #sonaar_music_88 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_78 #sonaar_music_88 .album .album-art img { border-radius: 0px;} #sonaar_music_78 #sonaar_music_88 .sonaar-grid .album { padding: 0px;} #sonaar_music_78 #sonaar_music_88 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_78 #sonaar_music_88 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_78 #sonaar_music_88 .sonaar-grid { justify-content: center; } #sonaar_music_78 #sonaar_music_88 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_78 #sonaar_music_88 .playlist, #sonaar_music_78 #sonaar_music_88 .buttons-block { width: 100%; } #sonaar_music_78 #sonaar_music_88 .playlist { margin: 0px; } #sonaar_music_78 #sonaar_music_88 .srp_tracklist { margin: 0px; } #sonaar_music_78 #sonaar_music_88 .sr_it-playlist-title, #sonaar_music_78 #sonaar_music_88 .sr_it-playlist-artists, #sonaar_music_78 #sonaar_music_88 .srp_subtitle { text-align: left; } #sonaar_music_78 #sonaar_music_88 .sr_it-playlist-title, #sonaar_music_78 #sonaar_music_88 .sr_it-playlist-artists, #sonaar_music_78 #sonaar_music_88 .srp_subtitle { margin-left: 0px; } #sonaar_music_78 #sonaar_music_88 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_78 #sonaar_music_88 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_78 #sonaar_music_88 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_78 #sonaar_music_88 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_78 #sonaar_music_88 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_78 #sonaar_music_88 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_78 #sonaar_music_88 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_78 #sonaar_music_88 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_78 #sonaar_music_88 .album-player .control { top: 0px; position: relative; } #sonaar_music_78 #sonaar_music_88 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_78 #sonaar_music_88 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_78 #sonaar_music_88 .srp-play-circle { border-width: 6px; } #sonaar_music_78 #sonaar_music_88 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2d55e04ea srp_player_params_69be2d91b9c1e = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2d55e04ea srp_player_params_args_69be2d91b9c1e = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2d55e04ea"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2d91b9c1e"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2d55e04ea"); setIronAudioplayers("arbitrary-instance-69be2d91b9c1e"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:31:17) hash: 2b945674b15ee764c8428c1c79faaf60c507a94a
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:32:18) hash: c36ea91d39a3231e175ff1faf2a477430fd1955d
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_26 #sonaar_music_78 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_26 #sonaar_music_78 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_26 #sonaar_music_78 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_26 #sonaar_music_78 .album .album-art img { border-radius: 0px;} #sonaar_music_26 #sonaar_music_78 .sonaar-grid .album { padding: 0px;} #sonaar_music_26 #sonaar_music_78 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_26 #sonaar_music_78 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_26 #sonaar_music_78 .sonaar-grid { justify-content: center; } #sonaar_music_26 #sonaar_music_78 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_26 #sonaar_music_78 .playlist, #sonaar_music_26 #sonaar_music_78 .buttons-block { width: 100%; } #sonaar_music_26 #sonaar_music_78 .playlist { margin: 0px; } #sonaar_music_26 #sonaar_music_78 .srp_tracklist { margin: 0px; } #sonaar_music_26 #sonaar_music_78 .sr_it-playlist-title, #sonaar_music_26 #sonaar_music_78 .sr_it-playlist-artists, #sonaar_music_26 #sonaar_music_78 .srp_subtitle { text-align: left; } #sonaar_music_26 #sonaar_music_78 .sr_it-playlist-title, #sonaar_music_26 #sonaar_music_78 .sr_it-playlist-artists, #sonaar_music_26 #sonaar_music_78 .srp_subtitle { margin-left: 0px; } #sonaar_music_26 #sonaar_music_78 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_26 #sonaar_music_78 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_26 #sonaar_music_78 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_26 #sonaar_music_78 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_26 #sonaar_music_78 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_26 #sonaar_music_78 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_26 #sonaar_music_78 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_26 #sonaar_music_78 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_26 #sonaar_music_78 .album-player .control { top: 0px; position: relative; } #sonaar_music_26 #sonaar_music_78 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_26 #sonaar_music_78 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_26 #sonaar_music_78 .srp-play-circle { border-width: 6px; } #sonaar_music_26 #sonaar_music_78 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2d196f555 srp_player_params_69be2d55e04ea = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2d196f555 srp_player_params_args_69be2d55e04ea = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2d196f555"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2d55e04ea"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2d196f555"); setIronAudioplayers("arbitrary-instance-69be2d55e04ea"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:30:19) hash: 7c780395af87210cd4557f8e17fcd887d1a23922
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:31:17) hash: 2b945674b15ee764c8428c1c79faaf60c507a94a
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_27 #sonaar_music_26 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_27 #sonaar_music_26 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_27 #sonaar_music_26 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_27 #sonaar_music_26 .album .album-art img { border-radius: 0px;} #sonaar_music_27 #sonaar_music_26 .sonaar-grid .album { padding: 0px;} #sonaar_music_27 #sonaar_music_26 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_27 #sonaar_music_26 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_27 #sonaar_music_26 .sonaar-grid { justify-content: center; } #sonaar_music_27 #sonaar_music_26 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_27 #sonaar_music_26 .playlist, #sonaar_music_27 #sonaar_music_26 .buttons-block { width: 100%; } #sonaar_music_27 #sonaar_music_26 .playlist { margin: 0px; } #sonaar_music_27 #sonaar_music_26 .srp_tracklist { margin: 0px; } #sonaar_music_27 #sonaar_music_26 .sr_it-playlist-title, #sonaar_music_27 #sonaar_music_26 .sr_it-playlist-artists, #sonaar_music_27 #sonaar_music_26 .srp_subtitle { text-align: left; } #sonaar_music_27 #sonaar_music_26 .sr_it-playlist-title, #sonaar_music_27 #sonaar_music_26 .sr_it-playlist-artists, #sonaar_music_27 #sonaar_music_26 .srp_subtitle { margin-left: 0px; } #sonaar_music_27 #sonaar_music_26 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_27 #sonaar_music_26 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_27 #sonaar_music_26 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_27 #sonaar_music_26 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_27 #sonaar_music_26 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_27 #sonaar_music_26 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_27 #sonaar_music_26 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_27 #sonaar_music_26 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_27 #sonaar_music_26 .album-player .control { top: 0px; position: relative; } #sonaar_music_27 #sonaar_music_26 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_27 #sonaar_music_26 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_27 #sonaar_music_26 .srp-play-circle { border-width: 6px; } #sonaar_music_27 #sonaar_music_26 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2cde7f535 srp_player_params_69be2d196f555 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2cde7f535 srp_player_params_args_69be2d196f555 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2cde7f535"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2d196f555"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2cde7f535"); setIronAudioplayers("arbitrary-instance-69be2d196f555"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:29:21) hash: 3bb5483210e35397973479e749f01d6aec9c57e7
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:30:19) hash: 7c780395af87210cd4557f8e17fcd887d1a23922
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_93 #sonaar_music_27 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_93 #sonaar_music_27 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_93 #sonaar_music_27 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_93 #sonaar_music_27 .album .album-art img { border-radius: 0px;} #sonaar_music_93 #sonaar_music_27 .sonaar-grid .album { padding: 0px;} #sonaar_music_93 #sonaar_music_27 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_93 #sonaar_music_27 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_93 #sonaar_music_27 .sonaar-grid { justify-content: center; } #sonaar_music_93 #sonaar_music_27 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_93 #sonaar_music_27 .playlist, #sonaar_music_93 #sonaar_music_27 .buttons-block { width: 100%; } #sonaar_music_93 #sonaar_music_27 .playlist { margin: 0px; } #sonaar_music_93 #sonaar_music_27 .srp_tracklist { margin: 0px; } #sonaar_music_93 #sonaar_music_27 .sr_it-playlist-title, #sonaar_music_93 #sonaar_music_27 .sr_it-playlist-artists, #sonaar_music_93 #sonaar_music_27 .srp_subtitle { text-align: left; } #sonaar_music_93 #sonaar_music_27 .sr_it-playlist-title, #sonaar_music_93 #sonaar_music_27 .sr_it-playlist-artists, #sonaar_music_93 #sonaar_music_27 .srp_subtitle { margin-left: 0px; } #sonaar_music_93 #sonaar_music_27 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_93 #sonaar_music_27 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_93 #sonaar_music_27 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_93 #sonaar_music_27 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_93 #sonaar_music_27 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_93 #sonaar_music_27 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_93 #sonaar_music_27 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_93 #sonaar_music_27 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_93 #sonaar_music_27 .album-player .control { top: 0px; position: relative; } #sonaar_music_93 #sonaar_music_27 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_93 #sonaar_music_27 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_93 #sonaar_music_27 .srp-play-circle { border-width: 6px; } #sonaar_music_93 #sonaar_music_27 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2ca4d9ce9 srp_player_params_69be2cde7f535 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2ca4d9ce9 srp_player_params_args_69be2cde7f535 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2ca4d9ce9"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2cde7f535"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2ca4d9ce9"); setIronAudioplayers("arbitrary-instance-69be2cde7f535"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:28:18) hash: e55fba1aa017e7f43e9aadaf1966972ff897de6a
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:29:21) hash: 3bb5483210e35397973479e749f01d6aec9c57e7
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_80 #sonaar_music_93 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_80 #sonaar_music_93 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_80 #sonaar_music_93 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_80 #sonaar_music_93 .album .album-art img { border-radius: 0px;} #sonaar_music_80 #sonaar_music_93 .sonaar-grid .album { padding: 0px;} #sonaar_music_80 #sonaar_music_93 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_80 #sonaar_music_93 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_80 #sonaar_music_93 .sonaar-grid { justify-content: center; } #sonaar_music_80 #sonaar_music_93 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_80 #sonaar_music_93 .playlist, #sonaar_music_80 #sonaar_music_93 .buttons-block { width: 100%; } #sonaar_music_80 #sonaar_music_93 .playlist { margin: 0px; } #sonaar_music_80 #sonaar_music_93 .srp_tracklist { margin: 0px; } #sonaar_music_80 #sonaar_music_93 .sr_it-playlist-title, #sonaar_music_80 #sonaar_music_93 .sr_it-playlist-artists, #sonaar_music_80 #sonaar_music_93 .srp_subtitle { text-align: left; } #sonaar_music_80 #sonaar_music_93 .sr_it-playlist-title, #sonaar_music_80 #sonaar_music_93 .sr_it-playlist-artists, #sonaar_music_80 #sonaar_music_93 .srp_subtitle { margin-left: 0px; } #sonaar_music_80 #sonaar_music_93 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_80 #sonaar_music_93 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_80 #sonaar_music_93 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_80 #sonaar_music_93 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_80 #sonaar_music_93 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_80 #sonaar_music_93 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_80 #sonaar_music_93 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_80 #sonaar_music_93 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_80 #sonaar_music_93 .album-player .control { top: 0px; position: relative; } #sonaar_music_80 #sonaar_music_93 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_80 #sonaar_music_93 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_80 #sonaar_music_93 .srp-play-circle { border-width: 6px; } #sonaar_music_80 #sonaar_music_93 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2c66d855f srp_player_params_69be2ca4d9ce9 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2c66d855f srp_player_params_args_69be2ca4d9ce9 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2c66d855f"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2ca4d9ce9"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2c66d855f"); setIronAudioplayers("arbitrary-instance-69be2ca4d9ce9"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:27:18) hash: b2ca8a4e1287ccf3c9bfea27cdf2486010cbb2cb
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:28:18) hash: e55fba1aa017e7f43e9aadaf1966972ff897de6a
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_95 #sonaar_music_80 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_95 #sonaar_music_80 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_95 #sonaar_music_80 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_95 #sonaar_music_80 .album .album-art img { border-radius: 0px;} #sonaar_music_95 #sonaar_music_80 .sonaar-grid .album { padding: 0px;} #sonaar_music_95 #sonaar_music_80 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_95 #sonaar_music_80 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_95 #sonaar_music_80 .sonaar-grid { justify-content: center; } #sonaar_music_95 #sonaar_music_80 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_95 #sonaar_music_80 .playlist, #sonaar_music_95 #sonaar_music_80 .buttons-block { width: 100%; } #sonaar_music_95 #sonaar_music_80 .playlist { margin: 0px; } #sonaar_music_95 #sonaar_music_80 .srp_tracklist { margin: 0px; } #sonaar_music_95 #sonaar_music_80 .sr_it-playlist-title, #sonaar_music_95 #sonaar_music_80 .sr_it-playlist-artists, #sonaar_music_95 #sonaar_music_80 .srp_subtitle { text-align: left; } #sonaar_music_95 #sonaar_music_80 .sr_it-playlist-title, #sonaar_music_95 #sonaar_music_80 .sr_it-playlist-artists, #sonaar_music_95 #sonaar_music_80 .srp_subtitle { margin-left: 0px; } #sonaar_music_95 #sonaar_music_80 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_95 #sonaar_music_80 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_95 #sonaar_music_80 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_95 #sonaar_music_80 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_95 #sonaar_music_80 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_95 #sonaar_music_80 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_95 #sonaar_music_80 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_95 #sonaar_music_80 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_95 #sonaar_music_80 .album-player .control { top: 0px; position: relative; } #sonaar_music_95 #sonaar_music_80 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_95 #sonaar_music_80 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_95 #sonaar_music_80 .srp-play-circle { border-width: 6px; } #sonaar_music_95 #sonaar_music_80 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2c2b184b1 srp_player_params_69be2c66d855f = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2c2b184b1 srp_player_params_args_69be2c66d855f = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2c2b184b1"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2c66d855f"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2c2b184b1"); setIronAudioplayers("arbitrary-instance-69be2c66d855f"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:26:18) hash: 711c352164aa7dc40e9d20ab6a2658fb78f3bafe
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:27:18) hash: b2ca8a4e1287ccf3c9bfea27cdf2486010cbb2cb
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_41 #sonaar_music_95 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_41 #sonaar_music_95 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_41 #sonaar_music_95 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_41 #sonaar_music_95 .album .album-art img { border-radius: 0px;} #sonaar_music_41 #sonaar_music_95 .sonaar-grid .album { padding: 0px;} #sonaar_music_41 #sonaar_music_95 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_41 #sonaar_music_95 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_41 #sonaar_music_95 .sonaar-grid { justify-content: center; } #sonaar_music_41 #sonaar_music_95 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_41 #sonaar_music_95 .playlist, #sonaar_music_41 #sonaar_music_95 .buttons-block { width: 100%; } #sonaar_music_41 #sonaar_music_95 .playlist { margin: 0px; } #sonaar_music_41 #sonaar_music_95 .srp_tracklist { margin: 0px; } #sonaar_music_41 #sonaar_music_95 .sr_it-playlist-title, #sonaar_music_41 #sonaar_music_95 .sr_it-playlist-artists, #sonaar_music_41 #sonaar_music_95 .srp_subtitle { text-align: left; } #sonaar_music_41 #sonaar_music_95 .sr_it-playlist-title, #sonaar_music_41 #sonaar_music_95 .sr_it-playlist-artists, #sonaar_music_41 #sonaar_music_95 .srp_subtitle { margin-left: 0px; } #sonaar_music_41 #sonaar_music_95 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_41 #sonaar_music_95 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_41 #sonaar_music_95 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_41 #sonaar_music_95 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_41 #sonaar_music_95 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_41 #sonaar_music_95 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_41 #sonaar_music_95 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_41 #sonaar_music_95 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_41 #sonaar_music_95 .album-player .control { top: 0px; position: relative; } #sonaar_music_41 #sonaar_music_95 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_41 #sonaar_music_95 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_41 #sonaar_music_95 .srp-play-circle { border-width: 6px; } #sonaar_music_41 #sonaar_music_95 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2beecbe81 srp_player_params_69be2c2b184b1 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2beecbe81 srp_player_params_args_69be2c2b184b1 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2beecbe81"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2c2b184b1"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2beecbe81"); setIronAudioplayers("arbitrary-instance-69be2c2b184b1"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:25:17) hash: ee998aa6336912c05a0602959712906c2cd067e8
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:26:18) hash: 711c352164aa7dc40e9d20ab6a2658fb78f3bafe
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_59 #sonaar_music_41 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_59 #sonaar_music_41 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_59 #sonaar_music_41 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_59 #sonaar_music_41 .album .album-art img { border-radius: 0px;} #sonaar_music_59 #sonaar_music_41 .sonaar-grid .album { padding: 0px;} #sonaar_music_59 #sonaar_music_41 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_59 #sonaar_music_41 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_59 #sonaar_music_41 .sonaar-grid { justify-content: center; } #sonaar_music_59 #sonaar_music_41 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_59 #sonaar_music_41 .playlist, #sonaar_music_59 #sonaar_music_41 .buttons-block { width: 100%; } #sonaar_music_59 #sonaar_music_41 .playlist { margin: 0px; } #sonaar_music_59 #sonaar_music_41 .srp_tracklist { margin: 0px; } #sonaar_music_59 #sonaar_music_41 .sr_it-playlist-title, #sonaar_music_59 #sonaar_music_41 .sr_it-playlist-artists, #sonaar_music_59 #sonaar_music_41 .srp_subtitle { text-align: left; } #sonaar_music_59 #sonaar_music_41 .sr_it-playlist-title, #sonaar_music_59 #sonaar_music_41 .sr_it-playlist-artists, #sonaar_music_59 #sonaar_music_41 .srp_subtitle { margin-left: 0px; } #sonaar_music_59 #sonaar_music_41 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_59 #sonaar_music_41 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_59 #sonaar_music_41 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_59 #sonaar_music_41 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_59 #sonaar_music_41 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_59 #sonaar_music_41 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_59 #sonaar_music_41 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_59 #sonaar_music_41 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_59 #sonaar_music_41 .album-player .control { top: 0px; position: relative; } #sonaar_music_59 #sonaar_music_41 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_59 #sonaar_music_41 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_59 #sonaar_music_41 .srp-play-circle { border-width: 6px; } #sonaar_music_59 #sonaar_music_41 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2bb2bef8c srp_player_params_69be2beecbe81 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2bb2bef8c srp_player_params_args_69be2beecbe81 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2bb2bef8c"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2beecbe81"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2bb2bef8c"); setIronAudioplayers("arbitrary-instance-69be2beecbe81"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:24:17) hash: ea4bc8d880a696633b2eccb74f70e7e2c45e5d94
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:25:17) hash: ee998aa6336912c05a0602959712906c2cd067e8
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_91 #sonaar_music_59 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_91 #sonaar_music_59 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_91 #sonaar_music_59 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_91 #sonaar_music_59 .album .album-art img { border-radius: 0px;} #sonaar_music_91 #sonaar_music_59 .sonaar-grid .album { padding: 0px;} #sonaar_music_91 #sonaar_music_59 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_91 #sonaar_music_59 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_91 #sonaar_music_59 .sonaar-grid { justify-content: center; } #sonaar_music_91 #sonaar_music_59 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_91 #sonaar_music_59 .playlist, #sonaar_music_91 #sonaar_music_59 .buttons-block { width: 100%; } #sonaar_music_91 #sonaar_music_59 .playlist { margin: 0px; } #sonaar_music_91 #sonaar_music_59 .srp_tracklist { margin: 0px; } #sonaar_music_91 #sonaar_music_59 .sr_it-playlist-title, #sonaar_music_91 #sonaar_music_59 .sr_it-playlist-artists, #sonaar_music_91 #sonaar_music_59 .srp_subtitle { text-align: left; } #sonaar_music_91 #sonaar_music_59 .sr_it-playlist-title, #sonaar_music_91 #sonaar_music_59 .sr_it-playlist-artists, #sonaar_music_91 #sonaar_music_59 .srp_subtitle { margin-left: 0px; } #sonaar_music_91 #sonaar_music_59 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_91 #sonaar_music_59 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_91 #sonaar_music_59 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_91 #sonaar_music_59 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_91 #sonaar_music_59 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_91 #sonaar_music_59 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_91 #sonaar_music_59 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_91 #sonaar_music_59 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_91 #sonaar_music_59 .album-player .control { top: 0px; position: relative; } #sonaar_music_91 #sonaar_music_59 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_91 #sonaar_music_59 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_91 #sonaar_music_59 .srp-play-circle { border-width: 6px; } #sonaar_music_91 #sonaar_music_59 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2b763ebe6 srp_player_params_69be2bb2bef8c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2b763ebe6 srp_player_params_args_69be2bb2bef8c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2b763ebe6"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2bb2bef8c"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2b763ebe6"); setIronAudioplayers("arbitrary-instance-69be2bb2bef8c"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:23:20) hash: 7eaa6ef78dfec5beae82971b59f6a5384ab63bd7
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:24:17) hash: ea4bc8d880a696633b2eccb74f70e7e2c45e5d94
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_66 #sonaar_music_91 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_66 #sonaar_music_91 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_66 #sonaar_music_91 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_66 #sonaar_music_91 .album .album-art img { border-radius: 0px;} #sonaar_music_66 #sonaar_music_91 .sonaar-grid .album { padding: 0px;} #sonaar_music_66 #sonaar_music_91 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_66 #sonaar_music_91 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_66 #sonaar_music_91 .sonaar-grid { justify-content: center; } #sonaar_music_66 #sonaar_music_91 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_66 #sonaar_music_91 .playlist, #sonaar_music_66 #sonaar_music_91 .buttons-block { width: 100%; } #sonaar_music_66 #sonaar_music_91 .playlist { margin: 0px; } #sonaar_music_66 #sonaar_music_91 .srp_tracklist { margin: 0px; } #sonaar_music_66 #sonaar_music_91 .sr_it-playlist-title, #sonaar_music_66 #sonaar_music_91 .sr_it-playlist-artists, #sonaar_music_66 #sonaar_music_91 .srp_subtitle { text-align: left; } #sonaar_music_66 #sonaar_music_91 .sr_it-playlist-title, #sonaar_music_66 #sonaar_music_91 .sr_it-playlist-artists, #sonaar_music_66 #sonaar_music_91 .srp_subtitle { margin-left: 0px; } #sonaar_music_66 #sonaar_music_91 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_66 #sonaar_music_91 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_66 #sonaar_music_91 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_66 #sonaar_music_91 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_66 #sonaar_music_91 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_66 #sonaar_music_91 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_66 #sonaar_music_91 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_66 #sonaar_music_91 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_66 #sonaar_music_91 .album-player .control { top: 0px; position: relative; } #sonaar_music_66 #sonaar_music_91 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_66 #sonaar_music_91 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_66 #sonaar_music_91 .srp-play-circle { border-width: 6px; } #sonaar_music_66 #sonaar_music_91 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2b3b664e5 srp_player_params_69be2b763ebe6 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2b3b664e5 srp_player_params_args_69be2b763ebe6 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2b3b664e5"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2b763ebe6"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2b3b664e5"); setIronAudioplayers("arbitrary-instance-69be2b763ebe6"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:22:18) hash: c9c5ae1f3f03fad1b953619e6d12ad2e7d30644d
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:23:20) hash: 7eaa6ef78dfec5beae82971b59f6a5384ab63bd7
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_69 #sonaar_music_66 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_69 #sonaar_music_66 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_69 #sonaar_music_66 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_69 #sonaar_music_66 .album .album-art img { border-radius: 0px;} #sonaar_music_69 #sonaar_music_66 .sonaar-grid .album { padding: 0px;} #sonaar_music_69 #sonaar_music_66 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_69 #sonaar_music_66 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_69 #sonaar_music_66 .sonaar-grid { justify-content: center; } #sonaar_music_69 #sonaar_music_66 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_69 #sonaar_music_66 .playlist, #sonaar_music_69 #sonaar_music_66 .buttons-block { width: 100%; } #sonaar_music_69 #sonaar_music_66 .playlist { margin: 0px; } #sonaar_music_69 #sonaar_music_66 .srp_tracklist { margin: 0px; } #sonaar_music_69 #sonaar_music_66 .sr_it-playlist-title, #sonaar_music_69 #sonaar_music_66 .sr_it-playlist-artists, #sonaar_music_69 #sonaar_music_66 .srp_subtitle { text-align: left; } #sonaar_music_69 #sonaar_music_66 .sr_it-playlist-title, #sonaar_music_69 #sonaar_music_66 .sr_it-playlist-artists, #sonaar_music_69 #sonaar_music_66 .srp_subtitle { margin-left: 0px; } #sonaar_music_69 #sonaar_music_66 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_69 #sonaar_music_66 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_69 #sonaar_music_66 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_69 #sonaar_music_66 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_69 #sonaar_music_66 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_69 #sonaar_music_66 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_69 #sonaar_music_66 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_69 #sonaar_music_66 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_69 #sonaar_music_66 .album-player .control { top: 0px; position: relative; } #sonaar_music_69 #sonaar_music_66 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_69 #sonaar_music_66 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_69 #sonaar_music_66 .srp-play-circle { border-width: 6px; } #sonaar_music_69 #sonaar_music_66 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2aff00acd srp_player_params_69be2b3b664e5 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2aff00acd srp_player_params_args_69be2b3b664e5 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2aff00acd"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2b3b664e5"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2aff00acd"); setIronAudioplayers("arbitrary-instance-69be2b3b664e5"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:21:18) hash: c8e2b20c5d33da8cdc664ef8910c104cc14013f1
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:22:18) hash: c9c5ae1f3f03fad1b953619e6d12ad2e7d30644d
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_82 #sonaar_music_69 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_82 #sonaar_music_69 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_82 #sonaar_music_69 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_82 #sonaar_music_69 .album .album-art img { border-radius: 0px;} #sonaar_music_82 #sonaar_music_69 .sonaar-grid .album { padding: 0px;} #sonaar_music_82 #sonaar_music_69 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_82 #sonaar_music_69 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_82 #sonaar_music_69 .sonaar-grid { justify-content: center; } #sonaar_music_82 #sonaar_music_69 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_82 #sonaar_music_69 .playlist, #sonaar_music_82 #sonaar_music_69 .buttons-block { width: 100%; } #sonaar_music_82 #sonaar_music_69 .playlist { margin: 0px; } #sonaar_music_82 #sonaar_music_69 .srp_tracklist { margin: 0px; } #sonaar_music_82 #sonaar_music_69 .sr_it-playlist-title, #sonaar_music_82 #sonaar_music_69 .sr_it-playlist-artists, #sonaar_music_82 #sonaar_music_69 .srp_subtitle { text-align: left; } #sonaar_music_82 #sonaar_music_69 .sr_it-playlist-title, #sonaar_music_82 #sonaar_music_69 .sr_it-playlist-artists, #sonaar_music_82 #sonaar_music_69 .srp_subtitle { margin-left: 0px; } #sonaar_music_82 #sonaar_music_69 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_82 #sonaar_music_69 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_82 #sonaar_music_69 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_82 #sonaar_music_69 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_82 #sonaar_music_69 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_82 #sonaar_music_69 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_82 #sonaar_music_69 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_82 #sonaar_music_69 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_82 #sonaar_music_69 .album-player .control { top: 0px; position: relative; } #sonaar_music_82 #sonaar_music_69 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_82 #sonaar_music_69 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_82 #sonaar_music_69 .srp-play-circle { border-width: 6px; } #sonaar_music_82 #sonaar_music_69 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2ac323e87 srp_player_params_69be2aff00acd = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2ac323e87 srp_player_params_args_69be2aff00acd = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2ac323e87"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2aff00acd"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2ac323e87"); setIronAudioplayers("arbitrary-instance-69be2aff00acd"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:20:18) hash: 19473bfc9b09e0347c1f690896d31a3ea28b7d81
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:21:18) hash: c8e2b20c5d33da8cdc664ef8910c104cc14013f1
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_97 #sonaar_music_82 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_97 #sonaar_music_82 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_97 #sonaar_music_82 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_97 #sonaar_music_82 .album .album-art img { border-radius: 0px;} #sonaar_music_97 #sonaar_music_82 .sonaar-grid .album { padding: 0px;} #sonaar_music_97 #sonaar_music_82 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_97 #sonaar_music_82 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_97 #sonaar_music_82 .sonaar-grid { justify-content: center; } #sonaar_music_97 #sonaar_music_82 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_97 #sonaar_music_82 .playlist, #sonaar_music_97 #sonaar_music_82 .buttons-block { width: 100%; } #sonaar_music_97 #sonaar_music_82 .playlist { margin: 0px; } #sonaar_music_97 #sonaar_music_82 .srp_tracklist { margin: 0px; } #sonaar_music_97 #sonaar_music_82 .sr_it-playlist-title, #sonaar_music_97 #sonaar_music_82 .sr_it-playlist-artists, #sonaar_music_97 #sonaar_music_82 .srp_subtitle { text-align: left; } #sonaar_music_97 #sonaar_music_82 .sr_it-playlist-title, #sonaar_music_97 #sonaar_music_82 .sr_it-playlist-artists, #sonaar_music_97 #sonaar_music_82 .srp_subtitle { margin-left: 0px; } #sonaar_music_97 #sonaar_music_82 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_97 #sonaar_music_82 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_97 #sonaar_music_82 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_97 #sonaar_music_82 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_97 #sonaar_music_82 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_97 #sonaar_music_82 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_97 #sonaar_music_82 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_97 #sonaar_music_82 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_97 #sonaar_music_82 .album-player .control { top: 0px; position: relative; } #sonaar_music_97 #sonaar_music_82 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_97 #sonaar_music_82 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_97 #sonaar_music_82 .srp-play-circle { border-width: 6px; } #sonaar_music_97 #sonaar_music_82 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2a87dbca7 srp_player_params_69be2ac323e87 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2a87dbca7 srp_player_params_args_69be2ac323e87 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2a87dbca7"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2ac323e87"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2a87dbca7"); setIronAudioplayers("arbitrary-instance-69be2ac323e87"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:19:38) hash: a2fe97db11eb6eccfec74c82b111b894d9bdca60
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:20:18) hash: 19473bfc9b09e0347c1f690896d31a3ea28b7d81
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_64 #sonaar_music_97 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_64 #sonaar_music_97 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_64 #sonaar_music_97 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_64 #sonaar_music_97 .album .album-art img { border-radius: 0px;} #sonaar_music_64 #sonaar_music_97 .sonaar-grid .album { padding: 0px;} #sonaar_music_64 #sonaar_music_97 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_64 #sonaar_music_97 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_64 #sonaar_music_97 .sonaar-grid { justify-content: center; } #sonaar_music_64 #sonaar_music_97 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_64 #sonaar_music_97 .playlist, #sonaar_music_64 #sonaar_music_97 .buttons-block { width: 100%; } #sonaar_music_64 #sonaar_music_97 .playlist { margin: 0px; } #sonaar_music_64 #sonaar_music_97 .srp_tracklist { margin: 0px; } #sonaar_music_64 #sonaar_music_97 .sr_it-playlist-title, #sonaar_music_64 #sonaar_music_97 .sr_it-playlist-artists, #sonaar_music_64 #sonaar_music_97 .srp_subtitle { text-align: left; } #sonaar_music_64 #sonaar_music_97 .sr_it-playlist-title, #sonaar_music_64 #sonaar_music_97 .sr_it-playlist-artists, #sonaar_music_64 #sonaar_music_97 .srp_subtitle { margin-left: 0px; } #sonaar_music_64 #sonaar_music_97 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_64 #sonaar_music_97 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_64 #sonaar_music_97 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_64 #sonaar_music_97 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_64 #sonaar_music_97 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_64 #sonaar_music_97 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_64 #sonaar_music_97 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_64 #sonaar_music_97 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_64 #sonaar_music_97 .album-player .control { top: 0px; position: relative; } #sonaar_music_64 #sonaar_music_97 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_64 #sonaar_music_97 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_64 #sonaar_music_97 .srp-play-circle { border-width: 6px; } #sonaar_music_64 #sonaar_music_97 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2a5fe5bd9 srp_player_params_69be2a87dbca7 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2a5fe5bd9 srp_player_params_args_69be2a87dbca7 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2a5fe5bd9"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2a87dbca7"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2a5fe5bd9"); setIronAudioplayers("arbitrary-instance-69be2a87dbca7"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:18:17) hash: c6cfea98782b8b03bc9217b2115cfd93a5bb437c
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:19:38) hash: a2fe97db11eb6eccfec74c82b111b894d9bdca60
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_82 #sonaar_music_64 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_82 #sonaar_music_64 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_82 #sonaar_music_64 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_82 #sonaar_music_64 .album .album-art img { border-radius: 0px;} #sonaar_music_82 #sonaar_music_64 .sonaar-grid .album { padding: 0px;} #sonaar_music_82 #sonaar_music_64 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_82 #sonaar_music_64 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_82 #sonaar_music_64 .sonaar-grid { justify-content: center; } #sonaar_music_82 #sonaar_music_64 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_82 #sonaar_music_64 .playlist, #sonaar_music_82 #sonaar_music_64 .buttons-block { width: 100%; } #sonaar_music_82 #sonaar_music_64 .playlist { margin: 0px; } #sonaar_music_82 #sonaar_music_64 .srp_tracklist { margin: 0px; } #sonaar_music_82 #sonaar_music_64 .sr_it-playlist-title, #sonaar_music_82 #sonaar_music_64 .sr_it-playlist-artists, #sonaar_music_82 #sonaar_music_64 .srp_subtitle { text-align: left; } #sonaar_music_82 #sonaar_music_64 .sr_it-playlist-title, #sonaar_music_82 #sonaar_music_64 .sr_it-playlist-artists, #sonaar_music_82 #sonaar_music_64 .srp_subtitle { margin-left: 0px; } #sonaar_music_82 #sonaar_music_64 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_82 #sonaar_music_64 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_82 #sonaar_music_64 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_82 #sonaar_music_64 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_82 #sonaar_music_64 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_82 #sonaar_music_64 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_82 #sonaar_music_64 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_82 #sonaar_music_64 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_82 #sonaar_music_64 .album-player .control { top: 0px; position: relative; } #sonaar_music_82 #sonaar_music_64 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_82 #sonaar_music_64 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_82 #sonaar_music_64 .srp-play-circle { border-width: 6px; } #sonaar_music_82 #sonaar_music_64 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2a0ec0bfc srp_player_params_69be2a5fe5bd9 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2a0ec0bfc srp_player_params_args_69be2a5fe5bd9 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2a0ec0bfc"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2a5fe5bd9"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2a0ec0bfc"); setIronAudioplayers("arbitrary-instance-69be2a5fe5bd9"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:17:18) hash: d2cf78f0cf349f5c6d5f3b46392828d7cc3ca325
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:18:17) hash: c6cfea98782b8b03bc9217b2115cfd93a5bb437c
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_91 #sonaar_music_82 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_91 #sonaar_music_82 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_91 #sonaar_music_82 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_91 #sonaar_music_82 .album .album-art img { border-radius: 0px;} #sonaar_music_91 #sonaar_music_82 .sonaar-grid .album { padding: 0px;} #sonaar_music_91 #sonaar_music_82 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_91 #sonaar_music_82 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_91 #sonaar_music_82 .sonaar-grid { justify-content: center; } #sonaar_music_91 #sonaar_music_82 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_91 #sonaar_music_82 .playlist, #sonaar_music_91 #sonaar_music_82 .buttons-block { width: 100%; } #sonaar_music_91 #sonaar_music_82 .playlist { margin: 0px; } #sonaar_music_91 #sonaar_music_82 .srp_tracklist { margin: 0px; } #sonaar_music_91 #sonaar_music_82 .sr_it-playlist-title, #sonaar_music_91 #sonaar_music_82 .sr_it-playlist-artists, #sonaar_music_91 #sonaar_music_82 .srp_subtitle { text-align: left; } #sonaar_music_91 #sonaar_music_82 .sr_it-playlist-title, #sonaar_music_91 #sonaar_music_82 .sr_it-playlist-artists, #sonaar_music_91 #sonaar_music_82 .srp_subtitle { margin-left: 0px; } #sonaar_music_91 #sonaar_music_82 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_91 #sonaar_music_82 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_91 #sonaar_music_82 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_91 #sonaar_music_82 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_91 #sonaar_music_82 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_91 #sonaar_music_82 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_91 #sonaar_music_82 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_91 #sonaar_music_82 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_91 #sonaar_music_82 .album-player .control { top: 0px; position: relative; } #sonaar_music_91 #sonaar_music_82 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_91 #sonaar_music_82 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_91 #sonaar_music_82 .srp-play-circle { border-width: 6px; } #sonaar_music_91 #sonaar_music_82 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be29d3edafd srp_player_params_69be2a0ec0bfc = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be29d3edafd srp_player_params_args_69be2a0ec0bfc = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be29d3edafd"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2a0ec0bfc"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be29d3edafd"); setIronAudioplayers("arbitrary-instance-69be2a0ec0bfc"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:16:19) hash: c211e2680e4da1eca04f8296a4498c9cf53986c3
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:17:18) hash: d2cf78f0cf349f5c6d5f3b46392828d7cc3ca325
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_22 #sonaar_music_91 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_22 #sonaar_music_91 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_22 #sonaar_music_91 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_22 #sonaar_music_91 .album .album-art img { border-radius: 0px;} #sonaar_music_22 #sonaar_music_91 .sonaar-grid .album { padding: 0px;} #sonaar_music_22 #sonaar_music_91 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_22 #sonaar_music_91 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_22 #sonaar_music_91 .sonaar-grid { justify-content: center; } #sonaar_music_22 #sonaar_music_91 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_22 #sonaar_music_91 .playlist, #sonaar_music_22 #sonaar_music_91 .buttons-block { width: 100%; } #sonaar_music_22 #sonaar_music_91 .playlist { margin: 0px; } #sonaar_music_22 #sonaar_music_91 .srp_tracklist { margin: 0px; } #sonaar_music_22 #sonaar_music_91 .sr_it-playlist-title, #sonaar_music_22 #sonaar_music_91 .sr_it-playlist-artists, #sonaar_music_22 #sonaar_music_91 .srp_subtitle { text-align: left; } #sonaar_music_22 #sonaar_music_91 .sr_it-playlist-title, #sonaar_music_22 #sonaar_music_91 .sr_it-playlist-artists, #sonaar_music_22 #sonaar_music_91 .srp_subtitle { margin-left: 0px; } #sonaar_music_22 #sonaar_music_91 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_22 #sonaar_music_91 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_22 #sonaar_music_91 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_22 #sonaar_music_91 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_22 #sonaar_music_91 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_22 #sonaar_music_91 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_22 #sonaar_music_91 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_22 #sonaar_music_91 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_22 #sonaar_music_91 .album-player .control { top: 0px; position: relative; } #sonaar_music_22 #sonaar_music_91 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_22 #sonaar_music_91 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_22 #sonaar_music_91 .srp-play-circle { border-width: 6px; } #sonaar_music_22 #sonaar_music_91 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2998c5f56 srp_player_params_69be29d3edafd = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2998c5f56 srp_player_params_args_69be29d3edafd = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2998c5f56"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be29d3edafd"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2998c5f56"); setIronAudioplayers("arbitrary-instance-69be29d3edafd"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:15:19) hash: 984cc89f18340f0a7be53b0d6d29a5dd9da0c2e3
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:16:19) hash: c211e2680e4da1eca04f8296a4498c9cf53986c3
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_71 #sonaar_music_22 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_71 #sonaar_music_22 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_71 #sonaar_music_22 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_71 #sonaar_music_22 .album .album-art img { border-radius: 0px;} #sonaar_music_71 #sonaar_music_22 .sonaar-grid .album { padding: 0px;} #sonaar_music_71 #sonaar_music_22 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_71 #sonaar_music_22 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_71 #sonaar_music_22 .sonaar-grid { justify-content: center; } #sonaar_music_71 #sonaar_music_22 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_71 #sonaar_music_22 .playlist, #sonaar_music_71 #sonaar_music_22 .buttons-block { width: 100%; } #sonaar_music_71 #sonaar_music_22 .playlist { margin: 0px; } #sonaar_music_71 #sonaar_music_22 .srp_tracklist { margin: 0px; } #sonaar_music_71 #sonaar_music_22 .sr_it-playlist-title, #sonaar_music_71 #sonaar_music_22 .sr_it-playlist-artists, #sonaar_music_71 #sonaar_music_22 .srp_subtitle { text-align: left; } #sonaar_music_71 #sonaar_music_22 .sr_it-playlist-title, #sonaar_music_71 #sonaar_music_22 .sr_it-playlist-artists, #sonaar_music_71 #sonaar_music_22 .srp_subtitle { margin-left: 0px; } #sonaar_music_71 #sonaar_music_22 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_71 #sonaar_music_22 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_71 #sonaar_music_22 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_71 #sonaar_music_22 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_71 #sonaar_music_22 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_71 #sonaar_music_22 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_71 #sonaar_music_22 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_71 #sonaar_music_22 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_71 #sonaar_music_22 .album-player .control { top: 0px; position: relative; } #sonaar_music_71 #sonaar_music_22 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_71 #sonaar_music_22 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_71 #sonaar_music_22 .srp-play-circle { border-width: 6px; } #sonaar_music_71 #sonaar_music_22 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be295c05905 srp_player_params_69be2998c5f56 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be295c05905 srp_player_params_args_69be2998c5f56 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be295c05905"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2998c5f56"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be295c05905"); setIronAudioplayers("arbitrary-instance-69be2998c5f56"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:14:18) hash: 3751c374e4da990ccc7220150d2975c62a32176b
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:15:19) hash: 984cc89f18340f0a7be53b0d6d29a5dd9da0c2e3
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_28 #sonaar_music_71 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_28 #sonaar_music_71 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_28 #sonaar_music_71 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_28 #sonaar_music_71 .album .album-art img { border-radius: 0px;} #sonaar_music_28 #sonaar_music_71 .sonaar-grid .album { padding: 0px;} #sonaar_music_28 #sonaar_music_71 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_28 #sonaar_music_71 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_28 #sonaar_music_71 .sonaar-grid { justify-content: center; } #sonaar_music_28 #sonaar_music_71 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_28 #sonaar_music_71 .playlist, #sonaar_music_28 #sonaar_music_71 .buttons-block { width: 100%; } #sonaar_music_28 #sonaar_music_71 .playlist { margin: 0px; } #sonaar_music_28 #sonaar_music_71 .srp_tracklist { margin: 0px; } #sonaar_music_28 #sonaar_music_71 .sr_it-playlist-title, #sonaar_music_28 #sonaar_music_71 .sr_it-playlist-artists, #sonaar_music_28 #sonaar_music_71 .srp_subtitle { text-align: left; } #sonaar_music_28 #sonaar_music_71 .sr_it-playlist-title, #sonaar_music_28 #sonaar_music_71 .sr_it-playlist-artists, #sonaar_music_28 #sonaar_music_71 .srp_subtitle { margin-left: 0px; } #sonaar_music_28 #sonaar_music_71 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_28 #sonaar_music_71 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_28 #sonaar_music_71 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_28 #sonaar_music_71 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_28 #sonaar_music_71 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_28 #sonaar_music_71 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_28 #sonaar_music_71 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_28 #sonaar_music_71 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_28 #sonaar_music_71 .album-player .control { top: 0px; position: relative; } #sonaar_music_28 #sonaar_music_71 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_28 #sonaar_music_71 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_28 #sonaar_music_71 .srp-play-circle { border-width: 6px; } #sonaar_music_28 #sonaar_music_71 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be291e7e114 srp_player_params_69be295c05905 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be291e7e114 srp_player_params_args_69be295c05905 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be291e7e114"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be295c05905"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be291e7e114"); setIronAudioplayers("arbitrary-instance-69be295c05905"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:13:17) hash: 4f378e331df8c10cc6b76bffd6913df1090d1c14
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:14:18) hash: 3751c374e4da990ccc7220150d2975c62a32176b
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_29 #sonaar_music_28 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_29 #sonaar_music_28 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_29 #sonaar_music_28 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_29 #sonaar_music_28 .album .album-art img { border-radius: 0px;} #sonaar_music_29 #sonaar_music_28 .sonaar-grid .album { padding: 0px;} #sonaar_music_29 #sonaar_music_28 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_29 #sonaar_music_28 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_29 #sonaar_music_28 .sonaar-grid { justify-content: center; } #sonaar_music_29 #sonaar_music_28 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_29 #sonaar_music_28 .playlist, #sonaar_music_29 #sonaar_music_28 .buttons-block { width: 100%; } #sonaar_music_29 #sonaar_music_28 .playlist { margin: 0px; } #sonaar_music_29 #sonaar_music_28 .srp_tracklist { margin: 0px; } #sonaar_music_29 #sonaar_music_28 .sr_it-playlist-title, #sonaar_music_29 #sonaar_music_28 .sr_it-playlist-artists, #sonaar_music_29 #sonaar_music_28 .srp_subtitle { text-align: left; } #sonaar_music_29 #sonaar_music_28 .sr_it-playlist-title, #sonaar_music_29 #sonaar_music_28 .sr_it-playlist-artists, #sonaar_music_29 #sonaar_music_28 .srp_subtitle { margin-left: 0px; } #sonaar_music_29 #sonaar_music_28 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_29 #sonaar_music_28 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_29 #sonaar_music_28 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_29 #sonaar_music_28 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_29 #sonaar_music_28 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_29 #sonaar_music_28 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_29 #sonaar_music_28 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_29 #sonaar_music_28 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_29 #sonaar_music_28 .album-player .control { top: 0px; position: relative; } #sonaar_music_29 #sonaar_music_28 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_29 #sonaar_music_28 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_29 #sonaar_music_28 .srp-play-circle { border-width: 6px; } #sonaar_music_29 #sonaar_music_28 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be28e230aa0 srp_player_params_69be291e7e114 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be28e230aa0 srp_player_params_args_69be291e7e114 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be28e230aa0"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be291e7e114"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be28e230aa0"); setIronAudioplayers("arbitrary-instance-69be291e7e114"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:12:18) hash: b8ed807353e95bf7c49423985eee77dffef7ab37
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:13:17) hash: 4f378e331df8c10cc6b76bffd6913df1090d1c14
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_33 #sonaar_music_29 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_33 #sonaar_music_29 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_33 #sonaar_music_29 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_33 #sonaar_music_29 .album .album-art img { border-radius: 0px;} #sonaar_music_33 #sonaar_music_29 .sonaar-grid .album { padding: 0px;} #sonaar_music_33 #sonaar_music_29 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_33 #sonaar_music_29 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_33 #sonaar_music_29 .sonaar-grid { justify-content: center; } #sonaar_music_33 #sonaar_music_29 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_33 #sonaar_music_29 .playlist, #sonaar_music_33 #sonaar_music_29 .buttons-block { width: 100%; } #sonaar_music_33 #sonaar_music_29 .playlist { margin: 0px; } #sonaar_music_33 #sonaar_music_29 .srp_tracklist { margin: 0px; } #sonaar_music_33 #sonaar_music_29 .sr_it-playlist-title, #sonaar_music_33 #sonaar_music_29 .sr_it-playlist-artists, #sonaar_music_33 #sonaar_music_29 .srp_subtitle { text-align: left; } #sonaar_music_33 #sonaar_music_29 .sr_it-playlist-title, #sonaar_music_33 #sonaar_music_29 .sr_it-playlist-artists, #sonaar_music_33 #sonaar_music_29 .srp_subtitle { margin-left: 0px; } #sonaar_music_33 #sonaar_music_29 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_33 #sonaar_music_29 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_33 #sonaar_music_29 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_33 #sonaar_music_29 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_33 #sonaar_music_29 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_33 #sonaar_music_29 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_33 #sonaar_music_29 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_33 #sonaar_music_29 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_33 #sonaar_music_29 .album-player .control { top: 0px; position: relative; } #sonaar_music_33 #sonaar_music_29 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_33 #sonaar_music_29 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_33 #sonaar_music_29 .srp-play-circle { border-width: 6px; } #sonaar_music_33 #sonaar_music_29 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be28a714786 srp_player_params_69be28e230aa0 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be28a714786 srp_player_params_args_69be28e230aa0 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be28a714786"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be28e230aa0"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be28a714786"); setIronAudioplayers("arbitrary-instance-69be28e230aa0"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:11:19) hash: 4ddb233bb10c3b75f7cafb17efdcffa0e7eaf8a6
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:12:18) hash: b8ed807353e95bf7c49423985eee77dffef7ab37
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_82 #sonaar_music_33 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_82 #sonaar_music_33 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_82 #sonaar_music_33 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_82 #sonaar_music_33 .album .album-art img { border-radius: 0px;} #sonaar_music_82 #sonaar_music_33 .sonaar-grid .album { padding: 0px;} #sonaar_music_82 #sonaar_music_33 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_82 #sonaar_music_33 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_82 #sonaar_music_33 .sonaar-grid { justify-content: center; } #sonaar_music_82 #sonaar_music_33 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_82 #sonaar_music_33 .playlist, #sonaar_music_82 #sonaar_music_33 .buttons-block { width: 100%; } #sonaar_music_82 #sonaar_music_33 .playlist { margin: 0px; } #sonaar_music_82 #sonaar_music_33 .srp_tracklist { margin: 0px; } #sonaar_music_82 #sonaar_music_33 .sr_it-playlist-title, #sonaar_music_82 #sonaar_music_33 .sr_it-playlist-artists, #sonaar_music_82 #sonaar_music_33 .srp_subtitle { text-align: left; } #sonaar_music_82 #sonaar_music_33 .sr_it-playlist-title, #sonaar_music_82 #sonaar_music_33 .sr_it-playlist-artists, #sonaar_music_82 #sonaar_music_33 .srp_subtitle { margin-left: 0px; } #sonaar_music_82 #sonaar_music_33 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_82 #sonaar_music_33 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_82 #sonaar_music_33 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_82 #sonaar_music_33 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_82 #sonaar_music_33 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_82 #sonaar_music_33 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_82 #sonaar_music_33 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_82 #sonaar_music_33 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_82 #sonaar_music_33 .album-player .control { top: 0px; position: relative; } #sonaar_music_82 #sonaar_music_33 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_82 #sonaar_music_33 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_82 #sonaar_music_33 .srp-play-circle { border-width: 6px; } #sonaar_music_82 #sonaar_music_33 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be286c129b6 srp_player_params_69be28a714786 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be286c129b6 srp_player_params_args_69be28a714786 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be286c129b6"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be28a714786"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be286c129b6"); setIronAudioplayers("arbitrary-instance-69be28a714786"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:10:18) hash: dd2a15b9b32f08c1d3e0bb43026f3227fa6ffd8f
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:11:19) hash: 4ddb233bb10c3b75f7cafb17efdcffa0e7eaf8a6
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_58 #sonaar_music_82 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_58 #sonaar_music_82 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_58 #sonaar_music_82 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_58 #sonaar_music_82 .album .album-art img { border-radius: 0px;} #sonaar_music_58 #sonaar_music_82 .sonaar-grid .album { padding: 0px;} #sonaar_music_58 #sonaar_music_82 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_58 #sonaar_music_82 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_58 #sonaar_music_82 .sonaar-grid { justify-content: center; } #sonaar_music_58 #sonaar_music_82 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_58 #sonaar_music_82 .playlist, #sonaar_music_58 #sonaar_music_82 .buttons-block { width: 100%; } #sonaar_music_58 #sonaar_music_82 .playlist { margin: 0px; } #sonaar_music_58 #sonaar_music_82 .srp_tracklist { margin: 0px; } #sonaar_music_58 #sonaar_music_82 .sr_it-playlist-title, #sonaar_music_58 #sonaar_music_82 .sr_it-playlist-artists, #sonaar_music_58 #sonaar_music_82 .srp_subtitle { text-align: left; } #sonaar_music_58 #sonaar_music_82 .sr_it-playlist-title, #sonaar_music_58 #sonaar_music_82 .sr_it-playlist-artists, #sonaar_music_58 #sonaar_music_82 .srp_subtitle { margin-left: 0px; } #sonaar_music_58 #sonaar_music_82 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_58 #sonaar_music_82 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_58 #sonaar_music_82 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_58 #sonaar_music_82 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_58 #sonaar_music_82 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_58 #sonaar_music_82 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_58 #sonaar_music_82 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_58 #sonaar_music_82 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_58 #sonaar_music_82 .album-player .control { top: 0px; position: relative; } #sonaar_music_58 #sonaar_music_82 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_58 #sonaar_music_82 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_58 #sonaar_music_82 .srp-play-circle { border-width: 6px; } #sonaar_music_58 #sonaar_music_82 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be282e73c71 srp_player_params_69be286c129b6 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be282e73c71 srp_player_params_args_69be286c129b6 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be282e73c71"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be286c129b6"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be282e73c71"); setIronAudioplayers("arbitrary-instance-69be286c129b6"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:09:18) hash: 76539cec7e91fbfe914942174cebf44c81d8f814
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:10:18) hash: dd2a15b9b32f08c1d3e0bb43026f3227fa6ffd8f
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_84 #sonaar_music_58 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_84 #sonaar_music_58 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_84 #sonaar_music_58 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_84 #sonaar_music_58 .album .album-art img { border-radius: 0px;} #sonaar_music_84 #sonaar_music_58 .sonaar-grid .album { padding: 0px;} #sonaar_music_84 #sonaar_music_58 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_84 #sonaar_music_58 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_84 #sonaar_music_58 .sonaar-grid { justify-content: center; } #sonaar_music_84 #sonaar_music_58 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_84 #sonaar_music_58 .playlist, #sonaar_music_84 #sonaar_music_58 .buttons-block { width: 100%; } #sonaar_music_84 #sonaar_music_58 .playlist { margin: 0px; } #sonaar_music_84 #sonaar_music_58 .srp_tracklist { margin: 0px; } #sonaar_music_84 #sonaar_music_58 .sr_it-playlist-title, #sonaar_music_84 #sonaar_music_58 .sr_it-playlist-artists, #sonaar_music_84 #sonaar_music_58 .srp_subtitle { text-align: left; } #sonaar_music_84 #sonaar_music_58 .sr_it-playlist-title, #sonaar_music_84 #sonaar_music_58 .sr_it-playlist-artists, #sonaar_music_84 #sonaar_music_58 .srp_subtitle { margin-left: 0px; } #sonaar_music_84 #sonaar_music_58 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_84 #sonaar_music_58 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_84 #sonaar_music_58 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_84 #sonaar_music_58 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_84 #sonaar_music_58 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_84 #sonaar_music_58 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_84 #sonaar_music_58 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_84 #sonaar_music_58 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_84 #sonaar_music_58 .album-player .control { top: 0px; position: relative; } #sonaar_music_84 #sonaar_music_58 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_84 #sonaar_music_58 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_84 #sonaar_music_58 .srp-play-circle { border-width: 6px; } #sonaar_music_84 #sonaar_music_58 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be27f2ec5cf srp_player_params_69be282e73c71 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be27f2ec5cf srp_player_params_args_69be282e73c71 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be27f2ec5cf"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be282e73c71"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be27f2ec5cf"); setIronAudioplayers("arbitrary-instance-69be282e73c71"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:08:19) hash: 8d34e45e86e4be79737ffc802df48b8207074727
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:09:18) hash: 76539cec7e91fbfe914942174cebf44c81d8f814
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_98 #sonaar_music_84 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_98 #sonaar_music_84 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_98 #sonaar_music_84 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_98 #sonaar_music_84 .album .album-art img { border-radius: 0px;} #sonaar_music_98 #sonaar_music_84 .sonaar-grid .album { padding: 0px;} #sonaar_music_98 #sonaar_music_84 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_98 #sonaar_music_84 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_98 #sonaar_music_84 .sonaar-grid { justify-content: center; } #sonaar_music_98 #sonaar_music_84 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_98 #sonaar_music_84 .playlist, #sonaar_music_98 #sonaar_music_84 .buttons-block { width: 100%; } #sonaar_music_98 #sonaar_music_84 .playlist { margin: 0px; } #sonaar_music_98 #sonaar_music_84 .srp_tracklist { margin: 0px; } #sonaar_music_98 #sonaar_music_84 .sr_it-playlist-title, #sonaar_music_98 #sonaar_music_84 .sr_it-playlist-artists, #sonaar_music_98 #sonaar_music_84 .srp_subtitle { text-align: left; } #sonaar_music_98 #sonaar_music_84 .sr_it-playlist-title, #sonaar_music_98 #sonaar_music_84 .sr_it-playlist-artists, #sonaar_music_98 #sonaar_music_84 .srp_subtitle { margin-left: 0px; } #sonaar_music_98 #sonaar_music_84 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_98 #sonaar_music_84 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_98 #sonaar_music_84 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_98 #sonaar_music_84 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_98 #sonaar_music_84 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_98 #sonaar_music_84 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_98 #sonaar_music_84 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_98 #sonaar_music_84 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_98 #sonaar_music_84 .album-player .control { top: 0px; position: relative; } #sonaar_music_98 #sonaar_music_84 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_98 #sonaar_music_84 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_98 #sonaar_music_84 .srp-play-circle { border-width: 6px; } #sonaar_music_98 #sonaar_music_84 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be27b73ce13 srp_player_params_69be27f2ec5cf = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be27b73ce13 srp_player_params_args_69be27f2ec5cf = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be27b73ce13"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be27f2ec5cf"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be27b73ce13"); setIronAudioplayers("arbitrary-instance-69be27f2ec5cf"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:07:18) hash: 17e4d00e6156552666cd59cbc09b50d54fb82ab0
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:08:19) hash: 8d34e45e86e4be79737ffc802df48b8207074727
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_58 #sonaar_music_98 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_58 #sonaar_music_98 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_58 #sonaar_music_98 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_58 #sonaar_music_98 .album .album-art img { border-radius: 0px;} #sonaar_music_58 #sonaar_music_98 .sonaar-grid .album { padding: 0px;} #sonaar_music_58 #sonaar_music_98 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_58 #sonaar_music_98 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_58 #sonaar_music_98 .sonaar-grid { justify-content: center; } #sonaar_music_58 #sonaar_music_98 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_58 #sonaar_music_98 .playlist, #sonaar_music_58 #sonaar_music_98 .buttons-block { width: 100%; } #sonaar_music_58 #sonaar_music_98 .playlist { margin: 0px; } #sonaar_music_58 #sonaar_music_98 .srp_tracklist { margin: 0px; } #sonaar_music_58 #sonaar_music_98 .sr_it-playlist-title, #sonaar_music_58 #sonaar_music_98 .sr_it-playlist-artists, #sonaar_music_58 #sonaar_music_98 .srp_subtitle { text-align: left; } #sonaar_music_58 #sonaar_music_98 .sr_it-playlist-title, #sonaar_music_58 #sonaar_music_98 .sr_it-playlist-artists, #sonaar_music_58 #sonaar_music_98 .srp_subtitle { margin-left: 0px; } #sonaar_music_58 #sonaar_music_98 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_58 #sonaar_music_98 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_58 #sonaar_music_98 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_58 #sonaar_music_98 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_58 #sonaar_music_98 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_58 #sonaar_music_98 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_58 #sonaar_music_98 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_58 #sonaar_music_98 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_58 #sonaar_music_98 .album-player .control { top: 0px; position: relative; } #sonaar_music_58 #sonaar_music_98 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_58 #sonaar_music_98 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_58 #sonaar_music_98 .srp-play-circle { border-width: 6px; } #sonaar_music_58 #sonaar_music_98 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be277a3bdc8 srp_player_params_69be27b73ce13 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be277a3bdc8 srp_player_params_args_69be27b73ce13 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be277a3bdc8"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be27b73ce13"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be277a3bdc8"); setIronAudioplayers("arbitrary-instance-69be27b73ce13"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:06:18) hash: 836069c9de0bef2a9717090a51e2c5392733a827
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:07:18) hash: 17e4d00e6156552666cd59cbc09b50d54fb82ab0
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_87 #sonaar_music_58 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_87 #sonaar_music_58 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_87 #sonaar_music_58 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_87 #sonaar_music_58 .album .album-art img { border-radius: 0px;} #sonaar_music_87 #sonaar_music_58 .sonaar-grid .album { padding: 0px;} #sonaar_music_87 #sonaar_music_58 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_87 #sonaar_music_58 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_87 #sonaar_music_58 .sonaar-grid { justify-content: center; } #sonaar_music_87 #sonaar_music_58 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_87 #sonaar_music_58 .playlist, #sonaar_music_87 #sonaar_music_58 .buttons-block { width: 100%; } #sonaar_music_87 #sonaar_music_58 .playlist { margin: 0px; } #sonaar_music_87 #sonaar_music_58 .srp_tracklist { margin: 0px; } #sonaar_music_87 #sonaar_music_58 .sr_it-playlist-title, #sonaar_music_87 #sonaar_music_58 .sr_it-playlist-artists, #sonaar_music_87 #sonaar_music_58 .srp_subtitle { text-align: left; } #sonaar_music_87 #sonaar_music_58 .sr_it-playlist-title, #sonaar_music_87 #sonaar_music_58 .sr_it-playlist-artists, #sonaar_music_87 #sonaar_music_58 .srp_subtitle { margin-left: 0px; } #sonaar_music_87 #sonaar_music_58 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_87 #sonaar_music_58 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_87 #sonaar_music_58 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_87 #sonaar_music_58 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_87 #sonaar_music_58 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_87 #sonaar_music_58 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_87 #sonaar_music_58 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_87 #sonaar_music_58 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_87 #sonaar_music_58 .album-player .control { top: 0px; position: relative; } #sonaar_music_87 #sonaar_music_58 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_87 #sonaar_music_58 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_87 #sonaar_music_58 .srp-play-circle { border-width: 6px; } #sonaar_music_87 #sonaar_music_58 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be273f04cc9 srp_player_params_69be277a3bdc8 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be273f04cc9 srp_player_params_args_69be277a3bdc8 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be273f04cc9"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be277a3bdc8"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be273f04cc9"); setIronAudioplayers("arbitrary-instance-69be277a3bdc8"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:05:18) hash: 5aaf03c40604870feae1b1383d2360cc61318dda
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:06:18) hash: 836069c9de0bef2a9717090a51e2c5392733a827
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_86 #sonaar_music_87 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_86 #sonaar_music_87 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_86 #sonaar_music_87 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_86 #sonaar_music_87 .album .album-art img { border-radius: 0px;} #sonaar_music_86 #sonaar_music_87 .sonaar-grid .album { padding: 0px;} #sonaar_music_86 #sonaar_music_87 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_86 #sonaar_music_87 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_86 #sonaar_music_87 .sonaar-grid { justify-content: center; } #sonaar_music_86 #sonaar_music_87 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_86 #sonaar_music_87 .playlist, #sonaar_music_86 #sonaar_music_87 .buttons-block { width: 100%; } #sonaar_music_86 #sonaar_music_87 .playlist { margin: 0px; } #sonaar_music_86 #sonaar_music_87 .srp_tracklist { margin: 0px; } #sonaar_music_86 #sonaar_music_87 .sr_it-playlist-title, #sonaar_music_86 #sonaar_music_87 .sr_it-playlist-artists, #sonaar_music_86 #sonaar_music_87 .srp_subtitle { text-align: left; } #sonaar_music_86 #sonaar_music_87 .sr_it-playlist-title, #sonaar_music_86 #sonaar_music_87 .sr_it-playlist-artists, #sonaar_music_86 #sonaar_music_87 .srp_subtitle { margin-left: 0px; } #sonaar_music_86 #sonaar_music_87 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_86 #sonaar_music_87 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_86 #sonaar_music_87 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_86 #sonaar_music_87 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_86 #sonaar_music_87 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_86 #sonaar_music_87 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_86 #sonaar_music_87 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_86 #sonaar_music_87 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_86 #sonaar_music_87 .album-player .control { top: 0px; position: relative; } #sonaar_music_86 #sonaar_music_87 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_86 #sonaar_music_87 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_86 #sonaar_music_87 .srp-play-circle { border-width: 6px; } #sonaar_music_86 #sonaar_music_87 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be270274619 srp_player_params_69be273f04cc9 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be270274619 srp_player_params_args_69be273f04cc9 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be270274619"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be273f04cc9"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be270274619"); setIronAudioplayers("arbitrary-instance-69be273f04cc9"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:04:19) hash: c041f012fb725e38ca40c0780459444cf3bfd6ff
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:05:18) hash: 5aaf03c40604870feae1b1383d2360cc61318dda
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_68 #sonaar_music_86 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_68 #sonaar_music_86 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_68 #sonaar_music_86 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_68 #sonaar_music_86 .album .album-art img { border-radius: 0px;} #sonaar_music_68 #sonaar_music_86 .sonaar-grid .album { padding: 0px;} #sonaar_music_68 #sonaar_music_86 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_68 #sonaar_music_86 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_68 #sonaar_music_86 .sonaar-grid { justify-content: center; } #sonaar_music_68 #sonaar_music_86 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_68 #sonaar_music_86 .playlist, #sonaar_music_68 #sonaar_music_86 .buttons-block { width: 100%; } #sonaar_music_68 #sonaar_music_86 .playlist { margin: 0px; } #sonaar_music_68 #sonaar_music_86 .srp_tracklist { margin: 0px; } #sonaar_music_68 #sonaar_music_86 .sr_it-playlist-title, #sonaar_music_68 #sonaar_music_86 .sr_it-playlist-artists, #sonaar_music_68 #sonaar_music_86 .srp_subtitle { text-align: left; } #sonaar_music_68 #sonaar_music_86 .sr_it-playlist-title, #sonaar_music_68 #sonaar_music_86 .sr_it-playlist-artists, #sonaar_music_68 #sonaar_music_86 .srp_subtitle { margin-left: 0px; } #sonaar_music_68 #sonaar_music_86 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_68 #sonaar_music_86 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_68 #sonaar_music_86 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_68 #sonaar_music_86 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_68 #sonaar_music_86 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_68 #sonaar_music_86 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_68 #sonaar_music_86 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_68 #sonaar_music_86 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_68 #sonaar_music_86 .album-player .control { top: 0px; position: relative; } #sonaar_music_68 #sonaar_music_86 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_68 #sonaar_music_86 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_68 #sonaar_music_86 .srp-play-circle { border-width: 6px; } #sonaar_music_68 #sonaar_music_86 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be26c8193fe srp_player_params_69be270274619 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be26c8193fe srp_player_params_args_69be270274619 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be26c8193fe"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be270274619"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be26c8193fe"); setIronAudioplayers("arbitrary-instance-69be270274619"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:03:22) hash: 13507669dde5e4d53ba25cfcce643125bef8f15c
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:04:19) hash: c041f012fb725e38ca40c0780459444cf3bfd6ff
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_47 #sonaar_music_68 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_47 #sonaar_music_68 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_47 #sonaar_music_68 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_47 #sonaar_music_68 .album .album-art img { border-radius: 0px;} #sonaar_music_47 #sonaar_music_68 .sonaar-grid .album { padding: 0px;} #sonaar_music_47 #sonaar_music_68 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_47 #sonaar_music_68 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_47 #sonaar_music_68 .sonaar-grid { justify-content: center; } #sonaar_music_47 #sonaar_music_68 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_47 #sonaar_music_68 .playlist, #sonaar_music_47 #sonaar_music_68 .buttons-block { width: 100%; } #sonaar_music_47 #sonaar_music_68 .playlist { margin: 0px; } #sonaar_music_47 #sonaar_music_68 .srp_tracklist { margin: 0px; } #sonaar_music_47 #sonaar_music_68 .sr_it-playlist-title, #sonaar_music_47 #sonaar_music_68 .sr_it-playlist-artists, #sonaar_music_47 #sonaar_music_68 .srp_subtitle { text-align: left; } #sonaar_music_47 #sonaar_music_68 .sr_it-playlist-title, #sonaar_music_47 #sonaar_music_68 .sr_it-playlist-artists, #sonaar_music_47 #sonaar_music_68 .srp_subtitle { margin-left: 0px; } #sonaar_music_47 #sonaar_music_68 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_47 #sonaar_music_68 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_47 #sonaar_music_68 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_47 #sonaar_music_68 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_47 #sonaar_music_68 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_47 #sonaar_music_68 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_47 #sonaar_music_68 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_47 #sonaar_music_68 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_47 #sonaar_music_68 .album-player .control { top: 0px; position: relative; } #sonaar_music_47 #sonaar_music_68 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_47 #sonaar_music_68 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_47 #sonaar_music_68 .srp-play-circle { border-width: 6px; } #sonaar_music_47 #sonaar_music_68 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be268e13d14 srp_player_params_69be26c8193fe = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be268e13d14 srp_player_params_args_69be26c8193fe = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be268e13d14"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be26c8193fe"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be268e13d14"); setIronAudioplayers("arbitrary-instance-69be26c8193fe"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:02:18) hash: e309376c644a3085ed934e1ea3013c9db6aa7602
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:03:22) hash: 13507669dde5e4d53ba25cfcce643125bef8f15c
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_17 #sonaar_music_47 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_17 #sonaar_music_47 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_17 #sonaar_music_47 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_17 #sonaar_music_47 .album .album-art img { border-radius: 0px;} #sonaar_music_17 #sonaar_music_47 .sonaar-grid .album { padding: 0px;} #sonaar_music_17 #sonaar_music_47 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_17 #sonaar_music_47 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_17 #sonaar_music_47 .sonaar-grid { justify-content: center; } #sonaar_music_17 #sonaar_music_47 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_17 #sonaar_music_47 .playlist, #sonaar_music_17 #sonaar_music_47 .buttons-block { width: 100%; } #sonaar_music_17 #sonaar_music_47 .playlist { margin: 0px; } #sonaar_music_17 #sonaar_music_47 .srp_tracklist { margin: 0px; } #sonaar_music_17 #sonaar_music_47 .sr_it-playlist-title, #sonaar_music_17 #sonaar_music_47 .sr_it-playlist-artists, #sonaar_music_17 #sonaar_music_47 .srp_subtitle { text-align: left; } #sonaar_music_17 #sonaar_music_47 .sr_it-playlist-title, #sonaar_music_17 #sonaar_music_47 .sr_it-playlist-artists, #sonaar_music_17 #sonaar_music_47 .srp_subtitle { margin-left: 0px; } #sonaar_music_17 #sonaar_music_47 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_17 #sonaar_music_47 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_17 #sonaar_music_47 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_17 #sonaar_music_47 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_17 #sonaar_music_47 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_17 #sonaar_music_47 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_17 #sonaar_music_47 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_17 #sonaar_music_47 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_17 #sonaar_music_47 .album-player .control { top: 0px; position: relative; } #sonaar_music_17 #sonaar_music_47 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_17 #sonaar_music_47 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_17 #sonaar_music_47 .srp-play-circle { border-width: 6px; } #sonaar_music_17 #sonaar_music_47 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be264ed526e srp_player_params_69be268e13d14 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be264ed526e srp_player_params_args_69be268e13d14 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be264ed526e"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be268e13d14"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be264ed526e"); setIronAudioplayers("arbitrary-instance-69be268e13d14"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:01:24) hash: 5c52862bfead2eaf72d028968325fbf2b968fbe8
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:02:18) hash: e309376c644a3085ed934e1ea3013c9db6aa7602
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_71 #sonaar_music_17 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_71 #sonaar_music_17 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_71 #sonaar_music_17 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_71 #sonaar_music_17 .album .album-art img { border-radius: 0px;} #sonaar_music_71 #sonaar_music_17 .sonaar-grid .album { padding: 0px;} #sonaar_music_71 #sonaar_music_17 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_71 #sonaar_music_17 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_71 #sonaar_music_17 .sonaar-grid { justify-content: center; } #sonaar_music_71 #sonaar_music_17 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_71 #sonaar_music_17 .playlist, #sonaar_music_71 #sonaar_music_17 .buttons-block { width: 100%; } #sonaar_music_71 #sonaar_music_17 .playlist { margin: 0px; } #sonaar_music_71 #sonaar_music_17 .srp_tracklist { margin: 0px; } #sonaar_music_71 #sonaar_music_17 .sr_it-playlist-title, #sonaar_music_71 #sonaar_music_17 .sr_it-playlist-artists, #sonaar_music_71 #sonaar_music_17 .srp_subtitle { text-align: left; } #sonaar_music_71 #sonaar_music_17 .sr_it-playlist-title, #sonaar_music_71 #sonaar_music_17 .sr_it-playlist-artists, #sonaar_music_71 #sonaar_music_17 .srp_subtitle { margin-left: 0px; } #sonaar_music_71 #sonaar_music_17 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_71 #sonaar_music_17 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_71 #sonaar_music_17 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_71 #sonaar_music_17 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_71 #sonaar_music_17 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_71 #sonaar_music_17 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_71 #sonaar_music_17 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_71 #sonaar_music_17 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_71 #sonaar_music_17 .album-player .control { top: 0px; position: relative; } #sonaar_music_71 #sonaar_music_17 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_71 #sonaar_music_17 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_71 #sonaar_music_17 .srp-play-circle { border-width: 6px; } #sonaar_music_71 #sonaar_music_17 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2618d9a25 srp_player_params_69be264ed526e = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2618d9a25 srp_player_params_args_69be264ed526e = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2618d9a25"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be264ed526e"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2618d9a25"); setIronAudioplayers("arbitrary-instance-69be264ed526e"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 06:00:38) hash: 30c53be5529a004262fd9e6f6eb3910aa6c87b62
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:01:24) hash: 5c52862bfead2eaf72d028968325fbf2b968fbe8
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_59 #sonaar_music_71 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_59 #sonaar_music_71 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_59 #sonaar_music_71 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_59 #sonaar_music_71 .album .album-art img { border-radius: 0px;} #sonaar_music_59 #sonaar_music_71 .sonaar-grid .album { padding: 0px;} #sonaar_music_59 #sonaar_music_71 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_59 #sonaar_music_71 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_59 #sonaar_music_71 .sonaar-grid { justify-content: center; } #sonaar_music_59 #sonaar_music_71 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_59 #sonaar_music_71 .playlist, #sonaar_music_59 #sonaar_music_71 .buttons-block { width: 100%; } #sonaar_music_59 #sonaar_music_71 .playlist { margin: 0px; } #sonaar_music_59 #sonaar_music_71 .srp_tracklist { margin: 0px; } #sonaar_music_59 #sonaar_music_71 .sr_it-playlist-title, #sonaar_music_59 #sonaar_music_71 .sr_it-playlist-artists, #sonaar_music_59 #sonaar_music_71 .srp_subtitle { text-align: left; } #sonaar_music_59 #sonaar_music_71 .sr_it-playlist-title, #sonaar_music_59 #sonaar_music_71 .sr_it-playlist-artists, #sonaar_music_59 #sonaar_music_71 .srp_subtitle { margin-left: 0px; } #sonaar_music_59 #sonaar_music_71 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_59 #sonaar_music_71 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_59 #sonaar_music_71 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_59 #sonaar_music_71 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_59 #sonaar_music_71 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_59 #sonaar_music_71 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_59 #sonaar_music_71 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_59 #sonaar_music_71 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_59 #sonaar_music_71 .album-player .control { top: 0px; position: relative; } #sonaar_music_59 #sonaar_music_71 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_59 #sonaar_music_71 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_59 #sonaar_music_71 .srp-play-circle { border-width: 6px; } #sonaar_music_59 #sonaar_music_71 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be25ea93be8 srp_player_params_69be2618d9a25 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be25ea93be8 srp_player_params_args_69be2618d9a25 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be25ea93be8"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2618d9a25"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be25ea93be8"); setIronAudioplayers("arbitrary-instance-69be2618d9a25"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:59:36) hash: 99ad30f640c6c6e731436232d250c2a05be0e4dc
To 2025-08-23 09:19:40 (discovered: 2026-03-21 06:00:38) hash: 30c53be5529a004262fd9e6f6eb3910aa6c87b62
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_29 #sonaar_music_59 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_29 #sonaar_music_59 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_29 #sonaar_music_59 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_29 #sonaar_music_59 .album .album-art img { border-radius: 0px;} #sonaar_music_29 #sonaar_music_59 .sonaar-grid .album { padding: 0px;} #sonaar_music_29 #sonaar_music_59 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_29 #sonaar_music_59 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_29 #sonaar_music_59 .sonaar-grid { justify-content: center; } #sonaar_music_29 #sonaar_music_59 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_29 #sonaar_music_59 .playlist, #sonaar_music_29 #sonaar_music_59 .buttons-block { width: 100%; } #sonaar_music_29 #sonaar_music_59 .playlist { margin: 0px; } #sonaar_music_29 #sonaar_music_59 .srp_tracklist { margin: 0px; } #sonaar_music_29 #sonaar_music_59 .sr_it-playlist-title, #sonaar_music_29 #sonaar_music_59 .sr_it-playlist-artists, #sonaar_music_29 #sonaar_music_59 .srp_subtitle { text-align: left; } #sonaar_music_29 #sonaar_music_59 .sr_it-playlist-title, #sonaar_music_29 #sonaar_music_59 .sr_it-playlist-artists, #sonaar_music_29 #sonaar_music_59 .srp_subtitle { margin-left: 0px; } #sonaar_music_29 #sonaar_music_59 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_29 #sonaar_music_59 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_29 #sonaar_music_59 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_29 #sonaar_music_59 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_29 #sonaar_music_59 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_29 #sonaar_music_59 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_29 #sonaar_music_59 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_29 #sonaar_music_59 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_29 #sonaar_music_59 .album-player .control { top: 0px; position: relative; } #sonaar_music_29 #sonaar_music_59 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_29 #sonaar_music_59 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_29 #sonaar_music_59 .srp-play-circle { border-width: 6px; } #sonaar_music_29 #sonaar_music_59 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be25add2c70 srp_player_params_69be25ea93be8 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be25add2c70 srp_player_params_args_69be25ea93be8 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be25add2c70"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be25ea93be8"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be25add2c70"); setIronAudioplayers("arbitrary-instance-69be25ea93be8"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:58:18) hash: feb8b3a4e519f6e78a69ddfaf10ec186539d7a22
To 2025-08-23 09:19:40 (discovered: 2026-03-21 05:59:36) hash: 99ad30f640c6c6e731436232d250c2a05be0e4dc
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_49 #sonaar_music_29 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_49 #sonaar_music_29 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_49 #sonaar_music_29 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_49 #sonaar_music_29 .album .album-art img { border-radius: 0px;} #sonaar_music_49 #sonaar_music_29 .sonaar-grid .album { padding: 0px;} #sonaar_music_49 #sonaar_music_29 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_49 #sonaar_music_29 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_49 #sonaar_music_29 .sonaar-grid { justify-content: center; } #sonaar_music_49 #sonaar_music_29 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_49 #sonaar_music_29 .playlist, #sonaar_music_49 #sonaar_music_29 .buttons-block { width: 100%; } #sonaar_music_49 #sonaar_music_29 .playlist { margin: 0px; } #sonaar_music_49 #sonaar_music_29 .srp_tracklist { margin: 0px; } #sonaar_music_49 #sonaar_music_29 .sr_it-playlist-title, #sonaar_music_49 #sonaar_music_29 .sr_it-playlist-artists, #sonaar_music_49 #sonaar_music_29 .srp_subtitle { text-align: left; } #sonaar_music_49 #sonaar_music_29 .sr_it-playlist-title, #sonaar_music_49 #sonaar_music_29 .sr_it-playlist-artists, #sonaar_music_49 #sonaar_music_29 .srp_subtitle { margin-left: 0px; } #sonaar_music_49 #sonaar_music_29 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_49 #sonaar_music_29 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_49 #sonaar_music_29 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_49 #sonaar_music_29 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_49 #sonaar_music_29 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_49 #sonaar_music_29 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_49 #sonaar_music_29 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_49 #sonaar_music_29 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_49 #sonaar_music_29 .album-player .control { top: 0px; position: relative; } #sonaar_music_49 #sonaar_music_29 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_49 #sonaar_music_29 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_49 #sonaar_music_29 .srp-play-circle { border-width: 6px; } #sonaar_music_49 #sonaar_music_29 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be255f6c5b4 srp_player_params_69be25add2c70 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be255f6c5b4 srp_player_params_args_69be25add2c70 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be255f6c5b4"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be25add2c70"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be255f6c5b4"); setIronAudioplayers("arbitrary-instance-69be25add2c70"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:57:18) hash: 4c612bfbf9c2ee1a5f95c65f518b80663a2027d3
To 2025-08-23 09:19:40 (discovered: 2026-03-21 05:58:18) hash: feb8b3a4e519f6e78a69ddfaf10ec186539d7a22
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_32 #sonaar_music_49 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_32 #sonaar_music_49 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_32 #sonaar_music_49 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_32 #sonaar_music_49 .album .album-art img { border-radius: 0px;} #sonaar_music_32 #sonaar_music_49 .sonaar-grid .album { padding: 0px;} #sonaar_music_32 #sonaar_music_49 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_32 #sonaar_music_49 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_32 #sonaar_music_49 .sonaar-grid { justify-content: center; } #sonaar_music_32 #sonaar_music_49 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_32 #sonaar_music_49 .playlist, #sonaar_music_32 #sonaar_music_49 .buttons-block { width: 100%; } #sonaar_music_32 #sonaar_music_49 .playlist { margin: 0px; } #sonaar_music_32 #sonaar_music_49 .srp_tracklist { margin: 0px; } #sonaar_music_32 #sonaar_music_49 .sr_it-playlist-title, #sonaar_music_32 #sonaar_music_49 .sr_it-playlist-artists, #sonaar_music_32 #sonaar_music_49 .srp_subtitle { text-align: left; } #sonaar_music_32 #sonaar_music_49 .sr_it-playlist-title, #sonaar_music_32 #sonaar_music_49 .sr_it-playlist-artists, #sonaar_music_32 #sonaar_music_49 .srp_subtitle { margin-left: 0px; } #sonaar_music_32 #sonaar_music_49 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_32 #sonaar_music_49 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_32 #sonaar_music_49 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_32 #sonaar_music_49 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_32 #sonaar_music_49 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_32 #sonaar_music_49 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_32 #sonaar_music_49 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_32 #sonaar_music_49 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_32 #sonaar_music_49 .album-player .control { top: 0px; position: relative; } #sonaar_music_32 #sonaar_music_49 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_32 #sonaar_music_49 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_32 #sonaar_music_49 .srp-play-circle { border-width: 6px; } #sonaar_music_32 #sonaar_music_49 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2523ae710 srp_player_params_69be255f6c5b4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2523ae710 srp_player_params_args_69be255f6c5b4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2523ae710"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be255f6c5b4"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2523ae710"); setIronAudioplayers("arbitrary-instance-69be255f6c5b4"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:56:17) hash: 0b968710ed6e1caed152b8e5c64e37784a50e31e
To 2025-08-23 09:19:40 (discovered: 2026-03-21 05:57:18) hash: 4c612bfbf9c2ee1a5f95c65f518b80663a2027d3
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_97 #sonaar_music_32 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_97 #sonaar_music_32 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_97 #sonaar_music_32 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_97 #sonaar_music_32 .album .album-art img { border-radius: 0px;} #sonaar_music_97 #sonaar_music_32 .sonaar-grid .album { padding: 0px;} #sonaar_music_97 #sonaar_music_32 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_97 #sonaar_music_32 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_97 #sonaar_music_32 .sonaar-grid { justify-content: center; } #sonaar_music_97 #sonaar_music_32 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_97 #sonaar_music_32 .playlist, #sonaar_music_97 #sonaar_music_32 .buttons-block { width: 100%; } #sonaar_music_97 #sonaar_music_32 .playlist { margin: 0px; } #sonaar_music_97 #sonaar_music_32 .srp_tracklist { margin: 0px; } #sonaar_music_97 #sonaar_music_32 .sr_it-playlist-title, #sonaar_music_97 #sonaar_music_32 .sr_it-playlist-artists, #sonaar_music_97 #sonaar_music_32 .srp_subtitle { text-align: left; } #sonaar_music_97 #sonaar_music_32 .sr_it-playlist-title, #sonaar_music_97 #sonaar_music_32 .sr_it-playlist-artists, #sonaar_music_97 #sonaar_music_32 .srp_subtitle { margin-left: 0px; } #sonaar_music_97 #sonaar_music_32 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_97 #sonaar_music_32 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_97 #sonaar_music_32 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_97 #sonaar_music_32 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_97 #sonaar_music_32 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_97 #sonaar_music_32 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_97 #sonaar_music_32 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_97 #sonaar_music_32 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_97 #sonaar_music_32 .album-player .control { top: 0px; position: relative; } #sonaar_music_97 #sonaar_music_32 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_97 #sonaar_music_32 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_97 #sonaar_music_32 .srp-play-circle { border-width: 6px; } #sonaar_music_97 #sonaar_music_32 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be24e5dc520 srp_player_params_69be2523ae710 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be24e5dc520 srp_player_params_args_69be2523ae710 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be24e5dc520"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2523ae710"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be24e5dc520"); setIronAudioplayers("arbitrary-instance-69be2523ae710"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:55:18) hash: 0f621fd072a80de4c0fbd99d1c262f50392e290a
To 2025-08-23 09:19:40 (discovered: 2026-03-21 05:56:17) hash: 0b968710ed6e1caed152b8e5c64e37784a50e31e
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_84 #sonaar_music_97 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_84 #sonaar_music_97 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_84 #sonaar_music_97 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_84 #sonaar_music_97 .album .album-art img { border-radius: 0px;} #sonaar_music_84 #sonaar_music_97 .sonaar-grid .album { padding: 0px;} #sonaar_music_84 #sonaar_music_97 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_84 #sonaar_music_97 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_84 #sonaar_music_97 .sonaar-grid { justify-content: center; } #sonaar_music_84 #sonaar_music_97 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_84 #sonaar_music_97 .playlist, #sonaar_music_84 #sonaar_music_97 .buttons-block { width: 100%; } #sonaar_music_84 #sonaar_music_97 .playlist { margin: 0px; } #sonaar_music_84 #sonaar_music_97 .srp_tracklist { margin: 0px; } #sonaar_music_84 #sonaar_music_97 .sr_it-playlist-title, #sonaar_music_84 #sonaar_music_97 .sr_it-playlist-artists, #sonaar_music_84 #sonaar_music_97 .srp_subtitle { text-align: left; } #sonaar_music_84 #sonaar_music_97 .sr_it-playlist-title, #sonaar_music_84 #sonaar_music_97 .sr_it-playlist-artists, #sonaar_music_84 #sonaar_music_97 .srp_subtitle { margin-left: 0px; } #sonaar_music_84 #sonaar_music_97 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_84 #sonaar_music_97 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_84 #sonaar_music_97 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_84 #sonaar_music_97 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_84 #sonaar_music_97 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_84 #sonaar_music_97 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_84 #sonaar_music_97 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_84 #sonaar_music_97 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_84 #sonaar_music_97 .album-player .control { top: 0px; position: relative; } #sonaar_music_84 #sonaar_music_97 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_84 #sonaar_music_97 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_84 #sonaar_music_97 .srp-play-circle { border-width: 6px; } #sonaar_music_84 #sonaar_music_97 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be24aaba335 srp_player_params_69be24e5dc520 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be24aaba335 srp_player_params_args_69be24e5dc520 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be24aaba335"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be24e5dc520"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be24aaba335"); setIronAudioplayers("arbitrary-instance-69be24e5dc520"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:54:19) hash: 1e2e3c556fdf481d1e1c2f75bb05f680a84d2f23
To 2025-08-23 09:19:40 (discovered: 2026-03-21 05:55:18) hash: 0f621fd072a80de4c0fbd99d1c262f50392e290a
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_44 #sonaar_music_84 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_44 #sonaar_music_84 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_44 #sonaar_music_84 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_44 #sonaar_music_84 .album .album-art img { border-radius: 0px;} #sonaar_music_44 #sonaar_music_84 .sonaar-grid .album { padding: 0px;} #sonaar_music_44 #sonaar_music_84 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_44 #sonaar_music_84 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_44 #sonaar_music_84 .sonaar-grid { justify-content: center; } #sonaar_music_44 #sonaar_music_84 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_44 #sonaar_music_84 .playlist, #sonaar_music_44 #sonaar_music_84 .buttons-block { width: 100%; } #sonaar_music_44 #sonaar_music_84 .playlist { margin: 0px; } #sonaar_music_44 #sonaar_music_84 .srp_tracklist { margin: 0px; } #sonaar_music_44 #sonaar_music_84 .sr_it-playlist-title, #sonaar_music_44 #sonaar_music_84 .sr_it-playlist-artists, #sonaar_music_44 #sonaar_music_84 .srp_subtitle { text-align: left; } #sonaar_music_44 #sonaar_music_84 .sr_it-playlist-title, #sonaar_music_44 #sonaar_music_84 .sr_it-playlist-artists, #sonaar_music_44 #sonaar_music_84 .srp_subtitle { margin-left: 0px; } #sonaar_music_44 #sonaar_music_84 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_44 #sonaar_music_84 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_44 #sonaar_music_84 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_44 #sonaar_music_84 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_44 #sonaar_music_84 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_44 #sonaar_music_84 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_44 #sonaar_music_84 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_44 #sonaar_music_84 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_44 #sonaar_music_84 .album-player .control { top: 0px; position: relative; } #sonaar_music_44 #sonaar_music_84 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_44 #sonaar_music_84 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_44 #sonaar_music_84 .srp-play-circle { border-width: 6px; } #sonaar_music_44 #sonaar_music_84 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be246f4baef srp_player_params_69be24aaba335 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be246f4baef srp_player_params_args_69be24aaba335 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be246f4baef"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be24aaba335"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be246f4baef"); setIronAudioplayers("arbitrary-instance-69be24aaba335"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:53:18) hash: 1ccdae4565814e9ab1bfa6fa4b1a6319bf71f201
To 2025-08-23 09:19:40 (discovered: 2026-03-21 05:54:19) hash: 1e2e3c556fdf481d1e1c2f75bb05f680a84d2f23
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_73 #sonaar_music_44 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_73 #sonaar_music_44 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_73 #sonaar_music_44 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_73 #sonaar_music_44 .album .album-art img { border-radius: 0px;} #sonaar_music_73 #sonaar_music_44 .sonaar-grid .album { padding: 0px;} #sonaar_music_73 #sonaar_music_44 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_73 #sonaar_music_44 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_73 #sonaar_music_44 .sonaar-grid { justify-content: center; } #sonaar_music_73 #sonaar_music_44 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_73 #sonaar_music_44 .playlist, #sonaar_music_73 #sonaar_music_44 .buttons-block { width: 100%; } #sonaar_music_73 #sonaar_music_44 .playlist { margin: 0px; } #sonaar_music_73 #sonaar_music_44 .srp_tracklist { margin: 0px; } #sonaar_music_73 #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_73 #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_73 #sonaar_music_44 .srp_subtitle { text-align: left; } #sonaar_music_73 #sonaar_music_44 .sr_it-playlist-title, #sonaar_music_73 #sonaar_music_44 .sr_it-playlist-artists, #sonaar_music_73 #sonaar_music_44 .srp_subtitle { margin-left: 0px; } #sonaar_music_73 #sonaar_music_44 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_73 #sonaar_music_44 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_73 #sonaar_music_44 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_73 #sonaar_music_44 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_73 #sonaar_music_44 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_73 #sonaar_music_44 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_73 #sonaar_music_44 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_73 #sonaar_music_44 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_73 #sonaar_music_44 .album-player .control { top: 0px; position: relative; } #sonaar_music_73 #sonaar_music_44 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_73 #sonaar_music_44 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_73 #sonaar_music_44 .srp-play-circle { border-width: 6px; } #sonaar_music_73 #sonaar_music_44 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2432e60ac srp_player_params_69be246f4baef = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2432e60ac srp_player_params_args_69be246f4baef = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2432e60ac"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be246f4baef"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2432e60ac"); setIronAudioplayers("arbitrary-instance-69be246f4baef"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:52:18) hash: aba0650f3d6cfb7439d5f0bf92a4333bd7f7190c
To 2025-08-23 09:19:40 (discovered: 2026-03-21 05:53:18) hash: 1ccdae4565814e9ab1bfa6fa4b1a6319bf71f201
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_56 #sonaar_music_73 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_56 #sonaar_music_73 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_56 #sonaar_music_73 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_56 #sonaar_music_73 .album .album-art img { border-radius: 0px;} #sonaar_music_56 #sonaar_music_73 .sonaar-grid .album { padding: 0px;} #sonaar_music_56 #sonaar_music_73 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_56 #sonaar_music_73 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_56 #sonaar_music_73 .sonaar-grid { justify-content: center; } #sonaar_music_56 #sonaar_music_73 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_56 #sonaar_music_73 .playlist, #sonaar_music_56 #sonaar_music_73 .buttons-block { width: 100%; } #sonaar_music_56 #sonaar_music_73 .playlist { margin: 0px; } #sonaar_music_56 #sonaar_music_73 .srp_tracklist { margin: 0px; } #sonaar_music_56 #sonaar_music_73 .sr_it-playlist-title, #sonaar_music_56 #sonaar_music_73 .sr_it-playlist-artists, #sonaar_music_56 #sonaar_music_73 .srp_subtitle { text-align: left; } #sonaar_music_56 #sonaar_music_73 .sr_it-playlist-title, #sonaar_music_56 #sonaar_music_73 .sr_it-playlist-artists, #sonaar_music_56 #sonaar_music_73 .srp_subtitle { margin-left: 0px; } #sonaar_music_56 #sonaar_music_73 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_56 #sonaar_music_73 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_56 #sonaar_music_73 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_56 #sonaar_music_73 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_56 #sonaar_music_73 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_56 #sonaar_music_73 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_56 #sonaar_music_73 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_56 #sonaar_music_73 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_56 #sonaar_music_73 .album-player .control { top: 0px; position: relative; } #sonaar_music_56 #sonaar_music_73 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_56 #sonaar_music_73 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_56 #sonaar_music_73 .srp-play-circle { border-width: 6px; } #sonaar_music_56 #sonaar_music_73 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be23f6e5b07 srp_player_params_69be2432e60ac = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be23f6e5b07 srp_player_params_args_69be2432e60ac = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be23f6e5b07"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2432e60ac"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be23f6e5b07"); setIronAudioplayers("arbitrary-instance-69be2432e60ac"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:51:17) hash: 989512f6d3083f0b5c85362b63a31bc9c23066c9
To 2025-08-23 09:19:40 (discovered: 2026-03-21 05:52:18) hash: aba0650f3d6cfb7439d5f0bf92a4333bd7f7190c
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_33 #sonaar_music_56 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_33 #sonaar_music_56 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_33 #sonaar_music_56 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_33 #sonaar_music_56 .album .album-art img { border-radius: 0px;} #sonaar_music_33 #sonaar_music_56 .sonaar-grid .album { padding: 0px;} #sonaar_music_33 #sonaar_music_56 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_33 #sonaar_music_56 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_33 #sonaar_music_56 .sonaar-grid { justify-content: center; } #sonaar_music_33 #sonaar_music_56 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_33 #sonaar_music_56 .playlist, #sonaar_music_33 #sonaar_music_56 .buttons-block { width: 100%; } #sonaar_music_33 #sonaar_music_56 .playlist { margin: 0px; } #sonaar_music_33 #sonaar_music_56 .srp_tracklist { margin: 0px; } #sonaar_music_33 #sonaar_music_56 .sr_it-playlist-title, #sonaar_music_33 #sonaar_music_56 .sr_it-playlist-artists, #sonaar_music_33 #sonaar_music_56 .srp_subtitle { text-align: left; } #sonaar_music_33 #sonaar_music_56 .sr_it-playlist-title, #sonaar_music_33 #sonaar_music_56 .sr_it-playlist-artists, #sonaar_music_33 #sonaar_music_56 .srp_subtitle { margin-left: 0px; } #sonaar_music_33 #sonaar_music_56 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_33 #sonaar_music_56 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_33 #sonaar_music_56 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_33 #sonaar_music_56 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_33 #sonaar_music_56 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_33 #sonaar_music_56 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_33 #sonaar_music_56 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_33 #sonaar_music_56 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_33 #sonaar_music_56 .album-player .control { top: 0px; position: relative; } #sonaar_music_33 #sonaar_music_56 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_33 #sonaar_music_56 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_33 #sonaar_music_56 .srp-play-circle { border-width: 6px; } #sonaar_music_33 #sonaar_music_56 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be23ba85f49 srp_player_params_69be23f6e5b07 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be23ba85f49 srp_player_params_args_69be23f6e5b07 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be23ba85f49"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be23f6e5b07"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be23ba85f49"); setIronAudioplayers("arbitrary-instance-69be23f6e5b07"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:50:17) hash: 33f2e435cfe4f0406436160eaeba23706218b9f4
To 2025-08-23 09:19:40 (discovered: 2026-03-21 05:51:17) hash: 989512f6d3083f0b5c85362b63a31bc9c23066c9
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_10 #sonaar_music_33 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_10 #sonaar_music_33 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_10 #sonaar_music_33 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_10 #sonaar_music_33 .album .album-art img { border-radius: 0px;} #sonaar_music_10 #sonaar_music_33 .sonaar-grid .album { padding: 0px;} #sonaar_music_10 #sonaar_music_33 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_10 #sonaar_music_33 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_10 #sonaar_music_33 .sonaar-grid { justify-content: center; } #sonaar_music_10 #sonaar_music_33 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_10 #sonaar_music_33 .playlist, #sonaar_music_10 #sonaar_music_33 .buttons-block { width: 100%; } #sonaar_music_10 #sonaar_music_33 .playlist { margin: 0px; } #sonaar_music_10 #sonaar_music_33 .srp_tracklist { margin: 0px; } #sonaar_music_10 #sonaar_music_33 .sr_it-playlist-title, #sonaar_music_10 #sonaar_music_33 .sr_it-playlist-artists, #sonaar_music_10 #sonaar_music_33 .srp_subtitle { text-align: left; } #sonaar_music_10 #sonaar_music_33 .sr_it-playlist-title, #sonaar_music_10 #sonaar_music_33 .sr_it-playlist-artists, #sonaar_music_10 #sonaar_music_33 .srp_subtitle { margin-left: 0px; } #sonaar_music_10 #sonaar_music_33 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_10 #sonaar_music_33 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_10 #sonaar_music_33 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_10 #sonaar_music_33 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_10 #sonaar_music_33 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_10 #sonaar_music_33 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_10 #sonaar_music_33 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_10 #sonaar_music_33 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_10 #sonaar_music_33 .album-player .control { top: 0px; position: relative; } #sonaar_music_10 #sonaar_music_33 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_10 #sonaar_music_33 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_10 #sonaar_music_33 .srp-play-circle { border-width: 6px; } #sonaar_music_10 #sonaar_music_33 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be237e8cd35 srp_player_params_69be23ba85f49 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be237e8cd35 srp_player_params_args_69be23ba85f49 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be237e8cd35"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be23ba85f49"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be237e8cd35"); setIronAudioplayers("arbitrary-instance-69be23ba85f49"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:49:19) hash: f1b4053f0235a8a592ed1581db7d9926f41277f0
To 2025-08-23 09:19:40 (discovered: 2026-03-21 05:50:17) hash: 33f2e435cfe4f0406436160eaeba23706218b9f4
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_92 #sonaar_music_10 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_92 #sonaar_music_10 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_92 #sonaar_music_10 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_92 #sonaar_music_10 .album .album-art img { border-radius: 0px;} #sonaar_music_92 #sonaar_music_10 .sonaar-grid .album { padding: 0px;} #sonaar_music_92 #sonaar_music_10 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_92 #sonaar_music_10 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_92 #sonaar_music_10 .sonaar-grid { justify-content: center; } #sonaar_music_92 #sonaar_music_10 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_92 #sonaar_music_10 .playlist, #sonaar_music_92 #sonaar_music_10 .buttons-block { width: 100%; } #sonaar_music_92 #sonaar_music_10 .playlist { margin: 0px; } #sonaar_music_92 #sonaar_music_10 .srp_tracklist { margin: 0px; } #sonaar_music_92 #sonaar_music_10 .sr_it-playlist-title, #sonaar_music_92 #sonaar_music_10 .sr_it-playlist-artists, #sonaar_music_92 #sonaar_music_10 .srp_subtitle { text-align: left; } #sonaar_music_92 #sonaar_music_10 .sr_it-playlist-title, #sonaar_music_92 #sonaar_music_10 .sr_it-playlist-artists, #sonaar_music_92 #sonaar_music_10 .srp_subtitle { margin-left: 0px; } #sonaar_music_92 #sonaar_music_10 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_92 #sonaar_music_10 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_92 #sonaar_music_10 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_92 #sonaar_music_10 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_92 #sonaar_music_10 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_92 #sonaar_music_10 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_92 #sonaar_music_10 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_92 #sonaar_music_10 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_92 #sonaar_music_10 .album-player .control { top: 0px; position: relative; } #sonaar_music_92 #sonaar_music_10 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_92 #sonaar_music_10 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_92 #sonaar_music_10 .srp-play-circle { border-width: 6px; } #sonaar_music_92 #sonaar_music_10 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be234493102 srp_player_params_69be237e8cd35 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be234493102 srp_player_params_args_69be237e8cd35 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be234493102"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be237e8cd35"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be234493102"); setIronAudioplayers("arbitrary-instance-69be237e8cd35"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:48:36) hash: 7dcb0befe4a4f3e39fbdd5f5660a971a69992349
To 2025-08-23 09:19:40 (discovered: 2026-03-21 05:49:19) hash: f1b4053f0235a8a592ed1581db7d9926f41277f0
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_82 #sonaar_music_92 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_82 #sonaar_music_92 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_82 #sonaar_music_92 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_82 #sonaar_music_92 .album .album-art img { border-radius: 0px;} #sonaar_music_82 #sonaar_music_92 .sonaar-grid .album { padding: 0px;} #sonaar_music_82 #sonaar_music_92 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_82 #sonaar_music_92 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_82 #sonaar_music_92 .sonaar-grid { justify-content: center; } #sonaar_music_82 #sonaar_music_92 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_82 #sonaar_music_92 .playlist, #sonaar_music_82 #sonaar_music_92 .buttons-block { width: 100%; } #sonaar_music_82 #sonaar_music_92 .playlist { margin: 0px; } #sonaar_music_82 #sonaar_music_92 .srp_tracklist { margin: 0px; } #sonaar_music_82 #sonaar_music_92 .sr_it-playlist-title, #sonaar_music_82 #sonaar_music_92 .sr_it-playlist-artists, #sonaar_music_82 #sonaar_music_92 .srp_subtitle { text-align: left; } #sonaar_music_82 #sonaar_music_92 .sr_it-playlist-title, #sonaar_music_82 #sonaar_music_92 .sr_it-playlist-artists, #sonaar_music_82 #sonaar_music_92 .srp_subtitle { margin-left: 0px; } #sonaar_music_82 #sonaar_music_92 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_82 #sonaar_music_92 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_82 #sonaar_music_92 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_82 #sonaar_music_92 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_82 #sonaar_music_92 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_82 #sonaar_music_92 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_82 #sonaar_music_92 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_82 #sonaar_music_92 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_82 #sonaar_music_92 .album-player .control { top: 0px; position: relative; } #sonaar_music_82 #sonaar_music_92 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_82 #sonaar_music_92 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_82 #sonaar_music_92 .srp-play-circle { border-width: 6px; } #sonaar_music_82 #sonaar_music_92 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be230678e12 srp_player_params_69be234493102 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be230678e12 srp_player_params_args_69be234493102 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be230678e12"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be234493102"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be230678e12"); setIronAudioplayers("arbitrary-instance-69be234493102"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:47:17) hash: 639a4902301a329c99538dde17f7fe5132219b07
To 2025-08-23 09:19:40 (discovered: 2026-03-21 05:48:36) hash: 7dcb0befe4a4f3e39fbdd5f5660a971a69992349
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_86 #sonaar_music_82 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_86 #sonaar_music_82 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_86 #sonaar_music_82 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_86 #sonaar_music_82 .album .album-art img { border-radius: 0px;} #sonaar_music_86 #sonaar_music_82 .sonaar-grid .album { padding: 0px;} #sonaar_music_86 #sonaar_music_82 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_86 #sonaar_music_82 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_86 #sonaar_music_82 .sonaar-grid { justify-content: center; } #sonaar_music_86 #sonaar_music_82 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_86 #sonaar_music_82 .playlist, #sonaar_music_86 #sonaar_music_82 .buttons-block { width: 100%; } #sonaar_music_86 #sonaar_music_82 .playlist { margin: 0px; } #sonaar_music_86 #sonaar_music_82 .srp_tracklist { margin: 0px; } #sonaar_music_86 #sonaar_music_82 .sr_it-playlist-title, #sonaar_music_86 #sonaar_music_82 .sr_it-playlist-artists, #sonaar_music_86 #sonaar_music_82 .srp_subtitle { text-align: left; } #sonaar_music_86 #sonaar_music_82 .sr_it-playlist-title, #sonaar_music_86 #sonaar_music_82 .sr_it-playlist-artists, #sonaar_music_86 #sonaar_music_82 .srp_subtitle { margin-left: 0px; } #sonaar_music_86 #sonaar_music_82 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_86 #sonaar_music_82 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_86 #sonaar_music_82 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_86 #sonaar_music_82 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_86 #sonaar_music_82 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_86 #sonaar_music_82 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_86 #sonaar_music_82 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_86 #sonaar_music_82 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_86 #sonaar_music_82 .album-player .control { top: 0px; position: relative; } #sonaar_music_86 #sonaar_music_82 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_86 #sonaar_music_82 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_86 #sonaar_music_82 .srp-play-circle { border-width: 6px; } #sonaar_music_86 #sonaar_music_82 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be22c9b74a8 srp_player_params_69be230678e12 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be22c9b74a8 srp_player_params_args_69be230678e12 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be22c9b74a8"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be230678e12"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be22c9b74a8"); setIronAudioplayers("arbitrary-instance-69be230678e12"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:46:17) hash: c3e2ab14504a4bb375d28adb80b4c78fcb1a23b6
To 2025-08-23 09:19:40 (discovered: 2026-03-21 05:47:17) hash: 639a4902301a329c99538dde17f7fe5132219b07
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_61 #sonaar_music_86 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_61 #sonaar_music_86 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_61 #sonaar_music_86 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_61 #sonaar_music_86 .album .album-art img { border-radius: 0px;} #sonaar_music_61 #sonaar_music_86 .sonaar-grid .album { padding: 0px;} #sonaar_music_61 #sonaar_music_86 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_61 #sonaar_music_86 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_61 #sonaar_music_86 .sonaar-grid { justify-content: center; } #sonaar_music_61 #sonaar_music_86 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_61 #sonaar_music_86 .playlist, #sonaar_music_61 #sonaar_music_86 .buttons-block { width: 100%; } #sonaar_music_61 #sonaar_music_86 .playlist { margin: 0px; } #sonaar_music_61 #sonaar_music_86 .srp_tracklist { margin: 0px; } #sonaar_music_61 #sonaar_music_86 .sr_it-playlist-title, #sonaar_music_61 #sonaar_music_86 .sr_it-playlist-artists, #sonaar_music_61 #sonaar_music_86 .srp_subtitle { text-align: left; } #sonaar_music_61 #sonaar_music_86 .sr_it-playlist-title, #sonaar_music_61 #sonaar_music_86 .sr_it-playlist-artists, #sonaar_music_61 #sonaar_music_86 .srp_subtitle { margin-left: 0px; } #sonaar_music_61 #sonaar_music_86 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_61 #sonaar_music_86 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_61 #sonaar_music_86 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_61 #sonaar_music_86 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_61 #sonaar_music_86 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_61 #sonaar_music_86 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_61 #sonaar_music_86 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_61 #sonaar_music_86 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_61 #sonaar_music_86 .album-player .control { top: 0px; position: relative; } #sonaar_music_61 #sonaar_music_86 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_61 #sonaar_music_86 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_61 #sonaar_music_86 .srp-play-circle { border-width: 6px; } #sonaar_music_61 #sonaar_music_86 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be228e06a40 srp_player_params_69be22c9b74a8 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be228e06a40 srp_player_params_args_69be22c9b74a8 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be228e06a40"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be22c9b74a8"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be228e06a40"); setIronAudioplayers("arbitrary-instance-69be22c9b74a8"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:45:18) hash: acf87400b51a70db8a3b1c62aeea1b08af837aa1
To 2025-08-23 09:19:40 (discovered: 2026-03-21 05:46:17) hash: c3e2ab14504a4bb375d28adb80b4c78fcb1a23b6
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_90 #sonaar_music_61 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_90 #sonaar_music_61 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_90 #sonaar_music_61 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_90 #sonaar_music_61 .album .album-art img { border-radius: 0px;} #sonaar_music_90 #sonaar_music_61 .sonaar-grid .album { padding: 0px;} #sonaar_music_90 #sonaar_music_61 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_90 #sonaar_music_61 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_90 #sonaar_music_61 .sonaar-grid { justify-content: center; } #sonaar_music_90 #sonaar_music_61 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_90 #sonaar_music_61 .playlist, #sonaar_music_90 #sonaar_music_61 .buttons-block { width: 100%; } #sonaar_music_90 #sonaar_music_61 .playlist { margin: 0px; } #sonaar_music_90 #sonaar_music_61 .srp_tracklist { margin: 0px; } #sonaar_music_90 #sonaar_music_61 .sr_it-playlist-title, #sonaar_music_90 #sonaar_music_61 .sr_it-playlist-artists, #sonaar_music_90 #sonaar_music_61 .srp_subtitle { text-align: left; } #sonaar_music_90 #sonaar_music_61 .sr_it-playlist-title, #sonaar_music_90 #sonaar_music_61 .sr_it-playlist-artists, #sonaar_music_90 #sonaar_music_61 .srp_subtitle { margin-left: 0px; } #sonaar_music_90 #sonaar_music_61 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_90 #sonaar_music_61 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_90 #sonaar_music_61 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_90 #sonaar_music_61 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_90 #sonaar_music_61 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_90 #sonaar_music_61 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_90 #sonaar_music_61 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_90 #sonaar_music_61 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_90 #sonaar_music_61 .album-player .control { top: 0px; position: relative; } #sonaar_music_90 #sonaar_music_61 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_90 #sonaar_music_61 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_90 #sonaar_music_61 .srp-play-circle { border-width: 6px; } #sonaar_music_90 #sonaar_music_61 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2252ac3ce srp_player_params_69be228e06a40 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2252ac3ce srp_player_params_args_69be228e06a40 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2252ac3ce"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be228e06a40"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2252ac3ce"); setIronAudioplayers("arbitrary-instance-69be228e06a40"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:44:17) hash: da8d4c7ba0cb1901fea9abbcfdc51cf4337bd0bc
To 2025-08-23 09:19:40 (discovered: 2026-03-21 05:45:18) hash: acf87400b51a70db8a3b1c62aeea1b08af837aa1
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_94 #sonaar_music_90 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_94 #sonaar_music_90 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_94 #sonaar_music_90 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_94 #sonaar_music_90 .album .album-art img { border-radius: 0px;} #sonaar_music_94 #sonaar_music_90 .sonaar-grid .album { padding: 0px;} #sonaar_music_94 #sonaar_music_90 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_94 #sonaar_music_90 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_94 #sonaar_music_90 .sonaar-grid { justify-content: center; } #sonaar_music_94 #sonaar_music_90 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_94 #sonaar_music_90 .playlist, #sonaar_music_94 #sonaar_music_90 .buttons-block { width: 100%; } #sonaar_music_94 #sonaar_music_90 .playlist { margin: 0px; } #sonaar_music_94 #sonaar_music_90 .srp_tracklist { margin: 0px; } #sonaar_music_94 #sonaar_music_90 .sr_it-playlist-title, #sonaar_music_94 #sonaar_music_90 .sr_it-playlist-artists, #sonaar_music_94 #sonaar_music_90 .srp_subtitle { text-align: left; } #sonaar_music_94 #sonaar_music_90 .sr_it-playlist-title, #sonaar_music_94 #sonaar_music_90 .sr_it-playlist-artists, #sonaar_music_94 #sonaar_music_90 .srp_subtitle { margin-left: 0px; } #sonaar_music_94 #sonaar_music_90 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_94 #sonaar_music_90 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_94 #sonaar_music_90 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_94 #sonaar_music_90 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_94 #sonaar_music_90 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_94 #sonaar_music_90 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_94 #sonaar_music_90 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_94 #sonaar_music_90 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_94 #sonaar_music_90 .album-player .control { top: 0px; position: relative; } #sonaar_music_94 #sonaar_music_90 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_94 #sonaar_music_90 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_94 #sonaar_music_90 .srp-play-circle { border-width: 6px; } #sonaar_music_94 #sonaar_music_90 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2216401a0 srp_player_params_69be2252ac3ce = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2216401a0 srp_player_params_args_69be2252ac3ce = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2216401a0"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2252ac3ce"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2216401a0"); setIronAudioplayers("arbitrary-instance-69be2252ac3ce"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:43:18) hash: e2dd33770a1078ffb2943f4cd55e831666e0adf4
To 2025-08-23 09:19:40 (discovered: 2026-03-21 05:44:17) hash: da8d4c7ba0cb1901fea9abbcfdc51cf4337bd0bc
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_71 #sonaar_music_94 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_71 #sonaar_music_94 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_71 #sonaar_music_94 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_71 #sonaar_music_94 .album .album-art img { border-radius: 0px;} #sonaar_music_71 #sonaar_music_94 .sonaar-grid .album { padding: 0px;} #sonaar_music_71 #sonaar_music_94 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_71 #sonaar_music_94 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_71 #sonaar_music_94 .sonaar-grid { justify-content: center; } #sonaar_music_71 #sonaar_music_94 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_71 #sonaar_music_94 .playlist, #sonaar_music_71 #sonaar_music_94 .buttons-block { width: 100%; } #sonaar_music_71 #sonaar_music_94 .playlist { margin: 0px; } #sonaar_music_71 #sonaar_music_94 .srp_tracklist { margin: 0px; } #sonaar_music_71 #sonaar_music_94 .sr_it-playlist-title, #sonaar_music_71 #sonaar_music_94 .sr_it-playlist-artists, #sonaar_music_71 #sonaar_music_94 .srp_subtitle { text-align: left; } #sonaar_music_71 #sonaar_music_94 .sr_it-playlist-title, #sonaar_music_71 #sonaar_music_94 .sr_it-playlist-artists, #sonaar_music_71 #sonaar_music_94 .srp_subtitle { margin-left: 0px; } #sonaar_music_71 #sonaar_music_94 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_71 #sonaar_music_94 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_71 #sonaar_music_94 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_71 #sonaar_music_94 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_71 #sonaar_music_94 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_71 #sonaar_music_94 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_71 #sonaar_music_94 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_71 #sonaar_music_94 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_71 #sonaar_music_94 .album-player .control { top: 0px; position: relative; } #sonaar_music_71 #sonaar_music_94 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_71 #sonaar_music_94 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_71 #sonaar_music_94 .srp-play-circle { border-width: 6px; } #sonaar_music_71 #sonaar_music_94 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be21da7b894 srp_player_params_69be2216401a0 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be21da7b894 srp_player_params_args_69be2216401a0 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be21da7b894"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2216401a0"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be21da7b894"); setIronAudioplayers("arbitrary-instance-69be2216401a0"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:42:17) hash: 0f50edac5b0a624be4e25abc38bb5407329d24da
To 2025-08-23 09:19:40 (discovered: 2026-03-21 05:43:18) hash: e2dd33770a1078ffb2943f4cd55e831666e0adf4
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_30 #sonaar_music_71 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_30 #sonaar_music_71 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_30 #sonaar_music_71 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_30 #sonaar_music_71 .album .album-art img { border-radius: 0px;} #sonaar_music_30 #sonaar_music_71 .sonaar-grid .album { padding: 0px;} #sonaar_music_30 #sonaar_music_71 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_30 #sonaar_music_71 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_30 #sonaar_music_71 .sonaar-grid { justify-content: center; } #sonaar_music_30 #sonaar_music_71 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_30 #sonaar_music_71 .playlist, #sonaar_music_30 #sonaar_music_71 .buttons-block { width: 100%; } #sonaar_music_30 #sonaar_music_71 .playlist { margin: 0px; } #sonaar_music_30 #sonaar_music_71 .srp_tracklist { margin: 0px; } #sonaar_music_30 #sonaar_music_71 .sr_it-playlist-title, #sonaar_music_30 #sonaar_music_71 .sr_it-playlist-artists, #sonaar_music_30 #sonaar_music_71 .srp_subtitle { text-align: left; } #sonaar_music_30 #sonaar_music_71 .sr_it-playlist-title, #sonaar_music_30 #sonaar_music_71 .sr_it-playlist-artists, #sonaar_music_30 #sonaar_music_71 .srp_subtitle { margin-left: 0px; } #sonaar_music_30 #sonaar_music_71 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_30 #sonaar_music_71 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_30 #sonaar_music_71 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_30 #sonaar_music_71 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_30 #sonaar_music_71 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_30 #sonaar_music_71 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_30 #sonaar_music_71 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_30 #sonaar_music_71 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_30 #sonaar_music_71 .album-player .control { top: 0px; position: relative; } #sonaar_music_30 #sonaar_music_71 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_30 #sonaar_music_71 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_30 #sonaar_music_71 .srp-play-circle { border-width: 6px; } #sonaar_music_30 #sonaar_music_71 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be219e4ecd4 srp_player_params_69be21da7b894 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be219e4ecd4 srp_player_params_args_69be21da7b894 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be219e4ecd4"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be21da7b894"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be219e4ecd4"); setIronAudioplayers("arbitrary-instance-69be21da7b894"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:41:18) hash: 935e71f456e9c6ce7f08c0052b7861d00fc5e68b
To 2025-08-23 09:19:40 (discovered: 2026-03-21 05:42:17) hash: 0f50edac5b0a624be4e25abc38bb5407329d24da
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_97 #sonaar_music_30 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_97 #sonaar_music_30 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_97 #sonaar_music_30 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_97 #sonaar_music_30 .album .album-art img { border-radius: 0px;} #sonaar_music_97 #sonaar_music_30 .sonaar-grid .album { padding: 0px;} #sonaar_music_97 #sonaar_music_30 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_97 #sonaar_music_30 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_97 #sonaar_music_30 .sonaar-grid { justify-content: center; } #sonaar_music_97 #sonaar_music_30 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_97 #sonaar_music_30 .playlist, #sonaar_music_97 #sonaar_music_30 .buttons-block { width: 100%; } #sonaar_music_97 #sonaar_music_30 .playlist { margin: 0px; } #sonaar_music_97 #sonaar_music_30 .srp_tracklist { margin: 0px; } #sonaar_music_97 #sonaar_music_30 .sr_it-playlist-title, #sonaar_music_97 #sonaar_music_30 .sr_it-playlist-artists, #sonaar_music_97 #sonaar_music_30 .srp_subtitle { text-align: left; } #sonaar_music_97 #sonaar_music_30 .sr_it-playlist-title, #sonaar_music_97 #sonaar_music_30 .sr_it-playlist-artists, #sonaar_music_97 #sonaar_music_30 .srp_subtitle { margin-left: 0px; } #sonaar_music_97 #sonaar_music_30 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_97 #sonaar_music_30 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_97 #sonaar_music_30 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_97 #sonaar_music_30 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_97 #sonaar_music_30 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_97 #sonaar_music_30 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_97 #sonaar_music_30 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_97 #sonaar_music_30 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_97 #sonaar_music_30 .album-player .control { top: 0px; position: relative; } #sonaar_music_97 #sonaar_music_30 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_97 #sonaar_music_30 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_97 #sonaar_music_30 .srp-play-circle { border-width: 6px; } #sonaar_music_97 #sonaar_music_30 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be2162f0537 srp_player_params_69be219e4ecd4 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be2162f0537 srp_player_params_args_69be219e4ecd4 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2162f0537"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be219e4ecd4"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be2162f0537"); setIronAudioplayers("arbitrary-instance-69be219e4ecd4"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:40:18) hash: de0f00a2d6bd4e9441349364f27ef4c20620e851
To 2025-08-23 09:19:40 (discovered: 2026-03-21 05:41:18) hash: 935e71f456e9c6ce7f08c0052b7861d00fc5e68b
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_19 #sonaar_music_97 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_19 #sonaar_music_97 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_19 #sonaar_music_97 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_19 #sonaar_music_97 .album .album-art img { border-radius: 0px;} #sonaar_music_19 #sonaar_music_97 .sonaar-grid .album { padding: 0px;} #sonaar_music_19 #sonaar_music_97 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_19 #sonaar_music_97 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_19 #sonaar_music_97 .sonaar-grid { justify-content: center; } #sonaar_music_19 #sonaar_music_97 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_19 #sonaar_music_97 .playlist, #sonaar_music_19 #sonaar_music_97 .buttons-block { width: 100%; } #sonaar_music_19 #sonaar_music_97 .playlist { margin: 0px; } #sonaar_music_19 #sonaar_music_97 .srp_tracklist { margin: 0px; } #sonaar_music_19 #sonaar_music_97 .sr_it-playlist-title, #sonaar_music_19 #sonaar_music_97 .sr_it-playlist-artists, #sonaar_music_19 #sonaar_music_97 .srp_subtitle { text-align: left; } #sonaar_music_19 #sonaar_music_97 .sr_it-playlist-title, #sonaar_music_19 #sonaar_music_97 .sr_it-playlist-artists, #sonaar_music_19 #sonaar_music_97 .srp_subtitle { margin-left: 0px; } #sonaar_music_19 #sonaar_music_97 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_19 #sonaar_music_97 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_19 #sonaar_music_97 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_19 #sonaar_music_97 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_19 #sonaar_music_97 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_19 #sonaar_music_97 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_19 #sonaar_music_97 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_19 #sonaar_music_97 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_19 #sonaar_music_97 .album-player .control { top: 0px; position: relative; } #sonaar_music_19 #sonaar_music_97 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_19 #sonaar_music_97 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_19 #sonaar_music_97 .srp-play-circle { border-width: 6px; } #sonaar_music_19 #sonaar_music_97 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be212671d6c srp_player_params_69be2162f0537 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be212671d6c srp_player_params_args_69be2162f0537 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be212671d6c"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be2162f0537"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be212671d6c"); setIronAudioplayers("arbitrary-instance-69be2162f0537"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:39:18) hash: 329ba2e89bd282ccdb257f7e3943c511f8273a06
To 2025-08-23 09:19:40 (discovered: 2026-03-21 05:40:18) hash: de0f00a2d6bd4e9441349364f27ef4c20620e851
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_92 #sonaar_music_19 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_92 #sonaar_music_19 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_92 #sonaar_music_19 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_92 #sonaar_music_19 .album .album-art img { border-radius: 0px;} #sonaar_music_92 #sonaar_music_19 .sonaar-grid .album { padding: 0px;} #sonaar_music_92 #sonaar_music_19 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_92 #sonaar_music_19 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_92 #sonaar_music_19 .sonaar-grid { justify-content: center; } #sonaar_music_92 #sonaar_music_19 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_92 #sonaar_music_19 .playlist, #sonaar_music_92 #sonaar_music_19 .buttons-block { width: 100%; } #sonaar_music_92 #sonaar_music_19 .playlist { margin: 0px; } #sonaar_music_92 #sonaar_music_19 .srp_tracklist { margin: 0px; } #sonaar_music_92 #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_92 #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_92 #sonaar_music_19 .srp_subtitle { text-align: left; } #sonaar_music_92 #sonaar_music_19 .sr_it-playlist-title, #sonaar_music_92 #sonaar_music_19 .sr_it-playlist-artists, #sonaar_music_92 #sonaar_music_19 .srp_subtitle { margin-left: 0px; } #sonaar_music_92 #sonaar_music_19 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_92 #sonaar_music_19 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_92 #sonaar_music_19 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_92 #sonaar_music_19 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_92 #sonaar_music_19 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_92 #sonaar_music_19 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_92 #sonaar_music_19 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_92 #sonaar_music_19 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_92 #sonaar_music_19 .album-player .control { top: 0px; position: relative; } #sonaar_music_92 #sonaar_music_19 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_92 #sonaar_music_19 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_92 #sonaar_music_19 .srp-play-circle { border-width: 6px; } #sonaar_music_92 #sonaar_music_19 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be20ea5b600 srp_player_params_69be212671d6c = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be20ea5b600 srp_player_params_args_69be212671d6c = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be20ea5b600"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be212671d6c"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be20ea5b600"); setIronAudioplayers("arbitrary-instance-69be212671d6c"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
From 2025-08-23 09:19:40 (discovered: 2026-03-21 05:38:18) hash: 4f560531abf2f6c53e899141c3c9ea47ed573f4e
To 2025-08-23 09:19:40 (discovered: 2026-03-21 05:39:18) hash: 329ba2e89bd282ccdb257f7e3943c511f8273a06
Title
TMM: Bloodline is coming back as a 16 year premiere
Description
In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
Content
#sonaar_music_63 #sonaar_music_92 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_63 #sonaar_music_92 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_63 #sonaar_music_92 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_63 #sonaar_music_92 .album .album-art img { border-radius: 0px;} #sonaar_music_63 #sonaar_music_92 .sonaar-grid .album { padding: 0px;} #sonaar_music_63 #sonaar_music_92 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_63 #sonaar_music_92 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_63 #sonaar_music_92 .sonaar-grid { justify-content: center; } #sonaar_music_63 #sonaar_music_92 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_63 #sonaar_music_92 .playlist, #sonaar_music_63 #sonaar_music_92 .buttons-block { width: 100%; } #sonaar_music_63 #sonaar_music_92 .playlist { margin: 0px; } #sonaar_music_63 #sonaar_music_92 .srp_tracklist { margin: 0px; } #sonaar_music_63 #sonaar_music_92 .sr_it-playlist-title, #sonaar_music_63 #sonaar_music_92 .sr_it-playlist-artists, #sonaar_music_63 #sonaar_music_92 .srp_subtitle { text-align: left; } #sonaar_music_63 #sonaar_music_92 .sr_it-playlist-title, #sonaar_music_63 #sonaar_music_92 .sr_it-playlist-artists, #sonaar_music_63 #sonaar_music_92 .srp_subtitle { margin-left: 0px; } #sonaar_music_63 #sonaar_music_92 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_63 #sonaar_music_92 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_63 #sonaar_music_92 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_63 #sonaar_music_92 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_63 #sonaar_music_92 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_63 #sonaar_music_92 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_63 #sonaar_music_92 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_63 #sonaar_music_92 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_63 #sonaar_music_92 .album-player .control { top: 0px; position: relative; } #sonaar_music_63 #sonaar_music_92 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_63 #sonaar_music_92 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_63 #sonaar_music_92 .srp-play-circle { border-width: 6px; } #sonaar_music_63 #sonaar_music_92 .srp_search_container .srp_search { padding: 15px 15px; } 00:00 var srp_player_params_69be20aea651f srp_player_params_69be20ea5b600 = {"title":"","store_title_text":"Available now on:","albums":"37399","hide_artwork":"","sticky_player":"1","show_album_market":"1","show_track_market":"1","hide_timeline":"","titletag_soundwave":"div","titletag_playlist":"h3","show_playlist":"1","wave_color":"","wave_progress_color":"","shuffle":"","reverse_tracklist":"","searchbar":"","show_cat_description":"","track_desc_lenght":"55","strip_html_track_desc":"true","player_layout":"skin_boxed_tracklist","show_track_publish_date":"default","show_volume_bt":"default","show_miniplayer_note_bt":"default","show_speed_bt":"default","show_shuffle_bt":"default","show_repeat_bt":"default","show_skip_bt":"default","post_link":"default","cta_track_show_label":"default","show_publish_date":"default","show_tracks_count":"default","show_meta_duration":"default","hide_progressbar":"false","use_play_label":"false","use_play_label_with_icon":"false","orderby":"date","order":"DESC","main_settings":"||"} var srp_player_params_args_69be20aea651f srp_player_params_args_69be20ea5b600 = {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be20aea651f"} {"before_widget":"","after_widget":"","before_title":"","after_title":"","widget_id":"arbitrary-instance-69be20ea5b600"} if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be20aea651f"); setIronAudioplayers("arbitrary-instance-69be20ea5b600"); } In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth. After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms. Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile. Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.

Versions

  1. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:57:18 Hash: 480fd9f907ea6224d853bd0f2950db628b029bbf
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
    #sonaar_music_51 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_51 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_51 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_51 .album .album-art img { border-radius: 0px;} #sonaar_music_51 .sonaar-grid .album { padding: 0px;} #sonaar_music_51 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_51 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_51 .sonaar-grid { justify-content: center; } #sonaar_music_51 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_51 .playlist, #sonaar_music_51 .buttons-block { width: 100%; } #sonaar_music_51 .playlist { margin: 0px; } #sonaar_music_51 .srp_tracklist { margin: 0px; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { text-align: left; } #sonaar_music_51 .sr_it-playlist-title, #sonaar_music_51 .sr_it-playlist-artists, #sonaar_music_51 .srp_subtitle { margin-left: 0px; } #sonaar_music_51 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_51 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_51 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_51 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_51 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_51 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_51 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_51 .album-player .control { top: 0px; position: relative; } #sonaar_music_51 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_51 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_51 .srp-play-circle { border-width: 6px; } #sonaar_music_51 .srp_search_container .srp_search { padding: 15px 15px; }














    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  2. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:56:17 Hash: f9ef32a43f26aa668a977b6f2713aea03ccded8e
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
    #sonaar_music_79 .iron-audioplayer:not(.sonaar-no-artwork) .srp_player_grid { grid-template-columns: 160px 1fr;} #sonaar_music_79 .srp_player_boxed .album-art { width: 160px; max-width: 160px;} #sonaar_music_79 .srp_player_boxed .sonaar-Artwort-box { min-width: 160px;} #sonaar_music_79 .album .album-art img { border-radius: 0px;} #sonaar_music_79 .sonaar-grid .album { padding: 0px;} #sonaar_music_79 .srp_player_boxed .srp-play-button-label-container { padding: 7px 7px;} #sonaar_music_79 .playlist li .sr_track_cover { width: 45px; min-width: 45px;} #sonaar_music_79 .sonaar-grid { justify-content: center; } #sonaar_music_79 .sr_playlist_below_artwork_auto .sonaar-grid { align-items: center; } #sonaar_music_79 .playlist, #sonaar_music_79 .buttons-block { width: 100%; } #sonaar_music_79 .playlist { margin: 0px; } #sonaar_music_79 .srp_tracklist { margin: 0px; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { text-align: left; } #sonaar_music_79 .sr_it-playlist-title, #sonaar_music_79 .sr_it-playlist-artists, #sonaar_music_79 .srp_subtitle { margin-left: 0px; } #sonaar_music_79 .playlist li { padding-top: 8px; padding-bottom: 8px; } #sonaar_music_79 .sr-playlist-item .sricon-play:before{ font-size: 12px; } #sonaar_music_79 .track-number { padding-left: calc( 12px + 12px ); }@media (max-width: 767px){ #sonaar_music_79 .iron-audioplayer .srp_tracklist-item-date { padding-left: calc( 12px + 12px ); }} #sonaar_music_79 .ctnButton-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block { justify-content: center; align-items: center; } #sonaar_music_79 .buttons-block .store-list li .button { border-style: none; } #sonaar_music_79 .show-playlist .ctnButton-block { margin: 22px; } #sonaar_music_79 .album-player .control { top: 0px; position: relative; } #sonaar_music_79 .srp-play-button .sricon-play { font-size: 19px; } #sonaar_music_79 .srp-play-circle { height: 68px; width: 68px; border-radius: 68px; } #sonaar_music_79 .srp-play-circle { border-width: 6px; } #sonaar_music_79 .srp_search_container .srp_search { padding: 15px 15px; }














    00:00



























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    if(typeof setIronAudioplayers !== "undefined"){ setIronAudioplayers("arbitrary-instance-69be4f15c02e4"); }

    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  3. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:55:18 Hash: 7bb35d71444334218d1646c6be355493b98a2846
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  4. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:54:18 Hash: bf35cf15b9891f7f0fdc04c72124ded1b0f21425
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  5. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:53:19 Hash: f7f229cc9675f1d3bda56364fff3ecec289e76b7
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  6. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:52:18 Hash: f4c2ecd72b50cd39eb8776941a771323600826ab
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  7. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:51:18 Hash: 54c1e369cb6d3df7e152b02c19ca844461c11b00
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  8. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:50:18 Hash: 8a729c2e88b7b245ccf235520b96bc9e2583a970
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  9. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:49:22 Hash: 014d3f807e85f000bb3d34957361ba397d1b33bb
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  10. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:48:19 Hash: f0360992e977337846a62f6081322c1f8b842497
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  11. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:47:18 Hash: 1e6fe76f0514f27b30fd256f407253fb2ef20c14
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  12. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:46:18 Hash: 2bbbc02b6edb8992f0d6404f5ee683e649f44bd8
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  13. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:45:18 Hash: 9e8bc795beb2ad46cea20569665ce5e133687f59
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  14. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:44:17 Hash: 582e90a92b5f70cc0383d05249cb7376efa736f0
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  15. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:43:20 Hash: f105098bcf639af111d4f7d7f956cc0f5077d820
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  16. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:42:36 Hash: 966af8907f001fcd86c4006d84c5e712d6ca3484
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  17. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:41:18 Hash: 0068c5bbd610daa64f7e38dccd340a8415786a0a
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  18. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:40:19 Hash: 6abc412ca6f6804b344ce72654ae3f727dc0110e
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  19. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:39:18 Hash: ee580cb8a4948c5805c221f7fea34c3decb6560d
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  20. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:38:19 Hash: 12e3b66c99334f35c66279b8babae9832e23b733
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  21. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:37:18 Hash: 6a269a0b29d65d33ed002fa8e24cb0f5378937e2
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  22. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:36:19 Hash: 880999872f38de844e6d650346b61105b203b641
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  23. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:35:21 Hash: 026bb7582f09c73d361d900b5c2f7d606ff42408
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  24. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:34:17 Hash: cd702398095a661a1add10bbaf5ddeb8b7420be2
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  25. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:33:19 Hash: 79ed3d65ea9365acc0e3c2e0681807ced2897c95
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  26. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:32:18 Hash: 178be7841e2835e3499ed3b6012393e2cf00fef2
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  27. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:31:18 Hash: 286cdf57f3a0962f21adf4124ea30db1866b7e92
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  28. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:30:17 Hash: 70c82118d7df13a090f88806c9a48a788bf87021
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  29. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:29:19 Hash: d1f49a28978a2b8d9e4cfda4178eb98d03e18719
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  30. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:28:17 Hash: c5020dd3d5202535f818a07b541e3ab599a3c52b
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  31. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:27:17 Hash: f1ebdca57a27bf0939a5746a4f9bb0cff5ce22ac
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  32. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:26:18 Hash: fb104ab584104c3b176f3b9e07a9e2477fdaaac6
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  33. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:25:17 Hash: a990deac3563b552334afa74fc22540d623153fe
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  34. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:24:18 Hash: d225c27e3089d30d31922bc8f994655356833c1c
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  35. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:23:18 Hash: c656c7aedf2a0a1c427931d1bfb66e050128ecdd
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  36. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:22:23 Hash: 08ad127896fac8bdc5665150e9a658138e961db2
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  37. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:21:17 Hash: 0d63ffcce283ec392e9e471493e4efa3afe2ae1c
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  38. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:20:17 Hash: 8a25a3de66286b4a03b2437b300045cc3d330493
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  39. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:19:19 Hash: c5dd8a2a5a719c9b261ebb3539bdd4af9a5bf49e
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  40. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:18:18 Hash: c2653fe90f284749419c9c1c0c8decac6dbe96e0
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  41. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:17:18 Hash: 65136acef407b936b0d8babbfc7848e6d5505ef8
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  42. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:16:17 Hash: 9b4c23c4a5707bf1765bf6fe16fe3735c4214673
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  43. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:15:17 Hash: 86b22e537659ad651f7fdef1df1996bb184f7cc4
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  44. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:14:36 Hash: bf1a5b88d2e7951b9b9d68aad11211809421b32b
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  45. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:13:19 Hash: 578196fc37a01ac8fa1eb12227be18e3138d9dce
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  46. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:12:18 Hash: 26d1cb8b7444d4d89dc85a2cb688cc419c126e9c
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  47. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:11:21 Hash: 29716d38facc59a7aaa87f8c4bbd123280ef4ce3
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  48. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:10:18 Hash: e6d9c8a85da19c79a3af92b8202aa57d2500d59e
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  49. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:09:18 Hash: 00674c43f604ef2728e96a22da149915e9271128
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  50. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:08:18 Hash: 30a294e2d9209425c6ad214cad340448f61826d0
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  51. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:07:17 Hash: 5b9cee9bc8b46b411e802ff773a3b983610d3ed0
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  52. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:06:18 Hash: 2804a2dc5ba463306f9b3cfe63009f56b02dcd62
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  53. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:05:18 Hash: 0ce1500eb8e0585d78b783705bc062d969cd0019
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  54. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:04:17 Hash: cb7503f9fc6115a66dad54ae308deb897042ba37
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  55. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:03:18 Hash: c8ea422a0b87760ea376e5ad376a5d41af2c49d9
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  56. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:02:18 Hash: 71d503601ade0a85d9301caeacd7f505f92508a1
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  57. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:01:18 Hash: 3039811b831616d6ab34e61ab95c3a868f39e5f0
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  58. 2025-08-23 09:19:40
    Discovered: 2026-03-21 08:00:18 Hash: a53a9f31038c4afb8503d82a15382dcd4f6b1854
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  59. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:59:17 Hash: ac9ff88a43cf4417bb21a56754e505b6770e700c
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  60. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:58:19 Hash: de48201846a6e9ccba972b30edc5b30e418f020d
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  61. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:57:18 Hash: 9dd4b73bc918d588f02616ed7e46381c3ede23d3
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  62. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:56:21 Hash: 6dc51fc32e2cee4ce0554e42de1123f7ade9cb3f
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  63. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:55:18 Hash: 83e140cb267f32b229b5f8e56a4e238acdf05a38
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  64. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:54:18 Hash: e94caed6c1ab9c628599dcd8a014a0ca5c42c7d1
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  65. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:53:18 Hash: 36f0c2d1f861865d5476dc506c02e4815c2e444f
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  66. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:52:17 Hash: 7bb0ca5b2de5855e2b30bccd243a6219ce359c11
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  67. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:51:17 Hash: 04a08bfd52e3f55e591e1c83c9d14481d0c14866
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  68. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:50:18 Hash: 5c52fe7f5d3becac492dce7d690d896c92002753
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  69. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:49:18 Hash: 0cd33cadc99aaec3dc52d1c78f5054fabe964f9a
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  70. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:48:19 Hash: 1a02cd15fbf972269688b419ebdad027df7c14a9
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  71. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:47:35 Hash: 5b6f6a05b893add4f5e1b9f06368b4e21b8b6f07
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  72. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:46:18 Hash: 84e03d3d00fff64a19a98a5f27df47b88f3c2ab6
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  73. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:45:18 Hash: 1c90e7ad89c127d4cc5adb1d1e08e2a2f3282b24
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  74. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:44:17 Hash: cfa487a2ba3e100d581a9f6fd7385ca923bfc213
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  75. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:43:18 Hash: 35ab14c23a7e614dd384abddd3035adf06d6326c
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  76. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:42:18 Hash: c0be22cf4452d8534725a9e33cbe56aa83615d6e
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  77. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:41:18 Hash: e4ae9161fff5135021b4506b9499e5db89920d4b
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  78. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:40:17 Hash: d47b84077ce06a3edcc204dfeb762e022caab91b
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  79. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:39:17 Hash: 9d21be3f3549337344b4abc03f62a11aeb0e5b21
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  80. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:38:20 Hash: 2a12e0b6378a91580efc42f1c3850d207ec7fb0c
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  81. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:37:21 Hash: 41aeef7da72a98f4cff52b40f386dd9b92225198
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  82. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:36:18 Hash: bce59c5906019f57928c973a42c8b317acdf3416
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  83. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:35:17 Hash: dbbb1ac234b280606fc204aeeb398a549fca4135
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  84. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:34:36 Hash: 1998d64705cd56ee1033dc42cb1df399048b0eb5
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  85. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:33:17 Hash: d9db072660cf2e3326b73ea38945196b6aaddc39
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  86. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:32:18 Hash: ef46aad04ac31dd9e9294ad4e4faf1f63d144ca9
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  87. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:31:19 Hash: 890265de61df0059d9fbd5be2e5d6d0be02bd091
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  88. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:30:18 Hash: 31300104ebd99222d4b643a24f1c12cf55f0adef
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  89. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:29:18 Hash: 47fc9c26cd7c5893f5b50debe2b81309bace1448
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  90. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:28:18 Hash: 4c85f6763efa8e10e193552647e8385d24d535eb
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  91. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:27:18 Hash: 69935fb8725a6ab19e505c616ba577661210e232
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  92. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:26:17 Hash: 946af8bb646a0fb91ec889a8def2732df4c46aff
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  93. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:25:19 Hash: ca7e4ad23c1d65fd738afe209ed8eee101e992b9
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  94. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:24:18 Hash: 5d7fb30bd55778596f4b22b5dcd7960f94faf5f2
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  95. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:23:19 Hash: b268c4e93e96f27136a004118cbcbc9b9ca32e7d
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  96. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:22:17 Hash: 95af6255b07dce97563ef2959000cea0a3f02582
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  97. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:21:17 Hash: b85de7d12d97f1c151ce564bf4d250f233d78ece
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  98. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:20:19 Hash: d439404652c4d6b25b3b11847732d6b9f23d52e9
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  99. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:19:18 Hash: 968fb4b7dd40b53e7b12da5ebe9c8aa89786d98c
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  100. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:18:18 Hash: 201cfb7d7b8eaaf255619aa7ee1cc97c349ce805
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  101. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:17:39 Hash: 496f6702fe26882d64dd8c72cabc8425076d639d
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  102. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:16:18 Hash: 71a3099f86a99e5916c38e14be768acb6433ac1d
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  103. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:15:18 Hash: 7867f09185551994ccf5f9b07c2ceb20f239c09b
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  104. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:14:17 Hash: 2bf0478458bd9bd3ff1c933182e63fddf665fddf
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  105. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:13:19 Hash: 325bf0bcc79356702c2e559b7e6c753aa6ee389b
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  106. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:12:18 Hash: 0dcaad1bc7d8ab262a28fd5aec9edb62f4248474
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  107. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:11:18 Hash: 5d7546c5a1ad45c3292ac1bd83e57d481cb148d5
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  108. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:10:18 Hash: c82853845574b105e2a743ec4f5c76ce76683c7b
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  109. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:09:18 Hash: f8122ed2ad81376cddb9523ddbc05ad70073bcc7
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  110. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:08:19 Hash: df8ea8d5aac057d7c51d82e972c79598c8825efe
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  111. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:07:18 Hash: e47ddd897cef05f7fb3f22f682247668b46718b3
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  112. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:06:37 Hash: e61804011f330127f59a9830128810d6311e2243
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  113. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:05:21 Hash: 5f177b125dcfd2124396c8b18bb909d9cf5b8392
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  114. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:04:18 Hash: eaa45bda6d80d189ee319561b548fb48afaf7c4f
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  115. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:03:18 Hash: 9474d3c4388d131b60bf9135477b02318534e48b
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  116. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:02:18 Hash: 6baf75ba922589c8cdf96f0123a6aa39c1454fd6
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  117. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:01:17 Hash: 6013e7554dc799f5a8e79b22c5f0776794db5a87
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  118. 2025-08-23 09:19:40
    Discovered: 2026-03-21 07:00:18 Hash: dec497c42cae3f10b73f5d87fa542eaa6a2eecdf
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  119. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:59:19 Hash: 1abb113aa53ad24d0351ce6239386fb8dcddd0d5
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  120. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:58:18 Hash: d3d44e59bedb43393600e7bd3e18376d6502378e
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  121. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:57:18 Hash: 51ed98a88a03139b0594d4dc725fc0c61ff29918
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  122. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:56:17 Hash: 38fec02a2d9057b1d201856778b9674d10272e91
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  123. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:55:18 Hash: 208e5804094b56aecfe38daff4aa05b47e532e8c
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  124. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:54:35 Hash: de9754fb35a975b2de8bd60889f4b3f31bd5c91b
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  125. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:53:18 Hash: 1e0c8a4ac28110fbc0e621d1c84c286e469a6d9e
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  126. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:52:18 Hash: fda0a0794b90af495c80db0b74786543de12e1ca
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  127. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:51:18 Hash: 71e36bee117485d50cb8f9c15eca1f6745506d2c
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  128. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:50:18 Hash: 85f37ba7801e6f347e111e0d2e71210103b5a337
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  129. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:49:18 Hash: 8f89aca7eab401ba9ef53194bc5a0d3083402183
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  130. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:48:18 Hash: 129ce4abacf1412532cde475340e4dd6c78276ec
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  131. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:47:18 Hash: 5ae27f86ae7c5edb7be6945823648ae6cd7b7749
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  132. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:46:18 Hash: 0ab26a1736983140dcf8d669ea8e06457969a4bd
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  133. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:45:18 Hash: 707f903805badca45cec6dec9668074c7e4078d6
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  134. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:44:18 Hash: 0d7461c61e2fda33f9ee36f82ee1068e6d354d03
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  135. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:43:18 Hash: 3c63776231932d6305061e7119063b0ccbed9942
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  136. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:42:21 Hash: dad82e00d1fd50a744351e1fd54da1f234b24a88
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  137. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:41:19 Hash: 97ed39e8cb38d96d3201e1ff07e2b417f74c9e9d
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  138. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:40:19 Hash: 8da293b6e864d05e5f89d1ad636732bddf028410
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  139. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:39:18 Hash: 6b5a411128b84a2370d6a8d7b31ae83f94ba0414
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  140. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:38:18 Hash: 70a8ad622fce2f55a51a2b16ab1bd22453fb66c7
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  141. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:37:17 Hash: 685d93702a72afa8e792d88c0ad805038a6bddd1
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  142. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:36:17 Hash: de2d8cae8f287b408d09994e83f3127010b66fed
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  143. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:35:18 Hash: 6f451e72bc6fc6dfa3c665653755a15b0d715fd7
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  144. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:34:17 Hash: efd618b20b5655fed2067537a062976f00284cda
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  145. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:33:17 Hash: 0404cdcda51bf338f51ec1a1a43def151f20a94a
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  146. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:32:18 Hash: c36ea91d39a3231e175ff1faf2a477430fd1955d
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  147. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:31:17 Hash: 2b945674b15ee764c8428c1c79faaf60c507a94a
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  148. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:30:19 Hash: 7c780395af87210cd4557f8e17fcd887d1a23922
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  149. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:29:21 Hash: 3bb5483210e35397973479e749f01d6aec9c57e7
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  150. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:28:18 Hash: e55fba1aa017e7f43e9aadaf1966972ff897de6a
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  151. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:27:18 Hash: b2ca8a4e1287ccf3c9bfea27cdf2486010cbb2cb
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  152. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:26:18 Hash: 711c352164aa7dc40e9d20ab6a2658fb78f3bafe
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  153. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:25:17 Hash: ee998aa6336912c05a0602959712906c2cd067e8
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  154. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:24:17 Hash: ea4bc8d880a696633b2eccb74f70e7e2c45e5d94
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  155. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:23:20 Hash: 7eaa6ef78dfec5beae82971b59f6a5384ab63bd7
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  156. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:22:18 Hash: c9c5ae1f3f03fad1b953619e6d12ad2e7d30644d
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  157. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:21:18 Hash: c8e2b20c5d33da8cdc664ef8910c104cc14013f1
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  158. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:20:18 Hash: 19473bfc9b09e0347c1f690896d31a3ea28b7d81
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  159. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:19:38 Hash: a2fe97db11eb6eccfec74c82b111b894d9bdca60
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  160. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:18:17 Hash: c6cfea98782b8b03bc9217b2115cfd93a5bb437c
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  161. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:17:18 Hash: d2cf78f0cf349f5c6d5f3b46392828d7cc3ca325
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  162. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:16:19 Hash: c211e2680e4da1eca04f8296a4498c9cf53986c3
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  163. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:15:19 Hash: 984cc89f18340f0a7be53b0d6d29a5dd9da0c2e3
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  164. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:14:18 Hash: 3751c374e4da990ccc7220150d2975c62a32176b
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  165. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:13:17 Hash: 4f378e331df8c10cc6b76bffd6913df1090d1c14
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  166. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:12:18 Hash: b8ed807353e95bf7c49423985eee77dffef7ab37
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  167. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:11:19 Hash: 4ddb233bb10c3b75f7cafb17efdcffa0e7eaf8a6
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  168. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:10:18 Hash: dd2a15b9b32f08c1d3e0bb43026f3227fa6ffd8f
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  169. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:09:18 Hash: 76539cec7e91fbfe914942174cebf44c81d8f814
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  170. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:08:19 Hash: 8d34e45e86e4be79737ffc802df48b8207074727
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  171. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:07:18 Hash: 17e4d00e6156552666cd59cbc09b50d54fb82ab0
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  172. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:06:18 Hash: 836069c9de0bef2a9717090a51e2c5392733a827
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  173. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:05:18 Hash: 5aaf03c40604870feae1b1383d2360cc61318dda
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  174. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:04:19 Hash: c041f012fb725e38ca40c0780459444cf3bfd6ff
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  175. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:03:22 Hash: 13507669dde5e4d53ba25cfcce643125bef8f15c
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  176. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:02:18 Hash: e309376c644a3085ed934e1ea3013c9db6aa7602
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  177. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:01:24 Hash: 5c52862bfead2eaf72d028968325fbf2b968fbe8
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  178. 2025-08-23 09:19:40
    Discovered: 2026-03-21 06:00:38 Hash: 30c53be5529a004262fd9e6f6eb3910aa6c87b62
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  179. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:59:36 Hash: 99ad30f640c6c6e731436232d250c2a05be0e4dc
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  180. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:58:18 Hash: feb8b3a4e519f6e78a69ddfaf10ec186539d7a22
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  181. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:57:18 Hash: 4c612bfbf9c2ee1a5f95c65f518b80663a2027d3
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  182. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:56:17 Hash: 0b968710ed6e1caed152b8e5c64e37784a50e31e
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  183. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:55:18 Hash: 0f621fd072a80de4c0fbd99d1c262f50392e290a
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  184. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:54:19 Hash: 1e2e3c556fdf481d1e1c2f75bb05f680a84d2f23
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  185. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:53:18 Hash: 1ccdae4565814e9ab1bfa6fa4b1a6319bf71f201
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  186. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:52:18 Hash: aba0650f3d6cfb7439d5f0bf92a4333bd7f7190c
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  187. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:51:17 Hash: 989512f6d3083f0b5c85362b63a31bc9c23066c9
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  188. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:50:17 Hash: 33f2e435cfe4f0406436160eaeba23706218b9f4
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  189. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:49:19 Hash: f1b4053f0235a8a592ed1581db7d9926f41277f0
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  190. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:48:36 Hash: 7dcb0befe4a4f3e39fbdd5f5660a971a69992349
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  191. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:47:17 Hash: 639a4902301a329c99538dde17f7fe5132219b07
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  192. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:46:17 Hash: c3e2ab14504a4bb375d28adb80b4c78fcb1a23b6
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  193. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:45:18 Hash: acf87400b51a70db8a3b1c62aeea1b08af837aa1
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  194. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:44:17 Hash: da8d4c7ba0cb1901fea9abbcfdc51cf4337bd0bc
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  195. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:43:18 Hash: e2dd33770a1078ffb2943f4cd55e831666e0adf4
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  196. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:42:17 Hash: 0f50edac5b0a624be4e25abc38bb5407329d24da
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  197. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:41:18 Hash: 935e71f456e9c6ce7f08c0052b7861d00fc5e68b
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  198. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:40:18 Hash: de0f00a2d6bd4e9441349364f27ef4c20620e851
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  199. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:39:18 Hash: 329ba2e89bd282ccdb257f7e3943c511f8273a06
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.
  200. 2025-08-23 09:19:40
    Discovered: 2026-03-21 05:38:18 Hash: 4f560531abf2f6c53e899141c3c9ea47ed573f4e
    Title:
    TMM: Bloodline is coming back as a 16 year premiere
    Description:
    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support...
    Content
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    00:00



























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    In 2009, TMM began his first experiments with Spotify and digital music releases. For him, music production was still very much in its infancy. During the 1990s, he had worked exclusively with FastTracker (versions 1 and 2), but with support from Kristian “Miazma” Olofsson he eventually transitioned to Cakewalk and on the long road also acquired a Yamaha synth.

    After moving back home to Scania (Skåne) a few years earlier, he had been inspired by what he believed to be Digitally Imported. The idea was to recreate the type of music he had heard there, with its specific, rapid basslines. The outcome was mixed, but from these efforts the track Bloodline emerged, drawing on a quote from the 2007 film The Last Legion. Released over a three-month period in 2009, Bloodline stood alongside a few other tracks as an early experiment. Freakshow, a small mini-album, was released simultaneously and may have been intended as the foundation of a larger project, even though the music at that point was far from polished. Truth be told, Bloodline was never particularly good either, but it still marked a starting point. It also became the last track from TMM’s early catalog to find its way onto multiple streaming platforms.

    Later, TMM’s releases were removed after being confused with another artist (Spotify link) whose catalog contained dubious titles, such as “Enjoy my power dick”. Keeping the material online under those circumstances was out of the question. Filing a claim was not a real option either, since it could have led to hijacking the entire artist profile.

    Although the takedown was reluctant, it became reality on October 10, 2024 – around the same time Psychopath was re-released. Contrary to how it might look, the tracks had not been offline for 16 years, but closer to 15. Now, with the relaunch underway, the idea is that this time the artist will finally find his rightful place. The re-release is motivated less by expectations of success and more by nostalgia, by the idea of giving TMM’s early works a new, permanent home.